JAYMON AUSTRIA ADDUN BS – ARCHITECTURE 05

1. It is a comparison showing differences, the opposite of similarity.

a. rhythm b. character c. proportion d. contrast
2. The most important kind of character in architecture is that which result from the
purpose of the building or reason of erection.
a. proportion b. contrast c. functional character d. personal character
3. Most elementary means of organizing forms and spaces in architecture.
a. balance b. axis c. scale d. character
4. Characterized by an arrangement where all the part radiate from a center like the
spikes in a wheel.
a. radial b. formal c. centralized d. unsymmetrical
5. It means equality.
a. rhythm b. contrast c. formal d. balance
6. It gives a feeling of grandeur, dignity and monumentality.
a. centralized b. radial c. scale d. balance
7. When lines, planes, and surface treatments are repeated in a regular sequence.
a. balance b. rhythm c. contrast d. proportion
8. A kind of character that came from the influence of ideas and impressions related to or
growing out of past experience.
a. associated char. b. personal char. c. character d. functional char.
9. It is evident by a comparison which the eye makes between the size, shape and tone of
a various object or part of a competition.
a. proportion b. rhythm c. scale d. balance
10. Deals with the relationship between the different parts of the whole to the various
parts.
a. relative proportion b. absolute proportion c. proportion d. balance
11. It bears a certain relation to the same attribute to the life of an individual.
a. functional char. b. relative proportion c. personal char. d. balance
12. These systems are based on the dimension and proportion of the human body.
a. proportion b. balance c. anthropometric d. anthropomorphic proportion
13. The size and proportion of an element appear to have relative to other elements of
known or assumed size.
a. visual scale b. mechanical scale c. generic scale d. human scale
14. Kind of rhythm where equally spaced windows are introduced on the broken wall,
then regular repetition is presented.
a. accented rhythm b. unaccented rhythm c. rhythm of motion d. rhythm
15. The size of a building element or space relative to the dimensions and proportion of
human body.
a. generic scale b. visual scale c. human scale d. mechanical scale
16. The art and science of building design and construction.
a. architecture b. theory c. visual scale d. rhythm
17. Who said that “The magnificent display of volume put together in the light”
a. Adolf Hitler b. Frank Gehry c. Louis Kahn d. Le Corbusier
18. That which the eye identifies, the mind perceives and interprets.
a. shape b. texture c. form d. orientation
19. With respect to an observer.
a. size b. orientation c. visual inertia d. position
20. A series of form arranged in sequence in a row.
JAYMON AUSTRIA ADDUN BS – ARCHITECTURE 05

a. clustered form b. linear form c. radial form d. grid form

21. A set of modular forms related and regulated by 3D grid.
a. linear form b. radial form c. grid form d. cluster form
22. Subtracting a portion of a forms volume to create another.
a. subtracting transformation b. additive transformation
c. subtractive transformation d. dimensional transformation
23. This refer to the manner in which the surface of a form come together to define its
shape and volume.
a. articulation of form b. form
c. clustered form d. architecture
24. Who said “The will of the epoch translated into space’
a. Adolf Hitler b. Le Corbusier c. Ching d. Jamandri

25. A composition of linear forms extending outward from a central form in a radial manner.
a. linear form b. clustered form c. radial form d. centralized form
26. Architecture is generally conceived, designed and realized.
a. design process b. articulation c. form d. theory
27. A number of secondary forms clustered about a dominant, centra-perceive form.
a. linear b. clustered c. centralized d. grid form
28. One or more dimension are altered but will retain its identity.
a. subtractive b. dimensional trans. c. additive trans. d. NOTA
29. A collection of forms grouped together by proximity or the sharing of a common
visual trait.
a. grid form b. clustered form c. radial form d. linear form
30. Can be regular or irregular, primary characteristic that identifies.
a. size b. color c. orientation d. shape
31. The influential architect born in 1508 I Padua. He designed the Palazzo Chierecati,
Vicencia, Italy. Known as the grandest town residence.
a. Holland
b. Andrea di Pietro Della Gondola
c. Andrea Palladio
32. Scottish architect and designer who was prominent in the arts and crafts movement in
Great Britain.
a. Charles Mackintosh c. Peter Behrens
b. Robert Adam d. Mies Van de Rohe
33. Received the “Patnubay ng Sining at Kalinanagan “award for the city of manila, who
is the architect?
a. Philip Recto c. Juan Nakpil
b. Tomas Mapua e. Antonio Toledo
34. In 1989 he received the prtzker prize commonly referred to as “The Noble of
Architecture” the loftiest recognition. It is a lifetime achievement award granted to
living architect whose body of work represents a superlative contribution to the field.
a. Minoru Yamasaki c. Frank Gehry
b. Renzo Piano d. Kenzo Tange
35. His first designs were drawings of fantastic architectural visions in steel and glass as
well as costume and poster design.
a. Norman Foster c. Ieoh Ming Pei
b. Frank Gehry d. Erich Mendelsohn
JAYMON AUSTRIA ADDUN BS – ARCHITECTURE 05

36. Much of his works has been described as post modern, since he rejected the excessive
abstractionism of architects such as Le Corbusier and strove instead to incorporate the
valid elements of older style.
a. Kahn, Louis c. Ieoh Ming Pei
b. Maxwell, Fry d. Marcel Breuer
37. Spanish architects, one of the most creative practitioners of his art in modern times.
His style is often described as a blend of neo-gothic and art nouveau, but is also has
surrealist and cubist elements.
a. Marcel Breuer c. Adolf Loos
b. Antonio Gaudi d. Lucio Costa
st
38. One of the world’s 1 futurist and global thinkers. His 1927 decision to work always
and only for all humanity led him to address the largest global problems of poverty,
disease and homelessness.
a. Kenzo Tange c. Buckminster Fuller
b. Daniel Burnham d. Frank Gehry
39. In his practice he explores the use of indigenous materials infused with current
technological trends to bring a new dimension in designs.
a. Tomas Mapua c. Juan Nakpil
b. Leandro Locsin d. Francisco Manosa
40. Afterwards became deeply involved in the design and building of French railways
and bridges. He worked on structures such as bridge across the Garonne River, train
stations at Toulouse and again in France.
a. Gustave Eiffel c. Ieoh Ming Pei
b. Norman Foster d. Alvar Aalto
41. He has actively promoted the use of native architectural forms and indigenous
nationals such as bamboo and thatch, in the creation of a distinctively Filipino
architecture.
a. Philip Recto c. Juan Nakpil
b. Francisco Manosa d. Antonio Toledo
42. French-born, Brazilian architect and urban planner.
a. Daniel Burnham c. Lucio Costa
b. Oscar Niemeyer d. Eliel Saarinen
43. This famous axiom “Each one sees whatever he wishes to see” belongs to,
a. Daniel Burnham c. Oscar Niemeyer
b. Peter Behrens d. Lucio Costa
44. This philosophy “When change needs, asks a stranger” belongs to,
a. Peter Behrens c. Oscar Niemeyer
b. Marcel Breuer d. Robert Adams
45. He was the architect in his time that receives his license as award at his 60’s or at the
age of 60 yrs. old.
a Louis Sullivan c. Antonio Gaudi
b. Buckminster Fuller d. Paul Rudolf
46. An important Scottish architect who was particularly known for his interiors based on
classical decoration.
a. Mackintosh Charles c. Robert Adam
b. Marcel Breuer d. Mies van de Rohe
47. To whom does this philosophy belongs to, “Where the architects task is to restore a
correct order of values… it is still the architects duty to attempt to humanize age of
JAYMON AUSTRIA ADDUN BS – ARCHITECTURE 05

machines. But this should not be done without regard for form”
a. Peter Behrens c. Marcel Breuer
b. Oscar Niemeyer d. Alvar Aalto
48. His insistence on the importance of design and formal expression in our lives, and his
adept handling of materials, light and space, explained why he is one of the great
architects of the 20th century.
a. Alvar Aalto c. Richard Meier
b. Robert Adam d. Renzo Piano
49. He was called “Masters master” where his students are architects like Gropius, Breuer
and Van de Rohe.
a. Eric Mendelsohn c. Frank Lloyd Wright
b. Peter Behrens d. Vitruvius
50. A German architect who uses more representational styles which has been called
“Scrapped Classicism”
a. Robert Adam c. Peter Behrens
b. Daniel Burnham d. Alvar Aalto