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Superimposition of arpeggios (secondary arpeggios)

Dominant 7th arpeggios moving in minor 3rds (The Parker Cycle?)

You can go up another m3rd and use notes of Eb7 (#9, b9, 5 and b7) over C7 so outlining C7#9b9.

(Also in a II – V it’s a bit like playing Gm7 – Bbm7 – FΔ)

You can go up another m3rd and use notes of Gb7 (b5, b7,b9,3) over C7 – tritones - b9/b5

You can go up another m3rd and use notes of A7 (13,b9,3,5) over C7 – 13b9

Can also do this with minor 7 chords:


Over Dm7 play notes of Fm7, Abm7 and Bm7:

The Coltrane Cycle

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