Alma

Mia

 Andante      
Maria Grever


Violin I        
                 

          
 
                  
 

          
Violin II


 


Viola

   
        
 

 
Violoncello

       






                
     
7

                   
           
rall a tempo

                 
   
rall a tempo

    
        
rall a tempo

 

              
rall a tempo

           
     
14

   
                          
    
colla voce rit a tempo

          
       
colla voce rit

  
     
colla voce rit a tempo

   
colla voce rit a tempo
         
               
21

        
               
             
        
         

             


                   
     
         
  
28

                
        
             
        
                         
     

          
 

  
            
         

34

    
           
    

        
             
    
 
           

2
       
                    
   
41

   
    
                    
     
  
                           
    
  
         

 

  
    
    
49

   

  
     

  

       
  

  
  

3
 Violin I Alma Mia

       
Maria Grever

          
         
Andante

  rall a tempo

 








        
            
10

colla voce rit

          
                               
 
19

a tempo

        
 
                               

 
29

                             
   
     
37

 

     
                   
47
 Violin II Alma Mia

           
Maria Grever

      
         
Andante

  rall a tempo

       
                                  
10

colla voce

            
                  
18

rit

                 

 
  
                 
28

      
                       
 
 
35

    

           
       
         
44
 Viola Alma Mia

                             
Maria Grever


   
Andante

  rall a tempo

                   
           
14

colla voce rit a tempo

               
        
                   
   
24

              
                   
 
32

 
                                      
     
40

  

       
  
49
 Violoncello Alma Mia
Maria Grever

              
   
Andante

    rall a tempo  
  colla voce


                            
 
17

rit a tempo

 
                        
34


 
51