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ISSUE 80
Fr Ma
Make this
Bollywood
Bollywood Wedding
Elegance Tutorial Cake!
Beaded Mandala
Cake Tutorial
LEARN TO STENCIL
2 MAGAZINE
ISSUE 80 | MAY 2019
My Top Picks
EDITOR'S LETTER 23
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Rosie x
Rosie Mazumder, Editor
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Essential Information
Our tutorials are divided into simple
steps with an image to accompany
23 36
part of the process. We have difficulty
ratings for the different levels of
project. One piping bag is the easiest
and four is the most advanced.
82
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Rosie Mazumder
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ISSUE 80 | MAY 2019
Serves 30 Add the raspberry jam, raspberry For the spikey bulb cactus, fit a piping
flavouring (if using) and pink gel to the bag with a Wilton 8B tip and fill with teal
FOR THE TEAL GANACHE DRIZZLE: buttercream and mix with a hand mixer frosting. Pipe frilly looking bulbs onto the
150g (5½oz) white chocolate buttons until well combined. This is the frosting baking paper then little peach flowers
75ml (2½fl oz) thickened (whipping) you’ll use to fill and crumb coat the cake. on top using a small closed star tip and
cream peach buttercream. To finish, pipe little
1 drop teal gel colour Divide the frosting between two bowls. white buttercream spikes all over the
To make the peach frosting, colour one cactus.
FOR THE RASPBERRY FROSTING: bowl with orange and pink and mix until
160g (5½oz/½ cup) raspberry jam well combined. Leave the other bowl These are just some of the cacti I have
1 tsp raspberry flavouring (optional) white. made but I’d encourage you guys to hop
2 drops pink gel colour online and look at the thousands of cacti
1½ batches Swiss meringue Line two baking trays with baking paper. designs. Be inspired and experiment
buttercream frosting Set aside. Set about three tablespoons with your own designs and colour
of American buttercream frosting aside. combinations. Once you’ve finished
FOR THE STRIPED FROSTING: This is your plain white frosting. Colour a making your cacti, pop them in the fridge
1 batch Swiss meringue buttercream quarter of the remaining frosting teal and for at least 2 hours to chill.
frosting another quarter lime green. Divide the
Peach: 3 drops pink + 3 drops orange remaining frosting between three mixing For this recipe, you’ll need to make two
gel colour bowls and colour them pink, peach and batches of chocolate cake. Bake then
purple following the colour formulations. allow to cool. Crumb coat the cake using
FOR THE CACTUS DECORATIONS: the raspberry frosting.
1 batch American buttercream frosting For the large and small bulb cacti, use
Teal: 5 drops teal gel colour your hands to mould a small log out of To prepare the striped frosting, add peach
Lime green: 4 drops teal + 4 drops one of the Rice Krispies bars. Aim to get and white frosting to two separate piping
yellow gel colour one end a little flatter than the other. Fit bags. Pipe a ring of peach around the
Pink: 3 drops pink gel colour the end of a piping bag with a Wilton #32 bottom of your cake then a ring of white
Peach: 3 drops pink + 3 drops orange tip and fill with lime green frosting. Add above. Repeat until you get to the top
gel colour a small bulb of lime green frosting to the of the cake. Add more peach to the top.
Purple: 3 drops purple + 2 drops pink bottom of the Rice Krispies log and stick Use a small offset spatula to spread out
gel colour to a baking tray. Pipe lines around the log aiming to get it flat. It doesn’t have to
2 Rice Krispies bars starting at the bottom and working your be perfect because we’re going to come
way to the top. Continue until the cactus back to it.
FOR THE CAKE: is completely frosted.
2 batches chocolate cake Use a cake scraper to carefully scrape
Fit the end of a piping bag with a small the frosting around the cake. Scrape any
Combine the white chocolate and round tip and fill with white frosting. Pipe excess off the scraper each time you go
cream in a large microwave safe bowl. random little dots all over your cactus. To around the cake to ensure the different
Microwave on high for 20 seconds at make the smaller cactus, repeat with a layers stay nice and neat. Continue
a time mixing between each interval Rice Krispies ball about the size of a plum. scraping until the cake is smooth on the
until smooth. Add a drop of teal and sides then gently smooth out the top.
mix until well combined. Cover with For the purple spikey cactus, fit the
plastic wrap and set aside at room end of a piping bag with a small leaf tip Fill a piping bag with teal ganache and
temperature. and fill with purple frosting. Begin by drizzle it around the top of the cake
piping a circle of leaves onto the baking letting it drip down the side. Finish
Alternatively, you can make the ganache paper about 5cm/2” in diameter then by carefully adding the chilled cacti
using the double boiler method. Fill a fill in with more leaves. As you pull away decorations to the top.
large saucepan a third of the way with from the bottom, try and pull the piping
water and bring to the boil. Place the bag straight up to give the leaves some Recipe from Sugar Rebels
bowl containing the chocolate and height. If you feel it needs more volume, Nick Makrides
cream on top and gently mix until the pipe extra smaller leaves on top. Hardie Grant
two ingredients are completely melted
and smooth. To soften the ganache to For the pickle cactus, pipe tall pickle
drizzling consistency, microwave on shapes about 5cm/2” in height with lime
high for 5 seconds at a time mixing well green frosting. Do it slowly so you don’t
between each interval. Dip a spoon into risk them toppling over. Pipe a little bulb
the ganache and if it drizzles down and of pink frosting on top using a small
doesn’t look transparent, it’s ready to round tip.
use on the cake.
6 MAGAZINE
ISSUE 80 | MAY 2019
WWW.CAKEMASTERSMAGAZINE.COM 7
ISSUE 80 | MAY 2019
8 MAGAZINE
ISSUE 80 | MAY 2019
Makes 20 FOR THE DECORATIONS: Once the cupcakes are baked and cooled,
1 batch chocolate sauce dip the tops into the coffee mixture
FOR THE FROSTING: 40g (1½oz) sweetened cocoa powder allowing it to soak in and drip down the
1 tsp vanilla bean paste sides of the cupcakes. Take care not to
3 tbsp mascarpone cheese Add the vanilla bean paste and soak them too much otherwise you’ll risk
1 batch cream cheese frosting mascarpone cheese to the frosting and the cupcake cases coming away from the
mix until well combined. Beat on high cakes.
FOR THE COFFEE MIXTURE: speed using either a stand mixer or a
3 tbsp instant coffee hand mixer until fluffy. Core the centre of each cupcake with an
125ml (4fl oz/½ cup) boiling water apple corer (stop about 1cm/0.5” from
Mix the instant coffee and boiling water the bottom) and fill with chocolate sauce.
FOR THE CUPCAKES: in a small bowl until the coffee has Fit the end of a piping bag with a Wilton
1 batch vanilla cupcakes dissolved. 1M tip, fill with frosting and pipe a swirl
1 tsp vanilla bean paste of frosting on top.
When making the cupcake batter, replace
the vanilla extract with the vanilla bean
paste.
WWW.CAKEMASTERSMAGAZINE.COM 9
ISSUE 80 | MAY 2019
THE SUGAR PASTE™ is back with a brand new recipe and The Cake
Decorating Company think it's SO good, they're offering a Money Back
Guarantee! Zoe Burmester from Sugar Street Studios is a convert: "I
absolutely love the new recipe. It is smooth, pliable and stretchy. Holds
up well in both warm and cool environments, no tearing or excessive
drying out. I would urge you to try it. It really is very, very good."
1kg £4.99 - 6kg £21.99
Thecakedecoratingcompany.co.uk/thesugarpaste
10 MAGAZINE
ISSUE 80 | MAY 2019
Dinkydoodle Designs
airbrush kit comes with hard
shell carry case, powerful The House of Cake Cake Lace
40 PSI compressor, multi comes in a range of different
power buttons, lightweight sizes and is simply perfect
black aluminium pen, two for creating beautiful edible
detachable interchangeable lace decorations for your
cups and easy release celebration cakes!
connector for switching £8.99-£13.95
pens or disconnection for Thecraftcompany.co.uk
cleaning.
RRP £129.99
Dinkydoodle.com
Take your creation to the next level with the new Roxy & Rich
We just love this Moroccan mosaic professional Rose Gold Collection. This gorgeous colour range of Highlighter,
cake stencil from Artistic Flair Crafts! Easy to use and Sparkle and Lustre dust allows you to make an amazing metallic
extremely durable, these stencils are great for adding finish with high opacity while being 100% edible. No doubt you’ll
a finishing touch to your cakes. impress everyone using these magical Rose Gold colours.
£4.49 From £4.99
Artisticflaircrafts.com Thecakedecoratingcompany.co.uk
Cakecraftgroup.co.uk (wholesale)
See retailers at Roxyandrich.com for customers outside Europe
WWW.CAKEMASTERSMAGAZINE.COM 11
ISSUE 80 | MAY 2019
Learn to
make our
Bollywood Wedding amazing
cover cake!
12 MAGAZINE
ISSUE 80 | MAY 2019
Bollywood Wedding
By Stacey Anderson, Cakes by Stacey Anderson
Photography by Kerry Anderson
Difficulty Rating
Equipment Required
In association with
WWW.CAKEMASTERSMAGAZINE.COM 13
ISSUE 80 | MAY 2019
Preparation
1 2
Using white Renshaw Extra and Orange,
Tangerine, Pink, Turquoise and Baby
Blue ProGels, mix the colours for each
tier. Place on the thin cake cards ready
for covering. Cover the 12” cake drum
and 10” tier in Orange. Repeat with Pink
for the 8” tier, Turquoise for the 6” and
Baby Blue for the 4”. After covering the
turquoise tier, imprint the quilt effect.
Pink Tier
3 4
Step 1.
Cut greaseproof paper the height and
circumference of the pink tier. Fold in half
lengthways and repeat twice to create
eight sections. Use a circle cutter slightly
narrower than one of the sections and
mark a semi-circle on top of the paper.
Cut along the folded greaseproof guide.
Secure to the cake with masking tape.
Step 2.
With a scribe tool, create a mark along 5 6
the template as a guide.
Step 3.
Dust the pearl mould with cornflour and
shake out excess. Roll Renshaw Extra with
tylo into a small cylinder to fit the mould.
Fill the mould with the icing. Turn upside
down and peel back the sides to release
the pearls. Using the small paintbrush,
lightly wet along the guidelines with
water and attach the pearls.
7 8
Step 4.
Repeat with the Ornamental Drops mould
to create eight drops and again with
the pearl mould to create eight strips of
five pearls. Attach each strip vertically
between each swag and finish with the
ornamental drop at the bottom.
Step 5.
Using the Click-Twist Brush or Metallic
Dark Gold, cover the pearls and drops.
9 10
Step 6.
Using the smaller Tangier stencil, Metallic
Dark Gold Paint and a sponge, stipple the
design between each drop, cleaning the
stencil each time. Finish with piped dots
around the stencil flattening the peaks
with a wet brush. Let dry before painting
with Metallic Dark Gold Paint.
Blue Tier
Step 7.
Thinly roll Renshaw Extra and cut into 11 12
three sections to fit the large Moroccan
Lantern cutter. Dust each section with
Cappuccino Shimmer, Metallic Moroccan
Velvet and Metallic Ginger Glow. Cut the
lantern shapes in each colour and apply
to the top edge of the cake with a small
amount of water, alternating the colours.
Step 8.
Using royal icing, a piping bag and the
14 MAGAZINE
ISSUE 80 | MAY 2019
Step 9.
Allow to dry before painting with the
matching Silk colours mixed with a small
amount of vodka.
Turquoise Tier
Step 10.
Pipe dots on the quilted tier in each of the 15 16
points using the no.2 nozzle. Once dry,
paint in Metallic Dark Gold Paint.
Orange Tier
Step 11.
Lightly mark four equal points around
the cake to indicate quarters and use
to position the elephant stencil. Using
a sponge and Metallic Dark Gold Paint,
stipple the elephants in place.
17 18
Step 12.
Using Renshaw Extra with tylo, create four
brooches from the mould. Decorate with
Cappuccino Shimmer, Metallic Moroccan
Velvet and Metallic Ginger Glow added to
a small amount of vodka to form a paint.
Once dry, attach the brooches to the cake
evenly between the elephants.
Assembly
Step 13. 19 20
Stack with dowels and royal icing
between each level to secure the cakes.
Add a border with the small pearl mould
for the top tier and the large pearl mould
for the middle tiers. Use the scalloped
edge pearl mould for the bottom tier.
Step 14.
Paint the borders using Metallic Dark
Gold Paint and allow to dry.
Finishing Touches 21 22
Step 15.
Using royal icing, a piping bag and the
no.2 nozzle, pipe small dot details around
the top of the turquoise tier. Once dry,
paint with Metallic Dark Gold Paint.
Step 16.
Take the larger Tangier stencil and a
sponge and apply Metallic Dark Gold
Paint onto the top of the cake.
Step 17. 23 24
Pipe dots around the stencil as a highlight
with royal icing, a piping bag and the no.2
nozzle. Paint with Metallic Dark Gold Paint.
Step 18.
Using the small brush and some water,
mark a border around the cake base.
Sprinkle gold hearts around the base and
use a dry brush to manipulate into place.
Repeat for the top of the pink tier.
WWW.CAKEMASTERSMAGAZINE.COM 15
ISSUE 80 | MAY 2019
Flower
25 26
Step 19.
Thinly roll Flower and Modelling Paste
onto the veining board. Cut out a small
petal. Repeat until you have three small
and five large petals.
Step 20.
Using the foam pad and large ball tool,
thin the edges of each petal.
Step 21.
Dip the end of the florist wire in edible 27 28
glue and insert into the central vein of
the petal. Repeat for the other petals.
Step 22.
Insert each petal into the petal veiner
pressing lightly to imprint the veins.
Step 23.
Leave to set overnight in the flower
shaper or apple box liner.
Step 24.
Once dry, use Metallic Moroccan Velvet
to colour each petal. Hold each petal over
the steam from a kettle or boiling pan for
a few seconds to lock in the dust.
Step 25.
Bend a piece of florist wire in half then
gather a small bunch of stamens. Fold
the bunch of stamens in half around the
folded wire and twist the ends of the
folded wire together. Wrap the base of
the wires with florist tape to secure.
Step 26.
To assemble, apply the three smaller
petals one at a time to the stamens and
secure with florist tape. Follow with the
five larger petals around the outside.
Secure all the wires together and bind
with florist tape cutting to size.
Step 27.
Add a small amount of fondant to the
bottom of the posy pick to secure the
flower and insert into the cake in the
desired position.
Step 28.
Insert the flower into the posy pick.
16 MAGAZINE
ISSUE 80 | MAY 2019
5 MINUTES WITH...
Lifetime Tools
Q: What three tools can you not live
without?
A: Dresden tool, silicone spatula and a
smoother of my own invention.
photographs or the result of observing
Cake Heroes
people surrounding me, for example, my
Q: Who are your sculpted cake heroes?
sons.
A: Since my beginnings, it has been
the stunning Karen Portaleo, absolute
Inspiration
goddess of the sculpted cake. I also
Q: Tell us what inspires you and gets
admire colleagues such as Carla Puig,
your creative juices flowing
Daniel Diéguez and Elza Baldzhiyska.
A: My inspiration is very diverse from
oil painting, sculpture, drawing and
Mottos & Mantras
photography, mainly the figurative style,
Q: What are your life mottos/mantras?
even to a person that bumps into me on
A: "There is so much beauty" – it is a
the street and catches my attention.
phrase I took from the film, The Bridges
of Madison County. It reminds me that I
Future Plans
have to enjoy the good things life has to
Q: What are your future plans for 2019?
offer to their fullness.
A: My main goal for 2019 is to
continue teaching worldwide. Teaching
Top Tip
is something new to me that I feel
Q: What is your biggest tip for
passionate about and I try to convey it to
sculpting cakes?
my students through modelling.
A: My advice in order to sculpt realistic
cakes is to look at people around you,
their facial and anatomic characteristics
as well as their expressions. I always
work with references, either
18 MAGAZINE
ISSUE 80 | MAY 2019
Photographer: Stories by
Joseph Radhik via Instagram
@priyankachopra
WWW.CAKEMASTERSMAGAZINE.COM 19
ISSUE 80 | MAY 2019
Zig Zag
Tools for the Zig Zag design
Step 1.
Knead fondant until pliable and ready to
use. Roll out on a non-stick working area.
You can also use cornstarch or icing sugar
so it doesn’t stick.
To make an even thickness, place the
guide rings onto the rolling pin and roll
out the fondant.
Step 2.
Use the square punch and press firmly
into the fondant.
Step 3.
Push down onto the plunger to release
the fondant.
Step 4a.
Once you’ve punched out the number of
squares for the cake, cut each diagonally 1 2
to make triangles.
Step 4b.
Place onto a drying sheet and let fully
dry. Repeat until you have completed all
colours.
Step 5a.
To achieve an even, clean zig zag, I find it
best to do the pattern row by row. 3 4a
Step 5b.
Start with the bottom portion of the
zig zag and complete around the whole
circumference of the cake attaching each
triangle with water.
Step 5c.
Once done, continue with the top
portion and complete around the whole 5a-d
circumference of the cake.
Step 5d.
Continue until you’ve used all colours.
4b
20 MAGAZINE
ISSUE 80 | MAY 2019
Step 6.
Remove the clear plastic backing from the
sugar sheet. Separate the top cutter from
the baseplate of the punch. Place the
sugar sheet on top of the baseplate.
Place the punch over the top of the
sugar sheet allowing the magnets and
baseplate to match up.
Step 7.
Push down firmly until the punch has
pierced through the sugar sheet.
Step 8.
Remove the punch from the baseplate to
reveal the pattern.
Step 9.
Line up the punched out pattern with
the alignment guides on the sides of the 6 7
baseplate for creating perfect die cut
patterns. Repeat until you’ve reached the
desired amount.
Step 10.
Pour lemon extract into a small dish and
add a drop of Electric Pink gel.
Step 11.
Stir and mix the gel into the lemon 8 9
extract. Remove the remaining gel so all
you have left is the liquid.
Step 12.
Lay down a piece of paper towel and
place the sugar sheet on top. Using the
paintbrush, paint onto the edible sugar
sheet. Leaving streaks and different
tones of colour is ideal as it gives more
personality and dimension. 10 11
The edible paint will dry quickly on the
sugar sheet so you will be able to adhere
it to the cake right away with no need for
drying time.
WWW.CAKEMASTERSMAGAZINE.COM 21
F F CM
ISSUE 80 | MAY 2019
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22 MAGAZINE
ISSUE 80 | MAY 2019
Bollywood Elegance
Shape this sash, create the flower and add beautiful gold details
to complete this cake!
WWW.CAKEMASTERSMAGAZINE.COM 23
ISSUE 80 | MAY 2019
Bollywood Elegance
By Linda Caro, Little Hunnys Cakery
Difficulty Rating
Equipment Required
24 MAGAZINE
ISSUE 80 | MAY 2019
Steps 1a & b.
Add ¼ teaspoon of tylose powder to 5oz
of purple fondant. Knead well and roll
onto a lightly cornstarch dusted surface.
Roll out thinly and cut out five flowers
using each flower cutter.
Steps 2a-c. 2a 2b
Starting with the largest, place on the
petal pad. Use the larger side of the ball
tool and soften all the edges. Next, use
the sharp edge of the dresden tool to
make multiple angled lines towards the
centre. Finally, use the small side of the
ball tool to ruffle up the edges. Rest in the
flower former to keep its shape. Repeat
for the remaining flower cut outs. Glue
each layer together in the centre. 2c 3
Step 3.
Make three small balls of fondant and
glue in the centre of the flower with
edible glue. Let dry for 1-2 days.
Step 4.
Mix a small amount of gold dust with
vodka to a consistency not too thick but
not runny. Use the small paintbrush and 4 5a
paint only the edges of the flower with
the gold mixture.
Steps 5a-c.
After all tiers are covered in fondant,
rest the flat side of the impression cutter
flush against the table top and press
against the middle of the front of the
cake. Measure on each side to make
sure it’s directly in the middle. Repeat 5b 5c
on each side overlapping the last row of
the impression to make sure it all lines
up evenly. After all impressions have
been made, paint only the inside of the
impression with the gold mixture made
previously.
Steps 6a-c.
Place light pink fondant in a decorative
border mould, press firmly and cut away
6a 6b
excess so the back of the mould is flat.
Adhere the moulded fondant against the
bottom of the light pink tier using edible
glue. Using the same colour fondant as
the main colour of the tier helps when
painting gold so you don’t have to worry
about missing a spot or getting into tiny
crevices. After all pieces have been glued,
paint with the gold mixture.
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ISSUE 80 | MAY 2019
Steps 7a & b.
6c 7a
Measure the diagonal front of the teal
tier to see where you’d like the drape to
be. Paint the diagonal area in the front of
the cake with edible glue.
Step 8.
Thinly roll out purple fondant on a dusted
cornstarch surface and fold accordion
style to make soft pleats. Make sure you
have enough cornstarch down so the
pleats don’t stick together.
7b 8
Steps 9a-c.
Add the drape to the front of the cake
in a diagonal manner. Trim off excess
fondant from the top and bottom using
the sharp blade. Using the large fluffy
paintbrush, remove excess cornstarch.
9a 9b
Steps 10a-e.
Using a decorative mould, add purple 9c 10a
fondant, press firmly and remove excess.
Apply edible glue to the edge of the
drape, adhere the fondant from the
mould and paint gold. Measure the top of
the teal cake to the top of the burgundy
cake. Roll out a thin piece of fondant and
fold accordion style slightly as before so
it mimics material. Trim excess fondant
from the top. Add another piece of the
decorative moulded fondant to the inside 10b 10c
of the drape and paint gold.
Step 11.
Paint the fondant covered cake drum
10d 11
in gold. Before the cake gets too heavy,
adhere to the drum with edible glue.
26 MAGAZINE
ISSUE 80 | MAY 2019
Steps 12a-d.
12a 12b
Place burgundy fondant in another
decorative border mould. Flatten out
the back, adhere to the bottom of the
top tier with edible glue and paint gold.
Add a decorative fondant brooch to the
top centre of the cake using edible glue.
Using the same mould as in Step 10,
make four separate pieces of fondant
décor and adhere to the cake with edible
glue.
12c 12d
Steps 13a-c.
Roll out a piece of white gum paste and 13a 13b
paint gold with the remaining mixture. It
should dry quickly. Punch out about 18
circles.
Step 15.
Add the purple flower to the top corner
of the cake using a small ball of burgundy
fondant and edible glue. Tilt the flower at
an angle. Add a gold ribbon around the
cake drum for the perfect finishing touch.
14b
15
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ISSUE 80 | MAY 2019
Fabulous Feathers
28 MAGAZINE
ISSUE 80 | MAY 2019
Equipment Required
WWW.CAKEMASTERSMAGAZINE.COM 29
ISSUE 80 | MAY 2019
Steps 1a & b.
Using the feather template, cut nine
1a 1b
shapes and allow spare for practice.
Airbrush with Firefly Green on the
textured side first.
Tip: To not saturate the paper, make sure
you are a good distance away and spray
evenly over the whole shape. Fractal
Colors give the wafer paper flexibility
without saturation of normal water
based colours. If they curl, place under
greaseproof paper and apply a weight on
top until they lay flat. They will flatten out
when you airbrush the other side later. 2 3
Step 2.
Airbrush the top tier in a bold lime green
by mixing half an airbrush cup with
Lemon Yellow and a drop of Leaf Green.
With the lime green, airbrush an A4
edible icing sheet.
Tip: To airbrush an even colour, keep
a good distance away so the spray is
as wide as possible. Have the cake on
a turntable and move it around whilst
spraying to ensure good coverage. It’s 4a 4b
important to always change direction
(from left to right with your airbrush
hand) when you are ‘off’ the project. If
you change direction whilst spraying on
the cake, you will cause scribble marks or
areas of concentrated colour.
Step 3.
Repeat with the 8” cake using Royal Blue
as an undercoat. To build a solid colour, I
often use a cheaper water based colour
first to build depth. Layer colour gently. 5 6
Tip: When you airbrush solid colour, the
cake should be almost dry straight away.
If the cake is too shiny or wet once you’ve
finished, you have used too much colour
and been too close with the airbrush.
Steps 4a & b.
For the bottom tier, use torn paper to
create a stencil. Tear the paper and select
a couple of shapes to use as a stencil. Aim
for the black and white feather section
of the peacock so don’t spray too dark. 7a 7b
Spray more of the stencil than the cake.
You will just get the nice curved over
spray and not a full black filled in shape.
Step 5.
The ‘eye’ of the feather is best done on
edible icing sheets as a number of colours
need to be overlaid. Use the medium oval
of the peacock stencil to gently airbrush
a Sky Blue oval. Do as many as you can
fit onto the sheet then add the eye with
Royal Blue. Return to the medium oval
stencil to add Satin Gold to the lower half 7c 8
of the shape. Cut out these shapes and
press onto the sheet of lime green. Use a
small amount of airbrush spray to adhere
the two surfaces together, you can use
edible glue or alcohol if you prefer.
Step 6.
Return to the wafer paper part of the
feathers. Instead of glue, mist the reverse
of the feather with Golden Green. Spray
30 MAGAZINE
ISSUE 80 | MAY 2019
Steps 7a-c.
Again, use airbrush mist to adhere the
eye shape to the middle of the feather.
Using the sharp craft knife, cut thin lines
into the feather from the eye outwards.
Airbrush the front of the feather around
the outer edges only, being careful not
to colour the eye, with Golden Green. 11a 11b
Now you have cut it, it will begin to curl.
Gently shape and curl further in your
cupped hand if needs be.
Step 8.
To create a bit more detail on the top
tier, the scale stencil is perfect. To adhere
the stencil securely to the cake, make a
border with paper. In this instance, just
add a sheet of paper to either end with
tape. Once you have a border, wrap it
around the cake snuggly and secure with 12a 12b
tape (on the paper not to the cake).
Step 9.
Because the stencil is secure, you now
have both hands free, one for holding the
airbrush and the other to hold any part of
the stencil that doesn’t have full contact
with the cake. Airbrush detail using Silver
Purple as a good contrast colour. Staying
very close with the airbrush, shade a
small section of each shape.
12c 12d
Step 10.
Add an ombré to the Royal Blue
undercoat with Morpho Blue for the
bottom half and Kingfisher for the top.
When creating an ombré, the angle and
distance you spray is important. Practise
your aim on paper first to ensure you
don’t lose the colours and overall effect.
Steps 12a-e.
Detail the peacock with the dresden and
ball tools making feather marks and lines
for the beak and eye, etc. Airbrush with
Morpho Blue and Kingfisher and add
either black or dark silver for the beak.
Add tiny pieces of white sugarpaste to
detail and use a black edible pen for the
edge and the eye. Add the wires to the
head by pushing into the foam core itself.
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ISSUE 80 | MAY 2019
PRODUCT GUIDE
C heck out these products for the Pantone
Colour of the Year, Living Coral. From
colours to moulds to sprinkles, we've got
everything you need.
2
This Peach Delight Powder
Colour from Rainbow Dust
is the perfect finishing
touch to your coral
creations.
£2.15
Rainbowdust.co.uk
32 MAGAZINE
ISSUE 80 | MAY 2019
4 5 The Sugarflair
Coral edible lustre
dust adds an
This coral ultimate hint of
confectionery colour to cakes and
paint from Poppy decorations! It can
Paint works also be mixed with
great on a range rejuvenator spirit
of bases and to create an edible
confections and paint.
gives a gorgeous £2.94
colour! Craftcompany.co.uk
$9.00
Poppypaint.com
7
Alexandra Curry
9
FONDUST® Peach colour is a
fantastic colouring product for
cake designers and can be used to
8 This coral fondant
from Fondarific
Maryanne Harris Cakes
10
Satin Ice fondant and
gum paste is preferred
by the greatest cake
11
artists in the world for
its premium quality,
workability and taste.
Colour Mix Guide: www.
satinice.com/color-mix-
guide
Cake-stuff.com Coral Bettercreme® is a
pre-whipped non-dairy
icing with a smooth texture
and light and creamy taste.
Create on trend cake this
12
season!
Richs.com
14
and mix them perfectly. Whether it's about making a
subtle transition of colour on a surface or mixing into
paint, the results will always be smooth and clot free.
£2.50
Fractalcolors.co.uk
13
Veronica's Cake
Kadi Fatiha Torta Designer
34 MAGAZINE
15
ISSUE 80 | MAY 2019
With this easy to use Sea Life Designs mould
from Wilton, you can create detailed fondant
and gum paste decoration! Bring out your
inner mermaid by producing coral, starfish
and shells as well as two border designs.
£11.29
Trade customers can buy from
Doriccakecrafts.co.uk, official trade
distributor for Wilton UK Brands
16
free on almost any edible food colouring gel by
surface and this colour is Colour Splash! This
simply gorgeous. highly concentrated gel
$10.50 adds instant colour and
Sweetsticks.com.au comes in an easy to use
squeezy tube!
£1.65
19
The Beau Coral sugar and flower pastes
20
are superb for covering your cakes. These
artisan products are handmade and the
pastes coming in a range of different
quantities.
£1.96-£4.10
Beauproductsonline.co.uk
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ISSUE 80 | MAY 2019
Beaded Mandala
36 MAGAZINE
ISSUE 80 | MAY 2019
Equipment Required
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ISSUE 80 | MAY 2019
Preparation
1
If using pre-coloured fondant:
• for deep plum, mix 3 parts pink to 1
part burgundy
• for medium turquoise, mix equal parts
turquoise and white
• for burnt orange, mix 8 parts orange to
1 part burgundy
If colouring your own fondant:
• for deep plum, add 3 parts red to 1 part
violet and 6 parts deep pink or rose
• for medium turquoise, add 2 parts sky
blue to 1 part green
2
• for burnt orange, add 8 parts orange to
2 parts red and 1 part violet
Step 1.
Colour 3oz of fondant to a light blush
pink and fortify with a pinch of tylose.
Roll to 2mm thick and use the cake board
as a template to cut out a circle with the
X-acto knife. 3 4
Step 2.
Gently lift the circle and place on a sheet
of wax paper. Add tape to the ends of the
wax paper.
Step 3.
Place on top of the dummy and tape the
sides to the dummy.
Step 4. 5 6
Roll two small balls of fondant, moisten
slightly with water and add one on each
side of the dummy to help hold it in place
while you work on the mandala design.
Step 5.
Roll out a ball of green fondant to just
under 1cm wide. Press flat and use water
to adhere to the centre of the circle.
Step 6. 7 8
Add a pink dragee to the centre of the
green fondant then add a row of same
sized pink dragees around it. Next, add a
row of blue dragees as shown.
Step 7.
Mix 50/50 green gum paste with white
fondant (approximately 1 ½ oz each), roll
to 1mm thick and cut 6mm wide strips
with the strip cutter. Place unused strips
between plastic to keep them from drying 9 10
out while you work.
Step 8.
Cut 13mm long pieces from a strip. You
will need 12 for the first row of detailing.
Step 9.
Use the end of a brush to help curve each
piece into a semi-circle or arch.
38 MAGAZINE
ISSUE 80 | MAY 2019
Step 10.
11 12
Wet one side of a strip and line the
outside of the dragee pattern. Add each
arched piece around the pattern with
water or edible glue. Add edible glue or
water to the inside of each arch before
adding a gold dragee as shown.
TIP: Place the first arch at the very top of
the pattern and the next directly opposite
at the bottom – this ensures the arches
are evenly spaced and line up properly.
Step 11.
13 14
Take another strip and cut into 2.5cm
long pieces. You will need six.
Step 12.
Gently curve each piece into a semi-circle
or arch using your fingers.
Step 13.
Add water or edible glue to the bottom of
each arch.
15 16
Step 14.
Attach each arch to the pattern as shown.
Step 15.
Roll out six 5mm wide balls from medium
turquoise fondant. Use the end of a brush
to add a divot to the centre of each. Use
water or edible glue to adhere a ball to
the centre the arch.
Step 16. 17 18
Add water or edible glue to the centre of
each ball and add a pink dragee.
Step 17.
Take another strip and cut into 5cm long
pieces. You will need six.
Step 18.
Gently curve each piece into a semi-circle.
Step 19. 19 20
Add water or edible glue to the bottom of
each before attaching to the pattern.
Step 20.
Add water or edible glue on the outside
edges of the arches that were just added.
Step 21.
Roll thin snakes from the green 50/50
paste and add along the outside edges
that were moistened. Make small divots 21 22
with the end of a brush and add water or
edible glue on top.
Step 22.
Add green dragees along the edge of the
arches with larger blue dragees in the
gaps between each set of arches.
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ISSUE 80 | MAY 2019
Step 23.
23 24
Continue adding dragees until all arches
have been embellished.
Step 24.
Take a strip and cut into 5cm long pieces.
You will need six to go around the outside
of the dragees that were just added.
Step 25.
Take another strip and cut into 6.4cm
long pieces. You will need six. Fold in half
so the two ends line up.
25 26
Step 26.
Pinch the halfway point of the arch so
you create a point in the centre.
Step 27.
Spread out the ends to form the pointed
arch shapes as shown.
Step 28.
Add water or edible glue to the bottom 27 28
edge of each arch before attaching to the
developing mandala pattern as shown.
Step 31.
Attach to the inside of the last set of
arches with water or edible glue. Fill the 29 30
gaps with pink dragees using the same
method as before.
Step 32.
Pinch out small pieces of turquoise
fondant and roll into teardrops. Attach
to the pattern with water or edible glue.
Add a gold dragee to the rounded end.
Step 33.
Add a blue dragee between each set of 31 32
pointed arches. Allow the finished pattern
to set overnight or a minimum of 2 hours
before attaching to the cake later.
Step 34.
Add ¼ teaspoon tylose to 4oz of deep
plum fondant and mix thoroughly to
fortify for ease of use in the moulds.
Brush shortening into the crevices of your 33 34
moulds. Roll the paste between your
palms to create a snake the same width
as the mould being used. Press the paste
into the cavity of the mould and remove
any excess. Press what remains into the
mould to ensure it takes on the details.
Step 35.
Remove the paste from the mould.
40 MAGAZINE
ISSUE 80 | MAY 2019
Step 36.
35 36
Using the same method, create more
moulded pieces from different moulds.
Step 37.
Add your moulded pieces in the pattern
shown. Ensure each row lines up with the
one above. Add the bas relief pattern a
column at a time until the tier is filled.
Step 38.
Mix lemon extract with gold lustre dust
until you have a paint consistency. Paint
37 38
the top with the gold paint. Apply several
coats until there are no uneven areas.
Step 39.
Paint the sides of the bas relief tier using
even strokes. Paint an entire coat and
wait a few minutes before painting a
second. Try to fill any crevices with gold
paint using the ends of the bristles.
Fantasy Blooms 39 40
Step 40.
Roll out green gum paste to 1mm thick
and use the smallest 5 petal cutter to
make two cut outs. Using the larger end
of the ball tool and the foam pad, thin
out each petal.
Step 41.
Using the shell tool, create vein detailing.
41 42
Step 42.
Use the thin end of the dresden tool to go
over the veining detail and frill the petals.
Use a plastic soup spoon as a former.
Step 43.
Roll out green gum paste to 1mm thick.
Using a medium 5 petal cutter, make two
cut outs and using a large 5 petal cutter,
make another two cut outs.
43 44
Step 44.
Repeat as before to thin and vein these
four petals. Use a Japanese soup spoon
as a former for the medium petals and a
cupped Wilton former for the large. Set
all petals aside in formers to dry before
assembling.
Step 45.
To assemble, dab edible glue or add
moistened fresh fondant to the centre of 45 46
each dried cut out and stack one inside
the other as shown. Add dragees to the
centre with edible glue. Roll a small ball
of deep plum paste for each bloom,
flatten slightly and moisten with water.
Step 46.
Attach the small piece of fondant to the
back of each fantasy bloom and use water
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ISSUE 80 | MAY 2019
Step 47.
Create a border for the mandala decal by
rolling deep plum paste to 1mm thick and
cutting out a scalloped circle.
Step 48.
Use the smooth side of a smaller circle
49 50
cutter to cut out the centre. Use the
X-acto knife to cut a slit as shown.
Step 49.
Uncurl the scalloped strip. Make several,
enough to go around the entire decal.
Step 50.
To attach the decal, slowly and gently
peel away the wax paper from the
bottom of the piece. Brush the bottom 51 52
side of the decal with water or edible
glue and place against the side of the
turquoise tier. Ensure it is centred before
pressing along the edges of the decal so
the entire bottom surface is snug against
the cake. Hold until secure. Add the
scalloped strips around the decal.
Step 51.
Using the end of a brush, make slight
divots on the scalloped border. 53 54
Step 52.
Add a dab of water or edible glue to each
divot. Add gold dragees to embellish.
Embellishing
Step 53.
Brush shortening into the grooves of a
beaded strip mould. Add a blue dragee
into each beaded cavity as shown. 55 56
Step 54.
Take deep plum paste and roll into a
snake or log the same width as the mould
being used. Press the paste into the cavity
of the mould.
Step 55.
Remove excess paste and press the
remaining into the mould to ensure it
takes on the details. 57 58
Step 56.
Remove by flipping upside down and
gently peeling the mould away. Cut a
45-degree angle from one end.
Step 57.
Add water or edible glue to the back of
the moulded piece and attach to the
42 MAGAZINE
ISSUE 80 | MAY 2019
Step 58.
Make the blossoms to embellish the
bottom tier by rolling out green gum
paste to 1mm thick. Using the small
61 62
5 petal cutter, make enough cut outs
to adorn each moulded cross with
a blossom. Use the wide end of the
dresden tool and foam pad to create
detailing on each petal as shown.
Step 59.
Place each blossom in the cavity of a paint
palette so they set in a cupped shape. Take
light blush pink paste and use the mould
to make blossoms for the centres. 63 64
Step 60.
Stick a tiny pink blossom to the centre of
each larger blossom with water or edible
glue. Add water to the centre of the pink
blossoms and attach a blue dragee.
Step 61.
Roll deep plum paste to 1mm thick. Rip
along the top in a slightly arched line.
Step 62.
Trim the bottom in a straight line with the
wheel cutter.
Step 63.
Using the wide end of the dresden tool
and foam pad, add vertical grooves.
Step 64.
Attach the ripped ruffle piece to the
bottom edge of the top tier and paint the
edges with gold lustre made earlier.
WWW.CAKEMASTERSMAGAZINE.COM 43
COLLABORATION
Beautiful
Sri Lanka
The Cakewalk
and what inspired you to do this
theme
This collaboration is centred around
my beautiful motherland, Sri Lanka,
which is known as the Pearl of the
Indian Ocean. The things that really
inspired me to host this collaboration
were the traditions, history and
beauty of this tiny little island. My
goal was to put a spotlight on Sri
Lanka and make it well-known to the
world.
WWW.CAKEMASTERSMAGAZINE.COM 45
ISSUE 80 | MAY 2019
• FunDustic / Lavender
46 MAGAZINE
ISSUE 80 | MAY 2019
WWW.CAKEMASTERSMAGAZINE.COM 47
ISSUE 80 | MAY 2019
Florescent Chic
48 MAGAZINE
ISSUE 80 | MAY 2019
Florescent Chic
By Michelle Cole, Sweet Shells
Instagram @sweetshellss
Difficulty Rating
Equipment Required
In association with
WWW.CAKEMASTERSMAGAZINE.COM 49
ISSUE 80 | MAY 2019
1 2 3
4 5 6
7 8 9
10 11 12
50 MAGAZINE
ISSUE 80 | MAY 2019
WWW.CAKEMASTERSMAGAZINE.COM 51
ISSUE 80 | MAY 2019
Carving 1 2 3
1. Use a half sphere pan to bake an 8”
diameter half sphere.
Covering
7. Roll out a 7” circle of gold fondant for the 7 8
smaller cake then create a pattern using a
patterned rolling pin or impression mat.
8. Cover the small cake with textured fondant.
52 MAGAZINE
ISSUE 80 | MAY 2019
Jewels 13 14 15a
WWW.CAKEMASTERSMAGAZINE.COM 53
Cake Class
Extravaganza
The Dashing Bunny with Geisha Class
Karen Portaleo 19th June
The CakeArt Studio, 85b £299
Long Street, Atherstone, In this 9 hour class, students
Warwickshire, CV9 1BU will create this beautiful
17th June
and elegant Geisha! Skills
£320
you'll learn in this class
Learn to make an RKT
dummy, sculpt an animal include carving, structure,
head, use sugarpaste and sculpting a head and body
modelling chocolate, make in proportion, sculpting
an isomalt monocle and with modelling chocolate,
much more in this awesome using fondant, painting on
class from Karen Portaleo chocolate and much more!
at the CakeArt Creations www.karenportaleo.com
Studio! Your design will be
individual allowing your
creativity to flow.
www.thecakeartstudio.co.uk
Join us every Friday for #FridayFreebie for your chance to WIN books, tutorials
and lots of other goodies! Head to Facebook.com/cakemasters
ISSUE 80 | MAY 2019
@moya_sugarart_brankavukcevic
PARIS.S BAKERY
SHALENOK These awesome designs
Check out these colourful from Zucker & Mehlr of
and bold designs from Pari.S Bakery are simply
Елена Шакарян from gorgeous! With vibrant
Shalenok! We love the colours, beautiful tiers
variation of themes and and gold detailing, we love
designs from a Valentine’s these wedding cakes.
Day cake to a gold geode
50th birthday cake! @pari.s_bakery
@shalenok
WWW.CAKEMASTERSMAGAZINE.COM 57
ISSUE 80 | MAY 2019
Product Review
FunCakes Deco Melts & FunColours
This month, we had the chance to try After mixing up our buttercream, we
two fantastic products from Doric Cake added some Aqua food gel to create a
Crafts – Deco Melts and FunColours by lovely vibrant shade. We piped a swirl on
FunCakes! each cupcake and added our chocolate
shards with additional rainbow sprinkles
to finish.
Advertisement
58 MAGAZINE
ISSUE 80 | MAY 2019
F lora Beauty
WWW.CAKEMASTERSMAGAZINE.COM 59
ISSUE 80 | MAY 2019
Flora Beauty
By Linda Knop, Sugar Cakes
Difficulty Rating
Equipment Required
Linda is a solo baker in the
beautiful wine lands of Cape • Cake tiers: 12cm, 18cm, • Edible gold paint • Calyx
Town, South Africa. She has 25cm • Glue • Florist tape
a cake studio and has been • Satin Ice fondant • Tylo powder • 24 gauge florist wire
a cake artist since 2010. Her • Cake smoothers • Large rolling pin • Small flower cutters
studio is decorated in shades • Various moulds • Leaf cutter • Pliers
of soft pink, ivory, gold and • Barco Quick Paint • Veiners • Ball tool
aquamarine; she believes • Various brushes • Circle cutters • Posy pick/Safety Seal
your place of work has to be
• Petal pad • Rose Cutters
inspirational in order to be
• Powder colours: pinks, • Rose Veiner
creative and happy. Linda
is self-taught and has been blue, gold, aqua, yellow • Stamens
presenting classes since
2011 to local students and
all over the world and she
participates in international
cake collaborations every year.
She met Buddy Valastro and
created a wedding cake which
he judged at CTICC in SA 2016.
The compliments he gave were
one of the most important
and beautiful to her to date
which she values a lot. Linda’s
style is romantic and stylish
and she specialises in luxury
wedding cakes, sugar flowers
and themed cakes of an artistic
nature. She absolutely adores
animation, sculptured cakes and
figurines – her Marie Antoinette
won Cake of the Month at Satin
Ice 2017.
60 MAGAZINE
ISSUE 80 | MAY 2019
Step 1.
1 2
Cover the tiers in fondant and dust with
dark and bright pink mixed with a little
blue to get the shimmering effect.
Step 2.
Form various sized flower buds in
different shades as shown.
NOTE: All flowers are made with fondant
mixed with a little tylo powder and
coloured.
3
Step 3.
Roll out the fondant and cut out with the
rose cutters. Thin the edges using the ball
tool. I used a clear one to see better.
Step 4. 4 5
Place in the rose veiner and press
together. If you press hard, you will see
the leaves have little broken splints which
I find beautiful and more natural.
Step 5.
Add the finished layers around the bud.
Step 6.
Remember to continue veining each petal 6 7
before adding around the bud.
Steps 7-9.
Add each petal one by one and dust using
pink. Use kitchen towel pieces on the
sides to keep the leaves up so they do not
stick to the fondant.
8 9
Steps 10-14.
10 11
Cut out the leaves in white, thin the
edges with the ball tool and vein in the
veiner.
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ISSUE 80 | MAY 2019
Steps 17-19. 16 17
Cut out round discs in aqua, pink and
yellow. Thin the edges with the ball
tool as with the rose petals. Fold in half
and half again. Press together and glue
directly onto the cake.
18
62 MAGAZINE
ISSUE 80 | MAY 2019
Step 24.
23 24
Roll out green fondant and cut out a calyx
for the rose buds. Apply to the bottom of
the buds with water or edible glue.
Step 27. 26 27
Paint the moulded elements on the
middle tier in edible gold paint.
WWW.CAKEMASTERSMAGAZINE.COM 63
ISSUE 80 | MAY 2019
We asked all you need to know about delivering cakes, dealing with ruined cakes, how to
plan ahead and what you need in cake delivery kits!
How do you prepare a cake for icing to the venue, unless it’s over three hot day. I completely stacked the
delivery? tiers then I will take them separately. beautiful semi-naked wedding cake
Ganached cakes I will take assembled, beforehand. What I hadn’t banked
Pia from The Vanilla Pod Bakery: unless they're over two tiers or it’s the on was the amount of roundabouts I
We really take our time when preparing heat of summer then I will take them would come across and the hot, hot,
a cake for delivery, it is one of the separately. Finally, buttercream – I am hot weather! Even though I had aircon
riskiest parts of the job! We try not to talking about naked and semi-naked in the car. When I got to the venue and
deliver the cake already assembled as cakes - I take these separately and chill opened the cake box, I was horrified
we like to assemble the cake on site. them prior to delivery. I pop them in the to see the top two tiers resembling the
With that in mind, we place cakes in freezer for 30 minutes prior to delivery Leaning Tower of Pisa! I had to rush it
plastic storage boxes filled with anti- so I can handle them without leaving into the venue and managed to rescue
slip mats. To ensure they stay cool, we marks when stacking. it with the helping of drinking straws
pop freezer packs in there with them. If from the bar to act as supports! You
the cake is really fragile, we will place What specific questions do you ask could see a little red straw poking up
foam padding around the cake as well. the venue before delivering? in one of the photos. The clients were
Most of our cakes tend to be wrapped thrilled with it. But I have never driven
in plastic for delivery. In the car, we pop Pia: with a semi-naked cake stacked again!
more anti-slip mats down to make sure We like to find out where exactly the
the boxes can’t move anywhere. cake will be going and ask if there is Ella:
close access for a car. As you all know, Yes, we lost a cake by not following
Ella from Celestial Cakery: cakes can be heavy! our own ‘Rules of Cake Transport’. It
We always refrigerate our cakes prior was a two tier naked cake that ended
to delivery to help the buttercream Ella: up leaving our bakery without being
harden which makes it more stable. We We always find out if the venue is refrigerated. Since it was naked, there
also have an internal support structure indoor or outdoor ahead of delivery. was little buttercream holding the cake
of dowels and a custom made anti-slide During the delivery, we always make a together and without the refrigeration,
delivery box insert which keeps the pre-walk without the cake to visualise it was so soft that half the cake broke
cake centred. any potential hazards along our route. and slid off during transport. It didn't
help the situation that the delivery was
Kirsty Marie from KM Bakes: Kirsty: also an hour away and consisted of
We normally include the right sized I will contact the venue one week gravel roads, a detour from a washed
board/acrylic plate or whatever you before and speak to the events manager out bridge and plenty of missed turns.
use to display your cake. I always use to discuss the delivery time, where is We ended up setting the cake up as a
royal icing – the liquid concrete to the best place to park and if there are single tier with the damaged side facing
secure my cakes to the board and when any hills/bumps or anything I need the wall. We also found the mother
covering with sugarpaste. I do not want to be aware of when travelling with of the bride to explain the situation,
my cake to slip and slide in the back! a fragile cake. If I can, I will try and refunded the entire order and included
Also as summer approaches, royal icing visit the venue prior to the event, but I an additional ‘I'm sorry your cake fell
will be your friend as buttercream can’t always do that! Usually the event over’ make-up cake for a later date.
doesn’t have a very high melting point. planner will be very helpful and even if
Anything over three layers of cake, I you get there on the day, you can always Kirsty:
will board and dowel after every two pull up outside and ask where to go if To this day, I have only had a few minor
layers. Especially in stacked cakes! it’s a big venue. accidents when delivering my cakes.
You need a sturdy structure within On one occasion, I delivered a cake and
your stacked cakes to make sure they Have you ever had a cake ruined in the unicorn horn had snapped off! I
travel well but also don’t fall over at transit and how did you fix it? made the decision to deliver the cake
the venue. I break my cakes down into and then I went home, created a new
categories: sugarpaste, ganache and Pia: unicorn horn and went back to the
buttercream. I will always take stacked Back in 2014, I drove down to a venue venue. This was a very good lesson in
sugarpaste cakes assembled with royal about an hour away on a blisteringly not adding the final details to the cake
64 MAGAZINE
ISSUE 80 | MAY 2019
Ella Stone
Fixing up cakes after arrival!
prior to delivery. So for example, if you anything else I need specific to the cake. because it will happen when you
are delivering a unicorn cake, simply This is my basic delivery kit and I add to least expect it. If you want to practise
pop the horn in when you arrive. The it for each order. I take this everywhere delivering a cake, I have our employees
same goes for cakes with sugar flowers, with me because you never know when start out with a full glass of water in the
models or decorations you can just pop you are going to be stuck! cup holder. They have to drive for 30
on at the last minute. Don’t take the risk minutes without losing more than 25%
of breaking your decorations or at least Do you charge for delivery? of the water in the cup which helps to
take spare! reinforce the safe/slow driving habits
Pia: needed for a cake delivery.
Do you have a cake delivery kit? We do, we charge mileage and an
hourly rate. Kirsty:
Pia: Remember, it is just a cake and the
I do, we call it our emergency cake Ella: world won’t end if anything goes
kit. It consists of extra dowels, All of our local deliveries are offered wrong. Do not rush out of the house,
flower picks, floral tape, sugarpaste, free and deliveries outside the city start give yourself plenty of time and always
buttercream, royal icing, cake boards, at $25 with no additional charge for prepare your cakes! Preparation will
icing smoothers, pins, ribbon, basically weekends. really relieve those cake delivery
everything you need to finish or rescue nightmares.
a cake. Kirsty:
I start working out my delivery costs
Ella: with the mileage. The government
Yes, our cake delivery kit has scissors, recommend 45p per mile so I work out
Thank you to the following cake
a door stop, a couple of dowels, dowel how many miles to and from the venue
artists for sharing their top
shears, an offset spatula, a couple of and multiply by 45p. Then it’s your time
delivery tips!
pens/pencils and fresh buttercream in – how long it takes to drive there, set up
a pastry bag. and drive home. Pia Cato
The Vanilla Pod Bakery
Kirsty: Any additional advice for delivering Photo by: Blooming Photography
I take a delivery kit with me to every cakes? www.vanillapodbakery.com
single delivery; it’s in a craft box I
picked up at a craft shop, it looks like a Pia: Ella Stone
glittery toolbox! But any storage box is Take your time, plan the route and drive Celestial Cakery
Photo by: Critsey Rowe Photography
perfect. I have edible glue, edible glue slowly. And relax, it will all be ok.
www.celestialcakery.com
paint-brush, royal icing in a piping bag,
palette knife, scissors, double sided Ella: Kirsty Marie
tape, buttercream in a piping bag (if Drive slow, use signals and expect KM Bakes
needed), additional decorations and everyone to jump out in front of you... www.kmbakes.co.uk
WWW.CAKEMASTERSMAGAZINE.COM 65
READER CAKES
Living Coral
Take a look at these amazing readers' cakes!
Angel's Kitchen
Ribiselchen
Aneta
RK Bakery
My Sugar Fairy Cakes
ovska
a Dan
Marin
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ISSUE 80 | MAY 2019
We spoke to Vanille Couture Cake Shop about the awesome Great Cake Designer
Competition to find out how it started, what the theme was and their future plans!
2
Dulce Mantequilla
Boccamocca
3rd Place - Macarella Tap
3
Köehl Cakes
Sugar Boutique
Perla Cafe-Limon
69 MAGAZINE
ISSUE 80 | MAY 2019
How did The Great Cake Designer favourite and promote their votes via Ana Laura Rodríguez and Florencia
Online competition start? Facebook. The People’s Choice had such Menescaldi gave some of their online
an amazing response since many many classes for the prizes! We reached
This competition started as an idea to people really do their job to share their more than 1,800 US dollars in prizes
promote ‘behind the screen’ amazing favourite cakes and we felt this decision (and some extras for giveaways) which
artists out there. For all those talented gave the competition a lighter feeling, is more than we thought for this first
sugar artists that make incredible like everyone felt that everything was edition to be honest.
work in their community and haven't super fair and open. When the People's
had the opportunity to be exposed on Choice vote was opened on the 4th What are your future plans?
any media or have not yet found the of March, the competition actually
courage to enter a sugar competition, reached almost 350,000 people! It was We will definitely be working on
maybe because they don't feel good amazing! Everyone was so interested organising a second edition for next
enough (even if they are) or due to the in voting and helping their favourite! year. But this time, we were thinking
distance of these competitions. Others were already looking forward to about opening it to the US and Mexico.
receiving information to participate in We have also received many emails
How did you decide on a theme? the next edition! from Argentinian sponsors and are
seriously thinking of opening an
First, as there is no other competition Who were the judges and sponsors? Argentinian version of this competition.
like this, we wanted to start on a low For the next theme, we have thought
scale to have better control in making For the jury, we invited renowned sugar about being conscious of world
it a wonderful experience! We have artists in America. To be a judge, they problems. When the idea of the
had previous experiences as judges had to have a successful business in competition was born, this was not
in regular sugar competitions in their country, won competitions before the main goal but we really feel now
Mexico and abroad, however, this was and be renowned in their countries. like we have to promote some of the
completely new for us so we wanted As Latin-American judges, we have problems in our world the same way
it to be perfect, that's why we decided Dalila Cabrita from Colombia, Florencia we promote the artists’ work so we
to have this first edition only open for Menescaldi from Argentina and Ramon will see what the theme for the second
Mexico. Afterwards, we started to think Serpa from Brazil. From Mexico, we edition will be.
about iconic Mexican people, art and have Ana Laura Rodríguez, Dany
places until we decided to make all Orsan and Cesar Rentería. And us, Lili All the money earned for the entries to
of these themes together with one of Cuéllar and Willie Soto. We also had this first competition will be donated
the most iconic and popular artists in the amazing opportunity to count our to an association that helps kids with
Mexican history, Frida Kahlo. We chose beloved friend, Mercedes Strachwsky cancer and their families that cannot
her not only because of her amazing from the US, as a judge. Every judge afford their treatments.
work but also because of the period of was so committed to the competition
time in Mexico where everything was and gave their best to promote the
so different to nowadays. competitors’ work. To find out more, visit:
As sponsors, we had the generous www.facebook.com/thegreatcakedesigner/
Who were the winners and help of Satin Ice US and Sweet Sticks
runners up? Australia as the main sponsors. Then
we started to receive emails from
We have been judges in international amazing brands that wanted to be a
competitions and heard how some part and help with the prices like PME
expo attendees complain about the US Division, The Cookie Countess, Icing
winners sometimes. We didn't want Images and Sweetapolita. We also had
to have this unhappy feeling about the the help of Mexican stores such as our
winners results, therefore, we decided own online shop, VanilleCoutureshop.
to give a first, second and third place com, and Proveedora Gastronómica,
chosen by the jury and one People's one of the biggest shops in the north
Choice so everyone can choose their of the country. Finally, the judges
Jany Alba Cakes
Suki Cakes
WWW.CAKEMASTERSMAGAZINE.COM 70
ISSUE 80 | MAY 2019
Bejewelled Beauty
By Danielle Armstrong, Richmond Cake School
Difficulty Rating
Equipment Required
71 MAGAZINE
ISSUE 80 | MAY 2019
Step 1.
1 2
Start by kneading a teaspoon of gum
tragacanth into fuchsia fondant to add
stability. Wrap and leave to firm for 30
minutes.
Step 2.
Meanwhile, roll out fondant and ice the
cake. Use the smoothers to get a sharp
edge. I prefer to use flexi smoothers.
Step 3. 3 4a
Measure the height of the cake. Once the
fuchsia fondant has had a chance to firm,
roll out and cut a strip 3” longer than the
height of the cake. I have used a 5” cake
measuring 8” tall.
Steps 4a-c.
Bejewel the sash and get creative with
dragees! Create a border pattern using
the triangular dragees and a floral pattern 4c
using varying sizes of the round dragees.
Attach using a small amount of edible
glue and leave the sash to one side
while you paint the cake. For inspiration,
I looked at designs of sashes worn in
Bollywood classics!
Step 5.
Shake the purple paint and squeeze a 4b
small amount onto a palette or plate.
Using a large paintbrush, start painting
onto the iced cake. I find using a turntable
handy at this point so I can keep the
brush strokes to a minimum. Set the
painted cake aside for a few minutes.
Step 6.
Drape the bejewelled sash diagonally
across the painted cake. The paint will
still be slightly tacky and will enable the 5 7
sash to stick to the cake without the need
for any additional glue. Add additional
detail to the cake by adding edible silver
leaf. Hold the sheet leaf side towards the
cake and use the backing paper to adhere
to the cake. Press the backing sheet to
the cake in a random pattern and press
down any fly away silver leaf with a clean
and dry paintbrush.
6
Step 7.
Finish the bottom edge of the cake by
attaching a thin layer of edible glue or
royal icing and attach 6mm silver dragees
all along the bottom edge.
WWW.CAKEMASTERSMAGAZINE.COM 72
ISSUE 80 | MAY 2019
COLLABORATION
Tell us about your collaboration Con Convention in Los Angeles, CA. Did anything go wrong?
It’s amazing to have artists worldwide Thank goodness, no! Although there
Cake Con International was formed and we hope to be able to display are things that can go wrong, we work
in 2015, inspired by everything more of our works at cake shows as together as a team!
comics, cartoons, gaming characters, well as comic conventions.
superheroes, TV series and movies If you were to do it again, what
known worldwide at the largest held What inspired you to do this would you do differently?
comic convention yearly, SDCC. In theme? We are working on something new for
2018, Cake Con International decided This year, we decided our theme to 2020 – stay tuned!
to finally venture out and obtain be Comic Books. That’s where it all
a display booth at an actual comic started! If you were to do collaboration, how
convention, WonderCon in Anaheim, should others get involved?
CA, which is the sister convention to Tell us about a few of the pieces We are always seeking new talent and
SDCC. The experience was incredible that have been made you can contact us via:
and the crowd was in awe at the Every year, the submissions are www.facebook.com/
edible art. This year, we have decided exceptional. The level of talent Cake cakeconinternational
to display some pieces at LA Comic Con has is incredible!
Deepali Markus, La Torta Perfetta, CUPCAKES & DREAMS, Sophia Fox Cake Art Studio
Art2Eat Cakes
73 MAGAZINE
ISSUE 80 | MAY 2019
CO
LLA
B
Cake Designer, Floren Bastante / Dulces el Inflón, Gregoire Goel, Sweet Mi - Cake design by Milene Habib
Lovin' from the Oven, Maria Cristina Schiazza Illusion Cake, Candy Maniac, Golosamente by Linda
The Cookie Lab, Anarchy Cake Studio, Dolce Favola, Valentina's Sugarland
WWW.CAKEMASTERSMAGAZINE.COM 74
ISSUE 80 | MAY 2019
Mr Sugar Ciok, Sweet Mi - Cake design by Milene Habib, Cakes en Vogue, La Torta che Vuoi Tu
Esmeralda Trigo Cake Artist, Mary Sugar Art, I Love Cakes by Sheila, Sofia Salvador
WWEW . AL.
IN T R NATION
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CAKECO COM
OM/ L
OK.CIO
A C E B O T NA
WWEW .F
N IN T E RNA
CAK CO
75 MAGAZINE
ISSUE 80 | MAY 2019
F
OMFAYCM
%
5 de til
31.0
5.19
co alid un
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• Hire of tins and cake stands personal This sugar paste is the perfect blend
shoppers only of great value and amazing quality.
• We also offer edible printing onto icing. Its soft texture makes it easy to work
with, allowing you to roll it thin without
• Free and helpful advice for all our customers. cracking or breaking. From
Take a look at our online Catalogue (guide only)
at www.diy-icing.co.uk AVAILABLE SIZES - 1KG 3KG 6KG
£4.99
8A Edwards Road, Erdington, Birmingham, B24 9EP TEL: 0121 384 8236
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ISSUE 80 | MAY 2019
Competition
PURPLE
FESTIVAL
SEQUINS
ORANGE
TURQUOISE
JEWELS
BOLLYWOOD
VIBRANT
FILMS
SASH
INDIA
GLITTER
ELEGANT
MANDALA
MUSIC
GOLD
CINEMA
MAGENTA
77 MAGAZINE
Wedding Cakes
ISSUE 80 | MAY 2019
JUNE
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