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MOZART BARENREITER URTEXT Cosi fan tutte ossia La scuola degli amanti KV 588 Klavierauszug ‘Vocal Score Sil Ew | ee ae Eero W.A. MOZART Cosi fan tutte ossia La scuola degli amanti Dramma giocoso in zwei Akten Libretto: Lorenzo da Ponte KV 588 Deutsche Ubersetzung von / German translation by Kurt Honolka Klavierauszug, nach dem Urtext der Neuen Mozart-Ausgabe von, Vocal Score based on the Urtext of the New Mozart Edition by Heinz Moehn Barenreiter Kassel - Basel - London - New York - Prag, BA 4606a, INHALT / CONTENTS Ieastzung /Eesemble u Vorwort, wv | Preface I \Versecinis der Seenen Index of Seenas % eo primo / Ester Akt ° Aitosncondo /Zoveter Akt 2 “Anhang / Append 7 6 [eben dies Klavierauszug snd die Partita (BA 4606), die Studienpartitur (IP 314) und das Authrungematerial (BA 4606, lies) eric Inadaiton tothe present wocal score, the ful score (BA 4606), the study score (HP 314) and the complete orchestral parts (BA 4506, fr hie) are avaliable. Enza Avegabe mu tang Amen Mozart, Neve Ausgabe sicher Wee, in Veriang mi den Mozutien Agar, Salsbury und Wien herausgegeben von der "ntrntonle ting Movareum Salsbury Seve, Werk Band Ts con tate os Le ata de maent (A 108, voneiog von Pape Fegan and Wolgang Reh, Supplementary edition to: Wn Amal Monat New Aye tier Woke, ube in nscaton wi the Masato Agen, Slsury an ena by the “nursing Mostyn SalsbungSere I Calg 5, Volume 18 ot fon tte Esl pl ara (AU), eed by Faye Ferguson and Walang Rh 1 185 arnt eras Kael Vtere GmbH Co, KG, Kase Auta / 5h Piting 208 Alle Ree vrbtaten/ Al ight reserved / Pied in Germany “eriligangen pcb Art sed gentich verte, ‘hn unatturce epodion i probed by ae ‘inv aeonmaooe oe BESETZUNG / ENSEMBLE PERSONAGGI Fioniligh | dame ferarest Dorabella |e sorlle abitant in Napolt Guglielmo | amanti delle medesime Ferrando Despina, cameriera Don Alfonso, veceho sofa Coro i soldat Coro i car (Coro marinas La ena i finge in Nap PERSONEN Por) | Dane au eae un Swe, Deel | PN i are Oe Chor der Sldaten CChor der Diener Chor dor Shifts Die Handlung spelt in Neapel (CHARACTERS Poh) ae fo eran, Pratl se tn a Kp Fern bel e Devin bora Dew Alia ly ier Geo fois hone often Gono fais “The action takes place in Naples. ORCHESTRA auto, 1, Oboe I, ‘Carineto I, (1 Clarinet dl Basset), Fagtto ‘Coro I I, Clavine I, Tt “Timpani; Arch Continuo: Cembalo, Violoncello Soprano Soprano ‘enor Seprano Sopran Sopran Baw Sopran ‘ase i VORWORT Jedes, der mit Mozarts Korrspondens whrend der Arbeit an ,.Coat fan tte” KV'S88 vertraut Ist, wei, dase er die Oper walrend der finan all kaitachsten Zeit Seine Lebens geplan, ‘Gurchgefahet und vollendet hat. ,.Le nozze dt Figaro" KV 492 und ,Don Giovanni” KV 527 atten groden Erfolg in Wien und in Prog, doch wischen dee Winer Premiere ssinee ,Don Gio anni" im Mai 1796 und der Newinseenierung, ‘yon .Le nazze di Figaro” im August 1789 er ‘ichie Mozart bin never Komposiionsauttrag, Erfand zvdem auch kein Golegenhal sch selbst in Wien wleder als Vituose zu positioieren, fund der Beginn chronscher Kranit(en) seiner Frau Constanze mat den langen Kur-Aufenthalten in Baden bel Wien vearen bestimmt nicht dazu sngetan, seine Geldbarse za schonen. ‘Mozart eet den Autrg fr Cos fan ute” wahacheinlich in Sommer oder im Frhberbst des Jahres 1789, dena. seine Bitbriefe an den Logenbruder Michael Puchbeng besttigen, ass fer das Honorar fr die neue Oper nach ihrer Premiere am 26 Januar 1790 2u erwarten habe: ‘Hinftigen Monat bekomme ich von der Die tion (rach ietigerEinvihtung) 290 Ducten fir meine Oper, ~ Minne und wollen Se mir 40 bls dahin geben so zihen Sie ren Freund aus dlr griiten Verlegenheit” (Dezember 1789) Puchlberg antwortete mit 300 Flora, und im Fe bruar 1790 zahite ie Direktion aur die Hale dds vereinbarten (der von Mozart viele auf {gsbauschten) Honorary ~ die biteren Belefe an DPachbergsetzten sich walwend der beiden Auf ‘ahrungseren der Oper im Jaruae/ebruar nd Juni/ August 1790 for. Die eschitterden Umstinde in Mozats pr vaten Angelogenbeten becintrshigtn in einer Weise seine Fuhighot, sich selbst uber sein Werk say amdsleren, wie die Musik zum Libretto von ‘Cont fan tate” eit tem efianigen Witz be- (relat. Wahrend Lonenao Da Ponte seinen Kelle igen Pletio Metastasio oder auch Jacopo Sanna "ar (eta in No.2 oder in der sebten Seane dos exten Aktes) paraphrasitt oder ziier, greift “Mozart selbst sufein rdheres Werk er Zusam- smenatbet zuttck: Der Titel ver diten und Ieteten Oper, aber auch die ,Schaukel-Figr im w Presto-Thema der Ouvertre (akt 38, Flot) ‘waren vor Publikum urspringlch nicht in .Co- fan tte” ma horen, sondem aus dem Mand ‘van Don Basio in ,Le noaze di Figaro”, wenn dieser sich ber Almavivas Anger mocksert,Che- tubing verseckt in Schlasiminer Susannas ge fuvden 2 haben: ,Cos fan tute le elle” (NB. 7 fem Figaro", Tak 1710), Tanethalb weniger Monae falte Mozart mehr ls 650 Seiten ener Pats, die fat keine Sparen von gedanklicher und physischer Arbeit 23 er ene gibt Eine Arie (No. 15) wurde vermatich gesteichen und durch eine andere ersetzt (Gu- flelmos .Rivolgete a lut lo eguardo”? durch [Non sate ritost), und lediglieh en gesondert Uperiefertes Batt weist auf ein echtes Kom positions Problem ins Vokalakizzen Mozarts ‘zum kanonisch gefUhrten As-Dur-Quartett Im Finale: Enel tuo, nel mio beehero” (No. 31, Tak- te 13H). Die Schlussversion der Shizan dif ret nach immer von der Version in Moats Par- titur-Autograph, und auch dann ist noch Kein Ende erteleht In mindestns sine Aufahrang waren Mozart Singer offnbarnictin de Lage, das hontrapunklsehe ,Hinderis" zu meistern Der Kanon ~ ohne Zoi eines der aberragen- den Sticke im Mozarts Ensemble Kunst ~ wurde sential reading forthe rehearsal of performances today For the plano-voeal score, whose demands are uncomplicated to the extent allowed, the follow ing rules obtaine 1. The realization of the continuo (oceasion- ally figured) in the secco reitatives o recitativi semplit (prescribed for harpsichord of fort plano and vielonelo also a small contrabass) {kept simple, but of course allows rom in ac. tual performance for improvisation, 2. For tills of numbers (reitatives, arias, duets et), sonic descriptions and directorial ine ‘ications, the plano-voel score doesnot difer- entate between the musical sources (frst and foremost Mozart's autograph sore!) and the le brett printed in Vienna in 1790 for the premitre ofthe opers; NMA additions are Mhewise nt t= pographicaly diferente 3 The Italian tet i printed inital, he Ger- man translation i nora ype, “The very economical NMA adations inthe vocal parts (primarily accidentals not requzed by Mozar’s notation, occasionally also slurs) are not typographcalydiferentiated va Practical performance hints forthe singer 1. Appogelaturs: Although Mozart wrote oxt an unusually large number of appoggiaturs in his manuscript, editorial suggestions in saller type have been added above the Vocal staves. ‘These suggestions are not binding, rather they should encourage the singer to discover aolu- tions of his own. With but few exceptions (for Instane, ordi’ aria No. 14, bars 59 and 63) ‘appoggiaturas have not been euggested for coved numbers 2. *Lead-ne” and embelishment of fermatas: ‘The possibilty for improvisation at frmatas that serve a “lead-in” or “transition” i each time in ©) adSehla. eit mtpeich, cin Mis = ser” an eu ~ =~ “ re do co-tin = ane Bel nd Shin elt ma a Hoel ~ ni gid gri-gi ex ca - the-dra_ par, Teh fat’ ” grave Hate, haprect”_ aus Er -fab nie, a pal oie = gh fom = scan gual Mae - hte loch at "nn dis” Sri i fe” doch'mt es, eh a um ds Soe acs: a 8 FERRANDO No. det = to cia we - lecheint - drevser [Nel in,” Sio‘be ~haup = te, Sie Kan “ten at pal gi fen sea~no gual fen, esti doch” fa cis, GUGLIELMO ‘Na det ~ 1ocla-we - wchelnfi- dees-ser NNem.ein, Sie be -haup ~ ten Sie KOnn = ten uns var cel do- ye = tian Worn 5 Bh-‘e ges be = ste booms = sented — n 3f_ (FERRANDO ¢ GUGLIELMO meron mano alla pad /egen di Hand an en Doge) No mo le wedllams oon te apo is chen la Doch, dock, wit_ver-lan-gen’s sonst zieh’n Sie den i ds som MehinSie_ den DA ou fio le ° fag a Dov, doch, wir verlamge's sonttha Sie den Be > soft fine do to Lf fio la spa ~ da rompiam a mi 2. sous tiie dn Be = ponte scant ane (Pg) ” 0 paz © fo La spa ~ da rompiam Ua ~ mi -m. sonitiehn Se den Be ~ ge, ‘dle Feandschaft stas. Be aperteaie) re Su w= 99 me toca, dh Nana sic daben, ‘sired o dessa rel Winsebe;_(opare else) te find dis _ fir Wincte, Saw mi 6c a Teh ana” Slee dobden, ‘ch sana <—. Lath te oe 7 a eta chi rca di bocca wor-ti-reun —oo- cemto the or = (idee, Gabel-mer ee wmpte, im Worchen fy seen, aba =) pal Cer-car di sco- pire quel mul che tro. aio -me~ sch ~ tap ie= her fv Dun-Kela, Stat Wane’ tus chen, die Ar > ow. ‘occa eh la-scia df bocca sors reun ae-tenlo— che'tor (den, GaBtonor’ Gs upc, in Wort chen sagen, das Un 7 ae ee ino io) pA | he tor =o le fa cB Laacia dk bocca fio Uh“ rete thr fo, cin Werte zu Sen, Da. i mensch mh fa ‘er-car di a00-pri- re quel ml the es die Ar 2 ger aur bring, tipo ie- fer im Dune, Sat Wale a che tor to le fa eM lasela dl bocca — sort reun ac- recit, ad Un = eect hr fein Wocheo au sagen, ein Wort-chen lies ome 2 che for ‘hs Un fa, chetor fuidabtie Sa mech rn ee vag hr se See = ee rtengeie Ar ov. = fe che or be che tar ee fa cer rad se, oo Un ete the = —— oj ve ——— vs TP pry | oe, 2 —<——— = ”, ann Recitativo ‘GUGLIELMO DON ALFONSO, SEE ipucitareamen QUGLIELMO DON ALFONSO! PERRANDO. Fuorlaspada: sce- liste qual noi pi vi pice, losonuomo dipa-ce HeeatadenDe gent Sie wablenuntertnt ‘Th-ten Gopner. Nein. eh ee den Fite, contre = SS @ duel- Ui non fo se mona men-sa.” —O batter-vh. 0 dir sucbi-to perchédin fede wndichineeSemitnurim EssenundTanen, Siesehigen sich der Sa-genuns, waramSicunsten a? —— 7 — | == po auronso To-mpetta te ca pack Ca noe itew-¢ be awe-tln, sane 2 oa = ra sempli = ct — 2 ca nb: @ 2 at 352 remanno Dow ALFONSO um to mi pia et” Cosa sane dither ar, ous roal cie- ll Wr ‘ge Bin “fae: ehu jut mi e-sem Scher, ichschir be Hil. in Se a, _glucyoala terra, nom scheran amici mie-l; so -1o_tapervor-re-i the ‘ch shor Bede Erode, “Teh Schenae nh Peunde;—murmictichgee ae" wissen, ‘ar ras-2a d'a-ni-ma-ll son que-ste vo-sve bel-le, shan Go-Ime tt-ti mai carne iheicher At von Welven Sie “Iho Sth. s-len, “oh” ie we wir as Filch Sind aus as 34 ¢ pelle, te _-mongionco-me nol ‘Blut und as Kno- chen, 0b sie"ee = sun wie FERRANDO Son donne: ma tom talk wom tlk Ti Fraes; doch. 3 teuce,“s9 Wout. DON. QUGLIELMO ‘ALFONSO Sor doe Tk Fraver: donne prtende-te diirovar_Je-del-8? Quanto i placi ma tem-pli-¥i — a slaoteslalsowitlcs, cine Feu tre teu? “Sanciamgihct— tas rsacmie Spl ” N° 2 Terzetto Allegro (schrsndo /scerend) DON ALFONSO| Ba fe de dele jem. mime co me Weber - vou Gan Ms cheng glocie dom oe ee a | noe the fia two Io dl ce, ‘ten, je der late ha pat Sten nck, asta lo — di ce= i gut 20 Kens FERRANDO (Conften/fute) a fe~ mi- ced Do ra - Mei-e Bra st seek cin el la tela te he Pho GUGUELMO tonpectort) Be Pe- bt- Bk ou. ta fe = n- ceb Fords - i fil Flordl ~~ gi La fee Mel ‘te ” Brtst oleh ein Pht Bord ° 12 gt mei. ‘te 35 en fete ve DON ALFONSO, Da. ou, ni = eeFor- di-ll ~~ gil Nom 8 que sta nono raw” “atsoch "cn" Pho_ "= ike dle “Ch > eth die ‘el non fo - Tad re denn dee PhO nie gab rif la fe de delle fom mine co me Sein Wiei-ter- dea”. '¢ 1S ea MAdrchen, epee dm *) 26 Rernd nd Gupte Di Fema ans es ngewe. ‘M25 Ferd and Gapieino A be enlistment canbe rng be omit nannies , » ey FERRANDO la fe - W-ch bo - rachel lal Do- ra bella? la fe Mei Te” Braut‘ist_ oleh cin Pho = ss mei = ne Bret” ist sch din pal ‘a bien, GUGLIELMO ow. la fe -n-ce? Ford U- gl! Ford ~ W- gi? fe Mei te Brmut ie) foich in Pho = a, mel me Brat ‘it slch Gin Do- ra ~ bel lat Dost = telat de waa cow b— di-we— Se= er glabeiba got 20 Keen A606 Recitative Flor ~ a= a Bor 2 GET Te Wi poe - it rnc a0. 3% pow arronso ou, Da Seem-plag—gi- ni di veoh! Or boone, wade ma Und AI slave von Aicten, Ta" Ordaung: GohGraSie, doch sen anan-dar in col le-ra Qual pro-waa-ve- 1 vol cheongmoreo- sieht gleeh wis der wa —eendecin, “Wot dn” or” Be wes, “Ga Ih ve 7 4 tn Sten le von wreas man i ok fe sh cw Then ach wk ich m= mer” teu sid: nd Wer Sgr $0. Be- wi a Furano E=S3E _ GUGLIELMO heinva-ria- b= s0 - mol tor co- rl? "lan ghewenen- ta. No- bil ‘Sal she ims mernte Sc “te ben wereden? Lange Er-fan- nung. Gute Er- 5 x uGLIELMO FERRANDO 0, w Persar sbi me. A man lo-pla dw mor. © Dicsin-d- ae ho NocschmesDen- fen Okt ebe fae no's Sesser OUGLIELNO, Ferranvo F==7E cucuELMO B |. Inert = bt carol ~ te Pro-me- te. PO= sen Uni ie fe > nex Chara = Norse chen. Ge “pe. | ————— = DON ALFONSO gb Plant, s0- spr canres-zgsveoniomen- th Loca t= mln po Nalige Bice” "Tvnen und Sezer und Kasse, ‘etcne Onmmacht. Diana ich dc far FERRANDO dere.” Comettl Fi-wi-t di de_ri-der-d? Pim plows ew tocar am hen” Zaman fel, Wir” factennunvenspeatge-mug. Nar ruchig: woltibrvenmir noch : ea ns te ‘GUGLIELMO bay Gil mma no op gi wi ce me Tal Hale OS a tet ie su Whe we 90-90- Non fd {etaodem? Dar kana ict 2 FERRANDO DON ALFONSO FERRANDO DON ALFONSO Gio ~ chan Gig- chia mo. Con- to e- Wir” Stet wont Set = em Hn dn Ze = » cxcung $= oowuroso _amuono Eoml-k « mo - kw Ja, Gin send, wean Sie” wot i Ses 26 DON ALFONSO isn he, Ean con no, un motown gensto glu ranted non for di ta - to Bhreacwor, och chwiri mit, Maia Wercchen, kein2ccchea, fit Sebaec Goste defen Sis ver SS BA 088 cseh cian QUOLIELNG ON ALFONSO Da ta-ds - i d'o- n0- re As Soka © ten von” Eh = LL cio w dm di far Tad te sie! Bro-vis-a-mil ‘Sie werden = tss tn. Ta als!” Brevitcsmot Br SS ' ' | ‘SL hor St. for por St Bor ‘atace i Tereto BAAD N? 3 Terzetto Allegro 4021 GUGLIELMO FERRANDO. ‘ouaLiELMo ERRANDO Sach ak far srt ich GUGLIELNO Th o- wor aa ena moor ha ner Ve > ote oi eRe em MONA bo PON ‘lo for es Mi, Me > one Menno ge 2 oe ps DON ALFONSO oN ‘Sa-rDan-ckin— dr conv to? Weal” Such mic cn ge de 26 Gtr a gor Gas 4a Signor Sie sind d= tee SH GUGLIELMO. ou. Gown. we ft gor Ce Sa Silgon Sle sda dh BR Ty = a rE, ner Si fete I~ gh 2 Si sd dR ou, ghar Sie sind a RS the v0- gloom al i —seu ‘for 0- gla-moal fet emir Sen a (Parone) pal ow. BA se Scena IT 2. Szene nin a tid mare) eo Mere IORDILIG!¢ DORABELLA he puardano un FIORDILIGL und DORABELLA (jede beach ein rato, che lor pende a fanc,) Bins das si an der Seite hingendtagen) N? 4 Duetto Andante ee oe FIORDILIGE ‘Ab guar ~ daw, 20 - 0 Sime ser=) $0 be gh guar des rl doth, 0) Shwe er to” ch” dc Yr Gur= dal Se tc cop fieh_— doch, ob cho = ne = Tre Ioan, 2 _—>, bel ly seaapet— to pid moe pw ri to - var ips pes, Sin eas fe = tes An~ gece aman Je ale woh 7 DORABELLA Gp fer va mun po - co, ee ties fila = me ne’ snort geo “RO” gen, IORDILIGK we - dem sem Seia Bick Gegt mur 2 = spicere ae Ra fmm wok Ee: der be T= 2h ponametta a 8 Se | healer me aut ty - lh, IORDILIGL Feet - 17 rig: Die ers pn as auger edn MSS. ig Arenas cae ng athe ema “3 Boab De Fema an ars epic ween / M8 Deh emetanen nf ng a oma 1s ORDILIGI A. Se quem mio emai ansla de = Wenn Seems em Uib-sen a Tieuc'e’ ith be = che, DORABELLA. bo. Se Guentto mo com mai conngia de wh - Ween Je mmis Gem Licbsten le Teese’ fh” bre ah, a cage de~ sl - Tene ith tre he, — = +) 1.70, eng und Deal: De Fema lan tr agesen wetn M70, Borland Doe ele bist in tesa a er i fac da = mor, dina Sear mich mit AN _ intempo cnt fia vi vem = do pe~ ar wer mic” eed 10 See Pa 10s dt deg As mle eae fch tre-cbe, dane state mich “A> mor 0, As no - 1 mi fe cov nn fa men ‘X= moet wee more al aie a frcocia i= vendo pe mar, ‘Amor mit” ted =e” Bein ; » foc = cla W-wen - do pe nov ‘& = moe mit ead = tofer Pain foo - cla W- ven do pe- na J moemit end foe fee Pe 10% oN fs Recitativo FIORDILIGI HORDILIGI DORABELLA Mi par che saat na Yonlen- tier fore lapa-20- rela: ho wn cer-10 eh fini heat morgen aug liza den -Ietllten Din gen: Ich spela Sissy ——_] Ter eno lew ne ee = tt Ia dea A> dt. er ‘Quon do Guetel- mo ‘to dich Gael- mo et vo" tei Ritu nen Soe a= nem Temp a 7 DoRABELLA 1 Ter dinait ver, qualche co sa di moto an- ohio nel-Fal-ma inet ‘Tchaige-ne™ en, “en apr’ ach” t= as Neues, re gen des ——— == 5 scons po. Pr = pro-10: fo gute re che lonia = ne non sam dan glil-me~ nei. Dan-hi la Fis eon ichriie ichndcen, “adwirbel” zumAl' = "tn fe geben werden. Zaig dek.ne 2 == imam: woglonsro-lo -gar- ti Uk che bel- Emme!) 'E que stodunPir va Haniher, ich wil'dir po-poe= als cn: Sich Gie-ses Be, undhier cn, was, AL is DORABELLA ‘pg im = nip pre MR che caval a ar oe Sa t= efit oh a IORDILIGI DORABELA Lise jetzt bab chs da yar NM 8 onl iiisiaiiakctaiinniciiniicacasinasinitnisdbainsinsiiaacnnnn po. = Gr dei o- al apo t= der de toa ve nis? (heh “ben denn die Beh en, ar = ttn Sta ‘See Hert Scena III 3. Szene Le suddete © DON ALFONSO Die Vorigen urd DON ALFONSO 22% rrornict DORABELLA PP Be- con Nowiom ex - si? DowAl-fon - 40 Lormi ~ co Da sind ie, Neimnich Se sin’ ron Alcfom = 0, al > tee 23 monpnici SESE pow aurowso. —_ponaneuta a ‘Ben fen gail si-gnor Don Al fon ~ a0! Ri-ve- i - eo! Gp ~ Freund ‘Wil kommen Signor Don Al~ fom = Sot Mecne Da> ment Was Percthé qui to ~ lo? Voiplan gee? Par a ie its, acum ‘Siete = ner Se ind" la tar So fn 2 FIORDILIGE DON ALFONSO nA al Chetodad na? Le- mar Goch, was at pesee-hent Mein Cet aca subi Ar Ba aca Edom Afonso “ON? 5 Aria oe) Allee agitato DON ALFONSO fe to) sides hat cor on ‘he, sich, ichirag” "ew aloe te ‘Fuay le v0 eeu soir how wien, XG nen Tow ig” Sch ‘hor seta et es? fa Oh hegre Sie" an? fr” Keir Ach, _welenUn — gldeweleh” ain ett) a ? ; fp ea vy Slim. mer kn e+ a le {ea ce "Dar di pepsi ons pub oh mom sf pu fr sic fim, oe garnet ‘at lr ‘sa beehe BAe “ Recitativo ORD pogo SERRE Banana ay Heft igor fem ete em iia Ratach, Soe A MGS GS t= DON ALFONSO in ‘Consten ar-mar~ vt fiogle me dl co. san Angst Nanmel-te Da mea, ites, Mat og : = Qual ma-lebad- He to mak gual east nh = of Sear item Schrckitches pe- cheba, fab ot cm Un~giek? vo, Mi FF vomoua FF oaroso foro! Wie? Mor- nm son na ‘ou mein “Ge - heb tr? st meiner ach toe? Tot sind Sect, doch —————— =F roy arronso Doraset1a acd FIORDILIGL BA = _ —— Pr pe = co men che mor fe ha? Not Immo - u? fet der che el Tee ser, Wer © wim de? Nei (O° ceriank? DON ALFONSO un SEE pow aronso Che fo 10 dng? A mar at cam ond re glo Was ais “iw ‘et zomBe Ger Bhs ebder Ko > ig ste FIORDILIGL pal Bi Nepeper. aude, FroRDILGr BORRBELLA 14 FIORDILIG] DON ALFONSO. DORABELLA Es i--mel Che seme tol BE pr-= ran? Sul fata. non vb utes, Web mir, was Rove! Shemi-sen ft? —-NechBeute.__ Kein Mie 6 DON ALFONSO FIORDILIGL DON ALFONSO ‘mo do dim-pe- dir to? Now vd” Neunsoloaddl - 0. Ol'in-fe- les, das “re" fer Hn dom? Nel, Seis "Und hone Abschied... “Oh, de See 1s el non han = no co rog-eio di ve-der-vi Mase vol lo bra.ma-te, son Armen, ‘Se bm fen den” MiutasciSie mu sehen, dochwean Sie. selstes wots, 50 Dow ALFONSO As mich en ou fe" Frean= 86, kommt i Be ‘segue Quintet “ Scena IV 4, Szene (td FEREANDO, GUGLIELMO nai de vieso es) De VxgonFERRANDO, GUGLIELMO ie Rede) N° 6 Quintetto “Andante ovouiELMo GUGLIELMO ‘Sen - Wood, Ach athe pede eel gr least Sorte, nich de FU “Se taeges rr pr rye wo = pal pi- tar we on _pud— det - fo pro ~ fe eres gen, fe isi en Wont” he i pk wr = on Be ma wrth Ve roe pa te Sunde” zegischers, Geran ein wah - Fe 1s FIORDILIGI Orcbeabbiamla mo-vain= tea ‘or che ab bia la no-an- Beds een ge > fk ia oda Cerin ee DORABELLA Or cheab-iamla miosein= te sa, ‘orcheab- iam lami Dad Utena ge = fl i Ga 'dae “Cerin ge ‘e-2a ‘fat ist, bleibt euch ‘am ist, ‘bleibe euch fate oo te fit cin Hers. co, fate abv ein Herz ch, 7 H. 5 = ew fae cn, im mr-te- te hae ~ ar Gir ete GRE ate vo. ae = lar, ie merge ~~ 8 Yor ~ con fo — ree ane ef, tnd choke” ors he Br. yd i PERRANDQ, 4 PN = m rr la tr-tein- cols po OG Kia, ing Gan” hice fal ou = being das” SchiceSal, ‘das — mich 3 FIORDILIGI AL ‘No dru denon tee an Nieamaleinntics bers DORABELLA vo, Ah reno, non pari = ra it Neintennen a ec hie be, deg = gloab-ban = dow nar ‘gu "Som ent” yon ie ou, ‘eg gloab = ban do — nar gucsomtennivon 38 A. Pria v0! mo-rl-reai pie? tester ch die nu Fan po. = 7 Vo. glo pria ca vanmiid co = rel FERRANDO aonver ich mich woven ms = San ‘pio ) fe = = (Conse once ca CGUOLIELMO (pine aD.) ow. (fe n'ayve-di—) (NaaySie Rte)" DON ALFONSO (paw) val = (Sildoawl co: sebdog.mi— cor ——_fcnem Gocbitsach-te, ew Beeuade, et dan “5 FIORDILIG! soo vse T. a DORABELLA ws vis 1 Ss Trem dat) sell man fo bent * (i = AL vo, sin, 1 de ~ in eo s de- fru — de rm Sx FFERRANDO set vse cf a a Se DON ALFONSO getorage #7 a Da destin const de-frou- dale eran f de” morta —— ih So aerate cn har ~ es Senck-salje ~ ‘delotfoning.je “Ge Fred ~ de GUGLIELMO wos vce a ou, = Mh de-tin const dew frau dale sporan - ze de” morta So aerate Ginbar - ter Sock-salje - Setiot-nangje ~ ‘Sera — de See ee | eS a 53 ¢ . TF ‘mor to-l, A chi mal fatan machi ah (e"Freade Ach vm Hlebe fetsal © chem ede noch dat : cede! mors Ah chi mah fran - ma chi mal ning, Je = Ge” Frew. Aca, Wem Webe eisol 2 chem Est de noch Se z ow mor ae Ak chi mai fatan ~ th ma- lh ch Hort > nung, Je Ge" reads Acs Wem bia felsol > chem Lei=e noch es DA = frau = dale shecran fe de mor-ta-le AR chi mai fraton ~ th ma- Sthieksale - “Ge Hottaung.je -de Feode.Acb, Wem Blab Beisel — chem Let de noch dae z ov. Eee date secre te! Mortals ah oA al ain — meh hia - Beioeaung,je —de eed. Act, wem bleibt Tels — chem Eat de sock ee vor A. vo. eo-merl ca pa} ov. sr AL vo, val ou, 6s FIORDILIG! No fru del non te ean DORABELLA, [Ne male Room’ ieh's_ "Ser = Kh hong non par va ih Nein, ein, in, a) dari lc” ge hen Pia 0 mo- n= veal see ens h die _" vo alo pris ce - vor~ mit oe iow ert” Mek) mich) > "en Ba ota antioainucisaia 3 4G fen, __FERRANDO (planoa DA) (co-1a “vey (un. ge das) DON ALFONSO (pion) pa r [Sabdoa-mi-co:sabdo a GUGLIELMO (pimoana) epieani-ce: — saldo ou aS (Te nv. di?) (Sin Seb em) Fr ema dat) soit man lo Sen!) x ponggel D & eagle E : — & = ba ow wo gop + ‘mor = ta- lk Ab “et “Frode Ach po Sad ae Ta a pal Ach z ou, i frou — dale aperan - ae de” mor-ta-lk Ah ch | Six sSije = “Setotr“ nana je ~ "Se rade Ach, wem — SS go mak chi ma Taide och se our bal ‘mal pad ta v-faa- marl ON? ci? ou img eA mal pub la v1 ta mar! Ch cur our UG de noch Gas Pe tea. les bens wen? Wem, sem em, i BA te Hi? (Cpu at ven, semis J , vo, ‘amar Ch mat Oh mei pu on wet — wom bebe vem, rem lee a Fs = taactar! Oh ma 2 tea weriwem ei cn? Chi ald & wi mama! — Oh, sem, ‘vem bbls ae Te = ten wer, fem, * cu “on? at pad le wi = aanmar! Ohi nem, wen blcbida ie Te. wen, Sea, yoo oP A cht mal pad Sch, sem tte — ou, ‘mar! Chi mai pud— lo Chima prota stembiabds — z. Oh ai pd svem blebedn wo £. » ‘mart Chima pad fo — ‘mercy wembebda— ds — ? ‘nat Ohi ma i ton ven, sem bie <2 me = marl hi ai Toe wn vwem tbe les ‘mar Chi al pad — Lah ‘merc wembletda — dis— Le = aa mar! Chima po ta Lben” Men wembleteda — ae mor! Chimat pwd la swombletd dn — de Sep = pal na! Ch motpud le vi ~ taa-mar.! Oh mai pad a boos on oda as Te Sener omen — das — tes Lo ou. ta wi - taaemar-!CH mai pud— lo — Ch mat pd bs Le = benwer, wombs — dag ‘sem bebe t ten mer? DA ov, Recitativo ‘GUGLIELMO \GUGLIELMO FERRANDO BON ALEONSO| FORDILIG! DORABELLA Non pla-geretedol md.” Nom ape-ror= ti, dora — ta mia (Oh we nenichiGetsbee. —Seinicheverewet-fel, mane Lieb ste, rein (Con, TOU EE cowarogo oe ‘pose Lasciate loral go-go: 2 vop-po git-sta la ca gion. digual ‘AIG. NefnlareenSiesle wetten: Nor 20 be-greich ist der Grand theres (Birransetrecen strats? 6 = DORABELLA ORDILIGI "ar 0 fit veg aad - Last mi ge so fh doh “Je- mate wieder? : ti erie en sisticiaiiioiacamiaiisaisinlial i mi die morte, ae mai_‘bar-ba-ra sore inqul se - moa me esol wi, wenn Je prncaamdae Shs) dene Brat, "9 Ge = SS DORABELLA FERRANDO. = Morel di duck uo-po nom ho daa a. Now fara = ma tebe Teh server Shimer “ich bane ke-nen De-gen (Of ab och, mci-neGe- custo ou. ‘Nom farm a nme ‘Onn doch, sine Ce pre = fag ge— ran alk, Hie = Sedna mice er - ov, ml a aiefou pre = ~ tog ge- ran gl tis > fe, Tete oe ES fic > Sidi ice fer - 16 cor me? glorani mie = ov, z-t le pace del mo Gor ne" glovenl mle ~ 4 geo fen, set fn “A mors Seu, Sie Wind e-'e — hen, ‘aac i Dueino o N° 7 Duettino Andante a FERRANDO = AL fe to din rplioe chi ver th AL Bie fi ain den Angin TEE hen darSthickal; coe cucLiELMo = AI fe to dinleg ge quesiion- chi wense = sh A Be RE SASS Beha hen Siesta Get Seno ert ‘ 2 mor ti pro-tsg = ge, nti b= ro Wi-po-ai le bar ~ bare ale ah "R= anor "Geachce $e, vonm im = mer se fuchen, wagthel ageder Ser-ne 20 mor Kk prog - ge i = 10 ri-ponsi ear = Bare alle ae "Remar “e-chiax Se, amn im > mer se fuchen, wagt el * perder Ster= mea — ur = tur. lo W-te-m0, mio be - nee me gi rm mio en schist, rhe = Se die Bi eh) or "fe, In Fieu-de, ‘tn @— soon tw ber Ws lo se-re—m, mb be ne,a me gi- rm mip fo 7 tet Gin star, Be fe = SNe dew okey’ ator “Gar Te rrw- de," ninidacbisiaoticoai a senng to pe 10 Neco a= fh we dor be ne ame ta fe = cela or ~ Tea in Bal) wer “lene oer | ‘-_ SS 2 re & farm, fe W~ cealino se-no io ape ~ ro tor- mar. 1 ta wee = “den i ei de whe drake li cenluo weno bape ro Wild wer —“denmir ide tne fh” wie dors ——>+= — sh we. der = seh ae ——_—. ‘Tuga eed Gin: i Fema iene wen. Mn 19:5, er dG: som we - dees, oh Wie = Ser seh apr Recitativo DON ALFONSO __DON ALFONSO. PERRANDO. HIORDILIGE ORABELLA (Lacomnedis praco-1a © te due fin ben la o- 70 (De'Kormé-die weibscich, slespelen bei- de sehrglbtat ih te ake Sectmeatiy atten Staite 5 FERRANDO aS PH” cell Queretaro fun, cho = = de vin dl mi = Recien) 8 Himmett “Sar “in ie dic akcreTrom-mel, cemich los raitvon di, 0. dase = fo-1a Bescon ck ls bor-on Io man - ca. Jo mo- ra Aico Dowt Soh (Chacon le Barts, Th an > Ke, teh See be IORDILIGL DORABELLA segue Cor 6 Scena V 5. Szene sudden Die Vorigen (bara mata ng stan episeuet *) (oe ec aie ash ie Bute pam Ute an) yD "Bla i mila” (1251 Mi. 256) Pf. Sopa, Bele = oe md tl Pe Rak Hh the "sich Sor = Sat Probe eke” shes Sor = Bei vi ag ml Bd te mi hc Ae sh ate” Sol Poheh eb” thst Sor sisal” sor = Ba-te of = a m= bch be" sts” Sor Sa rhc We” shee ot A Rem ee et oa gh pl wo do man cm” dle Kem” mal fe. al og a on gL pl do man ie: Si he mde Roe” mate. al ° mal arn fray dh tam bee val" Lae" if sla Dee romte = tense” orate tr- ed or wd "a "G6 a wit "ow "2 end" TSE asl ar to eter dichopp.e bom. be Bekele a Er Ban = ee ee a Bi fer bo speror dicho. bom. be Bederig, uns Ei perder” “Ge sche Bier lo sparar dich bom- be Fe deilang, ms Ee Ban = serser” “sense Ree tne Donia "Gwe ors accret ‘ticker Arm ‘tek Arm Poxipaocres ‘eee em cba a Bae min = we. sists Sol sis Sar dick 2 tee mi a! Bel ‘ sidiete Sot ew shea Sor Sok th ee Tih ee "ie dn —— Recitativo ON ALFONSO ine PIORDILIGH i aairoai BORABELLA PERRANDO. ‘GUGLIELMO Non 02 pl tempo, a mi eit andar comvie- neo vil de- Nim wird ‘cs Ze, ihe" eun-de; ihr Jorn pe, wocuch ds (Conia. SEE | tnt) SE pono DORABELLA, n= sill dowver vin = vi = te con “Sa. febhoke nam re fn, 5 FERRANDO. ‘GUGLIELMO. IORDILIG! == aR Mia vi ~ aw AK per wn sol mo ~ men «10 Main Eee. Ath, Gl" nea A = gem = Bick mor SS DON ALFONSO D pal Del Yo-srorep- gi-mon- to ib® par - 12 la area ——_‘Rag-gger- iz con In Scepngschondie ar ke—“Th-fes Re gi = men tes Get a denKa-me- vien col po-chia=mi- ci che aw Le = gnopid le - ve tttorden= do vi a den, ie dort war tea, mim Klei-'ne-rn Boo te och an Bord Sie 2== sno initia a Ba. BE Ls “on = no. Ke - broc-ta = mgi- dol mi - Mu ie af fea > gen Um © "ar me ich) Ge ib > Be 7 ich ere GUGLIELMO DORABELLA, ou, Do. ‘Ab - brae- ela = mii - dl @ msg me mich, Ge — feb Ach, ich “ver- ‘Segue col sroment Recitativo (N° 8a Quintetto) Andante el (rongens/ oe) FIORDILIGI Da sco. DORABELLA FERRANDO ovaLIELMO DON ALFONSO| ise = GUGLIELNO Basse Baie aa a HrorpiiG! _——————_ ad a nica ou, DON ALFONSO Dal lo ce - pose mm - do (deh ste = Bemoeh Yor Ua > chen, | i i i | iar RP # tft defo ore - pose mon rh do, se on Hh do, te nom chen, ich see = Benoch'or — Caceien, jah ser be neh Yar i if! a istics ‘aca WC 1s N°. 9 Coro ( Le amantretando nobis sponda de mare a barca allontanas tra son dl tomb ee.) Macstoso Soprano Bel-ta vita mi tar! Bel- la nko temic tat ged (fic ede TS dt ich dee as Sot Ea 2 Bel- ta vita mi tat Bel- la hota mi tage B] Bemis tached So Gat tbich heh Soda SoS. Belt i= ta_ mi Froflich let hak Bane * lela Wate mito ae! Frobisher le Soi-dat—Jecden ello. vi te mi tar! Bella vita mili tan! Og Frckiichebisc's ds Sol- dav Febch hele’ eS! Desde ao aot Lt Ga it si camgia 1o- co, ofl mol- to, do-man po-co | onraintenracd or sud ag cn Snd-rerLacger, tnd ie fet mal taoger, bald Lanvdey Bld ur og. molto, do-man po-%,—ocralntenraed or dul hg cn Snc-fes Lager, dnddleRest ma ft mal ager, bails Laney bald. zur dsl camgia Lo- co, of gl mel to, dooman povca — ovraintenraed or ad Tog cin anges La-ger, undies mal fet mal taoger, baila Lan-dey bald. zur 26-4 mola, do-man oo onraintenraed or sal ag cin Sd-toe Lager, Sod dieRowt mal fat taid'"Lan“ es bald Zur 10 nar. Me frngor dh m= beep fe~ ri lo a oe Decors - n-th nd Pcie ee, wade nar M prangor ol tam beep fe- re le a Se Beviron'pe - neha Fen lng, na Sr coro = Beefcake ns wa BO tg, ta W fa-gor trom bee pf fe- re oe Devifom'pe = fren ond Fen fen-ng, wake rar di shopn¢ byw be Boo-ne da" athar se Jar dischiop- phe tombe Boneter der” ase : i | i 7 18 trae o, eal - fo-nima sa - ga gol dl a - on ee De fit Kamp fimue 6" mm Site utd zm” TH be ee eal. fone ta be felt ot. on er Dae fot” Kampfecmt is" am Stand au et Sen ‘eit Kamp-smit itm Siog und sum Tah = rae Pa eal = fos nime ya ge fol dh ok on Her [ss fot” xampfecont is "im Sl undo’ > 2 oo te midi! Bein a for. Fok 7 ah Jeet S'S dh tnt eke “sith So simp Fth ~tich iebt_" sih's ls Soldat, fh "ch lebt_ sich als Sot~ dat. re oh > ih ke 7th Ses tk > dk ths BS for Bel yi yin nt at we mi vf. Ft ch Hee i Sah ih Hee 2 ts Ss ‘KR ii ‘ i BA 06 * Scena VI 6. Szene Le suddette [=FIORDILIGI, DORABELLA} Die Obengenennion (=FIORDILIGL, DORABELLA) ‘@DON ALFONSO ‘und DON ALFONSO Recitativo DORABELLA DON ALFONSO (Sain Being erica, FIORDILIG! DORABELLA A FORDILIG! Boreson? — Smpur- Oh di-panton- 2 tru de- Sindsefor? Alvis ei-de, Oh weber mer, —_ Weloche onion = = (Com, Vile) 3 DON ALFONSO “Grind Fame ss = tye Teen nung! Lie-be Kin = der, smo cl facto) bien Then) | sling le Guar= da “elon tg = 0 i fan com no con See iia, doch seha” Sic wevon Fer= ne de Geclcb tm um ————SSS FE von FIORDILGL ki = na-noi cari go si Bon vag pa, DRecschied Th en en nd fe, 2 IORDILIGI Oh des OG iasincninasn an E=a bara! Gid spa ri sce! Cid. non si ve-de pia! «Deh faccialee-toeNab-ha Nosieh, ‘se erschin-det, sehon sev ich Sele el, Oh, aden Himmel “ih A “ DORABELLA f. Bb. fie. sP6-10 cor ~ so, Fac ~ cl chealcampo ghana confor wma thau a gtedig et te) Mi < ge er sie in Ret Be (= thie gen Yor” et = p= ek Ee wi sl - oie mo-& ea meglami ~ 4 Fine, uch fe-wane er “Se!” Tiebaen dad i Sie Roun - Ge. 16, BEBE pon atroxso Bo, Ba. Wrerztive N? 10 Terzettino Andante IORDILIGI DORABELLA DON ALFONSO nwo tt ie a goto at a a e-em Bie mena te en te he bent - goa Seon Wunsch, sega ~ "e'Ge- Msi sa sash st sy shy) SES NSE Ses sas¥s T ? = > da mS en int, ee ‘= sem a pal ‘on = da ai al de = ir, “al ten efile — un-sem Warsch Peeeaiatnnm esto wh de = ‘ - m 32 AL wars, vo. Th om wont, f= fe 7 Dal Wantsh, (Pare da oe (Brien er pte 8) Scena VII 7, Szene DON ALFONSO solo DON ALFONSO allen, Recitativo DON ALFONSO| Now fom tot i — vo co-maeol 1h in Kein lech. ter Ko. ke, (Comte lo oot dhe com pin ‘Ci pri-anacedi Marte ml ataron-noat-en é vous fait “ie Son Sieh tim fe den Kfcgsgou und Ve mus, fie et war~ ten mich Ba dots 5 ae Dal = ‘or senaninda fio, ag guln~ ger com ve ~ ne le wirvercein= bat, wal” Sch Sy ah - nen BE > Wo 4 ‘quapcte buffom ne rie. Tontome- glo per mer ca-dran pit fa cll Svante dea-mie-ncs.. ‘tmsobes ‘er ar mich, Se “eden foc n 0 rapa men ie; -que-ta tax ~ fo Wh gered la pi pre ata cpu i du Ich te: er wie ie = Se zweiDemensic ge bir” dot, wecnSafsete ack - ‘ne ——S= 2 bal mo iO po-ve-n- all Per fim- timo go car cen w de Gn te: 0 Reimer de,’ au ca wet = ee thr an den “Zo yvevce ma ws 001 BA a ed pe te fe [Sa | ? sine aso segue Sena VIL "7 (Goro enti cm nr iis tr. (ores Zima i i Tach, Sule “ered trl ana met ‘el Tro Zl Stee nae ie) ‘Scena VII 8. Szene (DESPIVA che a facendiccolate) (DESPINA Selo une) Recitativo DESPINA = DESeINA [RioRDING! DORABELLA) Che W-to mate-det-ta ail fora ca mene ral Dal a Welch pocserdnmtc Le-ten fh. fan als Kim-mer-mid-cben! Von fh- (contain Sisco) fie malle vera af fai meds af Ia-vo-ra, poi di tanto che oh sowgeos bis tends, san Siar, man chen, ean Bevmublaieh, —diekin-mera fr andre fa mille perno~ id mex z'o-ra, che shat-tericoczo-lat-te 2 far to. ed ame ‘e-malsforlch Sl-ber! Fine Ste-de arch chon mit dom for-t-pen Feat, at dart toc-ea re-star ad 0 - Wontar loa we-ca boc-ta? Non 2 for - se la ia co-me la : fein der fe-nen Seho-Ko-in de tar mal re-chen! st'mein and dean cht grad £0” gut wie wousra, 0. gar- Bante sigronre, cheavoldesasi Tes-tonsa, 6a me U2 dow re? Ber Ihcree, meine vorcnebmen Damen? Nie fir Sie Scbo-ko inv de?-Firmichdie Dif-te? 2am (upretatnc u rere = De. Boc-cove'arsopgiarlo: com’? byo-no! Vien gente. cel son Te po-dro-ne! Teo-terish pobiermal! Ohwe kina! Dakammewet © Got, at singe Da en! Scena IX 9. Szene set, FIORDILIG « DORABELLA entra Die Varig. RORDILII vod DORABELLA stan ‘Arete verte ets ho DDESPINA (pete ial opr na gers) a het ant Sem Tete Secs) eABELLA too) (ee ne DE. Madame, ec 60 fe 19 -1re ep la 0 ne Dig the, 0-30 Toh trin-ge, gai i-ge Dasicn, Mer das Frustick, ee mine, was sll SSS (sicomon enrambe i oman omer) (Gesevain ih sen Smack 3 IORDILIGI DORABELLA’ DESPINA FIORDILIGE 20. 2gag ‘an aw” Gheconseé mato? O.v2unae-cla- ro? das denn? Aekt——ReML_-Wasist pe stheten? Wo istein Drogen, at Ken 22 DESPINA DORABELLA segue Reittivo strometao bo, DORABELLA, peel -dlo me seta net mich ser hi seri sce it mio dua. Wer ver nat mete Scher, poser ted ti aioe fet — or” dente “brick ShlecRe- sine ete Fane 2-dlo la_tu-ce, 2-dioFara che api. sd Giese oh t= me a hi mi con -s0- Ia. wer an mich ten? Tf Ba Mate Fe eee isa! ead eat 7 a 7 = SS 3 oe peers | \ a lors ESE ye sac bo. fu, ‘i per ple Gx te es, N° 11 Aria Allegro agitato DORABELLA Grn Smet a= slat 29-1 ish al al-eesein segue ria Doral | ‘ i ; ' Rae" 7 ar de rbal—E- me nina thie dee iin we” Ge” Qua few ch a ; a f : ssi : i ‘i, da ~ bal - Ee diver, data ” Wein” ‘de : Bae : (orale Ronit ” °° (ee ater ere eS) Recitativo a ‘sro DDESFINA Boman Pond Segura Dora etl signa Fond - gh dtr ton? SOK BSS: GE SERBS Hc decom: pone elena comin on \esin 4 vorasiata FE esrina noRDILIGt BR stato? Ob terol Bil d= sgraiah, Sbri-ga-te-inbuo-Wo-ra” Da Na~ pone per. schelbea? _Achinforchi-ba-tes ‘Unlock! Er-athlen ie doc, bi-ie) —Achyun Sere ‘Ge (rid) : Se icone teies tie ~ ten, fort” sind sie von’ Ne - 3) = pel Das ist al = les? Sie komanen 88 EB ub fn DORABELLA ‘ti er (come sepa) DESPINA wees Ch tal Come oh Wer weist Wars Gn.Wee Weis!” = bat =~ aia en Krieg Sen DESPINA, Tonto ‘Uno for = nor car = ta dak DORABELLA tne ~ lio per lo - ra Sw te ——— FIORDILIGL bm eS fries stn” ie ‘Sle we = dt DESPINA DESPINA la ™ Bie fei > ne Wahr- bt ae FIORDILIGL orp abit )/ (ech tend) Scie =, che Daman kop as dane pernde = Ene Serer Si, FIORDILIGE De. i re-stan a tal ah r= ten = bo Gu = limo mi pa re cio mor ecient, fe 5 ih ol Re, Nei Gt Ble, ch te DORABELLA. Ah Ferran do per-den-do mi par che vi-va— a Seppe li-mian- ach, er Toe" sth Pecrando, Tetendgen Leicbes swe kh duombe = Brave pa anon 2 er Brave, $9 shel doch see wa, he Pamortia mora. Beran 40 - mo mo-rit Al-tr ve n'hanso che compen so-noll fone Frau ge-serbee, Elones Manes e-gea stor - ben, 59H andre, de dea Sch Jen ‘al’ fom @ = mar Sone-ne) Frau, BA se Feb- be pero = mane tn Gu gel- mo, an Ferrando? engl avian wit tch Je" ge ete” hae dena me, dan Ferrando! Was le se core tt-fo quello hon es- sh Un wom a der-toa mate, un al- ro Name ihc, ckentand = fe ges mau-so, Sec ‘herb beutdon et-nen und orgen eta DE. as DE. rete noval altro, pareché nessun val tata, Ma non prt di Ghcdem. in amt wieder adie ina‘ tae gen gar iets. Deweyan w= tor ne ra ‘maton lone Gee och eben bet = ae sind Keb~ en tal” fu > rick; jet sit Ne pluto = stocheinva - ni pon - th per de-rell om - po éomfstshis ger ais viel “am'mem Zeit 20 verge den, FloRDILIGL im (repre er) 7 = Go oe D = dh vere ar oh rol Buel ch'e Sno > se ren Sal Ge eke ines was for sl-to-mor co-meat-oat ~ si ~ ne eco me fa ran moa fim Senn Lie eram tu ft = fen? thnd un = sete zwei "Sol = DORABELLA Non f- fon - der co = ef, de =maschen ce ‘pe = nav =o, Du teiet 2 dige de 1 ah quel teal - me ai fee Bin tat toa - ma - ree Heron ne = for Sie sa’ dee Wate ‘in Ma = ner = bilan EE ons =e SS Via vig, passa roi tempi daspacelar que-ste fa - Foleai bambi - i Dasgab'etiechtor Zeiten, Rew eri fan den Kin- dem so-che Mil-chen, 0, De coro BA M606 1 i N° 12 Aria ; Allegretto : Se thu tooo ion Ie wo = mind ape - lanre fe del Sle gay = fenwonidle "Miner Siren da Sole A » ent) 1 7 a ties Fe = del? oni fat sen-br fer ba je ina cea, Neinda ton ich ner l-cen, Siever™ ca 2 a) Non ti fate senor per cari = ah Di peste ila, nena Kana ich tr edhe Siewert : gi = mile son tf quan 1 on tact quantile fone Mersin 2a gle-chom “ol = 26, $0 sind dhe ‘anne Sshwaihon des 2 i smo WT, Tauren son han pik de livoomi- mi stabi = a {Bs penlmi.vechsclnde ‘Win de, di nd be = stn ger,tecer ls se * ba - ghiome, fille ct sar = ' ea! eae, Bicete be ta” em, 177 19nd 20: Fron Ronen he suis were / Ate ema in im 19 an i bela cn be mg 108 a7 —_ DE Toctingon-ne —vo-h venti bu far - di son le prima ~ rie andincte, ia” tet ates mur” LU ge! Sosind le Kim Se es ot SN Ti on le ver ste, SO) sing lor gar eS Tn roinon @ — ma-nocheillor di let ~ 10, poi ei di-spre-gla~ na, ne gnc stchn, Ste ‘Schon nihtsbel_une ls hr Ver=gail gen, ne er-ach-fen uns, wenn Wire ot f= ty wb vl da? Lar Bact chide m2 val daar ~ bar ehie-derpe- 2 gekDie-ten arte cen st Miviedso fem, die-ten Barba rent Miedo poe — DE. ‘hie = der fle 2, ‘he = der fie Mic isa fo fem, Mi = iia 0 fr P 1) 7.84 erat ana a age worden M6, artemis an be sng te fet Poghiamo fem -mi-ne, d'-pual mone ~ to questa ma es Gk Ge eotee pee Ma ae je fi-ca yar-zain- df - sere - ta; a mam per ‘Min “= eee _grau-sam au” shel > tn: tie 'Ben wir monday fer w= nl = so, fur_So zum ” Spud, tim Per coco dyer a= = th techn ie Ca, room Sa ¢ se Yo ly te Arion pr So = vd fer 1a ‘A - mam per he hea ir 2 — be. mo-ds, fer wa nh - ‘Ama per co - moda, fer w~ ni Since, far 0 mm Spas Gir 22 fens, har 30 sum = f (reponse) oo Gish) be. B_—. Acmlomper to-mondo, per vo-ni ~ Sa, fiber" @becsn, por 50 2am Spal mr Scena X 10. Szene DON ALFONSO sl, po DESPINA DON ALFONSO lin, denn DESPINA Recitativo DON ALFONSO 2p DON ALFONSO DESPINA Che si lon so? Cheapet-10 di i-ster-2a——spl-ranno quecste Weishe Si, welehliachvoneidindiiaw-er ——‘R-men hier es (Coa bal ‘ton-cel—Po-ve ~ ref- tel Now hang tut Risse! Arcme Albdchent Ske ba Sen jo : i eof che ten ’ =e pal Po-treb-be ri co-no- ser Ue Frew. doch er-ken-nen, BA se crebsbe ro-vescarmile mac hie. Gektonse mele Ps-ae duc Renn Tee ochl-ne-o fer Me care un re galel-toa emo, fi wien bl den Thal fo10 B30 gro Sic ES vanes Mic, cpr 2e“chnen, ‘ben Zetempsehicsich oi —| = = ‘ie = ra gran acon glu ~ ro Bo Sie sin a be pal pom @ ia per ey — ser sic ~ ro the 2 gon st Desiom Scher su ge > hen, ———— ————— =e 2 Tnel-terlain parte pare del se ~ re fs Be tal-len - te? pro~ Teas vonfacl nom Pan ihe ta Yer > ea > tn tr lsinsclechter Ge = eas {a sui co ~me-ra® que sta erie fr Thoree Biee 7 s BA se 0 DON ALFONSO 2 DESPINA, 'BESPINA DON ALFONSO. Dal De Char te? OW i De-spi-na_mi - Wee Klopt Gi? Ob! t Maite Demi > IS Des eb - so -qnoacme t Edo mene Wl le & tesuch et > was “Woo a ‘Aber. ‘ch ics von Th = nen op DESPINA Dal Be ‘Aue na fon-cial~ to wwe cho co me ln wd fin fincbes Mad=cton fe = ar tet Yon” dom Al = er abe Met SS orovJ"!> === (metro na mec do.) DON ALFONSO ‘aire Cvrk) DESPINA DON ALFONSO road oo = mee ela dona? Sh te aod” chau mall Das da ecg” Sch? Jat — DESPINA, the vor-reb- be? B Fo roll mio gu suse schon trav ein. Und ‘Th-re Won see? Mit Gold fange man ‘Be bE ” ON ALFONSO =F DE, td a seal ~ te nd min BSS Da ‘Soi che le me pa dione ‘hon per~ du - si glianman- th. lon SE ais SE S27 BES anen TRE” ee steer To = reo? eh weld, SO SS «41 BON ALFONSO, DESPINA De "Tat Hi lor plan fhe =i deli ~ ri lo ~roan-cor 90 Se Dienst Ou her ach ihoten gan =2en Jam "met, dhe Ver zwef-hing? Weil SS pe > oo tw, come di clam chio ~ do. per chio do feo 2 an, din “B= fat” mit dem” “ae” = Sm” a Ser tet Be, SS = fy -fo-tae- sil mo - do de met tr in lor pra cia ue soe Wo = geundMit = tel n= dex, zwei fn ge, nce te Hee ren dnc aS ———————— | a ” eo 8 dh (gd ml ea ph seh Bi -men tu em -fleh es far Gu verb mich, Cbuna marcia per te di wens sew dh ‘be verdiar ohne MU he zwan-zig Seu = dh, s DESPINA, Nonmi dinspla- ce queefla ro Po- ai - ch - 0. me. Macon Bin gu- er Vor-aching, Dieser gin = be Plan” ge fll mn Zane ——— SSS ACOs ud ei oe Be 2 aon en eS ich. fo - fom ime se ‘nt de tele oabra riz voit?” Unsdaavor at - ha no wena buo = na te, r= 'ben se ol = fe SSS paar BON ALFONSO Yo -stri con cor = rem = a) Hon tutto gual - lo che pi - cer ew bes = fan G0 2 tery Se tena tes, a ue bay De 62 DONALFONSO file Ker lets Lester nen) a =. Tote donne di gw nd was Frau=en per ‘Se mo geo, Will dase wh? DESPINA tori oi vender? E do-ve Sing se hon —— ———— ea omat he no rei) DESPINA, Dini dh ah Teh ng oh ein acca Sesto us Scena XI 11, Szene DESPINA, FERRANDO, DON ALFONSO DESPINA, FERRANDO, DON ALFONSO ‘© GUGLIELMO, poi FIORDILIGI « DORABELLA, und GUGLIELMO,éamn FIORDILIGI und DORABELLA, N° 13 Sestetto ‘Ategro DON ALFONSO| Foto Gz pal sen-t0,a-mi- cl mie nondiopen - de che da le = Freunde hie" emp-Fat "ich, undaufdel >be HT. Te ai” ick, de Foch FERRANDO. (emir ean) (ok hawt Znertommentc) Per Be eh mio ich (a4 send us 22 DESPINA {rh cnt ‘Che sem: bin - se! We Ge" sit Sn, ow. a) Ge mu sinc - ch! ono so se son Val - Ge Bie ~ “eich Weia alc, sind “SS wal > 2 Taccchi ote Tuc tom co str, Wallace Tae, sindes Ticken, © dee” was? Wablavcben, ck, Val Tren, Wal. ‘pia DEPT DON ALFONSO (Eze #!DESPINA) oe per Wie me =e rad - Pa Siti to (ed da) ibe rey De he f= gue re! Che ma tach ‘To non s0_ se 10nVal- BEB: Btn onl Se” Bart heh nic do Wate ERRANDS so ce br ln co - satappien de - Git an DieVer tii = "Shap want pec Nisha DON ALFONSO 91 Or eco sabapypien de = cine we co DieVer~ Kies “Gang wit peg. Nickel au, (Or le cound app deel. sa Die Verklesding eke pach <7 sf ” 2 |— “katate SS Se Niche malihr sind wir Yer-dehaip, A BA To rom 0.36.10 Vel lnc chi 0. a6 Tur-chl ton co ‘Ghtelbeleasind er Wal Io-chendnd cs Tc ken, 9 = dor pia a7 L on 2 pl nessa te tman ‘erdeant nest = cher Bi oom #046 400 Val ‘hweldihtand or Wal (der ite) Fa IORDILIGH {hier den Kalen) FL Ei De - ph He, Beth (ite guie (ier ies) bi be — ip He, Dewi tac-chi, 0. se fui son €o~ stor Teccbenstdes Tren = Ser wast er ee foto tgs N= cher DA ou, F. vo, De. Le posdrone! (Despina) ‘sir ube Bement Depa) (abet bal Beco Vi nante Fa'con or- te io guna ecswondce kardsch, —Dusudtsehinsein, ich iier 9 FORDILIGI (Send) A. Fa go2 250 ela waco -tan ie, Welhe Freeh ~ het ob-ne pls chen, ‘errno DORABELLA cite So = a gae-s0e ea tao tant Wel-che rech ~ beth ne = ght chen, DA 0 AL Ghefol con siomil gen = te? Racgaz-soe ~ cla co~ hicrim Hs sindfiemde Lou ~ fel Welshe Pech ~ fet ohne bo. | con fiomll gon = ue? Racgaranac ~ cia Wa-co- ‘erm Hos sindiremde Leu = te! welche Fiesh ~ het ol-ne= 64 A = te che fal om si-mil gen econ sll gen te, con si-mll gon te? : tea, tierim Haus sndiemde Leu tesindfemde Leu tendon de Leu ~ te bo. =e che fal fon i-mil on consi mil fon te, con Si-mill gen ~ te? © coca. term Haus sndimemde Leu te.sindtemde Leu tesindemde Len = te 0 Fall scl — ve mman-1l-new— fe imoman- fl — ef lmman= nen = te chai sie for, “Se "bol ken ‘ge ~ “ben, au pe-blck ~ ich, at~ pen-blick- ich. bo, Fatcfia-set = veimman- fi nen ~ ty imman-ii~ nen — te imeman- t= hn = te, shat sie fon, “se sol-tea ge ~ “Shen ‘an genblick ~ tic, a gen ck ih ot fe pent con somtivist a" ponte lor, ok fo pemtr con br, eva, —__sontwint "Gracie rein, lon of fo pemtr con lor re, sonstwint Go __‘cs noche re DESPINA DE, ‘sh ma do te Da po! (eden leder. seh FERAL th oma ~ de saw. te Da toute ov, ‘asm = de sho = 'te” Da_> mea, co id nt pe per-do- matt AL bel. pit lon - uri - tat fh ver zen Se, ale = ud = ree Stee Ry rat er do = na tt sa (oh ver ashe Sa, ae at ou. per = sme! AL bel plan = uri ate Sh ver agihe Si, ‘i arn m = lat. ch do re Sion fee ore sehen = el dre Soho Hee Pas BAM Fy us ‘ein Wee, DESPINA nir hfe mal Un wwerkann ‘to ge ‘Deh cal - ma te, ‘Oh, wir fe = en, FERRANDO aE re Deh cat ma te, deh cal ma - te quello sde ~ gol (Ob wie fle > ee, ‘0h, wir” fle hen “om Verge Bang, GUGLIEMO_ > = ov. Deh col- ma — te deheal- ma - e quel-l de ~ gro! (Ob we fe * ea, “th, wir” fie > en “um ‘Ver ge ‘de groau-tor? ft oa sin? ‘de = gro ator? fiat oe sin? m4 ‘Molto Allepro 27 oRDILIGI ‘the pli ord - tego Tw pie rao Ul - main Mo, SS AG See SR em” ce fi i = ORABELLA| ih che pia mow tori =e gual Tu - @ ple nao Col - main Xin, Sac St Mm Ser at Bem, Gos 6 ft me Wr nd Molto Allegro 1 we Bro wi sid eda Bro Me sind wee di en = fen fos sowed Bea ten feo un eye Quali - Renew ia iciscistasciainiai ns 15 2a quem pel ‘airing 6S pec 0 = spet-to wer > dich, 2a queso pas smiriing es pich te — 1 grant A. an don ‘mio bel a se Tre tet ace Go a er ~ don Se - t DE, e uel fa vor shes fete” Sehr, DA ‘el furor. Mi dwn po- co di 30 - perio guel-la— rabsbae gual fu ~ ie ~~ See Schem:_thr “Be” feo gen ist ver ~ dich-g, die -sesTocben, de Ses wei be Ms 1 iE SSS SS SSS $ vo ve we al die appa pee mde bbe eal a SSS eee = aa a de pr weal bor gal Sa, RE SE RE : 7 ou. BE —- = Se Cal i em as gem Ss aoke faeces? paeeraes je RB Trak lal ma ur Wat td Pe aha Fal main Fie” De. en Tertoba que so Sewer despee Sore, fh em ig ve € ql f= roth ‘uel dig - wee qe s scien italic See’, ‘ch foe ate tie wing's BAcota 15 A pe dd opel oe dtr ola the pl nono = Fe germ.wie= Sind grens ten ~ Tos em ~ prt Nem, as Ist nicht mm ver ~ fet did = pete I rola che plod "Ke = perrswir ind fen en". Tos em > pe Nein, st be Tt quella rab-biae quel fi — ror SET BEE BOING SEE st, Wo quel ~ le rob ~ Bioe gual fe~ Por) ich *tple 2 Ste To "tego SE sche ‘w quel = a rab bive quel fa ror tide 2 er To — tonite — tes Schein, Tb Bae gal fe rol ee ee Ge pit ron ho— ri we- gol ies, Nein, Gos fst fiche 20 ver - zichen, Wh che pit non hori Reo! Nein, Gs Ist niche f= er = tichen, De. ‘Midsun poco dio - wel uch see fa gen tt ver = dich ti, her i lnmteqetn paw ce Sphere gh, Sloot pal Midian pe ‘qek Be co dw wpe gen it ver = Soch=i, ov, Qual di- letio8a queso pet uel fick ent act en org ech ‘ies Eaeuee ns 164 Tw te ple naho Velma in pel. wo a is er fi ace War ed Re 2 gee, wi id Mi ho fal = mao Wat Tu - fe pe ts ee fe De, Tab hae quel fu ~ tor To en, ees Sebel ‘oi hie wel fe - er "eee He sen rab bia qual fa ~ or ‘Toten, he tex Sora Tob hae uel f= ro "To ben, tie- ex Scel 168 A FOR Sse Tat ee ee ees Uae ee ve eet em foe. SG = <— seas om M6 mig sai dun po- co so TS segs wor Be = fae pete ov i au. © Ba queso Si Se aw 8 ric gin bg Ba ne iain i di- apet- wed ter ~ ror! tie sind pen relor= em = pl Pie- noo Val- main di wet toed er fie “nor Wor tir sda tos em = ‘el ta quel fe ror bos Belle Shera et ar ae = eo en eet ee ne ted PROS e ee oe eee a eS sw eS | eee he | i. i a te Tt ae ¢— a ir Sad Tet tore dar rent een-me ie no ho Tat ma in pet 0 fit ae Woe pos © fas ac hie as for 6 2 poe ad pa e i Sina en zen Spat quella —7ab ioe uel fe Sorte, Gece To ben, “tie ee 7 nt A a a die = Stee Hoe plete" Tie, vo. iy om cen ee ~ toe Lee” Here ” blebs ween De eto guile rab-biae quel fu ~ ron ee ae co 2a queso pelt quella rabbiae qual fu - ror e quel a= ilingtes practi, “Giese To- ben. die-ses Seen dies rele DA (poco di so pet 0 quill rabsbiae quel fu ~ ror Eten it ver > deh tees Tec ten, “ees "stern, ov. Te 2a quenno pel quela rabbioe qul furore quel fa waa 8 ‘nlingces tech, “ose To. ben e-sen Seren, et prelcle 1959 _——., A. o. fr War und 'Ar~ pe, Wi snd pe poco di 90 ~ sper-1o_qul-lo— Bel = fas gen fs vers dicho sie sem. i Tere daque- sm. pet — togul- le ent 2 atk 6 ir Mine pice = see DA = @ ope wad = fe ver” dich“ tigaie — ses ou, > pel - oqel- a ing pir wie sind Steud, wird em port sind po. Foe mm ddl pew a wn encsen los cm = pir sir sind Wirtnd, vir sind Cpe ie De web biae que fervor quel (a rabbis e quel fu am quel a olen Ge fs “scene ses ov tgs, desl Ke serern ie = ses ca ‘b= Daequel furor, quella rabbi € quel rom, qual we haem Mere a ee, de Bel std es pal ‘ab bisequel furor, quella robbie ¢ uel f= To, aul 1a Fon bene. serSceteide ses “Tosben, es {eset — ses ou, rab Dine quel fron, quella rab-bia 7 Tew tenties - seaScencde ses Toten, dies = 20s AL ‘@ wef, ddl erie ‘aa Sd nee se Sind po, et be, Win apentoe di ter rom a fe 2 pi, wiesind gren-ten-fos em = pr, Wisin Tor qul-la robbie qual Ju ~ for, quetla Schein, “esses Toten ie Ses Seve’, de-ses re eal Gallo mab bias quel fu ~ ror uel dis Bale sen, Uiewses To bem te foa— Schein, tenses Da To rm, gue-la rab biae quel f= on, quella Forte dies Bel - le sclgcin, iecses ‘Toon ie Ses Sct’, ese, ov, fel fe rm auc larabbiae quel fe = ello ies et fe sccm, “Hees Toc ben = fen See, Seer Peed 1 210 AL Gpettoe di ter — ton, di dl petoe di wr for! Bova. Se 1 pit, eine” gomsealos em pt po HELE ger toe di ter ~ ron di dh aperve dl tr rod Bonaonlos Gy ~ pe wiring” pemzenios em. pie pe, absbiae quel fu — rom, queda rabsbiae quel fu — ror "Too tea de ~ Ses Schvein, ses To-e, dieses So's, ca ‘abba quel fu — ron quc-le rabbis qulfu ror! ‘ovten dc Sx Sore, Ge-ses Fo-ben,fe-se SC'n pal 5 Tabbiae gel fa — ror quella rabbiae qulfu ron ‘ovten Sc S_ Sivern, Gevste ocx, Sete son, ou. ‘abbiae qul f= ror. ella rebbiae qe ror! Fortes Sc Ss Stare, Bese To: bin Seo Seacin Recitativo DON ALFONSO (cam envande/a ss wom ett date we) DON ALFONSO DORABELLA FORDILLIGI FERRANDO GucLIELMO Che su-sar-ro! Che sre-pi-to,chescompi glo 2mal queso! Ste-te BESPINA Welch cinLtmhier, welche Aue-pong.de-ses lute Ge'= potter! Liebe (Cont, Nitesioy 1 ee pal pees cam ke mic regu-u? Vole slew il wo - in ds, SiS ccenaevon’ Sin cn? The “bing de pin ze Nach-basohah in ‘=e “aaa” ato? Consaave- te? CH? mato?” Oh Gel To-miinco-sa Bil SoM Scar Wes pices? 0 Gout Mise in seem ON ALFONSO -FIORDILIGI = RO, Re focttra? Chemale ©?” Che ma- le? Inquesto giorno? Dopoit caso fu-ne- 12, Meat? EAS Sam? O's shlimitse? An'eseatTa™ ge, ach deo Gant gen Abschied? Tue romero tere DOW ALFONSO = pal Sette) ‘Song, 0 sonde— so?) A-mi-ci miei —_mieidocis ~ imc, cafes, S.derwadleh? Omense Freu-de, meee fet = imi-ci? Vol gui? Comme? Perché? Tr qual mo = do! reonte? hr ier! Wieden, satan, soe komme ie? a = = ip fan loi i abe on (Siemans ih tong) ‘N= mil Quon-t0 ne go- dol (Qe-con~ da - te=mi)® A - mi co Don Al Hine, wie ichmich fee -e! —(Noso elt mirc) Mein Te * Ger Frome A= pes pe Oe ~ cuaueimo SE pon auronso nn Ok | bel- aim prov = vi - sa - ta) Welen sehd oe 78> erm - schang! 7 [DON ALFONSO (com a) (vice coo sce wi? Se co - mo so! Ques sono pd dol- cla - iu fea” Gs > Se Herren? Ob ich Se” on= ne, “tie sind dochie ‘be = ton PE powucr vous Ba ‘Ein ca ~ 10 mia che fon- no? Al vo-airiple- di Was Suchen sie hee im flay te? Sle acres een, SS 16 SE FERRANDO DORABELLA Fa ga yore Nu-mil Che sent?” A = ee hiek? Der ek de de-Ueques, ecco, mo- dame sche, Wie mel Vorbrecher tenn G-cet_ Die Lie te. Hitwmel ——— au | Serpe tempo cols pate (ede iran con 0 (ti Bane wlohe len nen) uaLIELMo ‘T fume. pos-sen tm fer woh gal Gi don-di-ce Viste gppe-na la dee Teche” de fity St” a6 ‘Senemeh fie uns thnen.__Kavnsn wi here \ 2 emo cieate vi = ve fal ~ len ence efit des seme peptone is oo fe Ra gen, a ges esti Mavi afro —— r e ni vontla ~ mo da So mfle =f euaLELMO Jere ler tea-mo-ro—v.ca-g9~ nz tan fi ooo Fatt vc gs Ben det tu - ei ci a - ted iiscma ir "= ‘hoe ry FIORDILIGL pat fo-fen um Mite Sich we Him le ov. eof tot de in feb me-Fol lo fo-fen em Mitte ane {(DESPINA sorte impaurita/ geht exschrocken th 2 ponanana Se nowwiscr So- rel la, che fac ~ cia mo? Te = mere Ath See sr, sag, as une? Un = verachamds, = uo Fi i gues lo ea! Enon pro- fal Fale infan sto desV nfs mi latvseeSe ieee Haus her ein cima "Wort mer, dil Ihre Pech in gehen ha Se ‘ssi moatrocon, oso rec, too fe sch OT, ee he ae ei 38 ey FL Feit in ~ von Fafa ar’ Se a 8 . ras oy 7 === B= ‘he per nol alt st di-de gi oa ras marsh ths Renae den Vereen fe te ‘goschno-en ot = a prem lo 70 ter-bar ln fi-moamorte item Schwert Wi fe farm t dbspet-10 del mon- do fe della Sor - te hr sertoh-ten das Leben, sf sen dom Sec aoe, Aviad Pritt N? 14 Aria FIORDILIGE co - me moglo ‘ee Fate, hae Tagoott Garrat ‘en 1714, dlp Di Fema an re ngewe. /M 1M, A ret enlistment can be ng athe FL — che pin & Aste er = die Stee, — Me cm wo Ge peo de A 3s a Tuaid gig Die Femnen Kmen arrange ween M49 Pech A bs enim ca be sng so —— == — ime eo gin ie Fel-ten, 2 —= a den Welcten ‘ BA M068 3 a one E> veg "ne Mn” ee, £ 7.77, lig: De Fee lne ar snperet wekn. M77, nig: Ae embelishet in be ng a fms See \p i lem = plo di co stan B= fp fe > Ste~ True 116 Ton. vi. ten~ deew-da ~ c1an~ cor, n> dias Him. @n 60 = Ser Wata, im (an pr pare, FERRANDO iho, GUGLIELO rion ara) (Die Damen wan beh FERRANDO rut ne, GUGLIELMO de dere rack) ns —~ 7d Recitativo (o DORABELLA) {a DON ALFONSO) FERRANDO. FERRANDO. QUGLIEL MO PORABELLA) Sepaeratrene®) ‘GUGLIELMO DON ALEONSO| DORABELLA Mk wompori- ki Ah ‘bar = bowrare~ wa ue FIORDILIGH ‘Ach warmgevaSie? Obie tenSie, ch Bits et (Centain, Slt) Nun wie » DON ALFONSO Deore? (Acapetto ~ te) Bt ce? cio > ed es orABELLa (aus? fe pt fori wa fh gu ra. 5 the re ten de = pin f= he Ron =e 7 amt a ie Was ‘ta ~ on” Sie” ne 73 vow atroxso bo. Dal este? Bh mal = ln he ml pa ren ‘he am pocchin di de mr ict, nics. Dosh 68 “wean Se seheit ae ‘mur t= as st 2 val ce Al- fin jon gu lan mo ioe wo fend. sd dock Ka 2 ie Se hd met ' a if == _ Monn: ZS= cur, A, th. mie "Goma Eu dh - fe do wre i? Freun~ de. We dons, Mat sol len wir MS tea? Uncen ye BA 4606 te fe - me Me t de aloe cht othe “schon fie “In ee Te ple gee pri nino aei cad Th me dar pwd se Rat” She” ee See = wom det, eins rans — pn 5 we b To Bel ~ samo da - mo- te Un so-lovonm- te i Bol dée Bal 2 sam’ ter Lhe = Ge Scken Siegnt- dig, ver = ————— | S55 ov. co rea pri- eo bel ~ le ae dal - ol fa- cel ke; oa voi da ew tea Bie is Atl amin Ghenen ein > few Blick ms, Darn wabien SSS === vel pporar w-de- ei pil fe de lionman- th (Wr heer th aca” PD en den "As i san er~ a chen aoe Gupte N? 15 Aria” na ‘GUGLIELMO on —— ‘Oh, eee ee | eee es | ee == ne ee er es tod de Wek wid te 8 — nn nr rr On,” stem ST Se 2 ple — ero, —— = Bar wpe Ai Res a ear XV 58) S47 Tiwi Ro i lo aed 8 1 @- meogum we de te meri slo ca- 40 Sha” "Bet Mpe"= wach’ = senses "Sobome, aes 2a fa TS EN 2 ibs ou. bel = oe eho, fo gar = date Be Se” Ae gen Nese, find “sets Slo de Sut ep oe we gue oom aac =e chin - ma ashes? Ud he a a a —~ (epee ede 56 oe = ou BEE SS —— ee ee ee Bho. Sere Th Sm ae der” Maan > tebe, Sjm™'bo = Te der ‘ oS ee = = SS fe ino ~ Wien, pen ~ nae re he She” Mi < acc Sm = SSE Ber (dd my (cen) ou. te Bet, ma sto chil Sm to. ie Semen «3, eget Heh inkreingan” sng wed, M.S, Gene: i wnson cn sng ee Bate 19, Scena XII 12. Szene DOW ALFONSO, FERRANDO, GUGLIELMO. ON ALFONSO, FERRANDO, GUGLIELMO N° 16 Terzetto Mate Aero (ie omer uct baie FERRANDO. (ie moderate uct ba ‘GUGLIELMO DON ALFONSO] ‘Molto Allegro Oboe of Pee at eo pao mot f 2 : wo DON ALFONSO E Wie Bat "aR plano. Pano a Soin doc Mao a oh eabeuch i Sei sent fe fm evi sco pris te — rol guowie~ Wenn ett” wie ™derie'nund ech "St ~ chenbor, dam widen eb be tt to Tol fer st guanse- rob ~ be Tol - for. Te Gist spepdech-cho'n, dineiben-ten se unsemSpa duet sha’ ass 2 Telma Wi~ B de-re se seni och shes m= rent, a, ov. Tama d= wl dere is se doch Teche ms Set, fa, pal Mi faa i dere fee m0 lor Hh ~ denne, fe ficken jut carne, tome En > de dock gee terhea, tna = vi = dere ina di dere, ‘or Techn mis Sa wie i. Geto lor oh dee Slaiommedse tn = dedack: (gered na ier) (Sie ringen seth een) ah ia ou. Wi wh dere in vis Seni, DA. 17 ” le oi were ten modi Mee oh is snsin Bch, er plata, eh = chew ms sen wit, ha, Fe ou. dev, ah ew wee-re ton Teen mis See wie, rin Basch, “cpl, ih Fe pal no dere ma 30 hein pin = geore a= docks tar och ro" Meet racein, sop: plar oh mete, ‘op: par, ch meh, Recitativo DON ALFONSO = wounno DON ALFONSO @uGLIELMO FERRANDO. ‘Sima sa-perewnpoco lz ca-qiondiqul 71-30? Bhco-spe-taccial Nonvi Soe geoSiedocnend.ic, wasbe- tou tetdar Lachen? Ko. ahs Frege Ich ‘ccna , rensanoo fe ~ recheablim gista ro gione tio ca - ro po dro-e? * Quan to faar v0- Geeta hie ten go-to Ciunde, erred und Verte. ‘WaswollenSie te 7 SS cucuenmolsisizay” ,_ rerranpo {Sheen #8 Pogote solo ven 1. ete, camoie? lascommarta? Pavga-te la me i ElsieeteeVorschlg: Vier-ond- Hani, stmwirdie Wette” sebsben? Be-tacen Se ns” hab, Pt DON ALFONSO ‘qty woe ~ fil Po wrinng-con- t- nil Ve-winte qd Wt v0 glo Ban fig Zevch © een! Ach Gu vericb = te” Uncschuitt Wartet marsh, chwerd ch SESE cucueimo Gt por red di-fi- noin boc- ca a-vedean- co - ra ar Bar SL Au "ten Sit oon, ‘Se govbon wank Heke” Were noch ache 19 14» DONALFONSO FERRANDO DON ALFONSO. u wr, (stil td mkemliertewice tren'e, humors deem TAR ES, Ca Sr eae SSS = =e . cum ON ALSO ae femora bbbas sare ag ee ee cute Weed eke =. 2, pal n-daeun poco ed chien = der-mien- ram-biinar- d= ne Jeli gehaSie. ih cewar = ‘te Bie" Spo ter dorm” Garten: Sun 2 vouELMO === ‘rerranvo Be A mands rd plordbnl mie Ed og-gh non el mania? Co-sa serve? i tenSiovon mi, “wae au geschentt, So wit ew meh ge-ger sen? Noma tw dae? SSS — as =_ ‘Aber = to gha Anita fla a ce - na per aol pid se-po- ri ta eaieSclactert geschlegea, wrddie Mah tle toch bes Serums” be Ra gw. i taceaU'Aria cd Ferrando N? 17 Aria ‘Andante cantabile FERRANDO U- wen ree - mo-m- a demo sro te in’ Alte‘ 7 ter” Ee te “requckt ane the. et oes) i dolce emo ol cor pope Ste ft Labs salem Her = en, so a> TRA ba WeicS 10 oe go del moto es 0m dol = cee te “Gee guckcune de’ See - iit tab Seldom st wo- 10 BL cor por - Fe- — ees zen, 30. i> Beh "thd Wel iii ow pr da mo-r du-Re= sco mi find” fies ke, Serschmibe ana" - te fe non ey du We. sco mi - ToS ed eich, ——ferschmian'-e Spe 12. To ao non Ma To to-go non ba 0 go umschoe snd ech, it wan fos und eich, war fe i |) oe U-nav-raa - mo-w- i del non s e oue Hip fisuh'_2 ter Lie be__ “Gr ictus ie Ste fy wan. raa ye = st a ee bt mst e-em dol corse d fe > te ‘e-quideum die See ht 2 Son Hees, 50 = = Se Ach a” wc — ; : J | ; ‘4, eed: ram nase Engng” pong were. / M4, eran A i anos ca be sane rn fin = ek” ta = wen, i= ich tnd 7” (ERRAND « GUGLIELMO pri) DE, 1 Scena XHI DON ALFONSO solo, poi DESPINA. Recitativo BON ALFONSO DON ALFONSO} DESPINA Ok ta sa-ra da Das ace doch 2 emia Stn = ‘anim gue uo mon doy Foun ar der Ere, (ara DESPA, (DESPA te Wh dente cher a od Bee 13. Szene [DON ALFONSO alli, spiter DESPINA, te te ron dae. "Non 50-7 sind Ge glock swe. Das ist cbt Vie = ni vie ~ ni fon cil- a dimmimapo - co ‘Komm mal fe” De-eplsnet = tw mun bewtich ‘an = no nel glar= di ~ met Se pnegen Sin’ den Gar fate B. ien Te legar — a sm den Tar 2 tea iis 7 n er Gk m-th dew fe - and deafiie- gen, ab die Lich ha Vorglamape-ra- re che fa Me, LR besa ron = 00 gu- dio? fo ofa - re % edo pion Un dorm den "Sino och. feb at Ss tangst schon, an Tes nen Tau Nee = Is Day DE Di-spe-ror- si sro 2ar = sh Worn fone, “Vers awe fen, 2 = rewaronso lino dtu ko va via Brava! Que-sed pre-den-zu, (Bi so-emtimgun-t- ede fem, inet nan zvei-e Brivo! Bat tenn eh Klugh mu se" dn be ~ 24 _DESPINA Be wa)” E legge di he -ta © nimprucde-ta sonia: a-mor conve? Pla~ Mice DettiNtr-pe © wecse wndicalsiiene Kiugheit wast de Lie-be? Ge = — der fl mento, fassa-en po, towne Zerevewang ‘Untrhabong, nis als mm 0 pinome fe ath co mo do dl wh ta sean ge nar Ese wind, amt te okt mehr ab Be SSS 2 DON ALFONSO fr few ~ ‘en gar mr Qual wird asi 1 sy (Giclee fe = rina odo no are. on ie sea. Unsere Damen? Sie” Nerden schon och fol = gem Gucwar SS 6 DON ALFONSO evser Gama da co ~ bon fab c= Se From’ den ganz Ser Kab snd =F 3? pespina Dus. due Fe = me = ran = no, Di- gle-la i ol di - 16 Bann” Sis-ben se" fc tala Wir “ie genaur “Ge seh gn, “0 DON ALFONSO or cheparcti- iso mye che gen ta-no 6 en Bei -“esindior~ ge - tou fea. Wiewirdes mop chee, 6a das Aso DESPINA ine lo que tte tue beso Lm” A ae ten Sie ge a= wine Te deine sa © Bon “Kitz cheat Wer = en sich wed tae SS wa eB pe Gh con dar a= fo lamar cha tech is mar tan chen, Ganev "selist at” dann das "RA Ger-werk ‘Quin do De-spi-ina mac chi-na una co. 30 Gio fy Se dir was eh in ie Gin ge Wein as, nil — Vo Milcni pel nas, 50 ~ pro. me-nar due Th dee ‘Ne Sevhon ef hi, dar” auch mitawet 2 SBE pon aLronso —_ESPINA DE Jem - mine, Son Fe-thi | doeMomsicure Mu stacehi? Son ricchissi- mil” Dose Midhcien frig, Sindsie wich, dletiretepenKa-va= Le-re? -At-ber-ordenich! Wo isin 5 ONALFONSO ar = De, n= on? ‘Sulla ara ~ de atten dn = do aan =n, find set A der Sta =e, Set war - ten mei ne Wel sing. —<—— 57 DESPINA ee ae ee donee ain, aren Sle Th” eum de zumrderchel Yo Soe De Che ht fo fc cia = fe qualchinvordi-ne 1d, pra h do-ma- mit vos ween So” TES” fa“ehenfas Sen von toner wi, dann werden fel de nechvrdem = arene) a = ‘wae cn) be ora ed exsiovrangoll gus, Md to la gloria feehi sein, Se Rogen tr Vergni-gen, ont mir kannst en segue Finale 170 Cinna ve Dh a ‘ecg aden Scena XIV 14, Szene i LORDILIGI, DORARELLA FIORDILIGL DORABELLA. | N? 18 Finale i Andante i DESPINA HHoRDIIGI | DORABELLA FERRANDO Ox ALFONSO uctieLwo See Sistnotn i = | Baie m 18 FIORDILIGE jah har sich ge = wen- det relives Le- bene Glick und Bean Ta dor = te ‘Rew Wie aha Sich Ge en dee ener Le bens Glick wo 2 ma. Akcitun mer— pend ramen =, ahchew Fic dea, folstee” Qui—— die fleas en dt, voter ‘rote mar Per at tr-men = 2 fo vi- tao mai per me 2 la (Goal “Ge nema en” de, inndies Deen non fir mich, int dies = Plena for-men = to ola aa mal per me, 2 (Qui —, “enemas en" de, Isles Da sein fn ir mich, ist ies bee m vo. > wom per Ba tein mon fie — AL me cote ro be = ne et Ste tug "= fe ache = den, Br der Tit Sto iu Seika ick far le negra Sook st eh BAe te sel I ese ge fe et Be shl ge, ee co se ron Fue — dor Sehmerznoch ‘non sa pea cos'e ron Dem ne, Gannrich ‘we - der Schmere noch ei > de, Keanne'ich We - der Schmerz och Lei - dea, 1m pea lon gur 2 sci, wae” Sen ste 12 lan - Ra co - stoi, was” Soha. Sie ron 5a~ pea tamgur—_fo- rate fick, sas Setn - soe le aS frubte fick, warkeha suche == m4 1 FL mero wi cans yr emt Ak chen ‘Men dee meicner ‘Le boniack und ite dos, fer vo. ‘men to i cargo treme. tren dee meiner “Le besGlack tnd Fie dea, mar plen distor men ~ ‘ah chewnmar— pin di tor Gta “tele = mals en de, olctee” Qasim, “ae ale - als $6 . men 2 la lao smal perme, 2 lo We- tne = mal per ede edie Doo sin mm fir mich, ie aie Da > sein tan fe men Clow tao mai per mim, 9 lo ~~ toormal per ta ae, inties Dain ton it mick dies Da” = Seinman for ns Scena XV 15. Szene (Le suddene; GUGLIELMO, (Die Vorigen; GUGLIELMO FERRANDO e DON ALFONSO; poi DESPINA.) FERRANDO und DON ALFONSO, dana DESPINA.) £2, Allegro AL vo. (der gun) FERRANDO (mer den len) rE ee yee ‘nd ap- pe gar eine Sa, See bent eh, Seoten, tind le won ae (dear louie. ‘GUGLIELMO fine lien) cu. Sowa mew ‘ar de app = gar lene Allegro Sa, tr 7 ben wil eh, Soren, dana ‘sind Sool 2 ‘= , fe fe 97 FIORDILIG | ————_ fe den. dro eu DON ALFONSO fer dente) Coun eran saan co. rar nonforte obdel nn f Esgivipoel- ne Hoff-nong, "0" es nce Pean- —_ = Te, che gr daorrt = bi- W suc, Was fr “Cin” Sebve-chensschrei? |e, chop - deorent = b= Wr mmc, waefir ” “Gn” Serena! La aca = t= ml Nein, at = se mich (PBRRANDO e CUGLIELMO, pore cance ma lest eoranosep ce DOW ALFONSO (GERRANDO und GUGLIELVO, oer en Puch a 2 (Er Han, sine are it voe DON ALFONSO) a-aia-fe- mi eins set cht Var Aipet-ie = el see tg! ou, Lan sciafe- ml Nel se mht Lar a Ba oe si i” (Boone pani lbs: (Geetnten td meron estan n Shen se te bade Dane) ee Boe ns” © “mich von k= be uel - bo? om. men? DON ALFONSO We em hay - oe Ja” Gite ste sti” Sd wd ys Sy prd sy yp Panel 8s Da. ‘lt lead es = inpoe = chine aw ta to ~ lie wis sam tne “tg MT au” <7 en ad Ge = bes Bos oe a y r= x epg? _— 5 i 18 » IORDILIG! 95. FERRANDO cs Bor borearn man te = bar bore w= Gh > mate = GGrasavine,_ 12 Ben Sie doch selbst, Grau-site, sehen” Sie doc sib GUGLIELMO ou, Bor. bere.ard l= nanWe = tar bereav-vl=dl- ma~ te = Mb Grosse, en Stedoc sl, Ga. cie, sehen’ Se doch slit —— ek 19 dun di = thera toaf Mora ed ti-aod-fet wo eab- ‘Sie well= fenune nicht ‘he hen, sum Tod sinwir ge ie bem, ‘ihr ow. din di Bela of fe fo mire weil mi wog-fa- 0 ab ‘ie we: nue eid” $5 oe Sow Bo gee pe tea ben, one! 103 FIORDILIG! 7 6, BA Os 180 J sexe rce AL Ak chedel to Ul rap - gio fo - 100 per medi Ath, Seti ntsc Nichi wis fer met on vo, ‘Ah chedel fo teil rg po fo aco per me dh Ash aes Let enschin e Nici wis for tel ~ nen FERRANDO ‘Ak chedel 19-leil rap po oo per me aie Aes Ses Like ntsc, [Nach wins Noe mel = oe8 DON ALFONSO val = ‘Ab chedel so lell rag - go fe sc0 per me dl Ah, les Liar etschvinee, Nicht wis for met nea ‘GUGLIELMO ou, 5 Ak chedel 10 leil rap ni fo sco per me th ‘Ach a es itt eotschvin de, Nich wins Set mei nen iain 1 16 t Tre — mo Teh bre elon ma Rtgs sureh- Bebe” ch, eh seh eich, Wnts Te mo ie be tas nem Roe lurch Gee" mich, eaeh-roit fl mh, eet Te = a fe te, ela noma Bee Su Ee urch-Bebe "meh, ehhh mh, pal vee Te = ef tre <5 ae Kegen ue irch-febt mich, dhe stht= hac, £ ov. Tre = te ‘Augen, Schau er ate B. Do, ‘ie Kn oe Da. ov. | 1 na a lingua ol tab bro fee veesngime im Man de, aa: vo, mM |e tin gual lb bro Een veesagimie im Mun de, thm “pe pe ia ling oi! lb-bro aes den = ar Wor ver sagt mie fa) Mand, chm Se val ee ling oll lb-bro = Wor ver cag mie fm Mid, oh ag ou, ta tng ver sag mie fo) Md, ih tm Se rN pwd te line gua, ot Tt, das Wor ee sunita ta tin gua see-tgt it SO | iain 1 D | » | 133 _DON ALFONSO. pal ' Glac-okéa morro = l= wb “ono quel me ~ sohi-nel - e- Bald wer-den bel = be” eben Bidet snd ‘Se schon, “ear men, Sie SS SSR SS _——_ ' ' : a i a i ad aos 1 46 FIORDILIGE Gente gente avcorre pen el Tilcte, Hit fe sobelt doch, Eau te) DORABELLA Gente pense acorre — te gon tl iste, i fe sone” doc Leu te A. ers = mo oddo, ch sen-tel Wilkes” "zcrane den Brent Nets vedio, ol seni kes" serane Geen BB rent _—_ | f eee ; 4 Desi (fein) De. ‘Chim chin-ma? Sewer rat mic? vo. Ba ote 1s 18 DBSPINA {fay Consa vendo? Mor-i me-schenilo credo, 0 Achieas shiek? Tecacinen st-"le ede. ma 163 DON ALFONSO ‘Ak che purtop- pod vero! Fucren= th di - ape ‘Ach morn wat Wt lee dee, Sie hn bench er = Bh focnognve = le ma te fh wander” Ver aweilong fou - versie Ee, 190 e-tor = rerli Bw FIORDILIGE miki = "he - te a Cp sa porsiam tl far? Co 2 porsiom mel spichdecneas soll ‘Besebehu? ‘spc dockins sol "Bex BORARELLA vo. Con sa possum mai ar? (Co 50 pos slam Sprichdoch‘ene soll ‘Geschehn? ‘Spach doc as ell BON ALFONSO. pal Co fa pos-stam mal far? (Co 3a, pos-siam mai Sprichdoch ae soll pesca? spc dochwas sol Re= ici cae ple Sa “venn fitz (fy DON ALFONSO) ‘eur po' loro - se ". votcon mecor- fe fon Sie ie Kop-fe- he Wis beled hen a re-feskn me = dco. on ~ fi do- to to-lamoa ricer ~ car, wn me ~ d-con on- Fl. femirbru-chen rscnein Ge-gea-gif eA mul schnell her ~ bel, wirbrau- chen raschein aa) ee = do-to vo-kamba ti cer-car, — vo-kamoa n1— cer-car, vo-ha-moa rl — een‘, cin Art mol cnetber-fe, cin Ar muSschneiher be, in Armd sel er- oo Lt 88 198 IORDILIG! Dei che atari, Ba te FERRANDO [Bgiate) cucurer mo (ie) Pa Bin Pa En coh enanideenninacinonaniniaassin rey it BA Mtb ou, 10 210 ou sn doch helt” ‘ly le man toch cn one man hoch reine man Boch ela sen wie man och oh Ate ae FERRANDO_ an cht GUGLIELMO (PORDILIOL¢DORABELLA ands dagtonant) Gch cr eter) ‘So- spicran lin fe - Wek he foc = clarme? Se lueten wer tie” Ar-men Ach was fan wir DORABELLA So spieran gti fe ~ Heh Sie seut-fen thw dle” Ar-men. Tu che dim al? ‘Nun, asain oo? < th Ch po - tin = abban — dona? tat 2 seme =” wae" heh Grau = same . | | | | 1 238 FIORDILIG! (rier sh cas) Pos-siam (eigesone poe) peer DORABELLA {pier sichin wen) he fi = unre ier er = sand! Witklloy Htlaaied ve” Mi net 2 Janu po - co vant ‘wir ein we = nig ate. Ho jred-die - sma Shon fae Ha sind le — Fred-da frudda?anco - ma qut-ta Kagan alt snd ach die Stone ni iphaampiicnliisieaiuiiynciinsnininiouesiuNii Ah se tar dawnecor Tra - Wenn vir HH: fe ake or 262 Grencor Va - i= ty spe - me pit nom ve di fe nt er 2 ei chen, wer ~ den fet ~ de" bald Yer ak se tar docneor Ta 1 tm ape - ve a Ween ie HS fe" ahd ee 2 eit, or < den fet =e" bald Ser 4 po. == ut pm as sly Sef Sly ei | 194 286 gg tia Die, ren Ses = cen reppaxno Pia do - mecst-chee tat ~ to bit m9 ~ no.m-trambe di — von - Slovmue” there spo - don” Dawnemsie sind recht um-eang-lich” ge ‘cucLIELMo ou, Pa do - me - Sche Tet - Sich Ge” Spo deo mr, Se Pe ee ae Po Ach ou, (a= bi-ll a0 - no. en tram-be ge wor den: a Spei-des Se ind Feb" am’ gg-fch nia iii ws che lor pie - t-te tama - m-rea (o> dies “Be > ie men gar’ sur” Liebe Sc tt siren rT FL vo, cs Ft = yar a term = nar ie. be wee: den” Kann, ti Ike J ‘tar wer den Kann an, ascot, iii ro Scena XVI 16. Szene sudden. DESPINA travesta Die Vorigen, DESPINA als Art ‘da medico, DON ALFONSO. verkleidet, DON ALFONSO, 292 Allegro BON ALFONSO} 207 FERRANDO joe : ON ALFONSO bale : al : Be eo -vidl me doco, a. go = re bela : Br hoo der Me ices, wean Se” fe Sat tn : GticuELMO : Despina in | Distt Dew ima sera che sta {pls na olcle Maw ke ma ache-ra che tr sta_pel— le, Spins tate Mase a= dt Tt : . gar IORDILIGL lounlin~gazg.~ tio che non sap ~ pla - mo Tok mal ge Se, Sab Shs ver = Ste — he DORABELLA. bo. Parlean in —guag ~ glo che mom sap - pia ~ ma. tek mu go teh, Sab ich nhver =e © Be Come co - man-da.no dun-que par Sie Melia” thd re Sprachen wie fch a ann De. Tlamosoilgrecoe fg ~ abo, sod -coellvan ~ da-l, lo sveco,elll ar ~ gros acorpar- ‘ecbe:Somahlim Giie ~chvsehenals im A ru brachentnd im Wan-da ~ Hocheabinich a Ter Hs DON ALFONSO. Tanti lin guaggi por 18 com-ser- viper of contr WL ‘Geomugsw hes-aeadie Sprachen -tedeeSpachta leh» $ | | i | | | | | La RRR NHI RRR OAD CA 8 9 FIORDILIGI ‘Sigrordoe Acta Her DORABELLA| 3 Stgnordor Acti ter g ‘abel per_0- raas- ser vepreso hanno lo cos che pad for? SiahenSe Gos me "Br Genctense bac ben GAR tmislnwsse a) a? 2s 2 to = re che al pad far? ok tor was it 20 tn? ‘= 7m che of pwd far? Dok tr ast “oe Ran? cn pol ela fmt ala a's) 'DESPINA Ii bese de als rd Sten) ‘Se per bi - s0- promt priate ‘Za est mus wis-Semich, Near am flo = ne equine Vin — dole det = la po = tio ~ mu Ta > tn und he ches Git” eS war, Soiree eel Sten: an efi pede se, po - em 2 mobi, sein nna SG wars Re, wareseetten, “are 2340 IORDILIGI Pre = sohan ear ORABELLA, = : iit Se toil beb~ beara, ‘mt ct nema Troll be ~ ber, mnie nem Ma <0 sel manor gi Bute te ds‘ paspva Nonviaffon-na"- te, non vi tur Ban fon rm Scheu te R= gem dochaichtver= 2 gen, sete 2e= fa ~ t nonyidf—fin-na- te, mon vieffin- al - te, nom oir bo — te Hla = gen dochaiciver= 1° geadochakhiver 2 gendochaichtVer~ 2a > gem CEFF RT 56 2 rrorDiLicl AL Bealthedin fer ro a man for = Es ha ia“ en tn “enon Han den! DORABELLA Bealihedian fer ro Ehren” “Elsen DON ALFONS E-glihadiun er ro fe man for= i= 1. shalt cn” Elsen or DESPINA, De, ue an 1/1375 spa i Fema ke agent wre, M275, Desa: emtlshen a eg te oma, ‘ Vo~ ri fine ema ~ gna che pois vo ge finan a, it Deacon nade 2 | | {ESE wacom pez elma ofa ifr nama recap acieteas Seer my 286 no 391 RDG seso-to-na, in terrail ‘td sch leichib re Tor ocho, 0-0-0, in_ter-rall, vin en eh, sen sich lech re Bate ap rE ech vo, ra mopre-sto per~euo-10-no pf ole er ee tesich, DESPINA De Ak lor ta fron te ne Wee ie den “he men dea Kopf om “ra lope per cuo-10-no. Kip fe oh ie er et-tensch, pron ~ fe Wietun es ‘per 2 ae Teme te for Nor fest” pe ~ hal ‘iter den ian ead a ein) Aki wc iii acaaceninnincan 40 vis FIORDILIGL At tor-no garda, for =e 1 = pron down Sa Seer tO fens, fhe" tte, ale pena DORABELLA, At torsno guar dao, Th = pre don Sse = te eek, Bie nur, se “re geass DON ALFONSO, pal ‘A tor-no_guar~ donno, for = ae 1 pron-do-n. Ja eer ho fee, fh” nor, ere pe ie Bata aici iii a ow. 4 ws eto coe ‘Oh, sage) “vo he bo coe oh, sage Yo ue ial Wer i hd co - al Co bor Wer ist” ds, urd wer ‘Son di Glo vein man shal Bn ith aches nt Bes te ou. ou, ou, 208 a7 430 (e/20FtoRDILION tro no? Siw Pal eo a ML oe eh pa ie (ses DORARELLA Bie te oa i, wee > pho Do aeilalmamis de ~ a Nelo, Gu. bistes, 0 Ge~ ed teh Nou gellalmania de a Neo, du iste, 0 Ge~ feb ie ‘av vis aldobce vi = 20 eal to cre Kenvne dieses Anette, ene ‘av ves aldotce vi = 40 allo cro Kenvne doses Aoki, Ger se ae! ‘or ben co ~ ie ich ver = Fin {AFR —., isaiipitcstcauisnietaaninaasnecnnsncnntuasniooil a“ DESPINA, Son f= fe tandor del a Das kom a- le noch om Pa @ che 1g - latiimio fe sor. (FERRANDO« GUGLELMO alle wetter Wun She ich - Ses Zieh, (FERRANDO and GUGLIELMO DON ALFONSO Son of fe aco de w Bs tints esnochvom, ow. = a0 eck w= illo der. = meiner Ws ste teh ~ Ses Zi | a8 FIORDILIGL a Po er, ma. ton te ‘nag Sin, doch ‘he bo. = : racine amare «cian rl ma) Se TEL ver, ma tan i ‘Seaman ce Damen uch on tes hon Se ano) Das tag” tin doch in we DB we 0, non ab Ba teal- con mon Gir eT. ben” Sie “ge Ket = ae 7 Farce DA. |p to, mn ob bia wal can mon Gee. tin Sar ET. ae” ec i : | | : 492 (Dal-ta v0 gla (leh eset {tpotmon mi scop-pia or be Roms ii fan = non Rbbioteakcun ti ~ mor, non ab-bi-teabewn fi mor ‘m= SenSie mar hel-ne Parc, ‘hac ben Sieur Ea be Fue, fn, Dalla voglach'hod! .ri-de re il polmon mi scop-pla oror) spat, Tcher-srske fa vor” Lochennoch ie Ko macro mon cbhiewebam = mon lateakewn A mor a = benSie mar Ketone Force, nat et = ie ret or Dalla voglach'hodi r= dere polmon mi scop-pla or) shut, Iher-trSke fat vor Lochennoch deKo-m-e machi Spa A vo, "er Han cor del gia ome le Wak : en ik nar cho nes i DA ; Fe an corded Ste nach vom qe mee a fen Blick mar, sho es we 1 IORDILIG! HL, Kono kann eh DORABELLA vo, Pia DE de SettPage 215. VBUCE NMA ISI, XXIN BA. iii cititeilans a ws # o. DESPINA, In po-cho-re fo, ve- dese, per rf del ma-gne- Nic GE-Gu pion Sts vor ‘drbee, fad Ge Kan des Mac e= DON ALFONSO DA In po-cko re love - drat per vin del ma~ gre- Ni Bead, gen steven” “Ger, nd Se Keates ‘Ma gre a ‘ano flair qual po-ros ~ soma, bx-nevvnsolprimo ws Uismusensdet ih fen Pato “agsmusund sie werden wie a= Wor FERRANDO. (Dal ~ fa v0 - glackho Mich” erent = ‘Skeet soe pal = than fl= air qual po- 106 ~ f-mma,br-mevernaalpime woe. vismosensdet th fen Pato. “xysmusund sie werden we m= vor GUGLIELMO ov, (al ~ lem - glach’ho di fick ~ ees "st? soe eee a a6 (2 ___FroRDILiGL Pitre ster non fos - So, aunkan ch noche en, ORABELLA, Pia re-ai-oter non pos = £0. soma ich noch er = te-hen, DESPINA De re pobmon mi scop-pia ror) Koms- demscit mieSpah) DON ALFONSO DA ‘Son f= fet tam cor dl Das omits lr nochvom ou, Font. Sena? mirSpad) ca, | bone nine as ma an te more doch “Ths te "Retden ‘na tin te smo doch “Th re "Reden Son ofa Dinnooteil ie (icher-scke “fatvor Lchen aoc Foie Spas; oh e-ni-cke “fet vor la vot elthod i= de- re 0 o Yoga ite Oat ota oth : Datle vo-gla eho dt pal on ft = Thon abbiae a-cur % ~ Dat komm es ier = ben'Sienar bene (alla Yoga eth di 1 de- re UpoLmonml scoppiaor or. Dale voglia ctho de ‘eher-sicke fastor Leche ack, dieKomt diemachi mir Spt: ‘therst-eke tag vor / ws | tee vide, BA ose AL DE pal ou, 1S tree = ale = moo Bh “te” ah fee ‘hon ab-bi-te abou = mor, Ton abba te Porc, hn fenSie nr hel- ne Fur fn en Sis murke!~ ne Fri de- re “i.pobmon mi scoppiaor ‘on. Bate wedlock hod Ton absbia-teabcan 1 mor Func, a= hen Senor kel= ne Fare dere dpolmon mi sop pla or Tacchen pach diKo'm le macht mit Spa, ss Sf fe wl tT’ pr py? a a a ‘a ‘hon ab- bia wabcun t= mor T= fen Sie” ‘nie kel_—_ ne Frc 1 potmon md sp pin or or Eee bea aie” Sy) im tb-Wa- abou t= mor ‘ten Se ‘mur — ne Furohe 1 potmonmi scop-pia or or) diRomede mace it” Spb) 1d 5 a7 485 Allegro aoe <> a 489 FERRANDO . i | i a a as 497 FIORDILIGE ‘Siet= tet ORABELLA po, ‘Sil= te pr gd - fe Nin nin Sie 7 fa fa Ge DESPINA ‘s dedaw no fi Got ea-man - tol - img-pa- a? lo ieston "dis, le” Wee ches Teh e'—" temach, "Were itr ist me eda — ho fr da o-ne - too man fuga ee eso” ain, ie wee Chr ich’ ie" nemash, "Ware fs ist mel= 2 nt out ‘apg ©? me teem a= apg - Cage 20 ers four ie Se" Sos Her, und _Yerieut ‘it le Ses ~ de ol - taggin fo? ee MO com, ~ tag-sia - todque - = Sina Nee fet ts fie ses He, erie ‘a dle > tes DESPINA. sto voce Ur sok [FERRANDO ge voce 3 sel de Sie age 28 VELUCE NMA TISIN, XXIV. BASH sia 1 se se fin wo web nih, ob dae non 39 fino ‘ch wet it,“ob dae — 28 FIORDILIGI Drspe-ra- hat ts Batver ewe = fely damn” ver = DORABELLA Dispe- ra that - 1s ~ 3b Brstveewel fly dann” yer” Fteal di vol quan weer Tew fel “na ein in teal dis vol quan cehezom Tea fel “mt in = Tar ~ diin- vero Sp ee eee i b ms Ca poe vor. Di- me - We aare We Bist Wer 2 fe fol, doom ver = wr Di ape = BiSpiva som wee i Un qua dret- to pli glo con do non si vi dein tut - toil gots fre So ter “tm Sas Ke Som rd man ing” ol $0 > chan FERRANDO ‘nto oss tin qua drt to pit gio con - do ton 30 of noe que #0 soles The 3" ter Sm Sat” Kas ~ Say ira an ung” eal 30S chen DON ALFONSO sve ‘Un qua diet to pit go con do 1m sl vi dein tt - toll sso fig 8S ee Gin GSS" Rte = San ra man ang! ohh Shen GUGLIELMO Sie wee ‘Un qua dret-to pit gio con - do non #2 vi aloe que ~ wo solth The =a ter ‘om ax Ks = Seu wird_aae tung’ Woht_Su°~” chen a , oft Tye Fh hk On = Wa- vol quad ie a; ar diner pen Tov fein mit cin ans der Spur wer-deo Sie bes mk te a ‘SO in muci_ tel, und dan vero as et sos er oe Toni quel che pil ml fa da deve dy dee mmus~sen Boch ae fich tm imei-sen i chen mach mich chen maith Thon dor ma non so se fin wo ve a, fe fn a A ‘mls sgn Dgch igh wei nigh, gb des echt It chet niet & onde qu ce pam de ee de = dee ‘hae en. Boch Ss sigh fm aei- stn fn” chen macht mich > chen macht mich mon do; amon 90 le fn two ere a ‘mies sen Dock Tak web nice, WO as et i feat, ob eos oct Ie a ) pen Se ete pil oe = selma fie den Be__” te = ey * emdenn —“Cewlichs) schon mel_= ne Gal Th ra eau he By cten mac, se ihe a en a ‘a et eel coat it ae. See Zieten ued es Da. ‘at fe & W . . 8 ou. 555 ba cinomlo te = Ks) “pe = Bob = ts See ee Dispe faletior si ca H i waldiovolquan sie - tl is verawelflidann er” iste gebruea fl muteia = an det Drape re ations = ca-o, teal die volgumn-ti aie rs ere flan ver gi- te geht rune fl lea ~ at Tandlinter V pen-ti = rete ae pi er-tce mio - Splcter werden Sie be ea-en denies wach con Me-e Tardhinver % pent Spicter werden Sie be ru rete te pit resce Ml mio fi enn es wast shan Mele BA M06 st FIORDILIGL ab th. er wo oe ‘S @UGLIELMO et LEEF 7 te ol = nag gla- ft 2 la mia zesvot ~ “ef” Som gm tne te ogg ioe lee Tee Eo ghuha uae ce daw eave de daw senvie ‘magia - 12 find Se tend fit 0 tow sem Ste" den kos‘ ii cop ~ por Somat "mie on & Sa a esas eno ree find 02 tend nt Dinipe-ra-thef-tor— = Er vez fa dam ver Din pe-racthf-tor— nh = Ee vor ta fa dave er “75, enon ape Vie Cap M.S enn ui wih Yde whe ERT ASA MTOR 2 ov. 03 {veal da-tol quan sie — eh Teal ein = lt, dana veri = tt. ‘eat vere fll, dann ver gi = tt. gel Doct T= teal da-vol quan seit som‘feu- fet mt ein- 1 teal divol ua t seh ‘om‘ev-fe item & a vr sar din Spe er pil, mf de oor ro, dean 2s rete ae pit oo, dean es 2 qual i ite oa vie gael ie See ie i quel ees ‘twei-felt, dann vor git = tet, a= tal tos al = a th tee-tei dann ser = p>, 2a ‘teal dia vol quan- th sie geht tn Teufel ! ‘mit cin = an det ‘teal da ~woh quan sie - ue? chia Teufel fmt - an ~ der slain Tar = din-ver vi pont te te Spi “ter werdez_ Sie be rea em Tar din ver vi port We Ye Spt “ter seeder Sie" Be ~ feu en, | shin, denn ta | bo. be, ete ee Be ge BT nee ein ae = wl f ra te Ge die Ke Sen man weobl S 2 chen : FFERRANDO sas ad oo 4 Un qua dret=19 pid go con - do non 1% ol atoln que = to | Se er im das GSS Scar eta to q DON ALFONSO" oe ve ee Da. | Lie ua = dept go = cn - don a = dein il solenfne chen GUGLIELMG a ae Un gua = dret= io pid go - con - do non ol - soln Que - xo Sole he =“a°= ter ‘im ar” Kis ~ sen Wud_an ang” tl “Sur chen m 19 fet, i ol Gav guint ae str din ver pen ts tei geht tum Teufel twin = an = der” Sp ere wer den 8 elf rs wen ate te Si Warde quel ce ph mi fa dari dere, dah deve, a Thus sen, Boch wat fich tm et en__[g - chenmachy mich Jp chenmchh mich ‘mor do ee fa wo we ra fate 2 ia che “Gb "dos eohe fetched let, pal pli mi fa doh dere dao deve, de ‘ich tm _inei- en _ [a etenimac mich fa” chen ach mich ov Thon doy ma hon sot fino ve ru efi te nos sea, Boch Toh wei wit, 0b das exit oth Wei mich se —— Te scell mio fe swlesebon met 26 ce saline fe Sidi _'G wit Somme 6 "a uel Ip chee macht, t we re ‘uel cn fe. etme, feet ‘uel fe wo che ton Zoom schist tm ge ras duel ‘et ii~ nas ~ sein quel fecatn “den be da to. ‘e ; | ) | | i | | | | \ | ici REIMER AG | | | = 0. bo. DA. ou, iim "EN ae” “ae Frau “ea bu ‘er -mi-na = sein gull a-mor tema "ten Bs “GE Ba 2 ® a 650 A ‘din veri reat ee pil cre-veell mio fu ron il TT dla BE he = cS dhaw Ge witch's fo” We, po. Tar - diin-wr vi fen = me we pli ce-snd mio fe - tor Spi 1 “er "wee dbo ‘Se te ~ urea, dean 6s wichstSchon mete Wut, schon be ge vara slin quel a = (kom die’ Puen pole Fe pal can ge = vascalin quel a= mor, ie eon "A" keo’ oie Fesicen gut dle au. ter = mi ~ nas-sein uel d's ~ mor, in fie be, So 7 Re 2 nen G6 be Ta ia 4 A o, We De quel da - mor.Ovlo bon bo che ton-t0 fo- Biso - “om” gw Die’ - ser Zammsshigtom in Lie cs = mor Mor rel che tan- to ut sehr Ger Zor niche tm in Dal gut da mor Ohio 0 che tan Faun” at De Zorn bgt im in ow. da ~ hor Ne wor = rei we he ton = “GE 7 GUC Shige ee” Ze ice fe, i om cre seed mio Sth thon me =e ere scell mio fa Swicki slon me = he rosin quel 2 TE ta den" Ser = ae asian Tat sein gual da mor San "Senet ‘Ge eo, var = a gue da or eon’ “te Fan - ‘en am as sein gular Kin ante - Ge pac BAs«o60 d d pod ena Fine del to rina. ‘Ene des es ‘ asia Pn _ ATTO SECONDO ZWEITER AKT (Comers) cima Scena I 1. Szene DORABELLA, FIORDILIGIe DESPINA DORABELLA, HORDILIGI und DESPINA. Recitativo Pia DESPINA BORDILIGI =] DORABELLA che tee due Bie sar = ‘Sle sa" ste keh” ste onto (Cente Vota) SSE nso aR gaze! Oh co-mer ic - col Co - sa pre-ten de te - st) Per me Sisaebent Oh, Ze eset Was wie’ joot schon wie = der? Pir mich FIORDILIGI DESPINA DORABELLA _DESPINA ful = Ta, "Per chi dun = gue? far niches. Und ir wen dent 7 IORDILIGK DESPINA Sie - te wi don = 10 no? E per que - so? Sie sind doch Frauen oct war? na ene” dae? ——— ' ' ° DORABELLA —_DESPINA Wo te- te jor da don ne ‘Gin 2 fe pina on tach Sanden" wie? SSS — Lececa- tion bel- eno negli gerslam-maly | can-gar a ‘hovel imomer test, alten Sie Steer maven, “ft ten a Gn-fe,—%stmpocrter comstan.—— Go= quet=fe—aur"/con gru~ cia prewve~ frense, me - heh wie Ger unctes, SARTO het een, Yomi — 16 = cla sco mune echt sh fidain wom, man-siar iL es der och tt Dll, wena mithtin-nem sa ‘ih Gai, he's een De 9 FIORDILIGI enon gt t-rell po mo, (Che dia- toro!) Tai c9-re fale od "Kp fet nicht erschn ee, {Die Tou fect) Du mags So eves ——S SS —_— yeuCE NMA mT xv, aac 2 = osama mie what wo gla fo gO Ie foc cin Ma vorrei chean-che fun, wenn “Gn Law fast ich S's hon fan = ge: ‘Dochwarsgat, wens auch per fio- ria. del bel tes 30 ah ~ pent - or Ce-schech tn DE. & man fe ind ine er em po, {fo ari Eaton = pot hee iD don da = Hala guerra: inf che tor ~ nano fa-twa-le mi- fi stack’ - fold ge -"r0 gem; so tlkten Se mmaseh ne mi l= ch 20 DORABELLA SF vesena ne puor- di” Bh & Fiteit_Docn ‘he nok sia = molt ter= re nonin ie ~ al tender Sat Er> dem, mekt fm im” met or = bs (gd cheque = sth fo ~ ra stie i Wa do = remo, Tate BE Ge fom den a a 2 Melee Sen been, lo te- wa do ra Tansey Sis geshcin tm SS] mo Bik gene Wit eebch oie a-vean co-ag- gio a mo ~ Seti den bt =e en Ne i son mar = Sresgreszar foi D che Ver den > ote ‘aticten Sie da gio va - ni qual ole ee gacdan- th tron one stho "ee Frau ann ‘oh= fe Lie > be, sap sen 3a mor, min sem ona man Wear che 0 ~ vin ‘n-ne eb tele” EY ae (ik ich, se fn pen | ao )RDILIGI w= Eo Per Bac en ch fa - Te a far dette bel ~ te Dus and” je acho te” Bin ge Ge Siren dir er = eos Cindi che 0 - glam fa volo di- ven tar de- gl o- fahren: Gd du Kamot wck-lch” flau~en, ir wardentnesem Ref so" ge” Ai nowt oooh mpo-sh chad tM che v0 glim dor_ al or ht Geto fen Ver-fntenKdmntn wir Sol ohew Sthmere ect tn i a ose 26 533E __pesena ‘nen = 10? chi di ce cheab- ba - G fer lo - roal-cun ‘mv tos? Ack sind po ~ fe Wor Was felse Simi, as elle SSS for to? Non th pa re he sia tor =e ba stan Basie Waresenln sec, wermie Lea > te > fh ren, a DESPINA, che orig. — mo co- stor?) An he per from de Min 2 tee em plan-gea? Auch 8a chun met 2 si cu ne- wlomo ie wo glo. spor ger a RS dis se” ine’ then —fe Es SS pl DORABELA, DESPINA fe - me Chi vik cheiere da? set ti, ‘Wer sll ae gan ben? bel = ta) Mon ha for = 2 meh tourna on mene 8 Bin = ft Dut ental chen, arf” civ ‘ib~ache™ Zo fe SS as = Poaene wer de hi seit Dime fi da ek aeci Ver cho ter” ta bes? Bitte sersunua” Sie mi “7 deel quest tol Jo- re se rk Nom eb-ber [a bal-dan-za fim di hie - der dei folbktha, Giese Bir - gen” Manne, ‘Se’ wa-ronsthrver wegen, Ends Woll> fen at 7 DESPINA Be (Che di-spra-tie!) Jo pot-noat-ni cu-rar-si che le co ~ st che han einai Gneitek) Sle Rectan mircioagia-ben, arse > ten und ——_ — ———————————— 2 fatto furoef-ft ~ del toe -sh- 0 de Sop-ten, armor Wir ~ Rang des fret t= Kencvul-siones, De 7s = fol lie fetepia- men maar vendre te comme son di Menten, WTR Ge "eS de; echt ina le we-dorgane ver = =_ ‘und s0 fied Bich: SSS | ~ DORABELLA _DESPINA ionte= i ve-nin = E poi? oi spel Fete 10~ ose se fer-cin, Und darn? Uad dans,» Dann egtesgane an Th- nen. 2 FIORDILIGE DESPINA, det - to che ca ded - be-r0) (Co - $a dob-bia- mo for? Quel che vo- wnde” es tt Se wan - Kenschon) Was” Sol-Tea wir dean tint Was Sie aur = di corms, 0 coe ale = teh ‘hon = Se Menachen, 0. Ser wassind” Si wot tim, Sind Si “Te Boe segue Parad Despina N? 19 Aria DESPINA don = nea quin - di - cian ~ ni ake se frau” on fin 2cha” Sah" en mot die Fans Pato Set 4 a be, per— ogni grn mo - dx dowd da-lob Mla dy come fei ea Stcche fen ~ en: Siemu schlaw-erseinalsdee Tew fel, Siem ah 5 = ee Kesir— me See = Be-mm = feeger ter” tm ion fes" 7 ste fabs SS Tm fae Fi - t i> ain, fabsthe et — en, Tw fnger plan ~ Ea 2 tle, fahsthe fia! oon, Dis nin mo- names Wo dar ret 2a ‘it man in” 0" =” pe rm Sela P= le porlarcon mil ~ te Bue tndve te gon > eh, woe 1 te. fh sen bel hho brat ~ as pert na acon ~ ders sen on con 2 tea lnd te ee —"in = chen, mal usin” fp) > “seins atch esis fon = der-1i,s0n-anar- ros Boh Se a na col pos soe wy pio far siub- bi Soe tn ws dine” “e" gle fen. ter's cb 2 tig” mack be, “Sl doth na, vinta De ing sebeiten ge = ft Me, Svar De —— te ete ro | 11726, bepn: Di Forman kane raps werden M6 Dep A Ne elinen could eg eer 5 BA Aoi De. WH ta che to ser vir, che fa sero ve) Sh ca i wewstae” Res! fh wee teu Rat) setee t Milam Dee nim mo - me te dir ret maa con cole pw it an den” nen rom Schin = Bo) rey dat schon ds or ipe- mea tt - sen bel Bow - wa per na ‘bem Hei-ming ma chen and fe ver'~ la chen bl! ud man oe eey eee be |__| Woon = ent ton are SR fon = derah.sennar-rop = ah re aa fermen fe > Gestn, mama’ al” auch) “rt “demsn ohne Br > Osten Ben und meno wee ee paaske = ——— ha Dees os a Wives, sacpermen- i ~ re 6 qual re ~ gi ~ ha dallal-to oa glo col fos.toe gee ingen nd” > ge Wifes ce” ar ~ ainvarddionce - ge ~ few untbows an. pa ~D 1d: ale Brahh - diy gl re ~ Ge = enwers ich > tg” mach, fri ~, ee, Lo Foe om col forte So plo fr ainb- bi - dn For stinwiea dono“ - le_= fe,ters Wek > ig ” mac, co eo fom an "7.66, Deyn: De Femenkmwen hss wr. M66, Despin: Ae nbelshnen cule sg le oat. we dic Stig” mach, wubb de ‘ich > tp mach DE, YParchub-bon fee wo di ml da hn W- va De Gite oe he 2 rome seins aa ‘pe fal > es, > vat De = oe 92 be. BRA RRR Ro oe notin? Nu ta onan sopnon Ff = fs — ve eh ‘a gent Garrick, denn wean semis ot fab~ rn, ay 9 sepran’ — qual- che mo Ween ici - ch wae ‘reeden wir > en, i 2s FIORDILIGL DORABELLA vo. ® Yen = ne = 10 per leh Mai no-avi 0 - #2 Re - tea quel che TS men” 2 “Be spi ~ mm, Dochane= Her~ zen? Die bel bene Sie perdi ver = tr sue po = oe mon moor medal fa mo Swe nig Unter ~ fal2 cng, dacmitmanaihc vor Lan” ge » 3 omua lin = fo = nh a non sian co di fi. to rel la mi a Quennoe NEL TE 7 din komm Wicdieu = @ eh liga eb Be = he Schwe-er. Davi a8 gt DORABELLA IORDILIG! A. Do, Dam = gue? Dun = que foun pou a Sor ‘Te Son “er'~ en Shit, 3 DORABELLA loa wer col pa Fei na - sce un im bro pli. Chein~ sil wich sehuld in Es faom Stim "yes ps = ie ~ en ‘War SS — ro glo na acer de - ve te pre eau don? soit” Som sthos pas ~ sie > ten, By “Sp" Sind? per inten - der ch bene, gual vuoi se - lr per te de” dae Nar SOS, Rig ns tech ver ~ ses hen, re-chen ist da" iy nehemen von den FEE nownsoly porasenia SE po bi cies? De c= dim sori fo gid de- ci 6 Sidhe AS scatter cit, wid “em_ ot thon ge sehen Poni Dorbcla Ba os pecans ere N? 20 Duetto Andante ORABELLA. Pronde- 1b quel brute ~~ no che pl epee dow Mir ge fier net fe Brov-tey hat Wite nd 0 bev moult 3 FIORDILIGE Ed in- ton rio col bam = dl-mo wl po r= de-ree bare 1Nan,so teh = me ieh_dee'_— Blonden, "it" demlacht_ es sch _ 50 — Seher DA. set ta of dal det oh fo quel riage — de seimachi— dann it sO” Seo Wort, giv ish — Scher tenddar asf So api-ron doiso - gpi-ret - ff tom del - Cal ~ tole Wenn Seu, “to toute Hh” Wie [le iT fom” Spat Son BA 4606, Ut dina mio bel fe Aetecia Al Tes, wits Midi nix benim mo- ro! ‘Athearn R= en, oom a re Web Ver Bao, let = ta! Che pas — emi = gen ind des ge @ io pro ~ ve Sy Shen’ fr ns BA nts Ed inton- 19 b col bit di mo vou Nino ech > me” eh den” Bon en, "mitdom bo, Prende~ r3— quel bra net Nir ge. fa or tee te mo che pl le > piedo—— mi Bras Be, r hat Wie” ha 0 Ber. aad al por ae er et Scher-co— set = tnaldal seimmchict gr ‘mitt — oo ran = doi so = api rer = fetta.“ eute” h Wie > de, fo quel _ricspon de rd eh Sch hero dar = aut i, nics Mi_ ar Ma: ben mio mi ‘Ach eh Ser ber ede [223] : Mae fen. mio bel Bi tan - 10 ‘Achy mein AU Tes) id swebche Won ne, ele di let f dd les to! Che pas 10 lo ro. ve welenVer-gou > gen, silcnVer-gn-gen win des Spl-chen fire Ed ina tan- fo che ~ et tol Che sparse 0 pro ve- wel-cheWon-e.welch Ver“ g0-gen wide Spl-chen Fr uns ee er tren 1 Ed Ino tan-to che di let to! Che pan.e10 0 pro- ve ~ Balch Wanker got gun led das Speen ws PEL inc tan to che di et- tof Che pase t0 0 pro- ve ~ Gn, ele che Won-ae,welshver” gni-gea wll das Spl-chenr uns hot 9 oe oe me won fir_— ns Sela b pon tee 7 woh fle as — Sein fan - to che i let- wl Che spar-ser - wlopr - ve- ri, che spar ‘on tesweish Ver-gndgen wind les Spa ‘chenfle, uns ein, wird hes Te ode di-ter- wl Che sparse wiopo - wer, che Woe seweich Vee=gnugen wink les Spa’ ‘shenfe "uns sein, wind es —_—— in ve = 13 che sparsel1010pro- be 12 che spas.ssio lo pro re he” si, Wa ds Sp chen rus sen wid des Spab-cen fr us| be = 18 che spasset-t80 pro~ ve- 19, che spas prove tne, win hes Spi-chen run i wd es Sp chen anon x DON ALFONSO) — (Ge Abie isto DON ALFONSO) 1 Bip e-e Sen tir 266 Scena III 3, Szene Le suddete ¢ DON ALFONSO. Die Vorigen und DON ALFONSO. Recitativo BON ALFONSO DON ALFONSO DORABELLA a ‘cor re - Weal glar- di ma an om komm “in dea” Garten, Centar Vitnsoy Che elle gril Che mu st cal incite = Sip Mt Mo Soe ==. fe apet- 1g - coull Chein-can - ten - Ges Schaap tee ges en ON ALFONSO 7 DORABELLA. BSS ee he dia mi necro pub? To » so vendre ‘Was Imag denn st" wel Sia” Giech wan Sie se ~ hen segue Scena V Dut con Coro a : | 21 Fre reste oneness” Richey cite ae Rake oa anes Scena IV 4, Szene (FERRANDO e GUGLIELMO, DESPINA. (FERRANDO und GUGLIELMO, DESPINA. Servi iecament vest: Coro di muste ce) Reich geeidetc Diener. Musixanien) Poi FIORDILIGI, DORABELLA e DON ALFONSO. _Spater FIORDILIGI, DORABELLA und DON ALFONSO. N? 21 Duetto con Coro Fat linet apt . —- 1 eS Page 248. VALICE NMA TLS XXIV, BA 6 de. 29°” rexnANDO So as a, pal m0 Mele de mnsehoww re —maries ve ‘Skla - ve er bit tet, daB Sie ihmver - zei-hen, _ j—J pal fo ve- de, ma 50_-low i — sae: or pe a, Sie Be lcci doch wil er” be teuen cB Lae aa J — = 2 FERRANDO febeci - get ‘GUGLIELMO aa or le wien pas cra = und fet mn pup quel che oe vor quel che (rt ‘flo, as_er mh t_ Wil drum, ease qT rT? ‘wd quel chew le, wor rb qual che fom a soir) Fits gr) mht, wil dram, as er (sete) (ad quel che v0 le) vr 7B quel che i ess er mec t_ wil drum, as Yor rd quel Che pu, Yor=r_quel che ar, tylrum was cra, ‘trum as er : cu. = : or= ri quel che pu, vor quel che dramas ef ars gg val rum was DA vor quel che pu, ‘vor= rb gucl che pad. Mimi ot wildrumas er Sar a g : ee spond So Anco, fe riede-te? Ste chet — — (epee deat edu dome) Despina (lft eee Btn Pervoi fa ri -spo-sta a lonro da~ rd Per vol le. ri - So peb'ichde Amewor sat in-rermam sts Babich die SES foe hee SI Allegro Recitativo DE Quel lo ch’? stato tao. Seordiam el del pas- Sots ven verganginen Din-gen, "sche en ist “ge- (DESPIVA pene Is mano di DORABELLA, DON Meron gutless FORDILIGefrompere cca ‘tne metone rc de meen) {Desrova "anant DORABELLAS Hard, DON AL FONSO de HORDILIOS ben ee Damen en 4 tempo. [Exim de Blmnentti tecien) ‘mai quel tac cio mn “Ge een, $8 LN) Tempo prime ‘A me pornge teil She sire Sem Arm mae a tee r tr rr 7 +) 1.40, espn: le Feats or aslo nee, M6, Depo: re nblsnent canbe ings Be fer Bao ist 10 DESPINA, (net) Per ca i= par Wir Wolfen jet er DON ALFONSO (apatite) : Te ma, uel he son for fechwin-det nd sh, wie se tia = mo, quel che san far sehwin-den ind eho, Wie Se er ca-ri- 1d par~ fa - mo dul Chetan far eg fia-mo Le ai-mo pl del ‘wir wollen ea Yer shin den nd sem. le ach fin- den, Ex pn- ge mit em Dal Per ca-ri- 18, par~ la mo qul che san far veg = siamo. Le ai-mo pit dl ‘si Wei-es je Yer schwin-den nd sme each fin- dee. Ea. ps ge it erm jet nicht jee ache DE. da vo- la del da-wo- ly dst de v0- lo so- mm mm ca TLE mS Bes geome dem Tou mse fe Len jt cht dis v0 - ta del dla vo- lo del dig 09 - lo S'0- ramon ca - sa SL mS mk dem Tea RL am, Se fe = ten jet he onsaiiniaiig il shee = eae nm coc Gk on an fim, "See ey! ch, ie_— eeneai tm,—i_ fen jetnc [eh 0 ~ ra mon cansean gl, '0 - ro nom oaancan mck, Se fe en jennie im, ele Teno niche 19 (DESPINA DON ALFONSO parton. /ghen ah) Seen jt niche Si, DA 0-1 non ea- scan it Seton jet nicht Sm, Scena V 5. Szene (GUGLIELMO al braceio di DORABELLA (GUGLIELMO arm Arme DORABELLAS. ERRANDO ¢ FIORDILIGI senza darsibraccio,) TFERRANDO und FIORDILIGI (Pan naples mate guaran, ‘ohne sich den Arm 2 geben.) end end) (sre tne Sie ee sh mca, Recitativo ‘sunovund css) FIORDILIG! FERRANDO. DORABELLA DORABELLA, (GUGLIELNO Cal = dette an che na Cheer (oh find ee stswaezn warm, Was fir (Oh che bella gloraa ta! (h, ee sein dies Weert Cconinuo {Comal Verso) : == camng shar b= seal - i erty cer son Bel = Tem > de Biun-chen! ——-Wirelch, wie ie, FIORDILIGE le che fru th Quit a = fer le Prt sehe, ‘Bie ALT te = en, 7 e FERRANDO Vo- le ~ te por sep - pier? © Sonprono.oca- 1m ‘ad Wie” ilon-ten Sor = hin” geha Teh ste "Dien ten at FERRANDO (seipaares CUCLIELMO) A rronpuicr Sn Vortrten on GUOLIELMO) HL (ee -to-dalla gon giv sro cnn Toppa gra al & (ia wines cs “ome - fe Ea Stee Win Re SOR Nee Bom de n FIORDILIG! FERRANDO ea ai) Co- sa gllaw - 6 det - 0? hei den) Was tagcten Sie to ‘e> beat ttn” ar emp- nr oe (reset) UGLIELM | legen 1 SBE vommaa a si fhe, di diversi ta bene Pas-sepglamoanche moi, Come ol pla ce Sle gut mn ctr - fab. wn CGehwit bet"de" meh sch? Ganz wie Sie Bade iii pcm ts 1p CREE ions conguein BEZE cvou.mo ou. bo. Aii-me.” Che Co-saacve- te? lo mi ten ~ to al ma-le (Oh "seh Was st” ge-sche-hea?—-Mirwird sfc mi wird bel naar yer, — ou. Do. nas leg aime ma che mi por di mori re” (Nom TS he, a. Ge stes We See, ab eh lm - beer en of ter 78 ien =~ si-ma) Sa = ram mo rh ma Bu = . ser do" oleh dra rein falcon) Das” Sind” webl noch ie Fat ~gea 23 GUGLIELMO com feces) Do. cu. lin che be = ve se. AR chews ve - le = apar-sai pl Git, Sas Sie ee ken, Ack ein) ge“ he Whe - es SSS] ov. cn di e fe- co- si Mon- gi bel - Wa mo- RUSS SOT ge, dew fen” lo = hen = Sem Yar ketene BAe as (ia enna ina dps a 272S=SE _porapeLa (he andes es en ne den ncn de Spreng eh) bo, ro - at ae eee fa = tevin po ~ co Tete Das m= ein my hei Ses Git, tin en Sie Ch > was GUGLELNO, fie sco Ie ga- mi voi bw - a ‘ed in tan 101g mi in tee Se fal 2 flo hte Sther-te, on Sle sn, al ich ae a + ou Bo. = ocsmmia mo = rot (Sonspa-ri - ti donve dig - min son i - i)” Bh ta nom fier” Re! sie Sind Yenschwa-den; Wo dle tet den wohl ste ~ cent) Ach, das sind 33 SSF cuctm.no DORABELLA bo. ou, To mimo - 7m em = de~ le ew bur-la = te? Jo Brea tea. Bah er” Be, “Oh” Gaus me, Maton Sie cher-zen? Ich 5 ‘GUGLIELMO = Trot to. bur lol Dungue da-te-migualche s-gno, anima bel-la. dela. vo- sta pie cher zen? Ich scheezen? Nun go” geubenkemir ein Zei-chen Sch edt See len, dab Sie Mile mp iii ec Tr ree er rat as au, bo. 0, ou ov, bo, Gu. 3 0 the te “ tierce, Ra Due se vole - finden. Ze, wen ie wol- fe, voLIELMO (Seher~ 2x n._(Schea St, ‘acc ta cht h th = lo ORABELLA as dite quel che far deg pin, elo ve Secgen Si Nas eh ton fol, nd Siewer-den ai ee dav ve - ro?) Qur-wa pie co - af Oder Sagt Sc ie Watw-teie) —Biecser Rei = “te” u'~ a (Che do ~ no pre-do-ol) Lact ta te? (Wiech Kost = Bale Gabel) "Ja Sie ach-men's? Wie gra-som, dale poraneia SSF ovGuELMO rede gas Un om? Un eo ver > Sh ae Ein_Heer=ches? Bin (qul-lo Warde lan gui — sce, ¢ spa shema per Das Sinn bulists You ‘Thtonam,es slat sichtndchmachte, ver - Bu = decane fir uct. =F popanesia Cm de= let Die i SSH cecuewo ‘dur non fen=ta-teuntor fe ete. (Lamomia, — gna va - eil= ami ter rn ein uaaes Here‘ vers chen, (Der Fels be inne zu wan-Ken; Das mi DORABELLA OUGLIELMO au. Bo. ‘pla-ce,maimepe gra-to2 Yonor di so-da~t0) Via ~do-rol Perle Far Sook Ris Ri mela Sot ten svortverpfin det) Ge Deb! Omen Gott 7 cucu SESB= = DORABELLA, Oh de Conde co ra. Mi fanre - te © tlim= met! Sein Sie sie Mie pe Ack das wa =e SS GUGLIELNO ria Morreme i-sie-me, - 5 ig‘ ‘Zusammen eres, wie mit 9 (e] _. sexkeernictcean g. Ponisiith == cvoumno z= (ate? Loctite. (In-fo- i ~ ce Fesrandol) Oh che di lett fo” Tehchmves. hehe ar smerecram do) Oh, wel-cheWon-ae! BA Ase seque Duet di Dorabella¢ Guglielmo ino N° 23 Duetto Andante grazioso DORABELLA ‘GUOLIELMO, = Mc. re— —— do- mo, bel Ti do - bo mi- 0; mall’ Dice Here ge ish then, dab Sie me” ge denen, och [Andante grazioso ia ‘cater Frost 7 Mel dae lo Sle mb gen mich wate wh ao wa fot? fey Sle sheacken mie m= dy mail mio nom We m= do nee Khai, "kh rm mci wee Bel = ten, omela Here chi er ete, pit me- co einm—& seceotea, Ten ib" es niche Se te co Weaw die” nehe Soa me 4 dai che mal bal - an Went Si dens mirscheniwes, Was Kop hier” 5 4 (Che mai Pal 20, falta al she Wae“te lopli ,eop lop es Perché butte bate bat-te qui? Seg.aspocche,po-ehet po chet fer? ee eee hee? Want opie opie pies ar Een = te de ow. per-che Karte Tarte bate gd? El mio co ~ Sag ws poet, poche, po-cet hier tien Ten = oe ‘ul meteor do a rr del! oma) 4 poche wie sch” ne, ATR te sn etn, woe ou, ar Qui la - sein chell met - tw pooht” we noch” ae Flee sous doo Sst gen ————— Non gua Sieh -me vo te (el per i in” Hor 20, cs (ie Ble (Gest sa is GE th er arc Sena a id fot od eck da Here a ine Ste) au. ‘ar. her ie. (aah —— Dee eae (lee a ea cal a BA A606 Tove - te ‘mi par) Her atm Sk wee dn vat. fas) ou, = bl nom par : fo scheint mie lcht ae) Locchiet-t0 ame gt- ra ‘Do fans wie ° Gor sen, | Jaa Che ai > clone, ech al ao. oe he Tsong, eh Fs g fe - a Oe mo - * bn Ba = ing, viel 3 Doge aS a he cng, etch es toe bo ue ee et ion oni = pe Pal, ww. wine fe mn Sign £7, vo ou m “) =) ? aly 2 o. 7 al 2 dee ox 7. a th 2 aden — ne the mow a t= che dolce pe welch ou = @— Be * plekung, etch won i = Be the movin di = et = th che dolce pe = welch noo = Ga Be > pibektng. sek wen” at - Re ? nes eer % let Sie. me Ob cam = bis he ad cl. DEE) AR ee == i a ES wal ze — b+ AA 3 > Badiote ot i aaa Ee Pein dot fa — as Be io” chang dy fe ‘82 Bh alae (area) (le poe Armia Ar) ba er Al ching, wel 26 Scena VI (PIORDILIGI ¢ FERRANDO). Recitativo 6.Szene (PORDILIGL und FERRANDO), FIORDILIGE FERRANDO. = = HIORDILIGE Ly PS ‘arbor! Perché jug. gi Ho vison Grane, acum tent? Toh den ee “3 = pia de, wenden Sctan-gea lick, die Ty, (quan t01 Ube desert ithyens O-deowilde Wa-sen Sehee-t-thes beeen, Cee aa (ans sie et Ak crude th 60-picsco! AR oie, eh ee Heche Frown an di pit froin me 99- te tee dk Mi ekatha Gs in mie, sis lasadiisiaiaoiesia Ed hd Adagio FERRANDO. Tu who! tr - md fa pa ev Da dibs mir den Med, 6 = wun FERRANDO 2a Cesta. Gh mo le-star-mi a flee 7 [La mich,ich witl nichts bien, keh 2a mache, ‘Now Hi chie= do eke ‘Et neaick mer 1pESE —rronnnict _FERRANDo a 7 A. guar do. Parfit? Non spe-rorto, se priaglioeehimen fe-riamenon gi - ri O. ich Geh jet! NNeinich biei-e,Biswesni- per gestenge du michsn schaust_ — n 325 vi” se Item ur om aint jt_—_ ed el a ek, sa (ie act zs yy = Se gue VAna “se: ee Page 505.VQU/CENMA ISI AV. gy, i Ferando ™ NN? 24 Aria Allegretto (itn ih) a FERRANDO. ‘Ak lo veg gloqulla- nim Pian-10 re s1~ sermon Obie Se ie e = dele Tagen niche mehr de So Qt a in Lt ar 2 fet — taper er ter = bel - la af Geass ei-wehes Pean-des—— woke ler Melee ot sisein ooo | | a perer- ter -Bel ~ la Ween rend, ——— So dpi Wi dolce rap- iolanet-piaalo war - do, Inet co - § s Aivgen SS” in dae Hera mir in ‘BW eke, hese shn-aich_- gon” Stuf sor Ses —_— ee — SSS SES cor lim - pee ~ siaal Se tase, Stir hin- in ‘to co. Gin Fe siamo - de aS Re —— 7a dlalpile - ne.roamer stekces Ghiskda Geb «few Giga Gelb — ov Tnor——. Gia W1~ Spon da! miical- i de~ sh rigid we dap te - ne-roa. meg, On.schon ep ien ie et hche” Antwort, _el-ehes Gosia Gees wit 7% ws hele Ak wate Heed Ge led te wt a a ee ee 7.32mi Ferman Maen areas eke. M2, Fens A eels cul espa esas mee bon spe" 2h, schon spr" ich ‘Ah Lo veg-glaguell a hima Oho Sak She ie eee SoS TL mio plano resi - sermon 2 falta per ea ter he set de Klos pn rsh mel Widest: cr Ramesh ee eet lief fet ~ tidia'mt- co pie- Gon 2 fal - te pores - terbu~ itl Mic iifecRon se fea Febe=: Sle er~ farmticn er eerie tel mobi «die d vee, Geeta, oe See 2 deer — _— 12 2 | , . 112, Fema ran arm” unm warden 2, Fernie aso an be ng he Baste ae iA naNcacinsintanianiandiesNciietniAiiNinanasNii nnn fo Pe ard se fea Febn Si oe, dice rap ghlam pe- ginal mio cor_—, l= dhigen SiS” ade fer ma fi eit —, fs ee ' : | | | —s | 273 [773 | {7 aT ce daipis =~ ne-foa-her, 7 wed hac ‘Getey = twit me ‘eben spr ie, schon ee eee ed aly te spe Sh, BGC en "7-75, Fomnd De eaten ne ager we. / M75, Fea A mime de gas rman, om. 76 “pom dla’ mtcal- di debi — ri, gid co~ dap te nero. mon er ee —_# | @ | @ | a [sa | {272 FT | {772 [eT | [272 Je — ed i alpa e spur ih, schon spe fh, Sul theo > a> iq i ee dh Swen, “G7 ign en’ Be 2—, ‘en Tan gun? Hie "mei - Rt Be fal= in Gl Latraedal_ mi con-dan-na mori vig Ge Hom-oungt —_Steversur- at ih gru-sum Zum Tal ‘peran- te fle ah es aa wig de ‘Nan, So schwinn © —— om toh a al 9% end: Di Pema ar mpi weren/M, ern: Af enlace be ng ate emi BA M06 rng mo - rr, laeredal mi dow dan Sie fim” Ted! sever ar etmek gu +f7a; oa ‘mo rir=, eertdal i con dana, com mich fe deli cin-dan naa ‘ie Tadsieverur- sit mich peu = em, vad eu tm ‘To slover-ar= eich eae Fe Fa (are ets) Scena VII 7.Szene FIORDILIGI sola, FIORDILIGH alin, Recitativo FIORDILIGL Er pore ants lates Dagehier : ager aur geben wet ro — (Dk gualsgur-dimie= 1 Cn jan og. get — fonts, telceen Augen, ‘er mete Sh che A gual oi mor MT orto mi po ah ‘ut leche” ‘Pros Se, der Gre~sacme mich lt ‘que ben lo tu - toa mie Aer Seazte fir nem schwe-res_ Ver=schuiden & Fo i m= pi — rian seal- bart soho Wor te tn hoe, ty a Tlotea vol - ger im plo co? scboen Seat Sem ith Spe ten? al eh e 4 wn TT gio-necondanni 0 git-stoamo-rel To. ard Varedor Gesosifrenia suumrechto Gonder Liecbel ©, Teh gid-he, doch Int des ‘mlonon 2 pit effet-to dium Gii-henaicheio Re: gun Ver twang, Ba ta wibuiaso Ne 25 Rondd oe ‘aagio RORDILIG! Per pe - Bb min per ~ do- na ot - Fer-tor d'unal- mae OT Nee 7 ihc iver zh, Ge = feb. tee, dle ‘se schudver ine "tee ‘rt a bieib ie” ver “bor = gen, dar > um 7? oe fo Oh do, a= fer" ich 0) God! den” on, ‘0 ~ 50,0h diosa ra. ‘Sve-ne—ra que stempiavo-glia. Var dir mio, Go Got then 4c acachig -cheVerlan gon Wseh'eh aut verceogme Mori fa tuirSdiaede’ und” Sehmach fest, = pac br-r—_— m “ie und Sohmach ge > ache Br dual maaan: fo que = slom-bre, «ue ~ se ssid veri = “er'Diesbe, == fies fn Soham bi Si = prea sea. 50,08 io Gat > Mom fk” eke" Cod — 1721 Tig let in ue ing ngs we. 21 Peng: nmin cn beng BAGO 22 ao ra fem - prea - 10 - 3 @- 00 ~~ sa,0hdlo om aero Min" 7 Bde 78k Gow Ga 25 4 Allegro moderato ret a ~ mo, ingra ~ to cor! 8) do veg mi~ glicor men ta" fal acheter, Di, Ge ith erase = ne yn aE eS T P— 97733 Fig De Fema ane er pect were. /M 3 Fig At nbn a eg ee BA die 0 sical wer = er Liebe PF : oe, 2 *| & ” perder Ia r= mem bron-2a, wifi met Soir dar an 6, ® a go-gmaconror mi fa Ah chi mal seltcrfind® "Seimach ge > Gracie AB5; aad” en 7 7 67 nig Hw km in Engng” peomam wenden M67, dg Aansin canbe eB bo vee mi lor marae do, oa Geo eb td” ee Tea 82) le neal to cm - do ca h - ~SSCS tite eS gene = tr on, Si ge > he See Seat) Si o-vea Di Genled ——=——— Pry ep be = nol mo, can ~ dor, a= TO Be = neal tw con - dor, ca ro fine" fate‘er ee, ir ge tobe” fe few'-fer "ok, dir” ge a tin bear = ——— are gh) FERRANDO, GUGLIELMO. FERRANDO, GUGLIELMO. Recitative tieissino) FERRANDO (HervePmE) @UGLIELMO FERRANDO. ‘GUGLIELMO Scena VII 8.Szene | ‘Amico bblemo vin tof Un am- bo, oun Was igi deon “er ein Frvndy”__wir hae ge -won-en! Smet) fe Vth qimo-ni.cx ferdi¥- Wee me RC ee, ecg z & Mente mero? a a 5 cuaimyo renga & Tocsgiate pr ge” Pd tndona-te comteraaam dc ee BEE SL Gh, Wi Bence, Sli” te n = % Spas seg giar mi met: ledbil brace: Mee Qiu-8eh Sn” dim Gar-ten Armin Aim. Bacon ais a GUGLIELMO ca Gt. fnll= te Sonatinalf-fo-ren- al = i= ne vien-diehl'a-mor, st von beclang-lovsea Din gee, hd dhd= ich ach von der Liebe FERRANDO Fin g9 lab-brate—man-t, fin = 0. db pager, 4h ic sedco Cipepen, teach "fe Faas, ‘bait eh leh a POL ils waco A a GCC AUR Ci te ‘GUGLIELMO FERRANDO. Bravoarsai per mia fl Ed el-la?™ laa pri-ma 1 de Bravo, gut Sowarsitcht! Was lat se? Slenahmau-ont Ge Sache FERRANDO. ou. fe seher= 2a, ret bur = ta Epo? ol fin - pe dingie - wm - Sshere-inft tnd ach ~ te Und dana? schien fe Mic ~iSs‘mit ar ou FERRANDO. Al = fin scope la bom- bo pura co-me €o- ‘ooh ald at"t de Bombe fein we ne BA 6a a6 == 25 Gr fio co - ro Gu-glid-mo el la si aer-ha mi dioseae- cla su windsie in fem Gu-gliecme teu schbe waren" Zar-aighelle ie mich per bai mab ~ mi fag, fe fi-mo = nig rem = Te hen, Se ‘beschimpmich, ver = TAB mich, upd 80 bleibt ir nur p= = aaaeeeeeeee =e 0 den - oom, @ messaggi, chewha fom - mi -naci-Te sen ~ ta ba U2 asoch, tu bevzes = gem “Gewson “Mid chen’ st” eu, gaz hones a 0g gi. a tro-va la mia Pe — ne-lopel Lavcaum tesco, bra voauctmeb ter Pe-te-lofe! Lic ber rin 2 mio fi ~ do. Mer san, dumein teu ee Mer po" cho dab-brae-i Perak fell come ind “te tm armich Tar dete pute Bot Ba ots Oi ici (Stet) gereasoo == ce = Ela mia Do-ra-bel- la? Co mele di-por- 1a 1a? Unda ot Doc cbel =a ‘Wie intemiihr ‘ge gan gen? me 0 eonrapee SSE ovouenvo a ‘AN on cha ep pur dubia! Asta co = no-seogus-ta semsi- bil al-ma—Ep-pur un ih hab Ke-nen Zweifal Wo chdochente “ih reempind-sa-me See-le’ Unter vier a 3555 rexnanvo hub bio. par ~ lan dota qua-toe-ch mon sacra mal seme Va vero ailY Come? ‘Auger, “Gn mit ich es urs ge) cn Kener Ze fel inn-tench cha de. Wie deen? 45 QUGLIELMO FERRANDO Dix co cout per die) (Ashe piacere dinedo-rar gli la pil-fo- la)” Sil-el Wiemanso e-ben sagt. debamcke gerne ‘iim Pula fe ver - Sao fea).” Himmel & SSS is — teal lafor-te ft le I tin the to? Slo fo-tes- si so-mper Er © Tag. svetwa denen Sobel te- ca? tvie diedenttsr, dor Ver ry _ GUGLIELMO, ou, er. fo stan sol sempre be - ne Wao ~ apet~ ta ~ rum elke” thon ‘at schreccti—Exdamnaich cha den, in le = Ser selechten 35 mam 3=¥ po coin questo mondo. -Eoter-ni Ue - i War Ver Gia ‘nne'ten, Um Goce Wil len on miler ul moira, on prema der- me co Mat deat fe mcn Ftd: doce, ich ‘ene, Sther wilt da mit air Tr fa non ama non d-do- ra che me. Cer ior aniin prove diswa- Sk ithe” mich no, “iehnen an = dom ls mich, Mein Ga: ZumBe~weise i= ov, iiiancatacinsaialahuddatooniiioassasny ry sma tempo rene 7 erranpo {it ie de ‘mio tat t Bilas. We, Ge ci Bi nt cildle dace gtaaaucinas ar el GUGLIELMO (ome spr) be PERRANDO (wire) ‘Wo-hin willt du? ‘4 tare cor Jee wa Se, | @ # —S——> a UCLIENO pexgnDo es ‘ucuIELMO mio andi - woaf-fr-me.Fer-ma-t. * Ko, mi ta - Sal Set fr Ge vera ~ ‘be! Tete. Hordechimal, Nei an, 8 eh iis Yaoi tu pre-cl - pl - tr che non vl de wie deh > peru = na don na Cole “ren fir 6h = te frm" GleS pt ce mond dle faery me gute tor-ba~ le =r he is Sika Tor” eer © fen amn-et) 78 FERRANDO = de eigen B= 6 euGUELMO ie facrtor Was fit" 2 at equal doe mp pi - plo? deg tio? A quer = fo, 48 Boy was So becerhe en, wer Helm eh "en Aus ea? ——t ici a 4b bi i me ple Him meine — See Freund, be 7 == con si ~ gla ean” St 51 ovcuieio a » ‘ han. ty tw ws peel alowed 7 plea ' Aarne ote” Sie, Tete i OY i FENRANDO wy ee : i ar bra tte percaal te poe Si sat, eG eS ; 7 9s ‘GuGLIELMO Certom ca - 19 que-aie da far stupa rel Wher So” Sen Fa ‘sn fan ‘ort tent en eT ‘ the ls GUGLIELMO ante tala tanta tana tan Moly Wl, dsl aly a 1.16 api Feat ann ne aie wenn M6 Cg: A vay ee eben te nwt et ymin cloa com- pa - ti; co = mins cow com - pa fers te ih hon be, mm’ Sch” “Ger ‘ne “hk” en mmo-sa. i do 38 gro d'a- mi — ti, Selena Sch cud ao oft feb Kaen, ve le moar, wi dp se gro da mi - ai ep Gin ich mt Bet = fal) get = Se, ig” Fh” cach, cei ch “fr laa tan - a fig te ‘ate, % (in =d fon Haan Hh soot ve = r= Sof, TIA aT te, dy hehe mS hie maw ome we Teh ich "daw ict ru hig an. Te wi-wedlbrn do presi sen-mal og ch den ‘De pen, if Bases siiaitsciensai cesium ldtecsaomuMncoitanuaaall sical paisa salvar wonstoo-nor Mi~ le vol te mman Ga" fer Rte pak, tau > Sendmal sebon, Seana in! al ou val te mil te wl - evi din fe- si col la boone pi col, fmt" demWor,ndmit dem Herzen nahmich sets mich cu er —Eeee ?. 75 ou ul far-lea wna an -a ton - ha ee inde the “aS SETA PS tw Wael we ca Con Yee = Heh dis, er” es dam, en The seid wae ghe se-wa- me = bel eden seat Me terse, ed ot, : soon aad of det con = dato Sr tet oe woe SL da, che ee i We nme sts emu an = = sh vol teil bran do pre mmol 2og ich” den Be “gen, ea tm ta be = ater he “aT Te gids mw pla non-H han m0 Mtn” ger” ster Sam" Wx-sinn, td Se ted che se aS Te, bangs de ow, ic div tlle - muna hanno cr loan grav per chew Stix fer sie ‘tm Waha-sin, tod ste he = Ben al en Gund, war = oid per ence ou fer mf sie wie son shen mor ~ dy Porch fancer town gran per ~ chem ran per chun a MM Sa Bn te a ee a -— (Part 1th) cer tun gran per — ché ic Sen" sho fee = smth tc de cma pe cai a Tra BAe 0 Scena IX 9. Szene FERRANDO son, pot DON ALFONSO [FERRANDO allen, dton DON ALFONSO und cGUGLIELMO chparlan nfontnece. GUGLIELMO, Sim Hiner itiande esc. Recitativo ‘Allegro FERRANDO ‘ ERKANDO i Ie gual eto cm Wail Bic Soa 7 i i TF ‘ in qu dtr inte opm = te eden oom ENE a von 7ST dis SC Gh es poe 1 i Tantoinwo - Ute Gig neo, un be Ta tanto mi- a ‘st disor al ¥ Tf fr con ha i : | ; ‘Alfonso, AL~ fon-so, lant 1h = der vor- rai del= Ya lau pl ‘Acoma, At ences, “ohieh te” son den” Spo “E been to Mai vente och, Se Soll es Be- Andante i ea cor zl part tee Fee roc ts Sec fe, Pel tir elton ib ee le Cavatina Bao, OG Beano N? 27 Cavatina Alero = = FERRANDO. 2 Tra- ai her aa - Bape ih Se— Stim or" ich ie Sim i : wher n= er spot te BA 468 49 (Qe capita DON ALFONSO cin GUGLIELMO etre) (BON ALFONGO and GUGLIELUO waren at en) anaes 26 Recitativo DON ALFONSO, FERRANDO DON ALFONSO FERRANDO. z ‘UGLIELMO rover quested costinan.” Aneda-te.0 bar-bute, per vol ml te- ro Btvve, faracnr ichience: Steals Spoctersie, in-gen dan ichmein ‘Genoa = DA, = Vig fe fo-re- te ior nerd Van ca Neh mensie Ge” fe inn wind acho‘ =e!” ie dee BON ALFONSO. cama Ud ~ te Fordi-li ~ gla Guegletmo ticonser- va fe fecden, Solstenun, Boral gi fit Ga-gletme die Trae fe 4 FERRANDO GuauEEMo DA, Gu. deh Dom-tel-tainfedd 9 woh fa.” Permigver-tonge Come wi, abo EES adda SE Mcen, ZemetoersSantie Lefer a wo =— Trotocana fr dalle df= fo ~ rennaein 0 9 0 fa teks Bin gen aon” “Cars schie-Se mn chen. Bass icin i ici cia a pare cheu- na spo sa man = cay pas tgaunGulll-mo? Un pleco scheint “Gir elm donk tar, a8" ich le But be-"n = ge? SOO ere ‘eal - fon fo. Now pare fo per lo = dar = mi 36 fac-cia — mo ta not fsgr"aochene., eh Si "mien “ache” “lo ben, dochtenada on vega, —— ——— se ON ALFONSO Tu ve-dia-mi- cn chem po to di pl mer- to Bhav-cio lo siute du “go's me hen, “WSS Eh” ge = wir —‘se Vor a-ge.. Gant metene sha SER Toc 5 We SA YY ITE MLE NOTE EIN I se coe 2 i” - . In-tan- to om da - me te ‘cin - quan - ta 2ec - chi . a a es ap FRE vow atrons0 wu, ba PSE Vorlon-te =r Mie Vergo = gn. Day ci ‘qul-cheol ~ trae pe - ren sa Co- mel Ab- bia pa och “to See Mer = “au chen, Was dem? in” We > ng Ge ee = t= = DA - Tien = sm nat dona - a Tesiter-tram — bi mil sca vi ASV poke Slee mor gen ‘uncer mel oom “Be = f= Te = Ka ro-la da aol da forqul ohio hr eu nue: fir Ehcren-worege = pecben, dis‘, ‘Watch wil Jett geha wit, as che del = led gual cer ~ vel - Lo che der” in feck = ter Nir str - E> Pilelelelek {Parton / Gen 3) inmates oie [ » ee (nme nie Te ‘ apap tee : Scena X 10.Szene : DORABELLA, DESPIN, DDORABELLA,DESPINA, ‘ pe LORDILIGL hon HORDILIG : Recitativo DEP Donanettn DESPINA DORABELLA FIORDILIGL (O-ra ve do chene-te cna don mt di gor-bo.” In-vame- sci ke ih, a Sie ioe Prom Foren sind, Glande che i fe Godergia te i dh aman tm fad wre mano ‘que-stovioldrsa- per! Tan fas ist em ku ges Wort, = (are ronpst) 2 (fonorare a 10 gna pi-plarlbal — lorelel Me-ne Ma enc, wmoord- la Cle nS ie ee GE Ge legen tt mtn, Boch seinSi,ThreSchwester, Was SSS is FIORDILIGL Tce ko fo mi dio fa- reel ‘Ee co per eol- fa wo-stra ‘i bin ich dren - re Scale - ‘Un gisele, fn wertie ‘Wheto Lage ef fo it FEE espa is DORABELLA tronve!= —Contad ma ty cara mada - mj - gel (a? Haiquatchemal, 30 Tacton!Gnid'ger Fata, was oteanSchim-mes ge-sehe= hen? Washast eden, 9 ———— re - Ee Holt da-vo-to che por = me schme-ser?Den Tent, dee ms al 2 le Mal 2 = sommun i orate ‘eqlan- par si Moll mon- dot Halper du toll gin - he UecdenPrem-don, de'pmcve Welt voter’ Naren! Bist'dy wOl~ ig Son Bate = ‘i=? Pog glo peg ios in- orl - - sol lo emo! E Vanmor Scion? sellin, simmer, WO eu chia Teh tebe, doch ey 2” peseiva JEP oRaneLLA eee ‘mio non 2 tol for Gu-glil- mo ches cheamche hse nhac mo- rota Alesbe pinche mehebiosGo-glel-mo, De-sobeste!_ Sichmalan, val an hat du dich vert IORDILIGE za (aon) op DESPINA BRS (al ga-lan ~ fe bon-di ~ nol An pur tro ~ po per moe Ma br - a fe dis rel © semdenilon- don! Ash as ie ASSersthe, Bevo, t= vo! = =| bo. Tien ett mile boc ‘uilbio-di- a Torunct- f, Se-foclen-tam-be Kommnvr, ab ichdn fran en ‘Da denon den, kde Bru-en, Sosind wir Rel Se 5S Foromiar at =g (Cosa dia! Now pensiacglinafe ~ = 6 chesinma — ne por GGotcwassigst do, dents “Sich an” die” Armen, eestheat™ eo is = ‘A lo- 10 plan, ale br fe fin gen, Has Gr de'Tea nen td dle Sebo ~ Te & ninliniiasengl a Towhi? Cost bar bari sont dowe doveappren dei diver = wa do ffeceen? Signe Konn-tet dupldttich sg Aaicher’ ng werdee, washat ich” mur aul FE onsseus : a te comme tt fea? O = di mi: ai eer-ta heron Sx Sai Tovee en deere doch mas Badu ber, ab” Un. e = Tots vec ohla-mon-t eal - lora?)Bmitambe veadte~ rom col-leman pe-ke oh inf domsehachca "aves? Gnd iaa'eso, wiser damamit oes? Wir stone tleee “6 SEE riorpwct B Imo-ache:fmben certo, eam incor to, csempreungran di-vario! Ese poi tor—ne- Win-don ‘Her warSutses, Sort wastn-ach'es, Gs it ‘och mc dasselte. Undwenn ie doch 2 ———— = anno?” Se tor-ne- ran lor dato! Noi fo resmoalior gh ‘etehen? Das wire Pech fr berde denn die eR poranes # Do. 2 SE poepuict HN il IES AR ES & BE ne mille mi-glia” Manon 20 co-me mals" pul can-glar tm un dol gonnoun Metien Tervontier.” —Ichversth’ ich tion man in'et-nem ‘Tag nar 30 deaSinn vr” (Che dosman Sa Fi- di - co-lat Siam don- nel Eola coal Dic-se Bas ge a chris, “Wrsindfausen, _undmcat das et- wa 57 FIORDILIGL DESPINA IORDILIGL fat- 19? "to saprbvin- deh Vou mntopre-te lla” Fa fin dea? Je, ieheswin-pemich, Ach Sieberwingen garaics, Da wis che schon er = = von SSE te= da Cre dh 20-7 ly meno che tu ce da 1 Ben Glu” be mir Schwe-ster, es it en, wenn Gs nacho Ba eual : BAA&ose a Borabella oe at £ dteainiaiasacentl 2 Faroe - un ar pm beam. i o~ pled a oe yd sehue Shien gen sind —, ef tabund gb die ein Dic et pecs la pe - te comegll plan coal dor, Perslice cial te-no4p Fhe den, ir Fro ~ ee, he er- anf ‘ind ind. Tr hit sch uch de net he kn var coup si fe te fa-nemaiwcse mat Ii off ‘ne Here hin nd epee den Kee en =— Sine 718d 7 6, 100 Draelie Di wlFemie aon Ge Kare abet wed. M16 and, 6,10 Doel ESTES ected Stang athe fem “ icici ie alle I Ber a Hh Bin Mel-'nee Dich “ist A - enor und sca, wie Schian- gen ‘on peed lz pa - ce le pa - % come pl ceal taunt und pie dir Prie ~ den, dir rie ~ den, hone er- mit und In, a~ a s dolce Sy dal ee machi dieh” gi fie, “er met ma tom fe didi squ- to se tn dh plegt "Gch tn = ate teh * ek, wenn a“ alert da Porta dolar she gu et lo a ie frac ck pice, Se wenn da tha ae ma fiom pled ae a agu plgt_— dchan as ch ss, >) J 2 i _—— mu- grr. leh er ind Het mean Bt dron = eel ter” Dib “ie = alee le taut thd gb ie Tomegll All ceat cor Senel ho per tool se de theneer= font tind sit das fs i a, 7" »Aap fA fo nt 0 quel kd che denscheancho fe Ben ab tm Sent =f“ pie fo whe i 20 Loe Semel tho pet Wel se de sengll % bees co sioner dane Her, = fen, Klos und pot et . gad da Edd LA Jd» &, 5 a tt oar aie - de_cteoliy 9 e- bo fa end sos we aise eS Th Peg W becwca, se. BR ca secglt i bee-ca th beets ti becca fh becwea fh sk, pfesundpocites kop esund poctesklop es undpuct exund pocitesndpcitesudpochi end hie de, anche fan co cosh cheanchlo fa rd co- Wit ten, “ee got ie $e, wei, es geht Sie Go wie my, = Saw Aya Scena XI 11.Szene FIORDILIG! soa: poi GUGLIELMO, FIORDILIG aidan GUGLIELMO, 'FERRANDO e DON ALFONSO, FFERRANDO und DON ALFONSO ie, che passan senza ese edu: ind DESPINA, ngeseten von Izvor! geben ptr DESPINA, Recitativo (porn, FORDILIGI SCaLELso pe— / BespIna B_ PONALFonso Come t= io conf ra er - vel lo cnt Me | Acles hat sich versthwo-fen, mein Herz ‘ru_vet-fth- rem doch en, ——— | 7 Seed 1 non oh oe de er rai quar doal - fa slemicher = ge = fons. Pech "lr al ch doe flo rip mi sco ~ par ~ ood a rom a seiwe-'ter and Be = > ma er = leg.” was Teh emp - fin > de. Ewa i dirnm- 1% ef eiphou-do- ce fa dt - om - ‘Wenn ‘se thm das er-zth = Jes, win ernoch Ath = er, rdsu Aw > er= sen eglionchi mie ~ x0 (GUGLIELMO sata port) {GUGLIELINO wid on der Tar sich) FL ero mi=nacweie-rbllcon ~ fe~ do te lo la - seumpas sar. vender tol Beelner —ecdro fh mit Em = ficsong, —fsnensie “thm ‘le TW, de-sen Ver- sciciiinmianinnamuadl uctietmo se ‘ 1 2 2 &. ; Pda che io Whee shea! amie co seniors ade ee Sak | Rm Ae ee a 7 FIORDILIGL : # : Ma po-tia Do-ra-bel «a a 3 12 Te) Doch@s Moone Dos ta bel > i, st : 1s == Trperte ro per omen em us cin Gocdan £2 admit mie plowed in den ili chai cin nts == = Te sar motiea-Qe-for- mit Gueglek-moe Fern de shat dich eh Uo actors ien von GU und eran = SS aos DESPINA 7 Pan (Gheeerd) FIORDILIGI Trspina De-apbta. Co-sact?” Teniun po'ge-nta his ‘Mac, Despean, Des spenal” Was Tor? Biteyamdie sen Sehasss, und ae Wider spc, Sad 2s = =e Tents re - plecaabea me el gar da - Yo ~ ba teas fede Wederre = de fie Gar = de > ro > be ven = leno an ‘nif menvon m= ern Ver 3 esoma #. De FIORDILIGL DESINA pons chevo-le-te fare? Vanne: nonre-plhea-re (Co ~_man-dainabaré - ‘Bhcign, Was el do-micgesthonea? Geh out "ohne au fag. Sakon ge-sblspen und Be 2 (Sty FlORDILIGE Bon-nbarro-gor-z3) ae. Non €@ al tr ho ape-ran-an che Do- abba ‘iehtacck Doon Atso- gui) ‘Ander ges leks, ih il hot f, dab auch! Do-te- —— ne = = et =e = sem po al Baloper” eee sams, 2 am- pol Al-traa da none soer r~bur = in = mo ~ solic, Ggheke- aca n= dem Weg mc, pcre Un = seh” 38 SE ow atronsolinaefires DESPA, A Dal (He top ab~ ba — an 2: (toes Se yee tin > DESPINA — Rear 10 (Ge feito) PIORDILIGL ve = mer) Be comm Vanene Sei can val - di posta wollan ser- voaordi ~ i ise SEE BTS Unser Die Sone feel Ber a "9am “a De fi dlaDo-ra- bel- lo cheparter, le vor rei Sa-rdsersvi- ta (Que-stt Worgen. ‘Sogbore bel” ia, Ga lepich 20 mr komme... WieSibe-eh-Ien. Diese SSS biases a8 Scena XII -FIORDILIGI, poi FERRANDO; indi GUGLIELMO e DON ALPONSO dalla camera ee. 12. Szene FIORDILIGI, dann FERRANDO; ‘drat GUGLIELMO und 6 (tage) DON ALFONSO (an der Tir) beats FIORDILIGL 28 nami par kaon nou ~ eh ~ ta) Las ilo ter - schit mir tet mehr sect ‘bel Sin 7 oem) Hier" de-see Rock Fer = Gu. lel mo; question ne = oi rage glum e-nem gl von Go- lil moi e-ten”Klei" dom wird “er" lin =n, fea Bore dbo Pactar fo te mo, fin - den, ‘an_ih- rer Set = ft [i kimp fen, wenn e sein mf get eteteaetace 25 to = fo 1. Win mab - ra ramen fe Se ten: sche Gch im Tew site Tang, d= Te Rasoss eee ert er 33 == cuouswmo Mo de fe - io (Si pu dar th Sea ann oman ae 4 == room a miclea gue no?) won ape Fa seal- ba sich ‘Gina Be Be) felt dis stm mise e = Diisci g tor i eal mo ben in wo-tto lo 69 fis ih tim ver =‘et~ nigel An senor Si fe : Dlon-te ell Wi tol Covmeappe- meio me-de-sma orm fav» vi- so Sein” seinAuestin, Sch "ee" Ken "ne wath slbstch Kn i-er segue Dato 5 : ieininininacnsicies oe N°. 29 Duetto Adagio IORDILIGI Fea slopes in porch saan i Sond, em nchtennen FERRANDO ee ago Lt Wa = bin Tr min que - ata - Be to ver tet > neaWepz0 — iim, find? fh met > nea Weg O-l i aw. bel. co- re prove - ra nel rev ~ oi sar-mi FERRANDO frevsdigstin ee: er te ben, wemmich end — fch vor thm te he! 1+) 1.2, Fnllig: ie ema Lam angen werden, M2, Fp Ae enbelisent cin ean et em, Bata a (free andl rec sorter) 2s (St fen vr nich ee acer Set) Conquet fer 10 Dieses Schwert in corm fe 8c sin Flere arch 358 20 FIORDILIGI ‘ceo he uel ‘Son ob-ba-ston ~ ator ‘seaug er Qua ~ iene olla mia oo santa fl, ASB mal se Trea -— Fpwor-di a ae ie fhe ben ‘Bh hen, —> me Se Bao pei ~ mena = edn Toh an ~ psec fe = rd a quel She iT Shen, SP tem isinionicse sr vo = el = tap, tn co = min - cna va el - fe SORE, dn gee ache” ft Ser im — co - min-ciga wa - cl lakh eo = min - cava cll Hn ger flché mehr Wi = der tet, n= ger” lee” mehr = der = pe —A ‘min = ciza ve - cit — la. sche” mete = der ~ sh Per pie - 2 AS tis Coe, son, an son pb for te ini, dies km er” Sage mi A. i - alot ‘Mion son lt for tl ii it ANE Sere in ce th oa re ce dh ca ra 7 Gee te ° Bate Po a Larghetto (tenriesinamene) (see i alo) hme sak fo bar = hue en = Se Gite nich ie ss Frorpatict {si Gin = 0 cial Gro = Ber Gat a - [ree Gin - 0 cit Gr = det * : am:S af. Te a Ea Ht, Fa’ di me quel che smachmit mir fon, asd ini ‘pit non tar dar eb, fie each ja — 01, Andante (Don ALFONSO MGUCLIELMO, dr evs wi uk) ab - brae = clm- ch ie Wat che” Won ne ‘Wer’. che” Won” oe. 107, ae fm de a a de ff a dt ~ SS TS den, tinea er S — 68 is sa A. Dee ne ab = bro - clam - choc = mo Meme, ¢ wn com fi chon, oh” tm 2 armt 7 icin" Eat 20, dich” an Zao FE Gammon ca - bene mon, ca = 0 bene, fun cm Won = ac 2 elem” Be. Gen) welch Ee nen, dict” an 16, Pe ne sia fro en, dar Pe he a fra ~ cea, as 19, Fe Tod wow gm te {ei dem tings er My - ke Set pS keh, Ses ig a ae ee wo era, Ti” den gst er sth te— Se ig > Ee Seo y= te aa la ings er Scha Se iy te a at tings ee pads ‘ein Th wo a ra, feho-te— S02 Me Ee lt m- mph rn dh emo Sop 2 Eek, ings 17, Scena XIII 13. Szene GUGLIELMO, DOW ALFONSO, (GUGLIELMO, DON ALFONSO, pl FERRANDO: indi DESPINA. ann FERRANDO, darauf DESPINA, Recitativo 2 ‘GUGLIELMO, ‘QuGLIELMO. ON ALFONSO| ee ‘Ah ponve-ret— 10 mel Cosahove- diol Co-sahoentl- 10 ‘Ath Shgecchigtnee Mann, wae mabiich Se = en, ud way mB ich (Comal, = Vitentoy et a ON ALFONSO ov. pal RENNIE Per ctr at = ln-to) Mi peclewrel la ba-bal Mi graf fesrel_ la [Nir AUcbig-Feund.aur” ru-hig! Iehklamdemichzerie-sten, den Bat tr 2e- 6 BI ov. Pel lel dare cole cor-naen-ro ele —Fu_quel-laFlor-di- au fen, mutdem Kopf je gen Felten win-de tenonen, war ‘at mebne Fort SSS tos gil LaPene-lo-pe, (Are-mi ~ sia del se-co- bol Bic- co-nal Avsaesl na. f- Bog, diePese-lo-pe, de Di-a~ ma ds atehunders, GeSchrkin, dese Gasset ja FERRANDO GUGLIELMO DON ALFONSO. Eb bent ——Do- Wiener Wo ‘fan la dra ei gna.. La-sela-mo-lo sf - gr. Moret. Disin,—Hindin a, to ~ benSie sich” us FERRANDO. OUGLIELMO 2 ver Your tama Flordl-- gi?) Lama lor flor dl dia vovlo, che Tate? Wer, Bor-di-'t gi, deere Blt? MeLne Forth” tein.desTetstlsBiome, er —— FERRANDO. recat lel privma, e dowpo me * Te ve- di bene ‘mag se aur ho Tea, undmicha - 2a, Dy sist nm seb: > ee BZ aame eeein gal we poco di pid fer-tol AN ces sa a ter shied Gn Bh ge wise Vorsrucge, 0) sete schon, SSS ces 80 di tor-montor- mii ed wma ia p10 st0 su - dm dl co a (ful iemuchaichtmch linger, tir wol-ton e‘ber sehen, wie wir die tei-dem =F 0x a1zors0 evcuELMo &, ou. Da, Ee ale s0-n0- ra mente. [0 s0qualé sar le Vor=rel_apo-ear p= Face 7 nce Gente, Dvkeluwi, RETR ten Dench mir Shon 7 FERRANDO GUGLIEMQ ou, fonsto la barca di Coron.” Ea grot- di Val - cana, La porte del-Cine Iiccber —GhneBarke in den Hes... Ichi si-ne Gmcte’ — Uadlch bin de coe 30 FEIE vON auroxso ranavo SE au for-no. Duque reste ot Iebline-ter-no. ‘Man che-rarfor-se don-he ad o-min comme ‘Hoan te ling-ge-se-len bi ans End Falter cea an Proven firMieneyso we 2 SE pow atronso ho-'i?— Nowe'Babbon-dan- ca d'al-tro. Ma Val-tre che fa» ran ce cd fer ‘wir sing? “An “Traoeen" fehl es ‘le-mals. Dochima-chen se'sdean anders als ex —te re pal 26 _ A. que-si? in fondo 0h ea-mate— queste vo = sire cor nac-chiespen-nac- Brav-te? tm Grund tiete hr dock noch “gore um > eae falter fat en © SRE cuouELMo FERRANDO DON ALFONSO. Be cha-te. ak purstop-po!” Pur ~ trop-po! Eben pi-glite-le co. - mekie Vogeicin Ach, ctor der! Ach, t= der! Thre thom so wie see = Ben Na -u ta mon po = te = a fanre Pacceensio neil prin Wie kin fe ie Ra 7 tue” dean Aus timeninn = chen und fr cach eer eae et ee ne eee BAs6060 le-gio th crea - re due donane d'al-tma pasta peri v0 ~ atl bel eid aval "Frauen us ‘be - Sondtem Stf-fe schaf-fen, WB eur nb-sehen ei wal f= lomo = fla: veunlate me-co; dl sau an Gi Pho — dog Sein; mae wol aire hen, Wie — 7 ————} iucde-rom [a ma-nie- 1a Vo'cheamcor que wetie” Sn" che zim ZieRommt: Else” dap ~ pels te tm ie ete ~ yeaa Fi 2 ic sthen ‘sing'ich th ~ nen cin == ==5 vaf Gola ce— simi moh se leimpa- ra ue vist Mok fie Ss, wenn Se dra or = Sen sion, jal isi pists: om Andante FERRANDO ON ALFONSO| Tut = toc cu - sone donne, od io le ou 50 te mille : A > ee echt Sat die Bes; dochich ver—tel Re, auchwona vom ‘GUGLIELMO ES = “aLiiun vi =o lp chia ma, Give meant Sen ee pe waged ae parecer sh del | woh dochmir scheint ——,da se ice an dee io ‘ro - veahfn—de- u-to hon comdan ni alta malpro ~ priverro-rei gid che Ah "ROME, Secetcginins cfm crac sur” "erste, nae BA 4660 m ‘lo-va-ni, veewchie, e belle, ¢ brave fun-gesind, ‘A-te," ob sche, Sb ce, Scena XIV 14. Szene {I suddetie DESPINA Die Vorigen und DESPINA. Recitative mand) DEseINA senna (etl FERRANDO ‘GUGLIELMO Wi- tHe pa-dn-cl-a! Apomr — Wl di- Ge women Meine Her=ren, —_ubere Da-men sind be ‘Cena, acl) 2 ae bE, sgo-se son le ca - re ma~ dame: a no-mero-sro lo-ro i pro-mi~ si chein re gior-i Schmit Themen ma versmiblen: fn eremNemen ache icversprechan, da Sie dao 2 oe ms Grea arti tan - no con vo- bk Voradin mi dle roi Boovor un no~ Sam- men ‘AI"Te “shel Sos ver ei sen eh get fa = 2winschen, dea Ne-tr her > to che sh = putiieon- ratte: ala lor ea me-ra oUtea, eesti dme ie Verte ges nth ren Zimmer Sie = te 0-2 conten ~ A? ‘Now ai sen — anf Sine” Sle “won “n= foe = dent ‘A-lesommezum ‘gu ten FERRANDO _GUGLIELMO Con-ion= tr = al- mi ‘htc fer= or = dent ict 3 (aroma (Beebe ny Geto qunden-tra a De - tpi-main tn fro gett Eh de, simmer” mur emt De = epi-'ma” im ie An de, segue Finale mm (Clg etc face {Sila riechsina tints, rcs iodo ‘inner on Ores rip apr no om ie Te ieee eae ‘Secon ‘veh pase Dee Scena XV 15. Szene DESPINA, poi DON ALFONSO. DDESPINA, dann DON ALFONSO. N° 31 Finale © aso iit Allegro assal to t ape Sot Seo : Spe Hoa : DESPINA DE, Fate preto,oca-ria-mi-d, al-le foccillfo-co da - te [Nante‘iteuchie= be Frun-c, alle Keezenan a - ste 7 chen & B om rie - che - maemo - bil tot Ge © schmack und — Boe Dente mo Bier - set : as 16 (coder bE i ton gid ra Hoch elt Ker mn ge at ee Nie “bee” ‘Fac cam pre Nin” be i BA oe (expan) DON ALFONSO (ete) 4 = che = ane eimai a Da, ‘eheab-bon dan — Cele - fa! vol Ganzaus-ge- eich ~ net ‘ren cn Rech = com! Wie ge =, (Meare DOW ALFONSO cons, nator conn) 4 (itend DON ALFONSO ing sien de Masanen) DA gon ma man - cla — con - we - nen - ge in * selimask- ail! Es sith Stank 2 gel EN SS Moma SS hoe ome Son KS Tal 90 @ vol de ¢ fa ie 20" da at 7 be oom ich Ey Le de cop = ple o-mat fa te geo Pal ween, ste the Bao Eo DA. cm oe mong wom pall ied aa a Sie “Soe” AS te ree,” ee Him met wi er pe oe — o— b ‘pina ponend per dee pore). (Geemarc cde Te absien) Field cid ai “ee Him — el ‘man wohl noch be, ‘iow la now 33 thing ve oO sm te DA, ion fa non 30 sta sive ~ ded Pom she imo de ‘bat mun wotfncchowe $e > se, ‘a a eee EL rrr ow man wohl Scena XVI { auder: (DORABELLA, GUGLIELMO, FIORDILIGI¢ FERRANDO.) (entre savareano il Sor cant, eticomincia os ‘orchestra oa marta ese) Andante Sopane f meh’ ie 16. Szene Die Vergea, DORABELLA, GUGLIELMO, FIORDILIGI upd FERRANDO, (Watend he nach Yorn kommen, sng der Chor, "and dak Orehesr stmt einen Marsch an) these a m= We 5 eka gu usd den” chs ncn ” jn = fe » tee he- mh ge eo n-g osha ‘Hochzeit, an Gel Be he det = Hi dop- ph co nin gi Bessa, be Sc” Her” ton hm Hoch fe £ w= el Bene ~ det ~ shi dap pico ~ mi Bi Benton, belo den” Her” fen nse Hach” Set g f ten ee re ee ee ee a 7 2 Bem ne det didop- pico nin gi «ea - ma We A dla eS en SR ly och Su oa dee aD ae” jm = eee a rt eld be =e fom fT sto fk in Fe eid tee ew J pee Se im By snd afok ie sein er ee a ee ee Mio) 2 fee in RT Sd lk cn = ml Spin = do doh ade mes fe ow, see ce! pe em BS a ek ea ice oie iene ‘ota Aso o FIORDILIGE AL Come par che gui pr Wien gvck-= hes” Wer = BORARELLA bo. 5 ‘Co-me par chequi pro Wiedin fice “ieches Vor rr Coxe par chegul pro — Wie cn gck-“ieches Ver < GUGLIELMO ov, Come par che Wie Sa glace “teches preschen— scheintier “Sis Last td met ta tt fo Flonia.e n= 04- Sprecchen seein er “al Tes Last und ‘met ta Ie fo ploia.e t= toa mo Spre-chen seein her “alTes Last td Lie nett ‘at = 10 gloia.e t= t0a~ mo Speccten scheint er Ses Lane and Le eee nennenene 7 miles Ba ote tra De- wi fel ten Des fh ex ro De~ sph fi Be ed mon wa er din Ken” ir dies” Fears cenil BE - wa fie ver- dan = Ken wir ies Keawir dies Fest, — fle BES Stee SP RY Ba sto am F. mee ee ‘Rad depp teit he to Gin = Ken ie des Fe Siginegh Smal ee 0. E me owe ik Red dop-pioteil lie 1 Gin = Ken wie des Fest Signo Gicnal eo fee aa rh Rad dop-piatell te - to din senwir los Fest Signs Stal ef ow. ‘Rod dop- patil sigue Graal as 14 Fe pir cated dolce ve ral seen re pl cml dolce wie Seco de sen rep cote dolce ie Base Ao Sa a= pll~ cated dal- ce se roll sehen a7 AL inp - qia-mo ia- tanto in mag-gor go- val - 2 in mag Gat SSS fol ter fel em Glee fetch hots Tap, en bo. Guin seg - gino in tan- 0 in mag- gor fl voli — 1% in mag Goo SL BOS Ree cn lest” fest= fo Ret-ron” Ta, Sten Fe Ge Uepgia = mon lan oe mapgior slog fh Geo “Nerf ee decom feat — chbeicren ‘Tag eter wu. i Uepdia - miin- tm in mag-gior gio va- lh - in mog- Tm So "her fet-em lesen fest= ch heitren TB, o-ten 221 — an oe AL ~ @—— in mag forgo ~via = fet ~ febhet tem re, for pe ‘mag gir gee FECT AGL ie = ten Te, co ou, Gor toe = a mag slor flow vla~ ln fee - Hebe > ren Tag, die—ten fen fh te 2a P, i fea hole ek reg ond igh a, c= dp o> i a = det = dap pL fo ee tenet sem Hochst Sole fe AT ce fe- ge da aidop- pico mg ea - i den” Her fen‘on dem och= 2p wd nate os 1 fe ho ic ie aan fe. Oe tn w Ww Ho me tey fl alongur pro U-fi- che, che leap Hts one, nd ee RS RT hcdtcathie shin SIE = e use im Poli fivche che leat in nme AR me Unfnde che lea ‘und be lL xindecsdir sie SE es pot Rocke che leap 2 Te xiedecsshr shied an % toi he gua glknnin he ce, Mae he Tear tua thie “oie he Bata 153 FERRANDO Tw = fo mt - wo at Ds Bie cuatro ow. Tu ae a ‘Be. 8 pe FIORDILIG a. Pet DORABELA, Pat Unt ov. a Bia a ar Tol- le - gia cre sceore- seee ‘on exes = ich gue Tole gina Wr fn be 167 bel le Bocnea! pe Lippe o. he bel= te bocca! SI TSS wend tc Vad ete te Lippe! Goten mtn Gen) re Toc coe bev! Nem is Gitex b ow. Too- cae be! Nett “Ge ise, 6 ee he whe ocncal ‘Bebo Toe-tu toca Be. be- it Tae™ fa) vas eigen, ingen, ile seingen, Kingenl-gen Kim ~ pet Be vie tence! e-vit—— Tow-en tacvea! envi be- il Tor ~ cal abe” “SS tigen, ingen, Ine se te-pen, Ki-pon sen, tin ~ gon Toe-tat Bet! Reni! Tocca tc-cal Be = wi ingen, liven, ase ingen ge, Kin ~ gent ou, Tov-cal enw! ‘Bevvil Tacnea toe eal Be = ih iicsce, ———ll-gen, AS He Hg tigen lin ~ gent 2 Larghetto") #L wer = Sekt SS "20 Meza Aema-Fasn fr Tle 17.207 se Ann IS. 84-186 Fr Monaaterativevenion 175.207 sri car, ah nosnon 189 PIORDILIGI a fey “= reuaies Heh vo ov, yous oe) ov dense doch des Ween Ser = Gh be-ver= a0 70. be ver s- ro del ta 00, sche doch, oh; ch: te doc dee Wein eri ets, er sh eal elo qle-te G-Pi to-to-nor) ‘Br tee in, “ir dle Bo-tien fr deBe-sueneh ne he) Allegro es Sete Pag 40. VLC NMA HS, 2 pal ou, 00 Scena XVI 17. Szene (1 suddewt,DON ALFONSO; (ie Vorigen, DON ALFONSO; oi DESPINA da note.) na (eran) 24 pesprva (rend) DE, ‘Au- gu rondo - vio-gui be-ne | mo wi Bee - Pai= fo” fehcmca” Sie” din idewenseh von No = tase Bee > cee o tS t—~ 2s DE MW wol-tu- ba - 0 vol sen iene m9 - aria - be ie Mil, dem Ge 5 sce Se) a Ge a gto, Sle” eS Teh © ten, in” Fe Ell con - at - 10 i= pw Dade Pel msl pes — be. Te col- le re go-deor- dl ma- re nel = fe for = me giao tis sind) nach” dem Jae” Yorn fal ew snd, “Sl Te Re ela bose g to = ee, —— 20, (pense (Geach Nie) De. la ie, pri tor-sen-d0 os, vier’ Seman ten = FIORDILIGH Bato brats Bra vo, bra vo, Bra 90 bravo in wo, tm en, FERRANBO. B10 bra-vole Bra vo, bra v0, BON ALFONSO dra- v0 bra-voln Bra vo, tra vo. @uGLIELMO fo te eek fo inte ook! Fee > ta > rbot © de Her ~ a De, ot wick FIORDILIG fA Ge me em Wore St 2 ie oh> Ge, St 2 ise eh> ee, fo k's DORABELLA emi me me wae MI = ies ch ag, ST 2s eh” ee, so kanw's FERRANDO. Co em oo mee woe At 2 its ooh” dg, a0 2 Te eh”, so kanw's GUGLIELMO. ow. Ce mt op - em a wns ADDS ud PDS ek ee ov. 296 DESPINA Bra- brociin ve- rl = a Braco, vor wo ints eet (Slama dae done seasca) (Nerden Damen ntsc) “scars rea inmon DOW ALFONSO) DON ALFONSO (De Verge baten in der Hand DON ALFONSOS) Bra- bro-wia vert - a Bravo, eas fo 50 ists rch! (Sisemet amar) (nb ome) 209°T22—_Maestovo Bela = ue mi = Le wrt ‘ella ae aki de ics” sot = ‘te Bll = om = tt hh eb ses” sot coro robe Ue Sahel Sot — {8b tch ee scale Sot = Macstoso 24 = sino Sie Rost” ala Gt” ta op BL mol = 1, d= mon a Se se eal fen ld Py an Bh mol 0 oer de Rowton re a B dle fhe cn ww! Ong eB ca ae ae Bodh he da SE Row oa iat fa i B i i E 208 rater radon al mar ioe Caw = "Seid eS, aR t= "Serle R we 2. relnter rosdor al mar ours ir = raed oral id" Cin ="Sela ie Seed” Sl pe oc rain tr randori mar oo ran tr = raed oral fin owe idee ir Son” Sha vo, DE. cu, 08 302 ORDILIGI ‘Che ro = mort Wate din” Cem, ‘Che ro ~ mark welch én Ulm, he ciie ara (eat enna) 0s (ats ener) DA dar, ach = ra] 7 v | Allegro Me dal Me mi del ce - bot Oh 7 welch” da esthick! im me, ‘Ee far - ment ais FIORDILIGE A. ; Lo sponse mi t porapenia Uaefe Ver = lb | 00. pal tn que soi Dy i Ge BA se et ma-rh dl este “sin tim z el teh silos, viel tel, sehck sa, ie — tel Schick = fee = te (aes porn aa trv nao paren infra) AU 24 poepnuct ____ {he eran Tb Mtoe ching) Pre- to por = i -te Pre ao, fue DoRABELLa ls we Ver — achwin” = dete em sche = po. Pre-so por - te Pre- ab fug- Te mt Ser ehwin = den: DESPINA ‘ne sl = be, ‘Mose he Ween aan sie “Ma Ween 27 a hte te ew per an Bo rca He scl de Doren ver © tek each docu euch nck a, fe each nie ee Dice - le feo per ca oh per a re sch = dn Dorner stack eackdoch ae cach nck sn, fae eich eke ‘Ma se Win-con=thono? Agee fret terieh Ma ae cin con=tro-so? disse fuch-terbc, “Wa se Win=con-trono? ou. as wire foreh-teelich »———_|n ——__| 7, (Cron has i comer ee ‘Me = mtr = cor = at {DOW ALFONSO conc DESPINA nme strata "BE = ME = {Bon AtroNs0 ow beSHNA mers Fame) DON ALFONSO ba, {Giana cme em vee arom) arte re (Dieser sen angen nmr nd mae ich on) Nae Moir a6 Bu = mi com = si = lo! aaaenncy VC dal he = r= lite save. iim ~ mel, She “a test Sete Wer ann tns fet ~ fen as dieser bo. ‘lot hi dal pe = = Roel Lave ign = ma, Shae Werk ine ret fn ana ser DA EEA Se *—___|» —___|, ‘e_____ 20 aes Tre fh~ date Ben toad. ‘Verein ch gmsutich, eh Neue son a3 455 (Allegro)? bar-ba-ri_pen~ seri tormentan-doilcor mi van- no, srau.sacme Ge- danken flenmich mitAnet und Seren, vo, % seins ‘ormentan-doilcor mi van no futenmich mitAngst und Scre-cke, bb bbb, or = garn gh dl mol che mal ma mt eat >> Geta, teh, as wird mit Uns ge A vo, ‘arna—ah di noi che mal sa fe-cken, Sh, as ind mit ums ge — te te BA s6O60 1) VELCE. NMA uSH8, xxv, ait Scena ultima Letzte Szene (DORABELLA,FIORDILIGI, (DORABELLA,FIORDILIGH, ‘GUGLIELMO e FERRANDO (GUGLIELMO und FERRANDO. ‘am mal cape mir ce esdeinUniermmintn nien e: DESPINA in camera e DON ALFONSO.) DESPINA im Nebeszimner, DON ALFONSO.) 272 andante FERRANDO Senile obvitglompler-siamo-rosk aghanples-se-mo-ro - si Fchund eh ctlca ie in'die Ar= mesic le ten-don_ A ‘GUGLIELMO Pa ou, ‘Sa nie aubvideglompler-sia-mo-rosi aghamples siamo-r0 - hichund fh eicen wi ise Armed le ben-on Ar” ‘or tia tho dh go Glick ond” Free deer War = ou, ‘or = namo tl gio - inenaal- Colisk_ and” Frew "do er-Mar en une 279 di go = end ~~ dar pre-mloabla lor Je del- Geftor = ten ns how = Frou 2 wind reich = fe ben ou. glo Wenal- tan - per dar pre-mioabla lor fe-del- crear ~ ten im hey = ty JIh = “e Fheae. wird rich ~ hich be a FR ——" — ON ALFONSO Girt mcm Guages! Fer- ran — ded Tse es _mogtich, Go-alchmo, Ferran ~ 285 re ‘Rie chia- a= a glen Darche- fet anes -ige DA gu belel Qu me fre" ichmich Ber? Wie” dem, rch Bef aneres Rigen. 09 19 con tor dene, Ple-il cor di comin ~ be fe ‘ru rock-gemibn, nd die Her en Voll Sean stchtund ou, tor dine, dare ~ glo con- tor - dine ple-nil cor— dl concun - we dh ick gefiienachau Se ‘u'rock~ge i, nd die Her ten vol Sen ~ Schr and pennants SSS SS] =f | Ta-mbatle jor ato - rable apo ~ tea-do- wean ARS i ee wet den eb > “i chen papapanfotp- T= tr ~ Wincnballe qo - wade mb able spo - sa-do~ woh fen ier den Hb ~ “i Shen ten, den heb = “i chen 25 abil Wi for- nlemoalla yrarGam- ia rh tor -niamoalla yor staal fsa "ten und m4 "am soremPreon-de mecrick, wad) au ‘un sovemPreun-do ou. Tabi, ri tor - miamoalla v0-sraami-sid, itor ~ nlmpabla vo straemi- Bisa tea uid 2 "tn stemPQoon de mu-rick, aod) mu um heemBeeun do (apoeaneria 20 (east erroeowicn, (nto ov, ‘quelpal-lor, quel si ~ len Beitne wis —“Sedin sche a an ~_ fer as tis" $0 _ stm” _DON ALFONSO Dal d= let = conf seed a 2th Ge” Heo Seam” “ar on oS FIORDILIGI_ ‘Micheal lab ro We 09 k ie non Ate Sprache, dlr = te oma bo. = = “Dhcheal bbe Ie wo mi man ~ carne te non Aditi Spre-che, deat’ fe ver-us — sent, © la nite confi seed > mde = Seholtsiekany per tm = Yer, & ee (tar porta be) (Diener en Kor) ‘mo-rounprodt- gio sari Ge in War gst bo. moro prod gota ~ re (Gon aein Wor schon mute ale = wana Sed" slevercie = gendnd stim GUGLIELMO ov. Permet-te te che sla pos quelba~ ul in gual — la ston Dei che veg = gio! Unuom a Zim ~ med) ~ ben Stel fe? Dochavasseh' feb, in Manne Con pid moto face meee cape) 6 m__DESPINA tmnt rn eros Hat) ‘Non sl = gnor mondun no Nein, Si = o'r, kin No ou, ona = io? Oud che fa? tor > gen, ein Note > itso ‘Was Std? @e igp 8 De = spi= na man sche m= hed bab ioord tor- fT ts da den” Kes" abestckzDe = spl nas ‘akbar mish ow, 24 FIORDILIGI A ta Be-i-na. a De Wie De-apiom, wie, Deo DORABELLA vo, La De-ipi-na De 35 ia die ER Sn voc tn fa. ae lst e ee U- na frbow-gunlea que - Ha Bice “to geste Set min UGLIELMO ov, Una firbaunpuolea que — He Eine so gevwete Scbel min at | ine. {ON ALFONSO tac caer ecru conrad one} a (bow at dn onc Vee ‘inal ‘Non fo-Pi-seo co-me vm ict Nein ds Kane shiver eta vo. if Non capi to comme Wa. oat Nelda Kah eer tt be, fe a dove meio Sat aia fins than So shale” ee, re donve mai a! tone lf Do- ve ml ronve finer man so schnell ct eh fn St man so teint ou, dope mai af fovea De- ve ai at tone. finde man soscmencte ee, ‘n= Set man ose BA se 00 A La be-spinal Non capil oc - me We Decipcnt Nem, das fen ” feb” Ter-hn ta De-mi-na map Wie, Becapcne? Ne, dos Kam fence "Morten Bove tai rove ri fice ano slic ett a bp te val DON ALONSO sie, 50 schol” ict ett (Cla ana, Da, a Git coder lca carte actos le con ae! Sie Pape eh faiocchet cum sf-0HE an cch ry si ro ye rid sia, 3 Shoat” che mete ee Fe Mache cor - tm ~ m que- st? GUCLIELMO Wass Gan" demnttr PB > ret ES Tr cow wonive. $ ~=™~ ‘Uren eB he pak te? iS 78.89, Genin: i Fete eh rs ga we. 9, ulm: ey enlist go ‘eva Bate Voi aut ter Sr Voi gut ter ov, = eiailaco fee Sohn,” Sema et fen Na EE | Ba ts Andante 45 MORDILIGL i i Sones Ach, win ich DORABELLA, Ak BAs«o6 (enn a na nt (ow ae Iasi) eee aie. wl ale do; il mio fl byt ih ee fea ta? chin er 8 as i wl cme dos mio fal tae de - t,t Ife gue“ Kona” ith mein” Verge eh, ti Vee eres tAitidy —T= fy B. do maulfe-r mam htt chen me = Tot nw SE alllthdbcn Tite, iter e 2 semi EL wate chehon he = rola now fucken, eher-die > fewic Er. —— do, congue r= rot sen 2 SRE lid one alicdi? (asamnde DESO « DON ALFONSO) ars {ei DESPINA nl DON ALFONSO) m= eu —pe Per tot fo Fr mesic Vee zcat Pir om bee Co = fa fa Was ” ges? __sveu.mo. co m2 fi? Was pechant 3 DA 485 é ye (Gest te ee BS adams, “199 IORDILIGE Bat t= mor ‘Ach, mein Her, vo. Dal #f= mor pal (FEREANDO ¢ CUGLIELNO eur mati camera, poison es capella SEs ait ce © ran ene sc ean» SPINA) ed OUGLIL Mo en ie gah i inne ea oy Neer esr es Ving sod nh BP ma Ber = che mal W di ‘so par ts, war Sm Te == fen et Se fae? a ~~~ ko pnt ts, er som Te == fe se fs Basco (ced de compliment fe a FLORDILIGH 496 alegreto_FERRANDO {mt itericennVetugngen tu IORDILIG) Ft PS ‘A vol fick ng bel - La das ml - a cova Hoch gm = Ben, somsnen fe m__ Andante mn Ft Ue = re debPAD ba -- mt tal cucLnLMo GREE pu gee wiras— Al” Ba len Mo (aSbRtRiy T= tat = ton pel oo i= Hier die sesame eb Gh de Andante ae oi, 2 ou, = co Wole rn do fe pn ein — Herc Allegretto 309 FERRANDO (au DESPINA) Ed alma gue Wot l~ gnor dt Und dee imag = “be * tilsche Si gor Dot GUGLIELMO (atu DESPINA) Ei alma - gre Unt der mag ‘te 2 Gosche Si 2 for Bot Allegretto BAA6068 19 FORDILIGL Sle che ve ol “hr dit non rego! imme, was ht Vor Scam ‘ver - geht DORABELLA hick, the ep 80) ‘Al dugh on Teacgo! Himmel, as Sch VorSchim ‘ee pect DESPINA DE. “Sic-le che veg go! ‘MI dot nom rep-go! ince, wae or Schamm er - geet Hees seticht_pERRANDO ‘Son sta — peat te Ta ja, Sainte DON ALFONSO Dal ‘Son ste — pat te), Beja,” Sasa et GUGLIELMO ov, Son ste = feta) Saja,” Sse Bate (eccmnde DON ALFONSO) FIORDILIG! (suf DON ALFONSO dete) $25 at br {accomands BON ALFONSO) DORABELLA auf BON ALPONSO dats) Ba br a Andante con moto fans Ver ih vwaraen Andastecon moto Sew t one te 2 5B DA Zdea" et > “he Teh = te; (ease farce) (eee iam nd eet see a mare) Our le de ape: One nome schon say Da ~ a ‘Ab braccia t- @, lace- te. Tu - H qut-toora re Sim ct sciectLun at eich, Soa coe ote © ise sli jet = 1. - del ma geod ve) mm, oraweris At» Ge He. dat bo. Tal mig queso? me - 7m ‘Ach, Ge Heb tr_yrenn is —_ wari, de= te, cho gid ole denrd {i chen.) eh tel= ber f= che mt a 8 a ? at oe Soteage 02. VBLICENMATUSTS XXVIL. Ba 4605 ol a om Geek Sten da t= ss eo —_ compen ap mo wich ar tr SS pe ‘cmpen- sar aa = pO seit Sk” ee Sac ich glad’ sdb, mela GUGLIELMO Z| 5p Feo ce de io Bs i ‘i — ry -de 339 —, wpe ae = cs &.& mein gm res ha te ma la pro = ta far on Mid chen, atch dc Pro bem fo —— ei rn ee eee ow. = le na la pro- a to far nom v0 Te Mid chen, doch die Pro beam teh alc Sy ich ——— ta 60 H compen pl mo ror wil ich dir fie fet = te po. ‘mo - re compen sara poh We a,ten Swick dir fie hg pisish ‘enon #0 s2 v6-gl00 20-400, mi covfodoe mi ver- fo - gt Wie ll ich le S2°he ” nebimensal edema ver = fe > gem re eo ce - dy pio hel la 5a fh lub” dirs sho” sein Mid chen, ow, go eb shen,” mein Ma chen, yeu Vide BA ne sts vo, Doe stn De ‘Man-co mal zea melhor jot eWahoLr olin anchidia ‘Tein-ge-fgt hab’ schon ‘ieee war ich fat let |e pro - ee foram — die fo = "te tw ER al ou, na fa pro va far om doch de Pro = "beach Toh chi, _——— sin, ie BA 6064 thor a feet cha mol tol- ten chio le ‘ie = ie, oa war ich Tat sel ee 7 302 FIORDILIGH 100 Yee FERRANDO BA soe to me pel buon oo ei ‘eaten fe. Spel ow coder pete Teal ind ae o. ov. oo or ‘ae ‘ae Ry cn Goins ea = tion én dns Sie aon am rin fa 2 cen aon nin ta! aon! se te = a, 5 ra Sena, > Eye 2 dnt, a & a sn a fl cea, atm i on BA S66 te see = ee, whe ata 2, es ate i ve A = a bow h baal efoto >, wt bo. pe tetas el : Ge tas= sen > He, the a me be ke oe eS Geta sen = ta, oe a —— al Tm ents hel de al ee Gee tas ten bet, wae ote a mm to-w bl et = Lt GAR Tea sek, wth er ie ov, a de ST GETS atn Te, tha ee os na fon wh =r Ceti eae, Ge <7 eal na o-w Ie mo we (Geta, Gest fe 7-7 del = ma wove ah 1 ye = a wo {re a rr eo a Be ree er wom Geeines nS pet, Ge =e Datel, Ge ae Pn et! Ove re der Opt ry Anhang I: Urspriingliche Arie des Guglielmo in Atto I/ Scena XI” N° 15 Aria Allegro (e/mFORDIUGD Kv ses Revol ge - ial Wo squar-do BckenSe ” Shmin — die'Au gee ew de ich no be NBL. 10k. paso 2 (e/eDORABELLA) 2 fe quel hel eb ro dir rer denSe dk 7 Ke stagmas ein Mand niche Or — lan do moves Lie be, "non 2 nen tan € nem ein micon- fron br “ists ahs, es gr chs o-gen al he, BA soa Verso lak verso ll perma io Sao ch, nS ou, che glu gua non of o-ma-no da We ge ale — han Dia Una es Sg eken Hn dia Stalchiic, che von” Wies bis Kn > a= = oe = or Sea par DieVer- fea se a ov som ad epider ~ o chegllu~ gurl ton sh wiehe = Hoh, Ghaspbet Sth 2 TT me Une leet “Tine don i wo-w- 0 da W- o - aadce Sle ich Tele, alcht von” Wien fis Ke Sian due Cre- sb per rie- chee om Bet “Se Sind witcher ot werion buf ~ fon vero nol srianba- fe. feSeiur = Ta (ich, der Lie-be Semmes = wed feninenneaarin bff = a tan py = dim feicimarticse Samet > mir dag feo aeea 2 a sem a Wi sind” gee > ee la = tera = flalpor GE 10-po WoL ieee” “weft “io > soe, Po i Ladin k bap eal = la mo, Use wir” tan en, fake ie % ie Dae ewe ~ dll pe ~ de SES gam dwar ~ Ser Gra ae “SS i a =>) GAR ee “st 6, —— au, sa quileNubve capi ~ t- ke bi pol chealcm non sa. ee she Ka Hh 129 _Allegro motto ou, Tl race porno conor) (Die Machen pete en) — aroha sete won noad one godnad ip ne gordo, od ‘Abang. dieser Sto, wie ch mich ffeus'e,” ich ch dou =e. ae eos, ov, ou, (FERRANDO « GUGLIELMO comin rie on oc) ‘gg, SERRANDO wed CUGLIELMO tpn oom we hen) = tase M16 Anhang IT: Alternativ-Fassung fiir die Takte 173-208 von N° 31” 73-11) We. s96 m/c 398 Baie 139) ‘8 4s i) 46 och deeWein, pay ie! ame fergang’ nese ah becesse- rode tor Ha, del tor - si, rmochtsdocho:mich‘te dock derWeinver gif tse, 208 (te dene bon) ‘Allegro (Ferg 5.40.20) / (Canon p. 0.209)