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Sagnik Sarkar
Class 9A
Roll No. 29
In Vienna, a teenage girl drowned herself, clutching a piece of paper with lyrics on it. In
Budapest, a shopkeeper killed himself and left a note that quoted the same lyrics. In London, a
woman overdosed while listening to a record. At the centre of all these apparently unrelated
suicides, the culprit was a music track by the name of “Gloomy Sunday”: the Hungarian Suicide
Song. It was composed by a struggling, Hungarian music artist by the name of Rudi Spitzer, in
the extreme depression post a breakup with his girlfriend. It ultimately took his own life.
Although this might just sound like an extreme case, the overwhelming power of music is well
documented. It has been, and is still being used for both the good and the bad. What makes
music so overwhelmingly powerful, and perhaps, influential, is the fact that the emotions and
sentiments portrayed in a music track are not distorted by cultural differences. A recent study
confirms this, concluding that people with absolutely no knowledge of a language can accurately
point out the emotions portrayed in a music track composed in that very language.
Regardless of the fact that the tremendous psychological influence of music has only been
recently discovered, Indian classical music theory always incorporated psychological influences
of music. For example, take the ‘raga’, the fundamental framework of Indian classical music.
Each ‘raga’ is supposed to be played or sung at a specific time of the day. A ‘raga’ played or sung
at the correct time of the day heightens the intrinsic emotions present in us in that part of the
day. That increases the appeal to the musical audience. Coming to Western Music Theory,
specific combinations of melodies and notes are used to make a piece of music sound
depressing, jovial, and so on.
Well, music can also help you fall asleep. Definitely, that is a well-known fact. But researchers
have now identified the most relaxing song in the world. It’s a music track by the name of
“Weightless”, composed by an English musical trio, Marconi Union.
Then someone said, why not use music for our vested interests? And indeed they have. The use
of music as satire, and for mocking the enemy can be traced back to the American Revolution.
It’s just another form of psychological warfare. However, it was only Adolf Hitler who
understood the true potential of the use of music as propaganda. Hitler made use of musical
works glorifying German legends, such as the works of Richard Wagner. His operas glorified
ancient German knights, which Hitler then co-opted for himself. The widespread use of music is
also traced to be a way to indoctrinate Nazi philosophy into young Germans. Further forward in
history, communist States such as the USSR and China have also used music for political
propaganda. The Soviet Union, being very much aware of the wide appeal of music, banned
those that roused emotions against the USSR, and instead promoted those which glorified their
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principles. Music continues to be used as a means of projecting “soft power”, and also in public
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diplomacy.
That finally brings us to the big question: why is music so appealing to us humans? A probable
explanation might be the fact that it reinforces our emotions. We tend to listen to gloomy music
when we are sad, and music which is upbeat when we are much more cheerful. It also acts an
emotional outlet. When we often want to express emotions but cannot, we listen to music that
portrays such emotions. For example, when we are outraged, but cannot express this emotion,
we tend to listen to music that is heavy and aggressive. Music also possesses the power to
cultivate emotions in us. Listening to upbeat music when sad can often up your spirits.
Yet, to say the truth, researchers do have sleepless nights pondering over what in the world it
truly is that makes music have its general appeal to all of us.
Thank You.
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Germans.
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