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Stacey Cabaj
THTR 2027/Section 1
19 March 2015
First, I want to commend everyone who was involved with the show. Carrie:
The Musical looked like a very physically demanding show, and I was very
impressed by all of the performances. I know some of the cast members personally,
and they would tell me how exhausted they were, but they kept pushing through
and getting stronger with each performance. In my opinion, the script was
not that great, but the cast made it their own and the result was a successful show.
I saw the show twice mainly to support my friends, but I was able to catch
some differences in the vocal performance of the cast. The first show I saw was on
theatre major night, and it was the second time they had run the show with a live
audience. There were some obvious nerves, which I could hear it in the musical
numbers, but overall I thought they did a great job. I got a chance to talk to Jacob
Voisin after his performance, and he actually noticed the same thing I did. He told
me that his voice failed during the song “You Shine”. During the song, I could hear
his voice lose a little power. He was trying to hit a high note, and he did not get as
much power, as he wanted. I asked him about it, and he told me that he did not take
a good breathe at points. Also, he said his voice got stuck in his throat. I really
related to what he was saying, because I constantly have that problem. This causes
my voice to strain, and the fact he had one point in a two-hour show where he felt
like his voice was stuck in his throat was phenomenal to me. I did understand what
he was saying though because of the stuff we have learned in class. If you do not
take a good breathe or enough breathe, your voice can fail. I was excited to
recognize this because I got to see it first hand in a performance rather than seeing
For the first performance I saw, The only vocal choices I can think of were when
some of the actors and actresses decided to use chest voice instead of head voice for
different parts of the musical numbers. Abby used her head voice a lot during the song
“Carrie” and she did a wonderful job. I wondered after if she attempted a majority of the
song in chest voice, and at the second performance I saw, she used a lot more chest voice.
I think this allowed her to be heard by the audience a little better Also, she seemed more
confident and in tune with her breath. I think her breath was more effective throughout
the space at the second performance I saw as well. Jacob, Emily, Alexander, Sarah, used a
great amount of chest voice both times I saw the show. They had a large vocal capacity
going into the show, and I think there capacity grew even more with each show. The
songs sounded difficult, but they affected the audience with their vocal range and ability.
I thought that the actors and actresses did not fully breathe in the entire space at
the first performance I saw. I could not hear or make out some of the words. That being
said, the acoustics are not very good in the Reilly theatre, but at the second performance I
could hear them more clearly, and I thought their voices were more effective. The cast
triggered emotional reactions from the audience and myself. I could see people
sympathizing with the characters, and overall just engaged in the show. One factor is
confidence. They had run through a few shows at this point, and had a better idea of the
space. It just seemed like there was more presence in the second performance I saw due
to the better projection of their voices. This does not mean there was no presence in the
first show I saw, I jus noticed that there was more vocal power at the second
performance, which lead to more energy. The energy came from the actors and actresses
breathing the space fully. The energy that was being put towards the songs made me tear
up or get nervous sometimes. I started to have emotional reactions to the songs and
characters actions. A better way to say it is that they changed me. This meant a lot to me
got to see my goal first hand, and it was an emotional experience, and this is a credit to
I like the term vocal life, because each actor and actress had energy. Like I said
before, I do not think the script was great, but I feel like their vocals brought the play to a
whole new level. One thing I started to appreciate more this semester was how a singer or
actor is able to dance, and still have enough breath to sing at the same time. The number
from Carrie: The Musical that sticks out in my head is “In”. There were dance moves and
physical activity involved in the song, and I am still blown away at how they could be in
chest while moving at a fast pace. Their movements along with their voice gave the show
and their characters life. I did not realize how physically taxing it was to sing with that
energy every night until Curran had to unexpectedly take on the role of Billy. I got to see
him perform, and after the show he could barely talk or move. The amount of breath and
vocal training they had to have in order to perform at a high level every night is simply
amazing. Sure, there were some nights where they did not feel great about their
in the cast, and each had their individual parts, but I was impressed with how in unison
they were. If I had to compare the two performances I saw, the second was better than the
first. I just think that in the second performance they were more accustomed to the space
they had. It is important to always breathe the space. I have learned is to always get used
to the space and breathe the space because this allows you to fully engage your audience.
Also, it helps you engage each other as a cast. I think breathing the space fully will bring