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Wednesday, November 22, 2017

Culture Industry - notes


• Two of Frankfurt School’s key theorists Max Horkheimer and T.W. Adorno in their book "Dialectic
of Enlightenment" developed an account of the "culture industry" to call attention to the
industrialization and commercialization of culture under capitalist relations of production
• They coined the term "culture industry" to signify the process of the industrialization of mass-
produced culture and the commercial imperatives that drove the system

• They analyzed all mass-mediated cultural artifacts within the context of industrial production
• They argued the commodities of the culture industries exhibited the same features as other
products of mass production:
– commodification,
– standardization, and
– massification
• The culture industries had the specific function, however, of providing ideological legitimation of
the existing capitalist societies and of integrating individuals into its way of life

The Culture Industry:


"The whole world is made to pass through the filter of the culture industry.“ (--Theodor Adorno and Max
Horkheimer from Dialectic of Enlightenment (1944)

• Moving through nearly all aspects of the popular culture of their time--movies, radio, music--they
argue that the logic of modern capitalism deskills labor and concurrently dumbs down culture. The
result is a world in which a mass public has trouble distinguishing between the real world and the
illusory world created by the industry of culture.
• The values perpetuated by the media were contradictory to the values of the radical
Enlightenment tradition. The masses are ‘dumbed’ by the banality of the media. Their ability to
function efficiently as citizens in a democratic state is replaced by their ceaseless consumption of
culture or products, or both.
• Though the functionalist and Marxist approaches are radically different in their underlying
assumptions, they are similar in that they both presume audiences to be passive and powerless.
• They critique society as being in a state of false consciousness, a consciousness which hides the
reality of domination and oppression of the masses under capitalism. The role of the media in this
framework is to offer to consumers propaganda which lulls them into accepting their conditions.
If you found what you were
• In their theories of the culture industries and critiques of mass culture, Adorno and Horkheimer looking for and it helped you
were among the first social theorists to note its importance in the reproduction of contemporary out, please consider helping
me out by tipping whatever
societies
you feel is worthy of my
• In their view, mass culture and communications stand in the center of leisure activity, are efforts. Thank you! :)
important agents of socialization, mediators of political reality, and should thus be seen as major
institutions of contemporary societies with a variety of economic, political, cultural and social effects
• Furthermore, the critical theorists investigated the cultural industries in a political context as a form
of the integration of the working class into capitalist societies
• The Frankfurt school theorists were among the first neo-Marxian groups to examine the effects of
mass culture and the rise of the consumer society on the working classes

• They argued that the system of cultural production dominated by film, radio broadcasting,
newspapers, and magazines, was controlled by advertising and commercial imperatives, and served
to create subservience to the system of consumer capitalism
• Later, critics pronounced their approach too manipulative, reductive, and elitist.
• However, it still provides an important corrective to more populist approaches to media culture that
downplay the way the media industries exert power over audiences and help produce thought and
behavior that conforms to the existing society

• The culture industry thesis described both the production of massified cultural products and
homogenized subjectivities
• Mass culture for the Frankfurt School produced desires, dreams, hopes, fears, and longings, as
well as unending desire for consumer products
• The culture industry produced cultural consumers who would consume its products and conform
to the dictates and the behaviors of the existing society

• Frankfurt school work was an articulation of a theory of the stage of state and monopoly
capitalism that became dominant during the 1930s
• This was an era of large organizations
• The state and giant corporations manage the economy and individuals submit to state and
corporate control
• This period is often described as "Fordism" to designate the system of mass production and the
homogenizing regime of capital which wanted to produce mass desires, tastes, and behavior

• Fordism was an era of mass production and consumption characterized by uniformity and
homogeneity of needs, thought, and behavior producing a mass society
• Frankfurt school described it as "the end of the individual"
• No longer was individual thought and action the motor of social and cultural progress
• Instead giant organizations and institutions overpowered individuals

• During this period, mass culture and communication were instrumental in generating the modes of
thought and behavior appropriate to a highly organized and massified social order
• Thus, the Frankfurt school theory of the culture industry articulates a major historical shift to an
era in which mass consumption and culture was indispensable to producing a consumer society
based on homogeneous needs and desires for mass-produced products and a mass society based
on social organization and homogeneity
Anything to add?
• The culture industry fuses the old and familiar into a new quality
• The culture industry is not like mass culture which arises spontaneously from the masses Got article summeries, reviews,
themselves essays, notes, anything you've
• The products are tailored for consumption by masses worked hard on and think could
benfit others? why not contribute
• These products and the nature of consumption are manufactured more or less according to plan
and mail them to us and we'll put
them up for others to use (with
credit).
Posted by ‫ אני‬at 11:10 AM

Labels: critical theory, Max Horkheimer, summary, Theodor Adorno

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