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AMERICAN PASTORAL, PARODY AND PARANOIA: THE SUBURBS AS U.S. IMAGINED COMMUNITY
FRIDAYS, 2-6PM
COURSE ABSTRACT
Representation of the U.S. suburbs in fiction and film, at different historical moments. Keywords: THE
AMERICAN DREAM; FAMILY RELATIONS; NEIGHBORS; IMAGINED COMMUNITIES.
COURSE DESCRIPTION
Although the U.S. suburb had what one might call its first boom in the 1920s, with a great part
of the population fleeing the industrial city to live outside its lines, it was after World War II
that the suburbs were projected to be the manifestation of the American way of life. In 1947,
when Abraham Levitt and his two sons William and Alfred projected what would become the
prototype for the suburb of the 1950s (Levittown) transforming what had once been farmland
into a planned community, little did they know the suburbs would become iconic. The fusion
of space and identity reinforced the myth of the normal, healthy family living in a normal,
healthy nation. [1] But in truth the sphere of isolation and domesticity separated these
communities from the rest of the nation, not only spatially but functionally. Also, beneath the
surface of homogeneity usually associated with these communities there are race and class
diversity and their resulting conflicts. In the mid-20th century the traditional image of suburbia
started to undergo a process of critical revision, not only in academic and fictional works but
also in films. Franco Moretti wrote that “each space determines, or at least encourages, its
own kind of story”. [2]. Using the suburb as the central trope in our course, we will examine
different representations of the “burbs” in fiction and film – from works that represent post-
war economic optimism and celebratory nationalism to those that parody this representation,
or even represent the suburbs as a nightmare or perversion of the American Dream – for ex.,
individuals with broken dreams or repressed and obscure desires, and dysfunctional families.
[1] WRIGHT, G. Building the Dream
[2] MORETTI, F. F. Moretti. Atlas of the European Novel 1800-1900 (London: Verso, 2007), p.
70.
BIBLIOGRAPHY
FILMOGRAPHY
CRITICAL/THEORETICAL SUPPORT
BAINBRIDGE, Jason. "Soiling Suburbia: Lynch, Solondz and the Power of Dirt."
M/C Journal, v. 9, n. 5, 2006. <http://journal.media-culture.org.au/0610/11-
bainbridge.php>. *
BEUKA, Robert. “Cue the Sun”: Soundings from Millennial Suburbia. In _____
SuburbiaNation: Reading Suburban Landscape in Twentieth-Century American
Fiction and Film. New York: Palgrave Macmillan 2004. pdf*
COONTZ, Stephanie. The Way We Never Were: American Families and the
Nostalgia Trap. New York: Basic Books, 1992. Av. in Kindle
DYER, John. “John Cheever: Parody and the Suburban Aesthetic”. Project
Crossroads, Virginia University. Available at Crossroads Project page:
<http://xroads.virginia.edu/~ma95/dyer/cheever4.html> *
REYNOLDS, Arnold (2014). The Secret History of Sprawl: Joyce Carol Oates's
Expensive People and the Deterritorialization of Suburbia. Genre, v. 47, n. 2, p.
199-229. pdf *
SHAIN, Barry Alan (1994). The Myth of American Individualism: The Protestant
Origins of American Political Thought. Princeton: Princeton UP.
WILHITE, Keith (2006). “John Cheever’s Shady Hill, Or: How I Learned to Stop
Worrying and Love the Suburbs.” Studies in American Fiction, v. 34, n. 2, p.
215-239. pdf *