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Thild Part
ThusSpokeZarathustra:
lou look up when Ew feel tla wed for eleoAlon,
Ard I lpok iloun becuse I am eboateil. Who
anongqou oanlaughatdbe eleoated. at the same
tlme? Whoeoer clhnbs the highest mountahs
laughs at all trogie plays atd trogic serioustoest.
(Zarathustra"'On Reading and Wiltingi I, p.
152)
EortoR'g NorEs
t. The Wanderct: The contrast between Zarathustra'ssen-
timentality and his praise of hardnessremains characteristia
of the rest of the book.
z. Ot the Vision and.the Riddle: Zarathustra'sffrst account
of tlre eternal recurrence (see my Nietzsche,rr, lI) is
followed by a proto-suuealisticvision of a kiumph over
Dausea.
g.. On Inooluntary Blisc: Zarathustra still caonot face &c
tlrought of the eternal recrurence.
4, Before Sunrise: An ode to the slcy. Another quotation
from Zweig's essay on Nietzsche seemspertinent: 'His
nerves immediately register every meter of height anrl
Gvery pressureof the weather as a pain in his organs,and
they react rebelliously to every revolt in nature. Rain or
gloomy skies lower ,his vitality ( bvercast skies depressme
deeply ), the weight of low clouds he feels down into his
'lowers
very intestines,rain the potenUal,' humidity debili-
tates, drynessviviffes, sunshineis salvation,winter is a kind
of paralysis and death. The quivering barometerneedle of
his April-like, changeable nerves never stands still-most
nearly perhapsin cloudlesslandscapes,on the windlesstable-
IandsoI the Engadine."In this chapterthe phrase"beyond
good and evif' is introduced; also one line, slightly varie{
'Drunken
cf the Soug" (see below). Another importaot
THUS SPOKE ZARATHUSTRA: THIRD PART 96l
themo in Nietzsche'sthought: tho praise of chauce and -a
Itnle teasoi' as opposedto any divine purpose.
'po'wttatever
S. On Virtue Thai Makes SniaH, you *ill,
but . . .": What Nietzsche is concernedwith is not casu.
tstry but character,not a code of morals but a kind of mao,
not a syllahus of behavior but a state of being.
6. Apon tlw Mutnt of Olioes: "lho icc of hdwleilge will
y_et freeze Lim !e dodhf they moan.. Compareit"fan
$-9orge,spoem on the occasionof Nietzsche,s-death(my
Nietzsche,Prologue,II): "He cametoo Iate who said to their
imploring: There is no way left over icy clifis.-
7. On PasslngBy: Zaratlustra's ape?or -grunting swlne,-
lliotg,nUonllly parodigs Zarathusha's attitude aid stylo.
IIis denunciationsare born of wounded vanity aud u"Jg*
firlness, while Zarathusba's contempt is begoiten by loi";
aod'where otre can no longer lovel there jn" shoukl par
by.'
8. On Apostares;Stylisttcally, Zarathustrais now often [ttlo
better than his ape. But occasionalepigrams show his old
powgr: tbe third paragraphin section-2,-for instance.
g. The Retum Hone: ".Amongmen you will always seem
wild and strange,o his solituEe says to Zarathustra. But
arereall things comecaressinglyto ybur discourseand fatter
you, toJ they \rant to ride on-your back On every parablo
y9u rid,e_to_ every truth.- The disciplioe of cpmmunica_
Uo_noight havo served the philosopier better than tlrc
indiscrjminato flattery of his jottudu'. Bot io t\is respect
too, it \ilas not given to Nietzsche to lvo in bliisful
ignoralce: compare, for example, .Tho Song of Melan
choly" in Part Fiur.
to. Ot the Three Eolls: Ttrrepraise of so-called evil as an
oJ greatnessis ceitral in Nietzschek tho,,gr,C
11gI-"{]::t
l.rom nis earty tragment, Homer,s Contest, to his Anftbtridst
'lhere
are few problems the self*tyled immoralist pursued
so persistently. Whether he calls attention to the ilement
oL g".tty in the Greek agotuot denouncesChristtanitv for
vititJiDg ser, whether he contrasts sublimation and e*Ur.
patioo or tbe.qgoism of tlo creative and tle vengefuir
ell