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Imagine you are on an island, a boat, or a train with several strangers. Suddenly, a storm
hits. You are stranded with these people you know nothing about. Then, a terrible accident
befalls one of your companions. But was it really an accident? You are not so sure when another
suffers a strange accident, too. You don’t know who did it, but you do know that you are trapped
here with them. If you find yourself in this situation, you are in a closed circle mystery.
Saricks (2009) defines mystery as being “constructed around a puzzle,” with the author
giving “clues to the solution but attempt[ing] to obscure some information so that the mystery
cannot be solved too easily” (196). One of the draws of this genre is that the readers “along with
the detective, are drawn into the puzzle in an attempt to solve” the crime (196). Readers follow
along as a detective, private investigator, or any average Joe attempts to solve a crime, usually a
murder. One subgenre of mystery is the “locked room” mystery. This is when a seemingly
impossible crime happens, often a murder in a supposedly locked room. Another similar branch
of mystery is the “closed circle” mystery, when there is a set group of suspects, often stranded or
While it is known that reading is very beneficial, mysteries have their own unique set of
assets. One study shows that in addition to increasing literacy, reading mysteries also
“demonstrates the power of critical thinking skills and promotes problem-solving” in kids and
teens (Rakuten OverDrive 2016). In addition, this genre pulls readers into the story and “supports
comprehension” (Rakuten OverDrive 2016). While this study may be focused on youth, these
benefits are also applicable to adults. Mysteries force the reader to think critically about what
they are reading, as they try to piece the puzzle together along with the characters. This is a vital
In addition to strengthening critical thinking skills, reading mysteries can also provide
support in the field of psychology. Kellogg (1983) discusses the use of mysteries in studying
psychology. Students can read mysteries and relate what they have learned in their courses to the
characters in the story (46). Detective novels, in particular, aid in psychological studies. The
students are able to observe as the detective solves the case. These novels often contain themes
disorder, and social behavior” (46). Reading these novels, psychology students can examine the
characters and apply the concepts of psychology to their analysis. However, this is not only
beneficial to psychology students, but all human beings. Reading mysteries and applying this
real-world knowledge allows us to better understand other people and their actions.
There have been many studies looking into the appeal of mysteries. Knobloch-
Westerwick and Keplinger (2006) lay out three models examining the potential appeal and
enjoyment of these stories. The uncertainty model applies when the reader enjoys the uncertainty
of the guilty party; “The higher the uncertainty…the greater the enjoyment” (196-197). The
surprise model posits that the surprise of the final reveal leads to the enjoyment of the story
(197). The final model, confirmation, assumes that enjoyment occurs when the reader’s
suspicions are confirmed at the end of the story (197). These three models show that while
mysteries are a generally enjoyed genre, the reason for enjoyment varies among readers. Some
readers enjoy the shock of final reveals while some are more satisfied when they can solve the
puzzle themselves.
To appease these different levels of enjoyment, many authors make it a point to include
all the clues needed to solve the mystery into their story. They provide subtle, and some not so
subtle, clues to the reader. This gives the reader the ability to solve the puzzle, if that is what they
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want to do. Some readers prefer to be surprised, then find these clues upon rereading. Kellogg
(1983) provides an excellent example, The Murder of Roger Ackroyd by Agatha Christie. While
the character of Hercule Poirot is a brilliant detective, seemingly able to solve impossible cases,
that is not necessarily the case. In fact, in this book, “Poirot is not given any more information
than the reader; the crime is solved by how he uses this information” (47). This gives the reader a
chance to solve the case alongside Poirot, if they are reading closely. This also brings in the
critical thinking skills mentioned earlier. However, if a reader simply wants to enjoy a mystery
and be surprised, that is still a possibility. One of the great aspects of the mystery genre is that
readers can examine the puzzle as much or as little as they like. It is a customizable experience.
Knobloch-Westerwick and Keplinger (2006) cite another study that examined other
factors that affect readers’ enjoyment of mysteries. This study states that the cast of characters
plays a large role, stating “that enjoyment increases with the number of suspects presented in a
mystery, although the presentation of too many suspects would lead to confusion, which would
hinder the enjoyment of the reception” (197). This theory can be applied almost directly to the
genre of closed-circle mysteries. For example, in Agatha Christie’s And Then There Were None,
we are introduced to ten characters, and that is it. As the characters become stranded and then
killed off, the reader knows that it is one of these characters. While such a large cast of
characters may seem overwhelming, these are the only characters for the whole book. In
addition, the cast is slowly taken down, one by one. This keeps the cast from getting to be too
may enjoy reading mysteries and attempting to solve them, or they may enjoy the jaw-dropping
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reveal of the culprit. They allow us to peek into the mind of a detective or a criminal. We can
study the characters and their motivations. Or, we can simply read a fun story. No matter the
reasoning, mysteries are a popular genre across a wide audience. Whether reading to gain a
deeper understanding into the human psyche or to escape reality for a while, the benefits are still
References
Kellogg, Richard L. (1983). The Psychology of Agatha Christie. Teaching of Psychology, 10 (1):
46-47.
212.
Saricks, Joyce G. (2009). Mysteries. The Readers’ Advisory Guide to Genre Fiction (196-228).
https://company.overdrive.com/2016/10/28/suprising-benefits-kids-read-mystery/
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2. Selection Process
I chose my theme based on one of my favorite tropes: people becoming stranded and
being killed off, one at a time. Agatha Christie’s And Then There Were None is one of my
favorite books. I can still remember the first time I read it. It blew me away! Ever since, I have
found myself drawn to books and other media that follow such a premise. Because of my love
To select my five books, I mostly used NoveList. I chose this resource because it
provides mostly accurate read-alikes, as well as reasoning for the picks. I began by searching for
And Then There Were None. From there, I looked at the suggested read-alikes to see if any of
those fit. This is where I found An Unwanted Guest by Shari Lapena and They All Fall Down by
Rachel Howzell Hall. I also used the “Search for More” function, selecting more with the theme
of “Locked room mysteries.” While I found some books I considered using, I decided they didn’t
quite fit with what I wanted. My next strategy was to search the books I knew I wanted to use
and check their read-alikes. However, I once again did not feel like these books matched my
theme.
From here, I looked back at the books I had chosen thus far. I really wanted to use They
All Fall Down, but it was a retelling of And Then There Were None, and I didn’t want to use
books that were too similar. I decided that instead of using And Then There Were None, I would
use Murder on the Orient Express instead. This would give me some variation, while still
including an Agatha Christie novel. I also remembered about Ruth Ware’s The Woman in Cabin
I just needed one more book, but I could not decide. None of the other books I found on
NoveList fit quite right. After searching for “Locked room mysteries” on Google, I discovered
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that what I was really looking for fit under the branch of “closed circle mysteries.” These are
books with a group of characters isolated from the outside world. When a murder occurs, the
reader knows that it is one of these few characters. I could not find a search for this category in
NoveList, so I put it in Google instead. I found a list on Goodreads of books readers have tagged
as “closed circle mysteries,” which is where I found Under a Dark Sky by Lori Rader-Day. With
3. Annotations:
1. Author: Agatha Christie
Title: Murder on the Orient Express
Publication Date: January 1983; Originally published January 1934.
Number of Pages: 251
Part of a Series: Yes; Book 10 of the Hercule Poirot series
Subject Heading(s): From NoveList- Belgians in England; Crimes aboard trains; Murder
investigation; Orient Express (train); Poirot, Hercule (Fictitious character); Private investigators;
Railroad travel; Rich men; Senior men
Geographical Setting/
Time Period: On a train from Istanbul to London/1934.
Main Character(s): Hercule Poirot is a legendary and highly sought-after detective, with an
uncanny ability to solve even those that are seemingly unsolvable.
Also featured is a large cast of international passengers, all hiding something. These passengers
include a governess, a colonel, a secretary, a Russian princess, a Hungarian Count and Countess,
and more.
Plot Summary: When Hercule Poirot ends up on a train to London, he expects a relaxing ride.
But when the train is stopped by a snowstorm and one of the passengers is murdered, he must get
to work to solve the case. With a large cast of shady international suspects, Poirot must race
against the clock before the train reaches its destination.
Appeal: Pacing- Slow-building; engrossing
Characterization- Diverse; unreliable (passengers)
Storyline- Intricately plotted; layered; filled with twists
Frame- Setting is vital; claustrophobic; tense
Tone- Dark, suspenseful
Brief quote: Page 34: “What has occurred?”
“You may well ask that. First this now—this stoppage. And now—”
“And now what?”
“And now a passenger lies dead in his berth—stabbed.”
Prizes or Awards: N/A
Similar Works: From NoveList-
1222 by Anne Holt- Both feature prolific detectives trying to solve a murder on a train.
Night Over Water by Ken Follett- Thrillers about travelers stuck together, each hiding a secret.
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4. Bookmark
The Killer
You Know
These strangers are
stranded...and one is a
killer
1. Murder on the Orient
Express by Agatha Christie
Hercule Poirot is on the case
when a passenger on his train is
murdered.
2. Under a Dark Sky
by Lori Rader-Day
A grieving widow is looking for a
weekend away, but is interrupted
by a group of young adults and
their drama...and a murder.
3. The Woman in Cabin 10
by Ruth Ware
A journalist reporting on a
maiden cruise is shocked when
she sees someone thrown
overboard, but no one seems to
care.
4. They All Fall Down
by Rachel Howzell Hall
A woman is invited to take part in
a reality show, but soon
discovers that all is not as it
seems.
5. An Unwanted Guest
by Shari Lapena
Hoping for a relaxing weekend at
a resort, a group of strangers
are shocked when one turns up
dead.