Inang Birhen dela Merced

Traditional Text-Candaba, Pampanga

A Piece Commissioned by the Nuestra Señora Music and Arrangement by: Jerylle P. Bantuan
dela Merced Parish - Candaba, Pampanga Orchestration by: Charles Lyndon Dg. Perez
 = 103

A B
  2    
                 
Flute  4            
 2         
            
B♭ Clarinet  4    
     
  2                        
B♭ Trumpet  4       

 2             
              
B♭ Trumpet  4     
     
   42
Horn in F
              
   

  
   42
Horn in F
                
   

  42                    
Trombone

  42                  
Trombone    

Tuba
  2   
  4                     
  

   2  
Timpani            
  4      
 
Cymbals  42                


Concert Snare Drum  42               

  
Drumset  24             

  2              
Violin  4       
      

 2         
Violin                
4     

  42          
          
Violoncello          

 17 C
   
Fl. 
               
        
      
        
B♭ Cl.
                          
               
B♭ Tpt.                    

             
  
B♭ Tpt.
                  


F Hn.                        


F Hn.                        
      
                
Tbn.

Tbn.
    
          
     


Tba.
       
         
       
    
Timp.
            
     

Cym.                  

Con. Sn.                 

  
D. Set              

                          
Vln.     


Vln.                              

                    
Vc.
         

2
 33 D
   
Fl. 
                       
  
          
B♭ Cl.   
                
               
B♭ Tpt.       

     

  
B♭ Tpt.
             

       
        
F Hn.            


   
F Hn.
           
     

                    
Tbn. 
 
                  
Tbn. 

Tba.
     
                 
 
   
Timp.
            
        

              
Cym.  

Con. Sn.                

 
D. Set              

                   
Vln. 
      

 
Vln.                        

          
Vc.      
    

3
 48 E
       
Fl.  
        
  


  

   


     
B♭ Cl.
                  
 
                               
B♭ Tpt.       

B♭ Tpt.                                     



   
F Hn.                    


F Hn.       
                
       
                
Tbn. 
    
   
Tbn.
       
     
 

Tba.
   
                     



   
Timp.
          
        

                
Cym.  

Con. Sn.                

  
D. Set             

                         
Vln.     

               
Vln.              

             
Vc.          
      

4
 63
  
                     
Fl.      
      
B♭ Cl.                 

                              
B♭ Tpt.         

                                  

B♭ Tpt.     
  
F Hn.                   


F Hn.        
             
       
               
Tbn.
    
   
Tbn.
       
     

Tba.
    
                    

    
Timp.                   
        
             
Cym.    

Con. Sn.              

   
D. Set          

                    
Vln.      
 

               
Vln.            

Vc.
                       
    

5
 76 F
                  
Fl.    

B♭ Cl.
                 
 
                    
B♭ Tpt.           

                         

B♭ Tpt. 
   
             
F Hn.       

F Hn.                    

           
Tbn.
     

     
Tbn.
           

Tba.

              
  
    
Timp.           
                
              
Cym.    

                    

Con. Sn.   
  
D. Set            

   
Vln.               
   

Vln.   
                
             
Vc.

   

6
 90
rit.   
 
Fl.   

   44  

   44     
B♭ Cl.
  
          
B♭ Tpt.   44    

   44       
B♭ Tpt.    


F Hn.    44        


F Hn.    44        

      
Tbn.
    44  

    44     
Tbn.
   

Tba.
 44
         
  
   
Timp.  44 
                       
  44        
Cym.    

        44                     

Con. Sn.   
   
D. Set    44      

    44        
Vln. 

 44
Vln.   
        
      
Vc.
    44 
 

7
 Traditional Text-Candaba, Pampanga
Flute Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez

Inang Birhen dela Merced

A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 = 103
A B

 2   
         
         
 4      
14
  
       
              
    

26 C
        
                 

39 D
 
 
           
         
51 E
       
           
       

64

           
             
      

77 F
        
   
            44


92
rit.   
4  
 4 
 B♭ Clarinet Traditional Text-Candaba, Pampanga
Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 = 103
A B

  2    
          
     
 4      

14
          
                

28 C

                            

40 D
     
                  
 

52 E
                     
 

67 F
     
                   

82

       44   rit.  
          
 B♭ Trumpet 1 Traditional Text-Candaba, Pampanga
Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 = 103
A
 2                        
 4   

12 B
 6                        
  

28 C D
 16  2        
          

53 E
                     
 

63
                      
     

73 F
          
          

83
                  4
    4

92

44   rit.     
   
 Traditional Text-Candaba, Pampanga
B♭ Trumpet 2 Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 = 103
A
 2  
                       
 4    
12 B
 6
                           

28 C D
 16  2
                   

53 E
                      


63

                          
   

73 F
                 
   
83

                    44 



93

 rit.    
   

 Traditional Text-Candaba, Pampanga
Horn in F 1 Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 = 103
A B
 2                       
 4

16 C
   
                  


32 D
           
              

46
      
                 


62 E
   
                      

78 F
                  
  44   


93
rit.
     

 Traditional Text-Candaba, Pampanga
Horn in F 2 Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 = 103
A B
 2             
 4     
    

16 C

                 
    

32 D
 8
       
        



53 E

                        
 

69 F

                 
       

85
rit.
44   
              

 Traditional Text-Candaba, Pampanga
Trombone 1 Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 = 103
A B
            
  2       
4

17 C
       
               

33 D
                
     


49  E
                    
   

64  F
      
              


79

              4      rit.
 4

95  
 

 Traditional Text-Candaba, Pampanga
Trombone 2 Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 = 103
A B
  2                  
4   

16 C
     
                


33 D    
                  


49   E  
       
            

64 F
        

               

80
 rit.
             4      
 4

96

 
 
 Traditional Text-Candaba, Pampanga
Tuba Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 = 103
A B
  2   
4                  


14

   
                  
  
28 C D
8
  
   
             


49 E
     
               
 
63

    
                    



77 F
 44

                  

93
rit.

  
   
 Traditional Text-Candaba, Pampanga
Timpani Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 = 103
A B C
   2  7  6  5  14
   
 4        

42 D E
    6  5 
  
            
   

63
    3 
               
          

77 F
    2
       
              

89
    rit. 
44 
                         
 Traditional Text-Candaba, Pampanga
Cymbals Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 = 103
A B C D
9 13 16 2 7 5
 42        

60 E F
    8
         
     

82
 5 2 rit.
     
  44  
 

  
 Traditional Text-Candaba, Pampanga
Concert Snare Drum Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 =A103 B C D E F
10 16 16 18 16
 42           

82
  3                4     
 4

93
     rit.
       
  
 Traditional Text-Candaba, Pampanga
Drumset Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 =A103 B C D
 8   6   7  16   6  
 42

E F
54
7  3  2   5   5  5 
 

90
2  rit.   
 44    
 
 Traditional Text-Candaba, Pampanga
Violin 1 Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 =A103 B
 2                          

 4   
 
13
                   
      

26 C
                        


41 D
      
 
   
          

54 E
                      
    

67 F
              
      
     

80
rit.
   4     
                4

95 
  

 Traditional Text-Candaba, Pampanga
Violin 2 Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 =A103 B
 2         
         
 4      

14
       
                  

28 C
                 
        

43 D
     
                   

57 E
             
             

71 F

               
          

85
rit.
       
44
   
     
 Traditional Text-Candaba, Pampanga
Cello Music and Arrangement by: Jerylle P. Bantuan
Orchestration by: Charles Lyndon Dg. Perez
Inang Birhen dela Merced
A Piece Commissioned by the Nuestra Señora
dela Merced Parish - Candaba, Pampanga

 =A103 B

  2                   
4       

13

                    
     


26 C
      
            

43 D
                     

  

56 E
                    
 
    

70 F
                      
     


84  rit.  
           
 44
 