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The document discusses the origin and history of Thang Ta, the Manipuri martial art. It states that according to ancient texts and experienced teachers, Thang Ta has been practiced in Manipur since time immemorial. The movements of Thang Ta are believed to reflect the creatures and beings involved in the creation of the universe. Specifically, it describes how three gods used different weapons or "Thangs" during creation, and how these Thangs gave rise to the various weapons and techniques of Thang Ta. The document also discusses how the bones and body of a deity transformed into different blade weapons according to legends.
The document discusses the origin and history of Thang Ta, the Manipuri martial art. It states that according to ancient texts and experienced teachers, Thang Ta has been practiced in Manipur since time immemorial. The movements of Thang Ta are believed to reflect the creatures and beings involved in the creation of the universe. Specifically, it describes how three gods used different weapons or "Thangs" during creation, and how these Thangs gave rise to the various weapons and techniques of Thang Ta. The document also discusses how the bones and body of a deity transformed into different blade weapons according to legends.
The document discusses the origin and history of Thang Ta, the Manipuri martial art. It states that according to ancient texts and experienced teachers, Thang Ta has been practiced in Manipur since time immemorial. The movements of Thang Ta are believed to reflect the creatures and beings involved in the creation of the universe. Specifically, it describes how three gods used different weapons or "Thangs" during creation, and how these Thangs gave rise to the various weapons and techniques of Thang Ta. The document also discusses how the bones and body of a deity transformed into different blade weapons according to legends.
Since the ancient,the manipuris have been accompanying with
the thang ta as an inseparable weapons. The meiteis depend upon thang ta in any ceremony usually. It should never ignored the thang ta from birth upto death. We the human beings have to need the thang ta using in a day. The story of inseparable becomes a legend from generation to generation. In other civilized countries of the world the story of legend have have been assumed as a gradual story from generation to generation. Supporting the story William R Bascon stated that “Myth prose narrative which in the society in which they are told considered to be truthful accounts of wwhat happened in the remote past”. According to the experienced teachers and Gurus the Thang has been used in our society since the times immemorial as an early ancient writing on the old boos of “Leithak Leikharol”,”Pudin”,”Thengourol” and “Sanamahi Lamhui”. The movements of Thang ta(sword and spear) have reflected on the creatures and human beings. The Origin of Thang is the Thengou;The Thengou is used in the Creation. The legend of Thengou was very difficult. There was nobody on the universe where we do live now. As living further one Lord has appeared. He was known as Kuru(Heaven). The lord Achiba was aiso appeared from Kuru. Achiva created the universe. The Lord Harava had disturbed as broken. But the Kuu appearing the “Nongthangleima” to lull the Harava in the movement, the Achiva Finiished the creation, measured the limits and pegged the boundaries. The three Gurus finished the creation Knockng and kicking alike. The name of the used Thang of the Chingu Shingburen Atiiya Guru was known as “Manik Chumthangpai Nngthangpai” and was also named as “Hung Ping –Ta-Thang Kup treng Mirat Thang”. The visage was the right figure of lord Maru. The name of the used Thang of the mother Goddess Ema “Leimarel Sidava Leisibi Leipunbi” was “Hung Here Manik Thang’. The visage was the sever layers of Lord Chingkhei and the left swad of Lord Maru. The Thang used by Ema Leimarel Sidavi were the Khabomba, “Heijrang”, “Nungshangba Naoban Thang”, and Yethang. The Thang was known as Kateng in the past. In the Thengou skipping the name of Thang as “Tubi Chirong Hainaba Thangaklen Yasgaba”. Thus the origin f Thang was Thengou as described by the reputed persons. In the last movement of Gurus demise. In the surrounding of the throne seven times by the Lord”Komjin Tupthokpa” (Harava) conferring the thron to him was written in the “Pudin ”.
Various Weapons Of Lords
The thoughts of reputed persons and their opinions and according to
the ld books (myths and lore) of “Thanglons Thangchat”, “Sala Thounilon” and “Thengourols” are describes as follows.
It has believed that the Lord Pakhangba had appeared as the
evisage of Knife. The Lord Tin Sidava growing up with his teeth everyday like as anthill mode the cutting axe iron andwas named “Chakhapa”. Chakhapa had born “Arok-Arai”. “Arok-Arai” had born “Ngaite Ngamba”. One day Ngaite Ngamba had entered into the “Sora Lu Khongnang Ningthou”. The Lord entered into the fishing den was refused to blive together with others and was dead. Then His bones and skeleton changed into many kinds of “Knives like Kabak Thang” and the name of the knife was known also “Hai Kuplen Phirok Thang- His” tail was made of kins knwn as “Thang Ten Shaba”. His tongue was made of Pukak Thang, His joints was made of Thangjou (Daggar), His paws were made of “Khoiren Thang”, His jaws were made of “Khangshu Ta” and His Fingers were appeared of born and arrows.
The backbone of “Ngaite Ngamba” appeared the “Tendang
Thang”. The small veins appeared “Kobak Thang Kiremba”. His right arm bone appeared “Terung Thang “ Skeleton as Thangjou, hand bones as “Shingtum Shangai” and “Heijrang”. Then the organs of Lord Tin Sidava appeared many weapons like knives, swords, spears and arrows etc. The Lord Yucheng considering with fourteen workmen preparing fire-ovens appearing the Timen Ta (Spear) and devoted to the Lord Marun as their own weapns.