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From: “Demi Lovato - Tell Me You Love Me”

Sorry Not Sorry


by

TREVOR BROWN, DEMI LOVATO, WARREN FELDER,


WILLIAM ZAIRE SIMMONS and SEAN DOUGLAS

Published Under License From

Universal Music Publishing Group

© 2017 Eastman Pond Publishing, Warner-Tamerlane Publishing Corporation, Crow s Tree Publishing, Sony/ATV Music
Publishing, Quest Da Stars, DDLovato Music, Universal Music Publishing Group, Trevorious and Copyright Control
Alfred Publishing Co., Inc., Sony/ATV Music Publishing, Universal Music Publishing Group
All Rights Reserved

Authorized for use by Sarah Shin

NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment.
However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written

Ǻ
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Musicnotes.com
SORRY NOT SORRY
Words and Music by
TREVOR BROWN, SEAN DOUGLAS, WARREN FELDER,
DEMI LOVATO and WILLIAM ZAIRE SIMMONS

Relaxed q = 144
F #7
#
Am7 D7 Gmaj7 Bm

G # 44 Ï. Ï Ï Ï Ï Ï. Ï. Ï Ï Ï Ï Ï. Ï. Ï Ï Ï Ï Ï. Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï
(Pay - back is a bad bitch, and ba - by, I’m the bad - dest, I’m the bad - dest, I’m the bad - dest, I’m the

#
G # 44 n ÏÏ « ÏÏÏj Î · « j Î
}{
ÏÏÏ ÏÏÏ ÏÏÏ
Ï' ' ' # ÏÏÏ ' '
'
F ## 4
Ï « Ï' Î · « # Ïj Î Ï'
4 ' J Ï' Ï' '

#
N.C.

G # Ï. Î Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Î Ï Ï Ï Ï
Ï
bad - dest.) Now I’m out here look - ing like re - venge, feel - in’ like a

#
G #î « j Î ·
}{ Ï nÏ Ï Ï Ï' Ï' Ï'
F ## î Ï nÏ Ï Ï « j Î î Î
Ï' Ï' Ï' Ï #Ï

# « Ïj
G #Ï Ï « j Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Ï Ï Ï Ï
ten, the best I’ve ev - er been. And yeah I know, how bad it must

#
G # « j Î · « j
Ï' Î
}{ Ï' # Ï' Ï' Ï' Ï'
F ## « # Ïj Î Ï' î nÏ Ï Ï Ï . Ï' « bÏj Î
Ï' ' ' Ï'
Copyright © 2017 Eastman Pond Publishing / Warner-Tamerlane Publishing Corporation / Crow’s Tree Publishing / Sony/ATV Music Publishing
Quest da Stars / DDLovato Music / Universal Music Publishing Group / Trevorious / Copyright Control

Ǻ
Alfred Publishing Co., Inc. / Sony/ATV Music Publishing / Universal Music Publishing Group
All Rights Reserved

Musicnotes.com Authorized for use by: Sarah Shin


2

#
G #Ï Ï Ï Ï Ï Ï x ÏÏÏ Ï Ï
Ï Î Î Ï Ï Ï Ï Ï Ï Ï Ï
hurt, to see me like this, but it gets worse. Now you’re out here look-ing like re -
#
G # · jΫ · « jÎ
}{ Ï' # Ï' Ï' Ï' Ï' Ï'
F ## î Î « # Ïj Î Ï · « jÎ
Ï' Ï' ' ' Ï' Ï' Ï'

# j
G #Ï Ï ÏÏ Ï « Ï ÏÏÏ Ï Ï
Ï' Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏÏ
gret, ain’t too proud to beg, sec-ond chance you’ll nev-er get. And yeah I know, how bad it must
#
G # · « j Î · « j
Ï' Î
}{ Ï' # Ï' Ï' Ï' Ï'
F ## î Î « # Ïj Î Ï' î n Ï Ï Ï Ï . Ï' « Ï' Î
Ï # Ï Ï' ' J Ï'

#
% Em7 D/F # G

G #Ï Ï Ï Ï Ï Ï Ï ÏÏÏ Ï Ï
Ï Î Î « j Ï. Ï Ï
Ï Ï Ï Ï. Ï Ï Ï
hurt to see me like this, but it gets worse. Now pay - back is a bad bitch, and
#
G # · «jÎ î « j Î
}{ Ï' # Ï' Ï' Ï n Ï Ï Ï ÏÏÏ' ÏÏ
Ï'
ÏÏ
Ï'
F ## î Î « # Ïj Î Ï' î Ï nÏ Ï Ï Ï « j Î
Ï' Ï' ' ' Ï' Ï'

F #7
#
Bm

G # Ï. Ï Ï Ï. Ï Ï Ï Ï Ï Ï Ï Ï j«
Ï Ï Ï. Ï Ï Ï Ï .
#Ï Ï Ï Ï Ï Ï Ï Ï
ba - by, I’m the bad - dest. You fuck - in’ with a sav - age, can’t have this, can’t have this.
# « j Î
G # · ·
}{ # ÏÏÏ
'
ÏÏÏ
'
ÏÏÏ
'
F ## î Î « # Ïj Î Ï' î
Ï #Ï Ï' '
nÏ Ï Ï Ï

Ǻ Musicnotes.com Authorized for use by: Sarah Shin


3
Am7 D7( b5)/A b F #7
#
Gmaj7 Bm

G # î « Ïj Ï Ï Ï Ï « Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïj Ï ú
And it’d be nice of me to take it eas - y on ya, but nah. Ba - by I’m sor -

## « Ïj Î · « jî Ï ·
G
}{ n ÏÏÏ
'
Ï'Ï ÏÏÏ
' # ÏÏÏ
'
ÏÏÏ
' Î Ï'
Ï

F ## « jÎ î « # Ïj î Ï ·
(cues 2° & 3°)

Î Ï Ï
Ï' b Ï' Ï' Ï Ï' # Ï' Î Ï'
%% N.C.

#
G # Ï Ï « j Ï
Ï Ï Ï Ï Ï Ï « j Ï
Ï Ï Ï Ï
Ï Ï Ï Ï
Ï Ï

- ry, (I’m not sor - ry.) Ba - by I’m sor - ry. (I’m not sor - ry.) Be-ing so bad
#
G # j î j î
}{ Ï. Ï Ï Ï Ï Ï Ï. # Ï Ï Ï Ï Ï Ï
F ## j î j Ï Ï Ï Ï î
Ï. Ï Ï Ï Ï Ï Ï. # Ï Ï

#
G # Ï Ï Ï Ï Ï Ï Ï Ï Ï Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Î Ï Ï
Ï Ï
got me feel-in’ so good, show-ing you up like I knew that I would. Ba-by I’m sor -
#
G # j Î j î
}{ Ï. Ï Ï Ï Ï Ï Ï Ï Ï Ï. # Ï Ï Ï Ï Ï
F ## Ï Ï j Ï î
Ï. J Ï Ï Ï Ï Ï Ï Î Ï. # Ï Ï Ï Ï

#
G # Ï Ï « j Ï
Ï Ï Ï Ï Ï Ï « j Ï
Ï Ï Ï Ï
Ï Ï Ï Ï
Ï Ï

- ry, (I’m not sor - ry.) Ba - by I’m sor - ry. (I’m not sor - ry.) Feel-ing in - spir -
#
G # j î j î
}{ Ï. Ï Ï Ï Ï Ï Ï. # Ï Ï Ï Ï Ï Ï
F ## j î j Ï Ï Ï Ï î
Ï. Ï Ï Ï Ï Ï Ï. # Ï Ï

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To Coda I Þ
4

To Coda II ÞÞ
#
G # ÏÏ Ï Ï ÏÏÏÏ ÏÏÎ Ï ÏÏÏ ÏÏÏÏ Ï ÏÏÏ ÏÏÎ Î ÏÏ
- ed ’cause the ta-bles have turned, yeah, I’m on fi - re and I know that it burns. Ba-by,
#
G # j Î j î
}{ Ï. Ï Ï Ï ÏÏÏ Ï Ï Ï. #Ï Ï Ï ú
F ## Ï Ï j î
Ï. J Ï ÏÏÏ Ï ÏÎ Ï. #Ï Ï Ï ú

# j
G #Ï Ï Ï Ï Ï Ï Ï Ï Î Ï Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï Ï « Ï Ï Ï Ï
fine-ness is the way to kill, tell me how it feel, but it’s such a bit-ter pill. And yeah I know,
#
G # « jÎ · « jÎ ·
}{ Ï' Ï' Ï' Ï' # Ï' Ï'
F ## « jÎ î Î « # Ïj Î Ï' î
Ï' Ï' Ï' Ï # Ï Ï' '
ÏÏÏ Ï

# Ï Ï Ï Ï Ï Ï
G # Ï Ï Ï Ï Ï Î Î Ï Ï
Ï Ï Ï Ï Ï Ï
you thought you had big - ger bet - ter things, bet right now this stings. ’Cause the
#
G # « jÎ · « jÎ ·
}{ Ï' Ï' Ï' Ï' # Ï' Ï'
F ##
Ï' « Ï' Î î Î « # Ïj Î Ï ·
J Ï' Ï' Ï' ' '

# j
G #Ï Ï Ï ÏÏÏ ÏÏÎ Ï ÏÏ Ï ÏÏÏÏ Ï Ï Ï Ï ÏÏ« Ï ÏÏÏ
grass is green-er un-der me, bright as tech- ni - col-or, I can tell that you can see. And yeah I know,
#
G # j j
}{ Ï. ÏÏ Ï w Ï. #Ï Ï Ï w
F ## j j Ï ú
Ï. ÏÏ Ï ú. Ï #Ï Ï. #Ï Ï
ÏÏÏ Ï

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5

D.S. % al Coda I Þ
#
G #Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏÏ Ï Ï
Ï Î Î « j
Ï
how bad it must hurt to see me like this, but it gets worse. Now

#
G # j j
}{ Ï. Ï Ï Ï w Ï. #Ï Ï Ï ú Ï nÏ Ï Ï
F ## Ï Ï Ï j
Ï. J ú. Ï Ï. #Ï Ï Ï ú Ï nÏ Ï Ï

Þ
Coda I
D/F # F #7
#
Em7 G Bm

G # Ï Ï Î
î Ï Ï Ï Ï Ï Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
burns. Talk that talk, ba - by, bet-ter walk, bet - ter walk that walk, ba - by.
# « jÎ Ï
G # î « jÎ ·
}{ ú ÏÏ
Ï'
ÏÏÏ
' ÏÏ
Ï' # ÏÏÏ
'
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' '
F ## ú Ï n Ï Ï Ï Ï « Ïj Î î Î Ï #Ï Ï « # Ïj Î Ï
' ' Ï' ' ' '
Am7 D7( b5)/A b Gmaj7 F #7
#
Bm

G #Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
If you talk, if you talk that talk, ba - by, bet - ter walk, bet - ter walk that walk, ba - by,
# « Ïj Î Ï « jÎ Ï
G # · ·
}{ Ï'Ï ÏÏ' n ÏÏÏ
' # ÏÏÏ
'
ÏÏÏ
'
ÏÏ'
F ## î « jÎ î Î Ï « # Ïj Î Ï
Ï Ï
nÏ Ï Ï Ï' b Ï' Ï' Ï Ï' # Ï' Ï'
D/F # F #7
#
Em7 G Bm

G #Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Oh, yeah, talk that talk, ba - by, bet-ter walk, bet - ter walk that walk, ba - by.
# « jÎ Ï
G #î « jÎ ·
}{ Ï n Ï Ï Ï ÏÏÏ' ÏÏ
Ï'
ÏÏ
Ï'
ÏÏÏ Ï
# ÏÏÏ
' Ï''
F ## î Ï nÏ Ï Ï Ï « jÎ
Ï' Ï'
î Î Ï # Ï Ï « # Ï'j Î Ï'
' '

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6

Am7 D7( b5)/A b F #7


## Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Gmaj7 Bm
Ï Ï
G Î Î Ï Ï Ï Ï Ï Ï Ï Ï

If you talk, if you talk that talk, ba - by, bet-ter walk, bet-ter walk that walk, ba - by.

# « Ïj Î « jÎ Ï
G # · ·
}{ n ÏÏÏ Ï'Ï ÏÏÏ ÏÏÏ ÏÏ'
' ' # ÏÏÏ '
'
F ## î « jÎ î Î Ï « # Ïj Î Ï
Ï
n Ï Ï Ï Ï Ï' b Ï' Ï' Ï Ï' # Ï' Ï'

ÞÞ #
Coda II
D.S.S. %% al Coda II ÞÞ
#
N.C.

G #î Ï Ï Ï Ï G # ÏÏÎ î
dim. al niente

Ï. Ï Ï Ï Ï Ï.
Ï Ï Ï
Ba - by I’m sor - burns. (Pay- back is a bad bitch, and

# #
G #î G # « j Î
}{ Ï nÏ Ï Ï
}{ w Ï' Ï' Ï'
F ## î F ## Ï . j
dim.
« j Î
Ï nÏ Ï Ï Ï Ï Ï Ï Ï Ï' Ï' Ï'

#
G # Ï. Ï Ï Ï Ï Ï. Ï. Î î
Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï. Ï
ba - by, I’m the bad - dest, I’m the bad - dest, I’m the bad - dest, I’m the bad - dest.)

#
G # · « j Î ·
}{ Ï' # Ï' Ï'
pp
F ## î Î « # Ïj Î Ï' ·
Ï #Ï Ï' '

Ǻ Musicnotes.com Authorized for use by: Sarah Shin