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Equipment – 1700 – Camera obscura was designed by Leonardo da Venci for accurate perspective and scale.
Chemicals – 1725 – 1777 – Light sensitivity of silver nitrate and silver chloride solution had been discovered and investigated.
1. Joseph Nicephore Niepce – 1816 – was able to obtain camera images on papers sensitized with silver chloride
solution fixation was partial.
2. Louis Jacques Mande Daquerre – 1839 – “Daguerreotype” the first practical photography process, image was made
permanent by the use of hypo.
3. William Henry Fox Talbot- 1841 – He patented “Caletype process negatives on paper sensitized with silver-iodide
and silver nitrate. These were contact on sensitized papers. As the tone and resolving power. Daquerreotype was
better.
Police photography - is an art or science that deals with the study of the principles of photography the preparation of the
photographic evidence and its application to police work.
Photography- is derived from Greek words, photo – which means light and graphy which means – to draw.
Photography is an essential tool for the law-enforcement investigator. As a tool, it enable him to record the visible and
in many cases, the invisible evidence of a crime. Special techniques employing infrared ultraviolet and X-ray radiation enable to
record the evidence, which is not visible. The photographic evidence can then be stored indefinitely and retrieved when needed.
There is no other process which can ferret record remember and recall criminal evidence as well as photography.
Photographs are also a means of communication .It is a languages sometimes defined as the “the most
universal of all languages” Photography has an advantage as a languages because it does not rely upon abstract
symbols-words. Photography thus is more direct and less subject to misunderstanding .As a communication medium –
has few if any equal.
Forensic Photography – The process of photographing or recording of crime scene or any other objects for
court presentations.
Photomicrography – The art or process of photographing minute objects when magnified by means of the
microscope and enlarge from 10x up.
Photomacrography – Photographing of objects directly enlarge to the negative and magnified from 1 to 9x.
Infrared Photography – The art or process of photographing or recording unseen objects by means of infra-red
film and infra-red light.
PHOTOGRAPHY DEFINED
It is an art or science, which deals with the reproduction of images through the action of light, upon, sensitized materials
(film or papers) with the aid of a camera and its accessories, and the chemical processes involved therein
B. PRINCIPLES OF PHOTOGRAPHY
A photograph is both the mechanical and chemical result of photography. To reproduce a photograph light is need aside
from sensitized materials (film or pictures) Light radiated or reflected by the subject must reach the film while or other lights is
achieved by placing the film inside a light tight box (Camera)
The effect of light of on the film is not visible in the formation of images of objects. To make it visible, we need or require
a chemical processing of the exposed film called development.
The visual effect of light on the film development varies with the quantity or quality of light that reached the
emulsion of the film .Too great in the amount of light will produce a transparent or white shade after a development.
The amount of light reaching the film is dependent upon several factors like lighting condition, lens opening used etc.
F. EMULSION SPEED
The extend to which an emulsion is sensitive to light is referred to its emulsion speed. The two general types of
speed ratings are:
1. ASA rating (American Standard Association)
This is expressed in arithmetical value system. The speeds in numbers are directly proportional to the sensitivity of the
material. A film with an arithmetical value of 400 is four times as fast as one with a speed of 100.
2. DIN (Detche Industri Normen) rating
This is expressed in logarithmic value system. In this system an increase of
degrees double the sensitivity of the film.
3. ISO rating- combination of ASA and DIN rating.
H. CAMERA
A camera is basically nothing more than a light box with a pinhole or lens, shutter at one end and a holder of sensitized
material at the other. While there are various of camera from the simplest in construction (Box-type) to the most complicated, all
operate on the same principle. The exposure of the sensitized material to light is controlled by the lens and closing of lens to
light.
The essential parts of a camera are: a light tight box, a lens, a shutter, a holder of sensitized, material, and a
viewfinder. All other accouterments of any camera merely make picture taking easier, faster, and convenient for the operator and
are called accessories.
1. Body or light tight box- suggests an enclosure devoid of light. An enclosure, which would prevent light from
exposing the sensitized, materialized material inside the camera. This does not necessarily mean that the box or enclosure to
always light tight at all times because if it does, then no light could reach the sensitized material during exposure. It means that
before and after the extraneous light, which is not necessary to form the final images.
2. Lens – The function of the lens is to focus the light coming from the subject. It is chiefly responsible for the
sharpness of the image formed through which light passes during the exposure.
3. Shutter- is used to allow light to enter through the lens and reach the film for pre-determined intervals of time, which
light is again block off from the film.
4. Holder of sensitized material- located at the opposite side of the lens. Its function is to hold firmly the sensitized
material in its place during exposure to prevent the formation of a multiple or blurred image of the subject.
5. View-finder- it is a means of determining the field of view of the camera or the extent of the coverage of the
lens.
5. Chromatic Aberration - inability of the lens to focus all the colors in the same place.
6. Astigmatism – inability of the lens to focus lines. Running in different direction like for example a cross.
7. Chromatic different of magnification – inability of the lens to produce image sizes of objects with different colors.
8. Flares - a) optical
b) Mechanical
I. LENS CHARACTERISTICS:
1. Focal Length – is the distance measured from the optical center of the lens to the film plane when the lens is set of
focused at infinity position. As according to focal length, lenses maybe classified as:
a) Wide Angle lens – a lens with a focal length of less than the diagonal of its negative material.
b) Normal lens – a lens with a focal length of approximately equal or more but not more the twice the diagonal
of its negative material.
c) Long or Telephoto lens – a lens with a focal length of more than twice the diagonal of its negative material.
2. Relative Aperture – The light gathering power of the lens is expressed in the F – number system. It is otherwise
called the relative aperture. By increasing or decreasing the f – number numerically, it is possible to:
a) control the amount of light passing through the lens
b) control the depth of field
c) control the degree of sharpness due to lens defects
3. Depth of Field – is distance measured from the nearest to the farthest object in
apparent sharp focus when the lens is set or focused at a particular distance.
Hyper focal distance – is the nearest distance at which with a given particular diaphragm opening which will give the
maximum depth of field.
Focusing – is the setting of the proper distance in order to form a sharp image a lens of a camera except those fixed
requires focusing. A lens maybe focused any of the following:
a) Focusing scale or scale bed – a scale is usually found at the lens barrel indicating pre-settled distance a feet or in
meters. To focus the lens of the camera, the distance of the object to be photographed is measured estimated a calculated and
the pointer or maker on the lens barrel is adjusted to the corresponding number on the scale.
b) Range–finder – is a mechanism that measures the angle of the convergence of light coming from a subject as seen
from two apertures. There are two types of range finders:
1. Split – image through the range finder, the image of a straight line in the object appears into halves and
separated from each other when the lens is not in focus. When the images of the lines are aligned, the lens
is in focus.
2. Co-incident- through the eyepiece, a single image is double when the subject is out of focus. Make the
image coincide and the lens is ion focus.
c) Ground glass- is focused by directly observing the image formed at the
ground glass, screen placed behind the taking lens. If the image formed is blurred, fuzzy or not cleared, the lens is out of focus.
Make the image sharp, the lens is in focus.
d) Zone – This is possible in wide-angle lenses only. There are only three setting for focusing for focusing.
One for close distance (approximate 3-6ft) another for medium distance (approximately 15 infinity)
J. SHUTTER – Contraption or device used to block the path of light passing through the lens and exposing the sensitized
material.
Generally are two types of shutters:
1. Central shutters - one that is located near the lens (usually between the elements of the lens) It is made of metal
leaves and its action starts from the center toward the side then closes back to the center.
2. Focal Plane shutters - is located near the focal plane or the sensitized material. It is usually made of cloth curtain. Its
action starts on one side and closes on the opposite sides.
K. EXPOSURE – is the product of illumination and time. Exposure is computed by any of the following methods:
1. Use of light exposure meter. The amount of light coming from a source of the amount of light being reflected by the
subject is measured by the meter. Proper adjustment therefore becomes simplified.
2. By taking into consideration exposure facture like, emulsion speed or film sensitivity, lighting condition, and kind of
subject.
Example: When using a film with an ASA rating of 100, for a normal subject, set the shutter speed
at1/25 in accordance with the following lighting conditions:
M. ENLARGING TECHNIQUE:
After processing an exposed film into a negative, the next step would be to turn the negative into a positive print or
copy. This could be done by either contact printing or projection printing. For contact printing, a contact printer is used while in
projection printing an enlarger is needed. There are four essential parts of an enlarger: a base and stand, a lamp house, a
condenser or diffuser, and a lens. Accessories of the enlarger are the steps in enlarging:
1. Preparation of the darkroom, chemicals and the enlarger.
2. Put off white light, switch on red light.
3. Place the negative in the holder with the dull side of the negative facing down.
4. Insert the negative holder into the enlarger.
5. Switch on the enlarger’s light.
6. Adjust the easel to the desired size of the photograph.
7. Focus the lens of the enlarger. Focusing is done by first opening the lens diaphragm fully. If after the image has been focused,
and the density of the negative permits, the lens of the enlarger must be stopped down a little bit.
8. Switch off the light of the enlarger.
9. Insert the photographic paper in the easel with the shinny side facing up.
10. Make the exposure.
11. Immerse the exposed photographic paper in the developer. The usual developing time for a normally exposed paper is about
1 to 1 ½ minutes.
12. Transfer the developed print in the stop bath for about to 30 seconds.
13. Place the prints in the acid fixer. The fixing time is about to 30 minutes.
14. Wash the print in running water for about 20 to 30 minutes.
15. Drying
16. Mounting
17. Drying chemical defects in negatives
a) Underdevelopment- Intensifier
b) Overdevelopment – Reducer
c) Stains – Stain remover
Frequent faults in printing.
1. Blurred Exhibits
2. Muddy and mottled exhibits
3. Yellowish exhibits
4. Dark exhibits
5. Light exhibits
6. Harsh exhibits
7. Flat exhibits
8 Fogged exhibits
9. Blemishes on prints
10. Distorted prints
Since crime scene photographs are designed to provide such views of the area as would have met the eye of an
observer, the procedure of taking crime photographs is straightforward. A set of four photographs is usual minimum to show a
room adequately, and many more maybe made in the case of a major crime. Medium distant views as well as close-up
photographs, should be made of important objects. Two lenses are usually sufficient. A wide angle lens for interior photographs
and a normal lens for cut door photographs and other purpose. Rarely is a telephoto lens is required in crime scene
photography.
Occasionally existing room light may be satisfactory for photographic purposes; however, the photographer will usually
have to provide additional illumination for interior shots Photoflood, photoflash, or electronic lamps can be used.
For general view of the scene, use the camera at eye level. These photographs provide a representation of the scene
as the average eye witness might have observed it naturally, if you wish to show an object not in the normal line of vision you
must place the camera elsewhere.
Measuring devices as rulers, yardsticks or tape measures can be used to show relative size of and distance between
objects or the degree of magnification of an enlargement. They should not obscure any important part of the evidence. In
document or small object photographs, 6 inch or 15 centimeter ruler placed at the bottom or just below of the object will show the
relative size of the objects in a photographic exhibit.
Photography proves itself as vital necessary to aids the investigation, solution, and prosecution of a crime scene.
Photography affords a permanent visual record of the crime scenes, person, places and things. Therefore standards procedures
are indicated in order to obtain the desired results.
Remember that photographs are often necessary to correct rate testimony of certain witness and usually add weight
and credibility to their testimony.
In photographing the scene, the photographer should attempt to record all useful information in series of photographs
that will help the viewer to understand WHERE and HOW crime was committed. The term crime scene refers to not only to the
immediate site of the crime, but also to adjacent areas, which may be important in establishing the location and surrounding of
the immediate site.
Photographic Procedure:
1. The camera should be mounted on a sturdy tripod whenever feasible to prevent camera movement.
2. The camera should be leveled whenever commensurate with the particular photograph to be taken.
3. Crime scene views include three general classes:
a. long views showing general classes
b. Medium views, pinpointing a specific object of evidence or significant segment of the crime scene.
c. close-up views, recording position and detail.
4. Photographs should be taken progressively as the photographer enters the building or room to avoid disturbing that
might otherwise remain unnoticed, and to maintain continuity.
5. Views should be taken to illustrate the general location of the scene of the crime. A large outdoor scene or a matter
involving several building may call for an aerial view.
6. Definitely required is view of the exterior of the building when the crime was committed inside. It is well to include the
street number when this is possible.
7. Needed next is the complete photographic coverage of the interior rooms within the crime area, which show the
condition in general and relate the overall scene to specific items and places.
8. Bodies of victim should be photographed exactly as found, from all angles and specially overhead when this can be
done, for identification purposes.
a. Close-up photographs, one to one. If possible, should be taken all wounds, bruises, discolorations, and
abrasion generally with color.
9. Measuring devices such as rulers, yardsticks, and tape measures can be used to show the relative size and
distance between objects of the degree of magnification of an enlargement.
They should not obscure any important part of the evidence. In photographing a document for example, the
ruler of 6 inch (0r 15 centimeter) is placed at the bottom or just below the object in a photographic exhibit.
10. Field notes
a) Record the date and time of arrival at the scene as well as the time of departure from the scene.
b) Specifically record the location area, street number, name of building, and type of scene.
c) Write down names and badge numbers of all investigative officers
present during photographing.
d) Total and record the number of exposures, which necessitates that bad negatives be saved for the record.
e) Record specific information on each exposure. This expressed either using AM or PM or military type 24
hour scales on which 3:00 pm becomes 1500 hours.
Additionally:
a. Direction camera pointed
b. General statement of what photographed
c. Exposure & ASA rating
d. Kind of film
e. The lighting whether available, flood lamps, flash, lamps, etc.
Problems in Fingerprint Photography
1. Black fingerprint on colored background
2. White fingerprint on colored background
3. Fingerprint on multi-colored background
4. Fingerprint on glass
5. Fingerprint on polished metal
6. Fingerprint on papers
FILTERS – is a homogenous medium, which absorbs and transmits differentially light rays passing through it.
A color filter work in such a way that it will transmit its own color and absorbs other colors.
By using filters in combination with black and white films, the photographer can control tonal values to get a tonal
differences for visibility, emphasis, and other effects. With color films, filters are used to change the color quality of the exposing
lights to secure proper color balance with the film being used.
FILTER FACTOR
Because filter subtract some of the light passing through the lens, an increase in exposure time or lens opening is
necessary. The number of times that the normal exposure must be multiplied is called “filter factor”.
That filter factor value depends on film type and light source in addition to the absorption of the filter.
84. Pencil writing – refers to a writing is usually photographed by process panchromatic film.
85. Pen emphasis – it is the periodic increase in pressure of intermittently forcing the pen against the paper
surface with increased pressure.
86. Pen lift - stroke interruption caused by moving the writing instrument from the paper. Pen-lift or disconnection
between letters and letter combinations are maybe due to lack of movement control.
87. Pen failure - an interruption in a stroke caused by the failure of the ink of the writing instrument to register on the
surface of the paper.
88. Pen pressure - the average force with which the pen contrasts the paper. It is also the average force in which
the pen makes contact with the paper or the usual force involved in writing.
89. Pica - ten letters per inch in typewriting.
90. Plagiarism – refers to taking and using as one’s own the ideas, writing, etc. of another.
91. Photographs - is very necessary and useful in nearly every questioned document investigation and in many
cases it is impossible without them to present the facts to a court and jury in an effective convincing manner.
92. Photography – is the scientific technique of identifying the substance used in document.
93. Photomacrography - is the process of obtaining magnified photo of a small object without the use of a
microscope by using short focus lens and a long below extension.
94. Photomicrography - is the science of obtaining photographic magnification of above by using a camera
attached to compound microscope. The process of obtaining a magnified photograph of a small object without
the use of a microscope by using a short focus lens of a long bellows extension.
95. Photostat - reproduction of a document thru a sensitive paper in lines of film.
96. Post litem motam standard – refers to a requested standard.
97. Post litem motam examination - standard hand writing execute after the indent.
98. Principal movement in writing – refers to the following: finger and hand movement, whole arm movement, and
forearm movement.
99. Private document - a document or instrument executed upon the private person without the intervention of
notary public.
100. Public document - a document or instrument executed by the notary public or Public official with solemnities
required by law.
101. Print writing - It is otherwise known as “block lettering” or “roman capital”.
102. Proof – refers to the amount of evidence which will estabish the fact to the satisfaction of the tribunal.
103. Proof in Civil Cases – refers to the proof produced by a preponderance or strength of evidence.
104. Proof in Criminal Cases - refers to the proof produced by evidence beyond a reasonable doubt.
105. Proportion – individual characteristics in relative proportion of letters or proportion of a part of a letter or
relative height of one letter can be found in different writings. Proportion in letters is one of the hidden
features of writing. It is unknown even to the writer.
106. Redial letters - letters between the initial and terminal letters.
107. Retouching - a partial over writing of a signature.
108. Retouching Patching – stroke that goes back to repair a defective portion of writing.
109. Retrace or Retracing – a stroke that goes back over another writing stroke.
110. Requested standard - a specimen of a person’s writing of handwriting executed upon request.
111. Ratio – the relation between the tall and short letters is referred to as the ration of the writing.
112. Rhythm - is the harmonious recurrence of stress or impulse or motion of the hand. It is the balanced quality of
movements of the harmonious recurrence of stress or impulse.
113. Rubric or Embellishment – refers to additional unnecessary strokes not necessary to legibility of
letterforms or writings but incorporated in writing for decorative or ornamental purposes.
114. Questioned Document – refers to the origin of its contents on the circumstances of the story regarding its
production that could arouse serious suspicion as to its genuiness. A document upon which some issued has
been raises under security.
115. Safety paper - a paper which has been treated in such a way to minimize the chance of forgery by ensure,
mechanical or chemical.
116. Sequence of cross lines - the determination of what line has been write first between two intersecting lines.
117. Shading – is the widening of the ink strokes with increase pressure on the paper surface.
118. Shadowgraph - a writing instrument that makes detection of pen-lefts, hesitate and patching.
119. Shading - the widening of the ink stroke w/c may be due to added pressure on a flexible pen point or to the use
of other written instrument.
120. Skills - proficiencies in the art of writing, usually described to manual dexterity and legibility in hand writing.
121. Slant - the angle or inclination of the axis of letters relative to the baseline.
122. Staff – backspace of a letter.
123. Standard - a condensed & impact set of authentic specimen which if proven and adequate would contain a true
cross section of material from known source.
124. Steel rule - the instrument that which useful for certain other classes of document measurement especially for
general testing purposes.
125. Stereoscopic microscope - is best suited for questioned document examination because it gives a three
dimensional image.
126. Signature – refers to customary signatures of a person.
127. Significant parts of signatures – refers to the last stroke of words, separate capital letters and flying start.
128. Signature verifier – refers to a person who specialized in the verification of signature to determine the validity
and originality of document.
129. Simulated forgery - refers to the act of simulation, copying or imitation of a genuine signature of writing.
130. Size – size as writing characteristics is somewhat divergent under varying condition and may have but
little significance when applied to only one example, or to as small quality of writing like a signature
unless the divergence is very pronounced.
131. Space- Filler or Terminal spur – an upward horizontal or downward final stroke usually seen in small
letters.
132. Specimen of writing - is said to be written by a particular person if all its identifying elements are a part of his
handwriting.
133. Spur – refers to short, horizontal beginning strokes.
134. Spurious Signature – refers to an evidential document described as fraudulent signature.
135. Spurious or simple forgery - fraudulent signature in which no apparent attempt to stimulate or imitate a
genuine signature.
136. Sympathetic ink - is also called as invisible ink.
137. Terminal Strokes and Initial Strokes – when a letter, word or name (signature) is completed in a free, natural
writing, the pen is usually raised from the paper while in motion with a “flying finish” (or what is also
referred to as “vanishing”, “tapering” or “flourishing” terminal strokes) and with may writers, the motion
of the pen also slightly precedes the putting of the pen on the paper at the beginning with a “flying start”
so that the strokes at the beginning and end of words gradually diminish or taper to a “vanishing point”.
138. Toner - a chemical which produces the image in photocopies will react chemically with the plastic envelope used
in preserving evidentiary documents.
139. Traced forgery - fraudulent signature which was executed by actually following the outline of a genuine
signature with the writing instrument.
140. Tremor - a writing weakness portrayed by irregular and shaky strokes. It means “deviations from uniform strokes
due to lack of smoothness perfectly apparent even without magnification”.
141. Ultra-violet photography - the utilized of ultra-violet rays indoor photography to restore writings which have
been erased chemically or mechanically or in the detection of substitution over writing secret writings.
142. Variation - are normal or usual deviations formed in repeated specimen of any individuals’ handwriting.
143. Whirl – the upward strokes usually on letters that have long loops.
144. Writing – is the result of a very complicated series of acts, being as a whole a combination of certain forms,
which are the very visible result of mental and muscular habits, acquired by long, continued, painstaking effort.
145. Writing skill – it is the relative degree of ability of a writer’s proficiency.
Empirical characterization
1. Prototypical Documents: Letters, memos, legal forms, Instruction manual
2. Documents of Record: Newspapers and magazines
3. Books: Text book, Novels, Recipe books, Encyclopedia, Comic books
4. Canonical Documents: The Bible,Iliad and Odyssey,Vedas, Ramayana, Mahabharata, Quran, Code of
Hammurabi,Tao Te Ching
5. Transactional Documents: Cheque, Contracts, Prescription, Receipt, Form (document), Postage Stamp
6. Functional Documents: PDF files, PostScript files, XML files, Email
7. Non-Prototypical Documents: Post-it notes, Fortune cookie strips, Maps, Paintings, milk cartons, cereal
boxes
8. Non-Classical Digital Documents: Web Page, Weblog, Wiki
9. Boundary Examples: The plaque on the Pioneer 11 spacecraft, designed by astronomer Carl Sagan, and
using information assumed to be universal is an extreme example of a document that is intended to
communicate with aliens.
Functional Characteristics
1. Manifest nature
2. Contextuality and Situatedness
3. Evolvability
4. Renderability
5. Affordances
Future of Documents
1. Blurring of the notion of document boundary
2. Increasing structure and openness
3. Dynamic nature
4. Paper and electronic are reconciling
5. Hybrid automated/human authorship
6. Prosumer workflows
7. Customizability
8. Long Tail Economics
9. Blurring of Documents and Interfaces
10. Fluidity and Dynamic Microstructure
Candidacy
A person who desires to enter a career of forensic document examination must possess certain traits and
abilities:
1) First and foremost, excellent eyesight is required in order to see fine details that are otherwise
inconspicuous.
2) The aspirant must also pass a form blindness test in order to ensure that the aspirant does not suffer from
the condition of being unable to tell apart two similarly-appearing, yet different, items.
3) A bachelor of science degree is also typically required, for it gives the aspirant a scientific background with
which to approach the work in an objective manner, as well as bestowing necessary biological, physical, and
chemical knowledge sometimes called upon.
4) Additional desirable skills would include knowledge of paper, ink, printing processes, or handwriting.
Training
There are three possible methods of instruction for an aspiring document examiner:
1. Self-education is the way in which the pioneers of the field began, as there was no other method of
instruction. Unfortunately, there is a very real danger that the student will follow a stray path, with no
direction to steer him or her back on course.
2. Apprenticeship has become the widespread manner in which almost all examiners are now taught. In fact,
this is the method that is required for proper certification and membership to an established organization.
3. College and/or university programs are very limited at this time. In part, this is due to the relatively limited
demand for forensic document examiners. It also relates to the need for extensive practical experience;
particularly with respect to handwriting examination. It would be very difficult to include this degree of
practical experience in a normal academic program.
There are three stages in the process of examination. In brief, they are:
1. The questioned and the known items are analyzed and broken down to directly perceptible characteristics.
2. The characteristics of the questioned item are then compared against the known standard.
3. Evaluation of the similarities and differences of the compared properties determines which ones are valuable
for a conclusion. This depends on the uniqueness and frequency of occurrence in the items.
ABFDE Certification
A document examiner may be certified by the American Board of Forensic Document Examiners, Inc.
(ABFDE), which was formed in 1977 with a grant from the U.S. Department of Justice. The ABFDE is the body that
carries out certification of document examiners – there is no federal licensing involved. The court recognized the
Board as reputable in the case of U.S. v. Buck, 1987, in denying a motion that claimed that handwriting comparisons
were unreliable.
Under the Philippine law, the following are the four (4) kinds of document:
1. Commercial Document - refers to any instrument executed in accordance with the Code of Commerce or
any Mercantile, containing disposition of commercial rights or obligations.
2. Official Document - refers to any instrument issued by the Government or its agents or its officers having
the authority to do so and the officers, which in accordance with their creation, they are authorized to issue.
The officers must issue the document in the performance of their duties.
3. Public Document - refers to any instrument notarized by notary public or competent public official with
solemnities required by law. (Cacnio vs. Baens, 5 Phil. 742).
4. Private Document - refers to every deed or instrument executed by a private person without the
intervention of notary public or of any other person legally authorized, by which documents, some disposition
or agreement is proved evidenced or set forth. (US vs. Orera, 11 Phil. 596).
11. Typewriting Test Plate on Glass for alignment and line and line spacing Test – a useful instrument for
typewriting examinations, consist of a glass carrying accurately graduated fine line squares, ten to the inch,
the spacing of ordinary type writing. This glass can be placed over the typewriting to disclose and illustrate
abnormal horizontal or vertical alignment, which is another of the significant individual peculiarities of
typewriting.
12. Curvemeter – is the instrument on glass was devised for the measurements of curves and turns and
connections in handwriting and typewriting.
13. Proportion Test Plate – is the instrument on glass for measuring and recording in photographic form
variations in proportions of long and short letters in handwriting.
14. Angle measure – is the instrument was devised for the purpose of measuring angles in handwriting and
typewriting.
15. Transmitted Light Table – is the appliance frequently useful in questioned document inquiries is the glass
topped table, with light under neath, designed for all kinds of transmitted light examinations.
The responsibilities of the investigator in the collection, protection, handling, submission for examination, and
chain of custody of questioned documents are as follows:
1. To collect, protect, identify, and preserve the questioned document, or if the original best evidence document
is not available, a certified, professionally photographed copy thereof
2. To collect and to e able to prove the origin of adequate comparison standards (specimen writings or
exemplars) to be used by the document examiner as standards of comparisons in determining authorship of
the document
3. To submit both the questioned document(s) and the comparison specimens or exemplars of the document
examiner at the selected forensic laboratory
4. To use the prudent cure in the collection, handling, shipping, and preservation of such documents and their
chain of custody
The following criteria should be kept in mind when obtaining, handling, and shipping questioned documents to the
document examiner. All documentary evidence should be:
1. Legally obtained
2. Completely described, identified, and dated in the investigator’s notes
3. Carefully labeled, initialed, and dated for future identification
4. Handled properly according to due care procedures (see below)
5. Cautiously wrapped with the adequate protection for shipment
6. Accounted for at all stages by maintaining the chain of custody
7. Submitted to the examiner with the specific instructions and sufficient standards of comparison
An investigator or his agency often has to exercise judgment as to the need for an expert’s examination of a
document in question in order to detect signs of tampering, alteration, or forgery.
The following signs indicate reasons a document should be submitted to a forensic laboratory:
1. Abrasions or chemical pen or pencil erasures
2. Alterations or substitutions
3. Disguised or unnatural writings with change in letter formation
4. Use of different colored inks
5. Charred, mutilated, or torn pages
6. Pencil or carbon marks along the writing lines of the signature, indicating possible transfer or tracing
7. Questions raised by client, claimant, or other person relative to the document’s authenticity
8. Question as to the genuineness of the signature
9. Suspicious signs of inconsistency or disruption of continuity of content. If it is the multipaged document, do all
the connected pages of the document show continuous language without any break in the content theme? Are
all dates, events, names, streets, or any other precise data referred to within the document consistent with
each other and with known facts?
10. Suspicious appearance or unusual form. Is there any identification of an attempted change of contents? If it is
a typewritten document, does it appear that the same ribbon and same typewriter was used throughout its
creation? If it is a handwritten document, is there more than one style of handwriting in evidence, or were
different colored inks or different types of writing instrument used? Does the total writing show uniformity, or
are there definite composition differences? Are there any indentations on the document created by handwritten
or typewritten comment on some paper that was placed over the paper of the document?
Transmitting document
The objective of transmittal is to see that the document reaches its destination without damage. Clear
identification and safe transit are the prime requirements ineffective transmittal. The following should be submitted to
the examiner:
1. The original document in dispute or questioned, if it at all possible.
2. Complete photographs of the document taken by qualified and competent photographer if it is not possible
to obtain the original document. The photograph must show (a) all delicate features and characteristics of
the writing, and (b) all details of the condition of the document. Photostat copies record only black and white
and tend to mess delicate features of pen or pencil strokes. They should be used only as a last resort when
no better instrument of visualization is available.
3. Known writings or documents can be used as standards of comparison. The examiner must have definitive
information relative to genuine signatures and writings. All relevant information pertaining to them should e
supplied.
4. All pertinent investigative information regarding the questioned document and the condition of the alleged
writer.
Letter of transmittal
The transmittal letter should contain precise information for the document examiner:
1. Identification of the document. It may be wise to list all documentary evidence obtained if there are other
documents pertinent to the case beside the one submitted for examination. The letter should clearly
distinguish between questioned and known documents.
2. Exact nature of the examination to be performed. The type of document, its condition, and the reasons for it
being questioned will indicate specific problems with which the examiner will be expected to deal. It may be
suspected forgery, possible alterations, obliterations, need for handwriting identification, or any of many
related examinations.
3. Whether or not the examiner is to examine the document for latent fingerprints. Fingerprints may not be an
issue; however, they often are if determination of the document issue is a primary issue.
4. How sample writings were obtained for standards of comparison, the name and address of the person from
who obtained, and a copy of the writer’s signed acknowledgement.
5. Other information pertinent to the examination the investigator may have obtain relative to the questioned
document that might prove helpful to the examiner should be enclosed. This should be confined to factual
data and not express the investigator’s opinions.
A. Collected or Procured - Those which are obtained from files of document executed in the persons day to
day business, official, social or personal activities. Collected standards are known (genuine) handwritings of
an individual, such as signature and endorsements on cancelled checks, legal papers letters, commercial,
official, public and private documents, and other handwriting such as letters, memoranda, etc. written in the
course of daily life, both business and socials.
B. Requested or Prepared - Those which are given or made upon the request of an investigator for purpose of
making comparative examination with the request writing. Request standards are signature or other
handwritings (or hand printings) written by an individual upon request for the purpose of comparison with
other handwriting, or for specimen purposes. In most instances, collected standards are preferable to
request standards, though both types should be submitted if available. Standards should be collected from a
period dated within a year of the date questioned document, with some written within weeks or days of the
questioned writing.
Disputed Document
Suggests that there is an argument or controversy over the document and strictly speaking this is its true
meaning. In this text, as well as through prior usage, disputed document and questioned document are employed
interchangeably to signify a document under special scrutiny
a. Collected Standards
c. Typewriting Standard
1. If the typewriting ribbon is obviously new, remove it to the laboratory with the typewriting exemplars
prepared from another ribbon. (the text of the material in question may still be discernible on the ribbon).
2. Use of about the same size as the questioned materials, type out a full word copy of the message in
question, typographical errors, using as nearly as possible the same degree of touch as that used in typing
the questioned materials.
3. After placing the typewriter in a stencil position or each character on the keyboard by typing through carbon
paper which has been inserted carbon side down over a piece of white bond paper.
4. Make certain that each specimen contain the make, model and serial number of the typewriter from which it
was produced as well as the date and initials of the offices.
5. Typewriter specimen should be taken from suspect typewriter(s). It is usually not necessary to forward the
typewriter to the laboratory it complete known exemplars are obtained.
6. If possible, after a typewritten exemplars is obtained from a suspect typewriter, the investigator insure that
the typewritten documents the laboratory experts is in position to find valuable assistance to the solution and
subsequent prosecution of many cases.
1. They seldom follow any rule or baseline although at the beginning a position above the baseline is
taken which continues in an ascending or descending course. Baseline is the ruled or imaginary line
upon which the writing rests.
2. The tendency of the writing is to be raised involuntary in the last letters of the word made by the
extension of the fingers while the hand is being held in a fixed position.
3. The loop letters are often slanted too much because the upstrokes are made too long or nearly
straight.
4. Very unlikely to produce facsimile signatures in size, arrangement and proportion of parts.
5. The writing is not rhythmic, but made up of disconnected unskilled movement impulses which are
not likely to be related in an exactly identified way.
6. Tremor or involuntary trembling is seen due to inability to control the pen in motion because of not
being familiar with and self-conscious to the process of writing.
7. Formation and angle of letters are irregular and definitely show lack of knowledge of size and
proportion.
8. Same speed is utilized from beginning to end and seldom is the pen raised to get a new adjustment.
9. Illiterate pencil-writing is usually produced with much pressure and may show the habit of wetting
the pencil lead frequently.
10. In anonymous writing, illiteracy is indicated by faulty arrangement of words, lines, paragraphs and
pages.
11. Combination of script forms and Roman capitals, or pen or pencil printing, containing freak forms,
abbreviations or punctuation marks are individual creations.
1. Due to lack of muscular control, the handwriting will not usually show fine lines continuously but the
strokes are mostly rough and made with considerable pressure.
2. With the presence of tremor, the changes of direction are numerous and omission of parts of letters
or strokes are common.
3. The concluding parts are often made with a nervous haste and carelessness and they may be much
distorted.
4. Even with much tremor, the handwriting will usually show free connecting and terminal strokes
made by the momentum of the hand.
5. Often shows very uneven alignment and may disregard entirely a line near which they are written.
6. Usually shows an unusual and erratic departure from its intended movement, particularly in the
downward strokes.
7. There is a loss of individual departure from its intended movement, particularly in the downward
strokes.
8. There is a loss of individual rhythm as indicated by malformation and irregularity of speed in the
writing of small letters.
Disguised Writing
Disguised writing is the deliberate attempt on the part of the writer to alter his writing habit by
endeavoring to invent a new writing style or by imitating the writing of another person.
1. By changing the direction of the slant. The forger may employ a backhand slant, instead of the usual
forehead slant.
2. By increasing or decreasing the speed in writing.
3. By deliberate carelessness that will produce inferior style of writing.
4. By making the letters unusually large or small.
5. The forger may use the left hand instead of the right hand.
6. Hand printing may be substituted for script.
1. Inconsistent slant
2. Inconsistent letter formation
3. Change of capital letters
4. Lack of free-flowing movement
5. Lack of rhythm
6. Unnatural starts and stops
7. Irregular spacing
8. Writing with unaccustomed hand
1. Analysis (or Recognition) of characteristics - this process involves the observation, measurement
and/ or determination or properties or characteristics.
2. Comparison of Characteristics - This process entails the actual comparison of the properties or
characteristics of an unknown item determined through analysis with familiar or recorded
characteristics of known items.
3. Evaluation of characteristics - This refers to the process of correct interpretation of characteristics
will each have a certain value of identification determined by their like hood of occurrence. The
weight or significance of each characteristics. Examination, therefore, involves the recognition,
comparison and correct interpretation of all the characteristics of the handwriting.
Handwriting Formation
1. Arcaded
2. Garlanded
3. Angular
A. Collected
Collected standards are known (genuine) handwritings of an individual, such as signature and endorsements on
cancelled checks, legal papers letters, commercial, official, public and private documents, and other handwriting such
as letters, memoranda, etc. written in the course of daily life, both business and socials.
B. Requested
Request standards are signature or other handwritings (or hand printings) written by an individual upon request for
the purpose of comparison with other handwriting, or for specimen purposes. In most instances, collected standards
are preferable to request standards, though both types should be submitted if available. Standards should be
collected from a period dated within a year of the date questioned document, with some written within weeks or days
of the questioned writing.
Types of Standards desirable for comparison use in the two most common types of Questioned Documents
problems:
A. When a signature on check note, will, letter, etc. is in question:
1. Submit collected and requested standard signatures from both victim and suspect five to twenty signatures,
depending upon individual case.
B. When anonymous or writings other than signatures are in question:
1. Submit collected standard writings of general nature from both victim and suspect as much standard writings
as possible to obtain within reason.
2. Submit requested standard of the questioned text written (or printed) at least three writing by the suspect
and, in some instances, by the victim.
Suggested procedure for taking request handwriting standard in all types of questioned document problems:
1. Have the subject seated in a natural position at table or desk having smooth writing surface.
2. Furnish the subject with paper and writing instrument similar to those used in questioned writing, like; paper
should be of the same size, and ruled or unruled as questioned document; if questioned document is ink
written furnish subject with pen and ink, etc.
3. Never permit subject to see any writing on questioned document.
4. Dictate material to be written (or printed, if questioned material is hand printed): give no assistance in
spelling or arrangement of page. Dictate at rate of speed, which will produce the subject natural writing
habits. Too slow dictation will enable the subject to attempt disguise and rapid dictation will not produce
normal writing.
5. Remove each specimen upon completion by subject number in consequence, date, time and identify by
initiating each, and request subject to sign each specimen.
6. Observe all writing done by subject and indicate any attempt at disguise, as well as whether subject appears
to be normally right or left handed, etc.
Special procedure for taking request handwriting standards where check forgery is Charge or Suspected
A. Furnish subject with blank checks similar to the questioned checks.
B. Dictate the entries to be made on specimen checks as follows:
a. Date same as shown on questioned check
b. Payee -do-
c. Amount -do-
d. Signature -do-
e. Endorsement -do-
f. Any other handwriting shown on questioned check
C. Give subject help or suggestions in completing specimen checks.
Miscellaneous
A. The laboratory should be informed of the ages apparent health and physical conditions of the subject at the
time standards are written.
B. Do not fold, staple, or pin documents, handle questioned documents with care.
C. Indicate in the sample handwriting the time, place, date, signature of writer as well as witness of the
handwriting.
PROCEDURE FOR OBTAINING COLLECTED STANDARD: Specimen Written in the Course of Daily Affairs
A. Signature Investigations
DO’S
1. Obtain at least 15 to 20 genuine signatures.
2. Procedure ink signature for comparison with questioned ink specimens pencil standards for comparison with
questioned pencil specimens.
3. Secure when available, genuine signatures used for different purpose as the questioned (i.e., if a check
signature is questioned, best standards are given signatures on correspondence important legal documents
receipts, etc.)
4. Supplement standards with signatures used for different purpose. (i.e.: in check investigations supplement
standard check signatures with signatures on correspondence important legal documents receipts, etc.)
5. Produce standard signatures of approximately the same date as the disputed (preferably within the years of
the questioned).
6. Secure, whenever possible, some signature written on forms or papers of the same size as questioned
document.
DON’TS
1. Do not rely on only one or two standard signatures.
2. Do not depend entirely upon other types of writing specimens.
3. Do not rely exclusively upon signatures used for every different purpose than the questioned.
4. Do not submit pencil signatures for comparison with questioned ink writing or only ink signatures for
comparison with questioned pencil specimens.
5. Do not use signatures written during extreme illness or intoxication, except for comparison with specimens
executed under similar conditions.
6. Do not depend or recently written signatures for comparison with specimens written 20 or 30 years ago.
7. Do not collect only the recommended minimum number of signatures if more specimens are available.
Signature, a person's name, usually in his or her own handwriting. In law, signatures are put at the end of a
legal instrument to show that it is valid. The most common and readily accepted form is the person's own handwriting,
but a signature may be printed, stamped, or typewritten. Illiterate persons often draw an “X” or other symbol, attested
by the signature of a witness.
Signature Information
1. Signature as legal attestation
Acknowledgment - in U.S. law, the act of avowing before a proper officer or a court that one has executed a legal
instrument, and of obtaining a certificate that admits the instrument as evidence in a legal proceeding without further
proof of its genuineness.
Affidavit - in law, voluntary written statement sworn before an officer qualified to administer an oath.
Will (law), in law, disposition by an individual of his or her property, intended to take effect after death.
A written will - must be signed at the end; a testator unable to write may make an X, and such a mark is considered
a valid signature
Witnesses - are also necessary to ensure the legal validity of certain documents and ceremonies.
Deed - in law, written instrument that transfers an interest in real estate.
Statute - written law enacted by a legislature, which may take the form of either an act or a resolution, as opposed to
unwritten, or common, law, which is usually determined by custom or court decisions.
Summons - in law, a formal document stating that a person (defendant) is notified to appear in court and answer a
complaint or charge brought against him or her by another party (plaintiff). Unless a specific statutory provision
permits a summons to be signed by the plaintiff's attorney, it usually must be signed by the clerk of the court in which
the action is brought. The following form is an example of a summons.
Treaty- in international law, written agreement concluded by two or more sovereign nations or by a nation and an
international organization, such as the European Union.
3. Transfer by endorsement
Bill of Exchange - unconditional order in writing, signed and addressed by one person (the drawer) to another (the
drawee), requiring the drawee to pay on demand, or at a determinable or fixed future date, a specified sum of money
to a third person (the payee).
Negotiable Instruments - in law, contracts in writing that are transferable by endorsement or by delivery and to
which the holder takes title free from any defenses or objections to their validity that might have been good against
the transferor.
Promissory Note - in the law of negotiable instruments, written instrument containing an unconditional promise by a
party, called the maker, who signs the instrument, to pay to another, called the payee, a definite sum of money either
on demand or at a specified or ascertainable future date.
5. Forging of signatures
Art Forgery - the intent to deceive, usually for financial gain, by proffering an art object as representing something
other than what it is.
Detecting Forgeries - By use of special illumination such as ultraviolet black light, infrared photography, and X-ray
radiographs, inconsistencies and changes in paintings may be detected.
Forgery- in criminal law, fraudulent altering of a written document or seal, with the intent of injuring the interests of
another person or of fraudulently obtaining governmental revenue.
6. Study and analysis of handwriting
Graphology - study and analysis of handwriting to assess the writer's traits or personality.
7. Signatures required to place names or issues on an election ballot
Ballot - in modern usage, a sheet of paper used in voting, usually in an electoral system that allows the voter to make
choices secretly.
Origin of Signature
A signature (from Latin signare, "sign") is a handwritten (and sometimes stylized) depiction of someone's
name (or some other identifying mark) that a person writes on documents as a proof of identity and will. It acts as a
seal. The writer of a signature is a signatory. Like a handwritten signature, a signature work describes the work as
readily identifying its creator.
person, or of a fictitious person, knowing that he has no authority to do so; or falsely, alters, forges or
counterfeits any check, draft, due-bill for the payment of money or property, or counterfeits of forges the seal
Forgery of Signature
A forge signature is the signature of another person or of a fictitious person written by another who
has no authority to do so, with intent to defraud. Forgery may be produced under many processes ranging
from the mere writing of the name without any attempt to resemble the genuine model, signature, to the more
complicated process of tracing or simulation to produce a close resemblance or facsimile if the genuine
signature.
Categories of Forgery:
1. Simple Forgery
2. Simulated Forgery
3. Traced Forgery
In this type of forgery, the forger who is confronted with the absence of a model signature will not
attempt to produce a facsimile of the genuine signature but instead signs the name in his own handwriting or
in modified or disguised handwriting, and then devises ways and means of passing the document for profit
before the obvious fraud is detected. This is commonly used in “fictitious persons” cases and invariability
by the check forms, completes and endorses the same with fictitious signature in order to make them as
genuine.
It is the act of simulation, or copying in imitation of a genuine signature or writing as to resemble the
model. The forger avails himself of a model signature which he places before him in order to copy the same.
Often the forger under takes some practices before proceeding to do his work of simulation or imitation.
In some instances, where the forger could not avail of a genuine signature as a model, he merely
relies from memory his recollections of the pattern of the signature which he may have virtue of long
Traced Forgery
This is the result of an attempt to transfer to a fraudulent document an exact facsimile of a genuine
signature or writing by some tracing process. It is any fraudulent signature which was executed by actually
following the outline of a genuine signature with any sharp pointed instrument.
1. Carbon process (Carbon Outline) as the name denotes is that type whereby the forgery interleaves a
carbon paper between the genuine signature (top sheet) and the document intended to be forged
(bottom sheet). The outline of the model or genuine signature is traced with a dry pen or any sharp
pointed instrument with considerable pressure to make a carbon outline signature by the forger.
Others will improve on the same by tracing the carbon outline with suitable ink strokes before
passing it as genuine.
2. Indentation Process is that type indentation or canal like outlines of the genuine signature is
produced on the fraudulent document (bottom sheet be tracing the outline of the genuine signature
(top sheet) with considerable pressure with any sharp pointed instrument. The indented outline on
the fraudulent document is then directly inked in and in some instances, first retracted with pencil
very lightly before it is finally.
An indentation can mean two things:
1) To make notches in something or form deep recesses in a coastline for instance.
2) To place text farther to the right to separate it from surrounding text. The first meaning is also applied in
hardness measurement as in indentation hardness. For an example of the second meaning, this is an
indentation of one space.
3. Transmitting light or projection process is that kind whereby the fraudulent document is placed
immediately above the genuine document (signature) and with strong light directed through the two
superimpose sheet of paper from under, with transparent glass used as writing surface, the outline
which is seen thru the upper sheet is then traced with any suitable writing instrument.
Indications of Forgery
Indications of Genuineness
Bryan Donkin - The English engineer who was the first patented steel pen point in 1803.
Juan de Yciar - The 16th-century Spanish calligrapher mentions brass pens for very large writing in his 1548 writing
manual, but the use of metal pens did not become widespread until the early part of the 19th century.
William Joseph Gillot, William Mitchell, and James Stephen Perry - The leading 19th-century English pen
manufacturers.
Lewis Waterman - a New York insurance agent, patented the first practical fountain pen containing its own ink
reservoir in 1884.
Georg and Ladislao Biro - Hungarian brothers who invented a practical ballpoint pen.
Yukio Horie (1962) – Invented the first practical fiber-tip pen in Japan.
John J. Loud- Granted the first patent for a ball point pen No. 392,046, October 30, 1888
Van Vechten Riesburg – He patented another ball point pen device in 1916.
Milton Reynolds - He introduced the first ball point pen to replace the then common "fountain pen" in 1945.
B. PENCILS
Nicholas Jacques Conté - In 1795, French chemist received a patent for the modern process for making pencil
leads by mixing powdered graphite and clay, forming sticks, and hardening them in a furnace.
William H. Maurice - He advertised the "India rubber," evidently intended for use as a pencil eraser a Philadelphia,
PA, stationer, in 1847.
Samuel Kraus – Awarded the Patent No. 316,374 on April 21, 1895, describes a method of making slate pencils
using ground talc or soapstone mixed with ground potter's clay.
William Monroe - a Massachusetts cabinetmaker, invented a machine that cut and grooved wood slats precisely
enough to make pencils.
Joseph Dixon - the American inventor developed the method of cuffing single cedar cylinders in half to receive the
core and then gluing them back together.
Eberhard Faber (1861), An American manufacturer , the first pencil-making factory in the United States was built in
New York City.
Hymen Lipman (1858) – Patented the first attaching an eraser to the end of a pencil.
C. INKS
Tien-Lcheu (2697 B.C.) –A Chinese philosopher and inventor of ink
D. TYPEWRITER
Henry Mill - British inventor who made first recorded attempt to produce a writing machine in 1714.
William Austin Burt - American inventor, the next patent issued for a typewriter in 1829.
Charles Grover Thurber (1843) – American inventor who made first machine to use the method of spacing.
Xavier Progin - French inventor for a machine that embodied for the first time one of the principles employed in
modern typewriters: the use for each letter or symbol of separate typebars, actuated by separate lever keys in 1833.
Father Francisco João de Azevedo - a Brazilian priest, made his own typewriter in 1861 with poor materials, such
as wood and knives.
Austrian Peter Mitterhofer - created a typewriter in 1864, but it was never produced commercially. Mitterhofer
continued to improve his original model and created five different enhanced typewriters until 1868.
Rev. Rasmus Malling-Hansen of Denmark (1865) - invented the Hansen Writing Ball, which went into commercial
production in 1870 and was the first commercially sold typewriter.
Christopher Sholes, Carlos Glidden, and Samuel W. Soule (1867) - invented another typewriter. The patent (US
79,265) was sold for $12,000 to Densmore and Yost, who made an agreement with E. Remington and Sons (then
famous as a manufacturer of sewing machines) to commercialize what was known as the Sholes and Glidden Type-
Writer. Remington started production of their first typewriter on March 1, 1873, in Ilion, New York. Another early
typewriter manufacturer was Underwood.
Thomas Edison (1870) – invented the electric typewriters, the basic groundwork for the electric typewriter.
Barbara Blackburn (2005) - is the fastest English language typist in the world,
1. If the ribbon is new, remove it from the typewriter an send the typewriter with the ribbon to the
laboratory for examination.
2. Use paper of the same size as the questioned materials and type out a full word-for-word copy of the
message in questioned.
3. After placing the typewriter in a stencil position, obtain sample of each character by typing through
carbon paper.
4. Make certain that each specimen contain and makes model and serial number of the typewriter
including the dates, initial of the examiners, and who get the said specimen.
5. If possible, after a typewritten exemplar is obtained from a suspected typewriter, the investigator
should ensure that the typewriter is kept on its current conditioned.
1. Microscopic Examination - Stereoscopic examination with flow and high power objectives is used to
detect retouching, patching and unnatural pen-lift in signature analysis. With proper angle and
intensity or illumination, it aids in the decipherment of erasures, some minute manipulations not
perfectly pictured to the unaided eye and sequence of entries done by different writing instruments.
2. Transmitted light Examination – Documents are subjected to this type of examination to determine the
presence of erasures, matching of serration and some other types alterations.
3. Oblique or Side Light Examination – Decipherment of faded handwriting “determination of outline in
traced forgery embossed impression, etc. are subjected to this type examination.
4. Photographic Examination – This type of examination is very essential in every document
examination. Actual observations recorded in the photographs.
5. Ultra Violet Examination – This type of examination done in darkened room after the lamp has been
warmed up in order to give a maximum output of the ultra violet light exposures to the ultra violet
light should be to the minimum duration in order to avoid fading of some writing ink and typewriter
ribbon. The exposure of a document to ultra violet light is useful when it consists of several pages
and substitution is being suspected.
MONEY COUNTERFIETING EXAMINATION
What is Money?
Money, any medium of exchange that is widely accepted in payment for goods and services and in
settlement of debts. Money also serves as a standard of value for measuring the relative worth of different goods and
services. The number of units of money required to buy a commodity is the price of the commodity. The monetary
unit chosen as a measure of value need not, however, be used widely, or even at all, as a medium of exchange.
During the colonial period in America, for example, Spanish currency was an important medium of exchange, while
the British pound served as the standard of value.
The Central Bank Notes and Coins
Study the workmanship of each denomination of known genuine Central Bank notes and coins. Take
note of and FAMILIARIZE yourself with the various characteristics of the following features:
NOTES:
COINS:
I. DISTINCTIVE FEEL
GENUINE – The finger will readily feel the main prints on the front and black on fairly new notes. This is due
to the measurable thickness of the in deposited on the paper which gives an embossed effects.
COUNTERFIET – Generally smooth. The fingers will hardly feel the prints of the front and black even on new
notes. This is brought about by offset printing the most common process employed by counterfeiters. Photo-
counterfeits (reduced by a straight photographic copying) generally fell “Slimy”. The “Prints are more stains
II. PORTRAIT
GENUINE – Appears life-like. The eyes “sparkle”. The tiny dots and lines forming the details on the face, hair,
etc. are clear, sharp and well-defined. Each portrait stands out noticeable along the shoulders. The eyes hair
is multi-colored fine pattern of lines in varying lifeless. Tones and shades interlacing are intricately printed in
such a way that the contrast or shifting of colors creates the impression of life and vividness to the notes.
COUNTERFIET – Appears “dead”. The face and / or fore head are often unnaturally white or pale due to
absence of most of the tails. It appears blurred, Dull, smudges and poorly printed. The eyes do not sparkle.
The concentric line depicting the often merged into solid printed areas. The background often blend with the
portrait and are usually “scratchy” .The lines are think with one genuine notes are extremely difficult to
duplicate and as a result counterfeit notes are usually off-colors and not of the right shade or tone.
III. WATERMARKS
GENUINE – The watermarks underneath the security lacework on the right hand side of the note is the same
as the colored portrait. This design is placed by means of a dandy roll during the manufacture of the paper.
Consequently, sharp details of the outline or the light and shadow effect are discernible when viewed with
the aid of a transmitted light. The relief of the feature can be felt by running the finger on the design.
COUNTERFIET – This is imitated by printing white ink of dry block on the finishing paper. Sometimes was or
other only medium is stamped to give transparency to the portioned where the design appears or a printed
outline is placed on the merely a paper cutout is placed inside. As a result, course or harsh and occasional
GENUINE – This is a special threat placed vertically on the paper during manufacture. On the surface of the
paper where this thread located are patterns on short vertical lines.
COUNTERFIET – Faked by means of printing on the back of the note, on the inner side of the paper, insertion
of twine thread or by simply folding the note vertically where the thread appears on the genuine bill.
V. COLORED FIBERS
GENUINE – The fibers are scattered at random on both surface and can be ready picked off by means of any
pointed instrument.
COUNTERFIET – Simulated by printed line cannot be picked off, but can be easily erased with ordinary
GENUINE – The geometric pattern which looks like a delicate lacework along the boarder on both surface,
emblazing the portrait, value panel and vignette and under the legend ANG BAGONG LIPUNAN, are multi-
colored and composed of sharp lines which are continuous and traceable even at the joins.
COUNTERFIET – These geometric patterns are often blurred, blurred, rough on the edges and blotched on
the joint. Its continuity could not be traced. The color appears fade.
GENUINE – The prefix letter (s) and numbers (six of them except on replacement note) are clearly printed.
They have peculiar style and are uniform in size and thickness. Spacing of the numbers is uniform and
alignment is even.
COUNTERFIET – The letter (s) and numbers are poorly printed. They are of usually different style. Most often,
they are not evenly spaced and are poorly aligned, either too big or to small thin, and in certain cares shaded
on the curves.
VIII. VIGNETTE
GENUINE – The line and dots composing the vignette are fine, distinct and sharp. The varying color tone
gives a “bold look” to the picture that makes it stand out” of the paper.
COUNTERFIET – Usually dull and poorly printed. It appears dirty. The lines are comparatively thicker with
rough edges. There is no variation in color tone so that picture appears flat.
GENUINE – The registry of the different printed features is perfect. The lines are very clean and sharp. There
COUNTERFIET – In general, a spurious note exhibits a “second hand” logo. It is dirty due to the sputtering of
ink on the interior area. Over inked areas are visible instantly. The shading and ornamentations of the letters
X. COINS
GENUINE – Genuine coins show an even flow of metallic grains. The details of the profile, the seal of the
Republic of the Philippines, lettering and numerals are of high relief, so that it can be readily felt distinctly by
running the fingers on these features. The beading are regular and the readings are deep and even.
COUNTERFIET – Most counterfeit coins feel greasy and appear surrounding the genuine coin appear
irregular and elongated depressions, and are not sharp and prominent as in the genuine. The letters rings
and numeral are low and worn out due to lack of sharpness of details. The reading are uneven and show
signs of filling. Most counterfeit coins feel greasy and appear slim. The beading composed of tiny round dots
surrounding the genuine coin appear irregular and elongated depression and are not sharp and prominent as
in the genuine. The letters rings and numerals are low and worn out due to reading are uneven and show
signs of filing.
Genuine notes have polychrome background with one predominant color for each denomination. You
Coins
Genuine coins show an even flow of metallic grains. The details of the profile, the seal of the
Republic of the Philippines, lettering and numerals are of high relief, so that it can be readily felt distinctly by
running the fingers on these features. The heading is regular and the readings are deep and even.
LETTER P - is the symbol for PESO with two horizontal strikethrough lines. It is sometimes shown as a P
with just one strikethrough line or just a P with no strikethrough lines at all since there are problems with font
support.
The Philippine Peso - commonly called piso (Filipino) or peso (English and Spanish) is the currency of the
Philippines. It is subdivided into 100 sentimo (English and Spanish: centavos).
Republic Act No. 265 - created the Central Bank of the Philippines (CBP, now the Bangko Sentral ng
Pilipinas) on January 3, 1949, in which was vested the power of administering the banking & credit system
of the country.
On May 1, 1852, the first commercial bank of the Philippines, El Banco Español Filipino de Isabel 2A
issuing the following denominations initially 10, 25, 50 and 200 pesos fuertes (strong pesos). They were
used until 1896.
Higher denominations
The Central Bank of the Philippines issued only 300,000 pieces of this 216mmx133mm 2,000 Philippine
piso centennial commemorative legal tender banknote. The obverse side features President Joseph Estrada taking
his oath of office on June 30, 1998 in the historic Barasoain Church, the seat of the first democratic republic in Asia
shown in the background as well as the scroll of the Malolos Constitution and the seal of the BSP (Bangko Sentral ng
Pilipinas). The reverse side depicts the re-enactment of the declaration of Philippine Independence at the Aguinaldo
Shrine in Kawit, Cavite on June 12, 1998 by President Fidel V. Ramos and also features the Philippine Centennial
Commission logo. The security features of the note include a 3-dimensional cylinder mold-made portrait watermark of
the two presidents and the years 1898-1998, iridescent band, color-shift windowed security thread, latent image and
perfect see-through register. The 100,000-piso centennial note, measuring 8.5"x14", is accredited by the Guinness
Book of World Records as the world's largest legal tender note in terms of size. It was issued in very limited quantity
during the celebration of the centennial of Philippine independence in 1998
Pertinent Laws and Regulations to Protect and maintain the Integrity of the Currency
1. Article 163, Revised Penal Code (RPC). Making and importing and uttering (issuing or circulating) false
coins.
2. Article 166, Revised Penal Code (RPC). Forging treasury or bank notes or other documents payable to
bearer; importing, and uttering (issuing or circulating) such false or forged notes and documents.
3. Article 168, Revised Penal Code (RPC). Illegal possession and use of false treasury or bank notes and
other instruments of credit.
4. Article 176, Revised Penal Code (RPC). Manufacturing and possession of instruments or implements for
falsification.
5. PD 247 – Defacement, mutilation, tearing, burning or destruction of Central Bank (BSP) notes and coins.
6. Chapter II, Circular 61, Series of 1995. Reproduction and/or use of facsimiles of legal tender Philippine
currency notes.
7. Chapter III, Circular 61, Series of 1995. Reproduction and/or use of facsimiles of legal tender Philippine
currency coins.
Paul Revere – he made the first plates for this "Continental Currency."
Federal Reserve Seal
Prior to Series 1996, each Federal Reserve Note bears a regional seal at the left of the portrait. This seal,
printed in black, bears the name of the issuing Federal Reserve Bank and the letter designating the Federal Reserve
district in which that bank is located.
On notes of the 1950 series and later, the black Federal Reserve regional seal is smaller than earlier
designs and is surrounded by sharp points. Starting with the 1996 series Federal Reserve notes, a new universal seal
represents the entire Federal Reserve system. A letter and number below the upper left serial number identifies the
issuing Federal Reserve Bank.
Manufacturing counterfeit United States currency or altering genuine currency to increase its value is a
violation of Title 18, Section 471 of the United States Code and is punishable by a fine or imprisonment for up to 15
years, or both. Possession of counterfeit United States obligations with fraudulent intent is a violation of Title 18,
Section 472 of the United States Code and is punishable by a fine or imprisonment for up to 15 years, or both.
Anyone who manufactures a counterfeit U.S. coin in any denomination above five cents is subject to the same
penalties as all other counterfeiters. Anyone who alters a genuine coin to increase its numismatic value is in violation
of Title 18, Section 331 of the United States Code, which is punishable by a fine or imprisonment for up to five years,
or both. Forging, altering, or trafficking in United States Government checks, bonds or other obligations is a violation
of Title 18, Section 510 of the United States Code and is punishable by a fine or imprisonment for up to 10 years, or
both. Printed reproductions, including photographs of paper currency, checks, bonds, postage stamps, revenue
stamps, and securities of the United States and foreign governments (except under the conditions previously listed)
are violations of Title 18, Section 474 of the United States Code. Violations are punishable by a fine or imprisonment
for up to 15 years, or both.
What is Photography?
Photography is the art or process of producing image of objects by the action of light on sensitive surface
with the aid of images forming device known as camera process involve therein.
Generally, photographing of document is the vital importance in the establishment of proofs in questioned
document cases. A permanent record of it can be considered indispensable to a successful examination and
presentation of the case in court. To meet this requirement the document photographer should have a wide
photographic knowledge, training and experience. He should be aware of the fundamental operational capabilities
and limitation in the areas of:
1. Films
2. Lighting
3. Lighting Equipments
4. Type of Cameras Available for the specific purpose
5. Types of Lenses suited for the given cases
6. Supplemental equipment’s which will increase efficiency such as tripod, camera stand, filters, extension
tubes, cable release, lens hood, flood light, level, etc.
The correct lighting for deciphering erasures is determined by experiment. As a general guide these steps
should be tried:
1. Ordinary Lighting. Obviously, the first step is to look at the document by ordinary reflected light.
2. Side Lighting. Try lighting from various angles. An extremely oblique angle will often be found useful. If
some particular light and viewing angle make the erasure visible, duplicate setup for the camera.
3. Transmitted Light. Look at the document with the light coming through it. Turn the document over and
repeat.
4. Magnification. Examine the paper with a magnifier, such as a hand glass or a low-power binocular
microscope. Magnifications up to about 10x are most useful.
5. Polarized Light. Light the document with polarized light, using a Kodak Pola-Light, for example, Examine it
through a Kodak Pola-Screen.
6. Filters. Look at the document through various filters-either separate filters or the viewing filters in the Kodak
Master Photoguide.
Chemical Methods
An erasure can be brought up with iodine fuming. Iodine fuming is a general procedure includes:
1. Reveals the presence and extent of an erasure;
2. Restores some of the writing, and
3. Delineates any area that had previously been wet.
1. Transmitted Light Photography – used in the examination of watermarks and furnishes a method of
determining the identity or the difference in paper by showing arrangement of the fibers and the markings of the
wire gauze and dandy-roll. Photograph by transmitted light will also clearly the uneven distribution of ink in
interrupted strokes and the presence of the added ink in retouched strokes.
2. Photomicrography – the process of obtaining photographs of magnified images of small subject is known as
photomicrography. It has a wide application in many fields where the minutes scrutiny of an object is necessary
and a court exhibit of a magnified image is needed.
b) High-Power Photomicrography – ordinary requires the use of a lensless camera attached to a compound
microscope. The image produced by the lens system of the microscope simply is projected upon the film in the
camera.
3. Ultra-Violet Photography – in the radiant energy spectrum between the x-ray band and the visible light band
and adjoining the latter at its violet end is a band of rays known as ultraviolet. Photographs made by using
ultraviolet rays as the light source sometimes reveal physical or chemical differences in subjects that are
undetectable by any type of photography.
a) Straight Ultraviolet Photography – is a method of taking a picture in which a camera is used to record the
difference in a subject reflection, transmission or absorption of ultraviolet rays in much the same manner as in
light photography.
b) Ultraviolet Luminescence Photography – is the process of taking a picture of a subject that is emitting or
giving out invisible radiations in the long wave ultraviolet region (3500A to 4000) while it is being irradiated by
external short wave ultraviolet rays (2500 to 3500A)
c) Ultraviolet Fluorescence Photography – basically, fluorescence photography is almost as simply as many
other kinds of visible light photography. All black and white films and all color films can be used, and generally
speaking color is better than black and white for fluorescence photography. High speed Ektachrome is good
Panchromatic film in black and white. The filter most often used is the Wratten 2B in color and K2 (yellow) OR g
(orange) filters in black and white works.
4. Infra-Red Photography – define as taking a picture with infrared rays by means of a camera loaded with film
sensitive to infrared radiations. However, infrared pictures often, are produced without a camera and they are
also taken sometimes with films that are not sensitive to infrared radiations.
a) Straight Infra-red Photography – “straight” to mean exhibiting no deviation from what is accepted as usual
or normal photograph undertaken using infrared film in an ordinary camera with an infrared filter over the
camera lens or any light source. (Wratten 87 or A & F Filters)
b) Indirect Infrared Photography – it is possible to take infrared pictures indirectly that are very similar to
those obtained by the straight techniques using infrared film. One method uses a device called an image
converter. The image is transformed into a visible light image on the fluorescent screen of the converter can be
observed visually and photographed with any camera loaded with fast Panchromatic film; it is not necessary to
use infrared film.
5. Infrared Luminescence Photography – luminescence is the process of taking picture of a subject that is
emitting or giving out invisible radiations in the long wavelength extending into infrared region.
6. Digital Photography – digital photography is defined by storing images on computer memory or floppy disc
instead of film, digital cameras bypass film processing by displaying images immediately when connected to
computer. As digital photography phenomenon gains momentum, the number of digital camera manufactures
has increased. This category of digital camera would include the Apple, Quicktake, Casio, Chinon and Kodak.
Digital Camera – contain computed chips that store visual images. By marrying the camera and computer, images
can be viewed, edited, or added to documents. Transferring the images frees up the camera’s memory allowing an
endless supply of digital film.
CCD Camera – Charged Coupling Device (CCD) chips capture an image in an array of a fixed number of pixels. The
chip is charged with electricity, light strikes the array, and the brightness of each pixel is recorded by software.
1. The number and dates of standards signatures to be photographed in connection with disputed document or
the disputed signature.
2. The degree of greatest enlargement of the disputed, document or of the disputed signature, and of the
accompanying standard writings that are to be enlarged.
3. The classification, or group comparison, of words, or parts of extended writing or portions of signatures or
other writing.
4. The disability of transmitted light photograph of disputed documents or writing with similar photograph of a
standard writing similar in kind.
5. In traced forgery cases the photographing of disputed signature with the model from which it was traced if
model is found, and the printing of photograph of forged signature and model signature or separate
transparent films, or oiled, paper and also photographing those signature under ruled squares slightly
enlarged to show suspicious identity by this method as well as by the use of the transparent films or print.
6. Possible use of stereoscopic illustrations showing retouching, overwriting mark of nib points, line crossing,
erasures, overwriting, over folds in paper, or any third dimension characteristic.
7. The size of photographs to be used, whether 8x12, or 11 x 14 and also whether they are to be arranged in
loose-leaf album form or separately in fortfolio.
8. The use of large bromide enlargements.
1. The writing in questioned can be accurately enlarged so that every quality and characteristics of it can be
clearly and properly interpreted whether the facts so shown point to genuineness or to forgery.
2. To provide any number of accurate reproductions of writing in questioned, thus affording unlimited
opportunity for study, comparison and investigation by any number of examiners, which would not be
possible by using the original document in questioned.
3. Photographic duplicate, and especially enlargements, also enable court and jury to understand and weight
the technical testimony given by an expert regarding their finding.
4. Photographs can be cut apart as may be desirable and the various parts classified for comparison.
5. Photographs are also useful in showing delicate discoloration’s due to chemical erasures or other fraudulent
changes otherwise might be overlook, denied or misinterpreted.