SUMMARY

This book, throughout its presentation of the elements of type and space, has been involved primarily
with the visual aspects of their physical reality in architecture. Points, moving through space and shaping
lines, lines shaping planes, planes shaping volumes of form and area. On the far side these visual
functions, these components, by their relationships to at least one another and also the nature of their
organization, additionally communicate notions of domain and place, entry and path of movement,
hierarchy and order. These are conferred as the literal, denotative meanings of form and area in
architecture.

Architecture is generally conceived designed and realized built in response to an existing set of
conditions. These conditions may be purely functional in nature, or they may also reflect in varying
degrees the social, political, and economic climate. In any case, it is assumed that the existing set of
conditions the problem is less than satisfactory and that a new set of conditions a solution would be
desirable. The act of creating architecture, then, is a problem-solving or design process. It ought to
that architecture, in bound form and space into one essence, not solely facilitates purpose but
communicates that means. The art of architecture makes our existence not solely visible however
significant.

As an art, architecture is over satisfying the purely useful necessities of a building program. Essentially,
the physical manifestations of architecture accommodate act. However, the arrangement and ordering
of forms and spaces additionally confirm however architecture may promote endeavors, elicit
responses, and communicate that means. Thus whereas this study focuses on formal and special
concepts, it's not supposed to diminish the importance of the social, political, or economic aspects of
architecture. form and area are conferred not as ends in themselves but as means that to resolve a drag
in response to conditions of perform, purpose, and context that's, architecturally.

The architecture of space form and enclosure organizational pattern, relationships, clarity, hierarchy
formal image and spatial definition qualities of form, color, texture, scale, proportion, qualities of
surfaces, edges, and openings. Experienced through approach and entry path configuration and access
sequence of areas light, view, touch, hearing, and smell.

Technology achieved structure and enclosure environmental protection and luxury health, safety, and
welfare sturdiness and property. Program accommodating user needs, needs, aspirations social group
factors economic factors legal constraints historical tradition and precedents. Context compatible with
its site and surroundings climate: sun, wind, and temperature, precipitation geography: soils,
topography, vegetation, water sensory and cultural characteristics of the place.

SPATIAL SYSTEM:-

The three-dimensional integration of program components and areas accommodates the multiple
functions and relationships of a house.

STUCTURAL SYSTEM:-

A grid of columns supports horizontal beams and slabs. The cantilever acknowledges the direction of
approach on the longitudinal axis.

ENCLOSURE SYSTEM:-

Four exterior wall planes outline an oblong volume that contains the program components and areas.

CIRCULATION SYSTEM:-

The step and ramp penetrate and link the three levels, and heighten the viewer’s perception of forms in
space and light. The sinuate variety of the doorway foyer reflects the movement of the automobile.

CONTEXT:-

An easy exterior kind wraps around a posh interior organization of forms and spaces. Elevating the
most floors provides a far better view and avoids the humidness of the bottom. A garden terrace
distributes sunlight to the areas gathered around it.

Physical Form includes space, solids and voids, interior and exterior. Even system of organization space
structure, enclosure and machines.

Perceptual Sensory perception and recognition of the physical elements by experiencing them
sequentially in time. Approach and departure , entry and egress , movement through the order of
spaces ,functioning of and activities within spaces, qualities of light, color, texture, view, and sound.

Conceptual Comprehension of the ordered or disordered relationships among a building’s elements and
systems, and responding to the meanings they evoke. Includes images, patterns, signs, symbols and
context.
However architectural forms and spaces conjointly have implicit meanings: associative values and
symbolic content that are subject to private and cultural interpretation, which may amendment with
time. The spires of a Gothic cathedral will symbolize the realm, values, or goals of Christianity. The Greek
column will convey the notion of democracy, or, as in America in the early nineteenth century, the
presence of civilization in a new world.

The shapes are such they're clearly discovered in light. The relationships between them haven't
essentially any reference to what is practical or descriptive. They’re a mathematical creation of our
mind. They’re the language of architecture. By the utilization of raw materials and ranging from
conditions additional or less utilitarian, have established bound relationships that have aroused with
emotions.

KESHVI BHAYANI
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