Al SR Del Mar 2015 - Alfonso Ugarte (Estreno) PDF

''Al Señor Del Mar 2015'' ( ...Muy Dentro de Mi...
)
Comp. & Arranger By: Sebastian Carhuas Salazar(b. 1991)
1st Alto Saxophone Lima, Perú - Oct. 2014

( Alfonso Ugarte )
              

            
Prestissimo
    
q = 52
6 fp
mf f
  
         
            
3
     

6
mf f fp ff
            
     
5

          
p mf ff 6
9
   A Alto Sax
                   
           
3 3
mf mf f mf
          
14
                  
    
f mf 3 3
 
Moises Reyes
19
                 
  
Legato Sutil
     
3 
f mp mf
  B                  
Tutti
     
   
 
25
      
    


3 3 3 3 3
3
f
  2. 
molto rall
  
                      
     
1.

29
 

3 3 6 6 3 3 V.S.
pp mf f p
Copyright © CbasClarinet@Facebook.com
2 1st Alto Saxophone

Più mosso
q = 54
                  
32 C‹
           
mf f 3 3 3 3
3 3
35
                 

   

3 3 3

    

       
         
Forte Bass!! C
 
37

     
3 6
f
              

  
                 
    
40
         
6
3
     

     
            6

43 3 1.
                 
 
3 mf
 2.

               
     
46

          


 
3
pp f ff
 
 
     
Soli Brass
 
Guía!
 
48
        
    

  
''Al Señor Del Mar 2015'' ( ...Muy Dentro de Mi... )
1st Clarinet in Bb Lima, Perú - Oct. 2014
     
( Alfonso Ugarte )
    
    
     

Prestissimo
  
q = 52
mf f 6 fp
  
         
              
3
      
6
mf f fp ff
Soli Brass!
         
   
  
          
Legato Sutil

5
  
p mf ff 6

Alto Sax
 
A
              
  
Legato Sutil
9
       
mf pp p mp
     
         
16 Moises Reyes
    
3
pp
 
22
          
         
         
3 3
f mp mf

Tutti

                  
1.
   
    
  
       
B

26  
  
3 3 3 3 3 3
f pp
 2.
molto rall.

                              
 
30
 
mf 6 6 3 3
f p V.S.
2 1st Clarinet in Bb

  
Più mosso
      

q = 54
                 
  
32 F‹
 
mf f 3 3 3 3 3 3

                
 

  
35
 
3 3 3

   

     
   
       
Forte Bass!!
C
     
 
37
      
3 6
f
   


40
                
     
6
    

                  
   
42
   
3 3
     1.
                    
   
44
     
6
      
 3 2.
 
  
mf
         

    
     
46

       


 3
  

pp f ff

     
   
 
48
      
Soli Brass
 
Guía!
    
1st Euphonium T.C. Comp. & Arranger By: Sebastian Carhuas Salazar(b. 1991)
Lima, Perú - Oct. 2014
  
       
( Alfonso Ugarte )
       
       
Prestissimo
    
q = 52
f 3 3 f
                    

   
4
     
3 3 3
fp ff
       
   Bell's
    
           
7
 
ff sfz sf
         


9 Alto Sax
          
mf mp sf
                                   
11 A
 
p mf sf
  
                      

Soli Lead Drum's
  
15
 
   
p mf f
Moises Reyes
            
  
19
       

p subito

                             
22 Legato Sutil
    
mf sf p mf
        

Tutti
 
   
Soli!
 
       
 
26 B
    
ff 3 sf f V.S.
3
molto rall.

2 1st Euphonium T.C.
29 
      
1.           2.
    
   
3 3
pp mf
Più mosso sf pp
q = 54
                

Soli!
      

32

3 3 3 3
mf sf f
          
34

  
              
      
3 3 3 3 sf
Forte Bass!!    C   

       
      
    
         
37
    

 

3 3
        A¨7
              
             
40

        
       
  


    
 
 
 
 
 

            
1. 2.
      
44

         
3
    

mf
   pp f
 ff 3
                           

                  
  
47
    
3 3 6 3 3


50

Soli Brass
     
Guía!

     
1st Trombone Lima, Perú - Oct. 2014
( Alfonso Ugarte )
     
Prestissimo
q = 52
                   
         

f 3 3 3 3
f fp ff
            

5
                
 
3
Bell's
 
           
8
 
         

ff sfz sf mf
      A Alto Sax

10
   
   
        
              
mp sf p

14
                       
             
mf sf p mf
           Moises

Soli Lead Drum's Lead
18
                   
 Reyes

Trumpet
          
f p subito 3
   
22
    
                    
           

mf sf p mf
Tutti 
          
Soli!
      

26    B
      
   

3 3
ff sf f V.S.
1st Trombone molto rall.
2
1.
            2.
29           
                
3 3
pp mf sf pp
Più mosso
q = 54
         

Soli!
   
     
32   
 
3 3 3 3
mf sf f
          

34
  
                 
       

3 3 3 3 sf
 Forte Bass!!    C    

37                     
        
 

3 3
40
  
     
      G¨7
              
    
          

1. 2.
 
 
 
 
 
 
 

43  
             
 
 
 
 
     
              
 

3 3
mf pp f ff
                    

47                               
      

3 3 6 3 3
50 Soli Brass
 
      
Guía!
    

''Al Señor Del Mar 2015''
1st Trumpet in B b ( ...Muy Dentro de Mi... )
   
             

Prestissimo
  
( Alfonso Ugarte )
 
q = 52
       
ff 3 3 fp
           

Solo 1 Soli Lead Snare Drum
   
5
   
3 Play!
3
         
3

mf 3 f
   3 ff
  
A Alto Sax
    

9
       

mf f
Moises Reyes
               
 
Solo 1 !
19 Play! Solo 1 !
        
3
f mf
         
          
23
 
Play!
 
3 3
mf

                                     
26 Tutti B 1.
   
3 3 3 3 3 3
f pp
molto rall. Più mosso
    
q = 54
                      
30

2.
 
3 3
mf f p mf f
                   
            
33 F‹
  
    
3 3 3 3 3 3 3 3 3 V.S.
2 1st Trumpet in Bb
       

                   
       
Forte Bass!! C

37
     

3 3
       

               
40

     
3 3
                   
   
 
    

43
  
1.
 
3 3 mf 3

 
  
                      


46

2.
  
3 3
pp ff
                   

      
48
  
3 3 3 3

50 Soli Brass
 
 
Guía!
    
  
2nd Alto Saxophone Lima, Perú - Oct. 2014
   
( Alfonso Ugarte )
            

              
Prestissimo
 
q = 52 
6
mf f fp
 
             
  
3

        

  
6
mf f fp ff
   

                  

5
 
        
p mf ff 6
  
   
9 A Alto Sax
          
mf f
     
                 
15
    
mf 3 3
19

Moises Reyes


2 2nd Alto Saxophone
 
  
                 
21

Legato Sutil
    
3
 mf
f mp

                   
      
Tutti B
 
25 3
        
3

 f
3 3 3 3

 2.
molto ral
            
          
29 1.
 
3 3 6 6 3 3
pp mf f p
  
            

32
       
Più mosso
q = 54
mf f 3 3
     
              
34
   

3 3 3 3 3 3
 
        
      
 
 
Forte Bass!!
   
C
  
37
     
3

6
f
     
         
40
        
6
       
  
          

42 3
     

      
3
 
44
             1.
 
6
            
3 mf


2nd Alto Saxophone 3
         
2.
46
          
      
 

3
 
pp f ff
 
         
48
 
    

50 Soli Brass
 

 

Guía!
     
 
2nd Clarinet in Bb Lima, Perú - Oct. 2014
    
( Alfonso Ugarte )
          

        
Prestissimo
   
q = 52
mf f 6 fp
 
   
           
  
    
3
    

6
mf f fp ff
  

5
                  
 
     
    
p mf ff 6
  
Alto Sax
                
A Legato
  
9 Sutil
      
mf pp p mp

        
Moises Reyes
 
16
    
 
3
pp
 
           
 
           
22
     

3 3
f mp mf
Tutti
   B                      1.        
          
26
  
3 3 3 3 3 3
f pp

          
molto rall
                   
2.
 
30
 
mf 6 6 3 3
f p V.S.
2 2nd Clarinet in Bb

Più mosso
q = 54
  
                   
32
          
mf f 3 3 3 3 3
3
             
      
35
  

3 3 3
 
  
    
      
        
       
Forte Bass!!
C


37
       
3 6
f
      


           


40

   
6
    
   
         

   
42
     
3 3
    
                    
   
44 1.
      
6
      
3
 mf
       
   
2.
   
       
46
      
 
pp f
 ff
3

        
  
48
      
Soli Brass
 
  
Guía!
    
 
2nd Euphonium T.C.
( ...Muy Dentro de Mi... )

( Alfonso Ugarte )

                         
Prestissimo

           
q = 52
3 3
  3
f 3
f fp ff
                      
Bell's
5
       
              
3 ff sfz sf
                 

                
9 A Alto Sax
   
 
mf mp sf p
                 
     
13
      
mf sf p
           

Soli Lead Drum's Moises Reyes
 
17
 
          
      
mf f p subito
 
                
  
21
           
mf sf p
  Tutti B 
                  
Soli!
 
25
       
Legato Sutil

3 3
mf ff sf f
 
28
     1.                   
molto rall
   
2.
  
3 3
pp mf sf pp V.S.
2 2nd Euphonium T.C.
  
Più mosso
       
q = 54
          
Soli!
   

32
 
3 3 3 3
mf sf f
    
    
     
34
    
     
    
      
3 3 3 3
sf
    C      

            
        

       
Forte Bass!!
       
37
        

 
3 3
           
                     
41 A¨7
    
    
 

                     
45 1. 2.
 
     
3
     
 
 ff 3

3
mf pp f
                  
      
48
   

3 6 3 3

50
    
Soli Brass
 
Guía!

     
2nd Trombone
( Alfonso Ugarte )
Prestissimo
q = 52            
  
       
          

f 3 3 3 3
f fp ff
5 
            
              
 
3
8
Bell's
 
           
         
 
ff sfz sf mf
A Alto Sax
10                 
                            
mp sf p
14
    
        
    

   
             
mf sf p mf
Lead
Soli Lead Drum's
18     Moises Reyes  Trumpet
 
                                    

  
f p subito 3
  
22
                      
    
        
mf sf p mf
Soli!

      Tutti  
26  

          B             
     

ff 3 3 sf f molto ral

29
1.
           2.
 
           
    
   
  
3 3
pp mf sf pp V.S.
2nd Trombone
2
Più mosso
q = 54
32           

Soli!  
     

 
3 3 3 3
mf sf f
     

34
   
                   
       

3 3 3 3 sf
37  Forte Bass!!     C                   
            
 

3 3
40
  
     
      G¨7
            
   
            

43        
 
1.
        2.
           
                
 

3 3
mf pp f ff
47                     
         
                

3 3 6 3 3
50 Soli Brass
 
      
Guía!
    

2nd Trumpet in B b
( ...Muy Dentro de Mi... )
( Alfonso Ugarte )
Prestissimo
     
               
q = 52 3
    
Legato Sutil
      
   
ff 

 3 fp
  
Solo 1
  3     
Legato Sutil Soli Lead Snare Drum

5

3 3 Play!
                        

3
     
mf f
 3 ff

A Alto Sax
 
      
9
      

mf f

19

Moises Reyes
        
 
Solo 1 !
       
Play!
          
 3 f f mf
    
Tutti B
                   
25
      
3 3 3 3
f
molto ral
                    3   
28 1. 3 2.
            

3 3 3 3
pp mf f p
    
   
              
32
     
Più mosso
  
q = 54
 
mf f 3 3 3 3 3
3 V.S.
2 2nd Trumpet in Bb
 
            
Forte Bass!!
     
35
             
3 3 3
3
                

C
              
38

   
 
3 3
                             
 
42

     
3 3 3
               
                
45
      
1. 2.
  
3 3
mf pp ff
 
                              
47
       
3 3 3 3
3

50 Soli Brass
 
 
Guía!
    
  
3rd Euphonium T.C.
 
( Alfonso Ugarte )
  
                
Prestissimo
         
    
q = 52 3
      
f 3 3
3
f fp ff
              
3
                
5
         

          
            

Bell's
     
8
    
   
ff sfz sf mf
 
A Alto Sax
                          
10
        
  
mp sf p
       
            
14
 
   
mf sf p mf
          

     
18 Soli Lead Drum's Moises Reyes
   
      
    
f p subito

           
  
 
            
22
  
mf sf p mf
     Tutti B  
 
                       1.   
Soli!
26
    
        
3 3
   
ff sf f pp V.S.
2 3rd Euphonium T.C.
Più mosso
molto rall. q = 54

  
     
 
                        
2. Soli!

30
     
 

3 3 3 3
mf sf pp mf sf
                 

  
           

  
33
  
    
3 3 3 3

f 3 3 sf
   C                 

      
               
Forte Bass!!
 
37
         
3 3
41

A¨7
             
   
          
       

      
 
45
    
1.
       2.           
    
3
    
  

 f
3 3
mf pp ff
                 
       
48
  
 
3 6 3 3 

50
    
Soli Brass
 
Guía!

     
3rd Trumpet in B b
 
 3   
     
Prestissimo
               
Legato Sutil ( Alfonso Ugarte )
     
q = 52
  
ff 3 fp
Solo 1

5 Soli Lead Snare Drum
     
Play! 3
          
3 3 3 3

              
mf f  ff
9

A Alto Sax

         
    
mf
f

19

Moises Reyes
 
               
3 Play! 3 3
      
 
 f mf
Tutti B
           3    
26 3 3 1.
 
3 3
                         
  

f 3 pp
  
                 
    
30 2. molto rall.
  
3 3 Più mosso
q = 54
   

mf f p mf f
33
   
   
  
  
3 3 3
    
   
           
3 3 3 3
3 3
       
Forte Bass!! C
  
37
                                  

3
    
3
      
                           
41

3
         
  3 3 3
        
45
  
1. 3 3 2. 3
            
                        
     

mf pp ff
 
48 Soli Brass
                 
3 3 3
     
3 Guía!
 
    
            
Bass Trombone ( ...Muy Dentro de Mi... )
( Alfonso Ugarte )
Prestissimo
q = 52             
  
              
3 3

f 3 3
f fp ff
5
               
                  
3

8 Bell's
       

     
 
          

 
ff sfz sf mf
10 A Alto Sax
        
                        
      
mp sf p
14
                                   
        
mf p mf
sf
18 Soli Lead Drum's Moises Reyes

 
                                   
    
f p subito
22

                                  
      
mf sf p mf
Soli!
26 Tutti B 
  
                

          
 
    

3 3
ff sf f V.S.
2 Bass Trombone
molto ral
29  
1.  2.
                      
        
 
 
3 3
pp mf sf pp
Più mosso
Soli! q = 54
32           
                  
  
3 3 3
mf sf f 3
34 3
              
     
        
  
 3 3 3 
sf
37 Forte Bass!! C
 
                              

  

     
3  3


41 G¨7
                             
           
 
1. 2.
45               
        3
   
 
 
 
 
 
     
    

     

    

mf
 
pp
f ff 3 3
48 6

  

       


        
          
3
    3 3

50 Soli Brass
Guía!
      
   
    

( ...Muy Dentro de Mi... ) Comp. & Arranger By: Sebastian Carhuas Salazar(b. 1991)
( Alfonso Ugarte )
Prestissimo 3     3 3 3   
q = 52   
Snare Drum                     
f
Bass Drum

        
f
Cymbals             
f
4  3
 3     3  

Caja

                   
fp f

Bmb.         
fp Molto Brillante!
  
Plat.             
fp ff
Alto Sax
 3
3   
8         A    
           
Caja   
                
      

ff sfz sf sf mf mp sf pp
 Seco!
    
         
Bmb.                      
ff sfz Seco!
sf mf mp sf p
          Seco!
 

Plat.            
       
ff sfz sf mf sf
12                
Caja
           
 
                    
f sf pp
       
Bmb.                    
f sf p

Plat.           
p f sf
 Moises Reyes 
17       
Caja
                  
             
mf
    Seco!  p subito
   
Bmb.                  
mf    p subito
 
Plat.             
p subito
 
mf
21   
        
      
Caja

                     
f sf p
     
Bmb.                  
f sf p

Plat.           
Tutti
p f sf p
25      3  B        
Caja

   
                            
mf fff sf
   
Bmb.                   
mf f sf
   
Plat.                    
mf f sf
2
29 1.  3
 3 2.  molto rall.
            
Caja                 
pp mf sf pp
    
Bmb.                
pp mf sf Solo! pp
    
Plat.                   
pp mf sf pp
Più mosso
q = 54
  3  3
32   
3            

Caja   
  
                       
f sf f
 3
  3    3  
Bmb.                      
f sf f
 3
  3    3  
Plat.                        
f sf f
36   Forte Bass!!
  C   
Caja
                 
Seco!
 sf  
 
Bmb.                
Seco!
 sf   
 
Plat.                   
sf
3  3 
39       
    
Caja              
Seco!
   
      
Bmb.       
Seco!
   
Plat.              
42 3  3   3 
Caja
                                
Bmb.            

Plat.              
45 1.
 3       3   2.
Caja  
                
mf pp f ff
     3 
Bmb.  
          
mf pp f ff
    3 
Plat.   
         
mf pp f ff
47  3  3 3 6    Soli Brass

Guía! 

Caja                           
   
Bmb.  
             
     
Plat.   
              
Sousaphone in Bb Lima, Perú - Oct. 2014
Prestissimo ( Alfonso Ugarte )
6
q = 52
      
  
     

              
f
        
fp
5
                       
          

       
f
f ff sfz
 sf
A‹/C
9 A Alto Sax 3 D7/F©
                           
           
         
mf mp sf p
(R.Valiente)
14 F©‹/A Soli Lead Drum's

                            
                       
mf sf  p   mf f  
f
Moises Reyes
19
      
D7/F©
        
F©‹/A
  
         
                         
     
p subito   mf sf p
f
Soli!
25 3 Tutti B 3 3
 3
                   
           
         
     
mf ff sf f
molto rall.
29 1. 3 2.
 
             
          
           V.S.
pp mf sf pp
2 Sousaphone in B b
Soli!
32 3
   Più mosso
3 3
q = 54 3 3
      
            
                         
       3 
        
mf sf f  
C
Forte Bass!! 3 F‹ B¨‹
  3 
36 
          
               
    
       
     
  sf

                
40  A¨7
                     
     
       

                    
                     
44 1. 3 2.
3
                          
                 
            
mf pp f ff
3 3
47
3 
  
                         
                       
   
50 Soli Brass
Guía!
     
  
     

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''Al Señor Del Mar 2015'' ( ...Muy Dentro de Mi...

              

     

   

         

                    

         

        

                

Forte Bass!!    C   

                           

            

      A Alto Sax

           Moises

         

          

 Forte Bass!!    C    

                    

             

           

molto rall. Più mosso

       

       

                   

      

                 

           

    C      

32           

     

                

         

            

          

                 

   C                 

                                  

18 Soli Lead Drum's Moises Reyes

47  3  3 3 6    Soli Brass

14 F©‹/A Soli Lead Drum's

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