Tacchini Home Collection

Domestic

Portraits
Tacchini Domestic Portraits

La casa Tacchini è un luogo dell’anima.

Raggi di luce si allungano sul tappeto, segnando l’inizio
di una nuova giornata. Le ore scorrono lente. Il silenzio
del pomeriggio è una coperta dimenticata distrattamente.
E poi passi a piedi nudi su pavimenti d’altri tempi,
mentre il sole cala dietro i rami di una magnolia. Vi
presentiamo i nostri ritratti di interni domestici. Dove
ogni oggetto è una storia e ispira una storia, dentro spazi
che sono quelli di casa.

Our Home is a place of the soul. Rays of light on

the carpet highlight the beginning of a new day. The
hours pass by slowly, the afternoon silence is like a
distractedly forgotten blanket. And then barefoot steps
on ancient floors, while the sun goes down behind the
branches of a magnolia tree. We introduce our Portraits
of Domestic’s Interiors where each object is a story and
inspires a story, inside the spaces of the home.
1.0
Foreword
Design Being
Images that speak of discreet, almost
intimate moments: the secret rooms
are revealed, as are their inhabitants.
The great Tacchini house opens its
doors, exposing instants stolen from
an everyday life built on care and attention
for materials and tools, but also for
the people that handle them with such
dedication. A place where everyone
has a role, and everyone is part of a unique
story.
Natural warmth and technological innovation,
manufacturing and care for details, safety
and wellbeing. Concrete values you
can find in every product and space.
Quality represents a key element in design
for Tacchini, it takes shape with materials
selection and care for the manufacturing
process. It goes on beyond the product,
through trade and after-sales services
reliability. Tacchini is nowadays a reference
point in furniture business, thanks to its
constant stylistic and functional research,
project and product culture, care for
people and environment. With its furniture,
Tacchini wants to improve home and public
spaces’ quality, in a world dominated by
constant changing in needs, technologies
and new lifestyles. That’s why Tacchini
always analyses and improves its products
and services with passion, creativity and
responsibility. The result is an uninterrupted
“work in progress” of original and versatile
solutions, suitable for every environment
and situation, able to arouse emotions day
by day and to last in time.
(It) Oggetti, Storie
Tacchini è una filosofia. Dietro ogni oggetto
c’è una storia e dietro ogni storia c’è
una persona. Ci innamoriamo dei nostri
prodotti, delle loro storie e delle storie di
chi li costruisce, di chi continua a fare le
cose a mano, in modo tale che questa storia
possa continuare, possa essere trasmessa
dal designer al produttore e dal produttore
al futuro proprietario del prodotto.
E poi continuare ancora.
1.1 Design dell’Essere
Il design è italiano, il resto è produzione.
E in Italia, le aziende di design portano
il nome delle famiglie che ne hanno fondato
il marchio. Come Tacchini, creata nel
1965 da Antonio: quando anche la
produzione era quasi esclusivamente
italiana, e sono stati scritti i brani più poetici
e entusiasmanti della storia del design.
Naturale che i figli diventino poi gli eredi,
e ogni volta fondatori, secondo una logica
di continuo aggiornamento e rielaborazione
di un pensiero: ciò che viene realmente
tramandato. Così come è naturale che
chi frequenti questa famiglia ne diventi
parte: collaboratori, consulenti, fornitori,
dipendenti, maestranze, clienti. Ancora
oggi, in questa famiglia, la forza dell’idea
è al centro di ogni momento creativo,
in un normale evolversi: dall’astrazione del
pensiero alla tridimensionalità dell’oggetto,
per poi diventare l’essenza dell’abitare.
Questo procedere costante garantisce il
legame con la contemporaneità, valorizzato
poi dalla scelta di materiali di qualità e
tecnologie sempre aggiornate e sempre
riferite a una tradizione da non perdere:
evitando così la possibilità di confondere
lo stile con le mode e il design con la
semplice produzione di serie. Inevitabile
3 Domestic Portraits Foreword
che la storia di una famiglia si rifletta poi nei
become the heirs, and the new founders,
luoghi che essa abita: la sede di un’azienda in a rationale of continuous updating and
è lo specchio delle persone che ci lavorano redefinition of the underlying idea, and
e della filosofia a cui esse si ispirano. that is what is actually handed down.
La casa di Tacchini è un’architettura Equally naturally, those who frequent the
mossa su due livelli, incrocio di materiali family become a part of it: team members,
e spazi che si fondono in un unico luogo di consultants, suppliers, employees, workers
pensiero e sintesi dello stesso. Sullo sfondo, and clients. Still today, in this family, the
la Brianza, tra Como e Milano, troppo strength of the idea is central to every
verde e accecante in estate e troppo grigia creative process, in a logical process of
e intimista in inverno: questi luoghi, così evolution, from the analysis of the idea to
estremi, diventano lo sfondo di questa the three dimensions of the object, before
storia, autentica culla del design, dove gli ultimately becoming the essence of living.
uomini e le idee si fondono nella cultura This ongoing process ensures a sense
del progetto. Ogni oggetto, ciascun arredo of connection with contemporary style,
che provenga da questa casa, porta con which is then further enhanced by the
sé l’imprinting del design italiano: capace choice of quality materials and leading-
di rendere luogo qualsiasi spazio, sia esso edge technology, and always referencing
pubblico o privato, domestico o collettivo, an all-important tradition, so as to avoid
e riempiendolo dell’esserci. the danger of confusing style with fleeting
fashions and design with simple mass
(En) Objects, Stories production. Inevitably, the story of a family
is reflected in the places they inhabit: the
Tacchini is a philosophy. Behind every headquarters of a company mirrors the
object there’s a story and behind every people who work there and the philosophy
story there’s a person. We fall in love with to which they aspire.
our products, their stories and the stories The Tacchini building features an
of those who have produced them and architecture structured into two storeys,
continue to make things by hand so that a fusion of materials and spaces that blend
this story continues, is passed on by the into a complete whole, expressing its ethos
designer to the creator and from the and essence. In the background, Brianza,
creator to the future owner of the product. between Como and Milan, too blindingly
And then it continues further. green in summer, too grey and inward-
looking in winter; these places with their
Design Being extremes form the backdrop to this story,
the very birthplace of design, where people
The design is Italian, the rest is production. and ideas merge with the design culture.
And in Italy, design companies bear the Each object, each piece of furniture
names of the families that founded the created in this building carries within it
brands. Like Tacchini, created in 1965 by the hallmark of Italian design: the ability
Antonio, when production, too, was almost to give any space a sense of place, be it
entirely Italian, and the most poetic and public or private, domestic or communal,
soul-stirring passages in the story of design filling it with presence.
were written. Naturally in time the children
4 5 Domestic Portraits Foreword

(De) Objekte, Geschichten ist: um nicht Stil mit Mode zu verwechseln le nom des familles qui en ont créé la la culture du projet. Chaque objet, chaque
und Design mit einer einfachen marque. Comme Tacchini, créée en 1965 meuble qui provient de cette maison,
Tacchini ist eine Philosophie. Hinter jedem Serienproduktion. Unvermeidbar, dass sich par Antonio, quand la production aussi porte avec lui l’imprinting du design italien :
Gegenstand steht eine Geschichte, hinter die Geschichte einer Familie auch in den était exclusivement italienne, et qu’ont capable de faire de chaque espace un
jeder Geschichte, ein Mensch. Wir lieben von ihr bewohnten Orten widerspiegelt: été écrites les pages les plus poétiques et lieu, qu’il s’agisse d’une structure publique
unsere Produkte, ihre Geschichte und der Sitz eines Unternehmens ist der Spiegel enthousiasmantes de l’histoire du design. ou privée, domestique ou collective, en le
die Geschichte der Menschen, die der dort arbeitenden Menschen und der Il est naturel que les enfants en héritent remplissant du seul fait d’y être.
sie bauen, die sie weiterhin mit ihren Philosophie, von der sie sich leiten lassen. et se transforment parfois eux-mêmes en
Händen erschaffen, damit die Geschichte Das Haus von Tacchini ist eine fondateurs, suivant une logique de mise
weitergehen kann, vom Designer lebendige Architektur auf zwei Ebenen, eine à jour et réélaboration perpétuelle d’une
weitergegeben an den Hersteller, vom Kreuzung aus Materialien und Räumen, die pensée : ce qui est réellement transmis.
Hersteller an ihre zukünftigen Eigentümer. zu einem einzigen Ort der Gedanken und Tout comme il est naturel que ceux qui
Um wieder weiterzugehen. ihrer Synthese verschmelzen. Im Hintergrund fréquentent cette famille en fassent partie
die Brianza, die Region zwischen Como : collaborateurs, consultants, fournisseurs,
Design des Lebens und Mailand, zu grün und zu blendend im salariés, ouvriers, clients. Aujourd’hui
Sommer, zu grau und zu intim im Winter: encore, dans cette famille, la force de l’idée
Das Design ist italienisch, der Rest ist diese Orte der Extreme werden zur Kulisse est au cœur de chaque moment créatif, dans
Produktion. In Italien tragen Designerfirmen dieser Geschichte, authentische Wiege des une évolution logique : de l’abstraction de
den Namen der Familien, die sie gegründet Designs, wo Menschen und Ideen in der la pensée à la tridimensionnalité de l’objet,
haben. Wie Tacchini, der 1965 von Antonio Kultur der Entwürfe verschmelzen. Jeder pour devenir ensuite l’essence de l’habitat.
ins Leben gerufene Betrieb: als auch Gegenstand, jedes Möbel aus diesem Hause Cette progression constante garantit
die Produktion noch fast ausschließlich ist von Design im italienischen Stil geprägt: le lien avec le contemporain, valorisé par
italienisch war und Poesie und Enthusiasmus damit jeder Raum, ob öffentlich oder privat, le choix de matériaux de qualité et de
die Geschichte von Design geprägt haben. häuslich oder kollektiv, zu einem lebendigen technologies sans cesse améliorées
Natürlich geht das Erbe auf die Söhne Ort werden kann. et ayant toujours à l’esprit la tradition
über, die das Bestehende immer wieder à préserver, en évitant ainsi la possibilité
aktualisieren und neu bearbeiten und (Fr) Objets, Histoires de confondre le style avec les modes
ihrerseits das begründen, was tatsächlich et le design avec la simple production en
weitergegeben wird. Ebenso natürlich Tacchini est une philosophie. Derrière série. Il est inévitable que l’histoire d’une
gehören bald alle zur Familie, die mit chaque objet il y a une histoire et derrière famille se reflète dans les lieux qu’elle
ihr zu tun haben: Mitarbeiter, Berater, chaque histoire il y a une personne. habite. Le siège d’une entreprise est ainsi
Lieferanten, die ganze Belegschaft, Nous tombons amoureux de nos produits, le miroir des personnes qui y travaillent et
Kunden. Auch heute noch steht in dieser de leurs histoires et des histoires de qui de la philosophie à laquelle elles s’inspirent.
Familie die Kraft der Ideen in einer les fabrique, de qui continue à faire les La maison de Tacchini est une
normalen Entwicklung im Mittelpunkt choses à la main, de manière que cette architecture élaborée sur deux niveaux,
jeder Kreativität: von der Abstraktion histoire puisse continuer, qu’elle puisse être croisement de matériaux et d’espaces
des Gedankens zur dreidimensionalen transmise du designer au producteur et du qui se fondent en un lieu unique de pensée
Größe eines Gegenstandes, der dann zum producteur au futur propriétaire du produit. et en sont la synthèse. En décor de fond,
wesentlichen Bestandteil unserer Wohnwelt Et ainsi de suite, à l’infini. la Brianza, entre Côme et Milan, trop
wird. Dieser kontinuierliche Prozess sorgt verte et éblouissante en été et trop
für den zeitgemäßen Charakter, der durch Design de l’Être grise et intimiste en hiver... Ces lieux,
hochwertige Materialien und modernste si extrêmes, deviennent le cadre de cette
Technik noch betont wird, ohne eine Le design est italien, le reste est production. histoire, authentique berceau du design,
Tradition zu verlieren, die unverzichtbar Et en Italie, les éditeurs de design portent où les hommes et les idées se fondent dans
2.0 Catalogue Sancarlo
cat. Armchair, Sofa
132 Tacchini Home Collection
2.1 Sofas Roma 8
cat. Sofa, Armchair Glide
cat. Armchair 136
Face to Face 16
cat. Sofa
2.3 Ottoman Quartier
Oliver 22 cat. Ottoman 142
cat. Sofa

Santiago 28 2.4 Chaise-longue Slalom

cat. Sofa, Armchair, Ottoman cat. Chaise-longue 146

Catalogue
Sesann 32
cat. Sofa 2.5 Chairs Kelly C 148
cat. Chair
Millennium Drive 40
cat. Sofa Kelly V 152
cat. Chair
Dressed 46
cat. Sofa Babela 156
cat. Chair
Montevideo 50
cat. Sofa, Armchair Dressed 160
cat. Chair
Quilt 56
cat. Modular System Montevideo 162
cat. Chair
Quadro 62
cat. Modular System Mayfair 164
cat. Chair
Lima 68
cat. Sofa, Armchair, Ottoman
2.6 Screens Nebula 166
Havana 76 Nebula Interiors
cat. Sofa Nebula Poissons
cat. Screen
Sliding 82
cat. Sofa
2.7 High Tables Spindle 172
cat. High Table
2.2 Armchairs Giulia 88
cat. Armchair, Ottoman Nastro 176
cat. High Table
Sesann 92
cat. Armchair Split 178
cat. High Table
Agnese 96
cat. Armchair, Ottoman
2.8 Low Tables Ruler 184
Shelter 102 cat. Low Table
cat. Armchair, Ottoman
Cage 190
Dot 108 cat. Low Table
cat. Armchair
Coot 196
Kelly 114 cat. Low Table
cat. Armchair, Chaise-longue
Kelly B, O, W 198
Doodle cat. Low Tables
cat. Armchair, Chaise-longue 118
Nara 202
Jacket + Jacket Outdoor cat. Low Table
cat. Armchair, Ottoman 122

Isola
cat. Armchair 128
8 Roma 9 ROMA (cat. Sofa) designed by Jonas Wagell (2017), base T07 Black RAL 9011

Quasi sospeso dal pavimento, con esilissime gambe che sorreggono la seduta ampia
e avvolgente. Jonas Wagell immagina una famiglia di divani, ispirati dal segno morbido
di una curva a emiciclo: questa piccola collezione si chiama Roma, evocando in modo
sensibile, dalla poltrona alla chaise longue, passando per il divano, l’ambito classico a cui
si possono ricondurre i segni stilistici del disegno. Un rimando al design degli anni ’50,
non di manierismo ma di attenta ispirazione: per un progetto nato già ‘classico’, appunto,
anche nel nome.

Designer, Year: Jonas Wagell, 2017

Domestic Portraits: cat. Modular Systems + Sofas
10 ROMA (cat. Sofa) designed by Jonas Wagell (2017),
base T25 Matt Champagne Gold
ROMA (cat. Armchair) designed by Jonas Wagell (2017),
base T25 Matt Champagne Gold 11 Shown with: SOAP (cat. Low Table) designed by Gordon Guillaumier,
top T31 White Calacatta Marble, base T25 Matt Champagne Gold
12 ROMA (cat. Sofa) designed by Jonas Wagell (2017),
base T25 Matt Champagne Gold
ROMA (cat. Armchair) designed by Jonas Wagell (2017),
base T25 Matt Champagne Gold 13 Shown with: SOAP (cat. Low Table) designed by Gordon Guillaumier,
top T31 White Calacatta Marble, base T25 Matt Champagne Gold
14 ROMA (cat. Sofa) designed by Jonas Wagell (2017), base T25 Matt Champagne Gold
15 Technical Informations
Designer: Jonas Wagell
Jonas Wagell is an architect and designer from
Stockholm. Born in 1973, he trained as graphic
artist and then specialised as an interior
designer in Stockholm and New York, where
he attended the Parsons School of Design.
In 2008 he founded the JWDA firm which
handles architecture, product design and
brand management projects. Wagell is fond
of creating functional items with features of
simplicity and intelligence, objects which can
be used and understood easily by those who
choose them. The best known design from
the JWDA studio is the prefabricated Mini
House. For this design, in 2008, Wagell
was named by Wallpaper as one of the fifty
young architects worth watching. Today
JWDA focuses above all on product design
for Scandinavian and international brands.
Dimensions:
Sofa
Cod. OROM234
W 234,5 D 121,4/84 cm
H 73,5 cm
H seat 38,5 cm
Armchair
Cod. OROM106
W 106,3 D 88,5
H 73,5 cm
H seat 38,5 cm
Roma
(En) Almost suspended above the floor,
with the slenderest of legs upholding a
large, cosy seat. Jonas Wagell imagines
a family of sofas, inspired by the soft,
curving form of a semicircle: this little
collection, from armchair to sofa to chaise
longue, is called Roma, a strong reference
to the classical sphere in which its lines are
rooted. With citations from fifties design,
not of affectation, but of clear inspiration,
this design is “classical” by nature, and not
only in name.
(De) Der komfortable, körpergerechte
Sitz ruht auf dünnen Beinen und scheint
über dem Boden zu schweben. Jonas
Wagell hat eine Linie von Sofas in den
weichen Linien eines Halbrunds entworfen:
die kleine Kollektion heißt Roma und alle,
von Sessel und Chaiselongue bis Sofa,
sind ein sehr einfühlsamer Bezug auf
den klassischen Charakter dieser Stadt,
der den Linien ihres Designs zugrunde
liegt. Aufgegriffen wird das Design der
Fünfzigerjahre, keine Nachahmung,
sondern sensible Inspiration für einen
geborenen „Klassiker“, wie bereits der
Name sagt.
(Fr) Comme suspendue par rapport au
sol avec des pieds très fins qui soutiennent
l’assise ample et enveloppante. Jonas
Wagell imagine une famille de canapés,
s’inspirant de la douce sinuosité d’un
hémicycle : cette petite collection
s’appelle Roma, évoquant de manière
sensible, du fauteuil à la chaise longue
en passant par le canapé, le cadre
classique auquel appartiennent les traits
stylistiques du dessin. Un renvoi au design
des années 1950, qui ne relève pas du
maniérisme mais qui est le fruit d’une
inspiration authentique pour un projet
né déjà « classique », jusque dans le nom.
16 FACE TO FACE (cat. Sofa) designed by
Gordon Guillaumier (2017), base T03 Grey
RAL 7016
Shown with: SOAP (cat. Low Table) designed
by Gordon Guillaumier, top T74 Sahara
Noir Marble, base T03 Grey RAL 7016
LINEA (cat. Rug) designed by Maria Gabriella
Zecca, developed by TacchiniEdizioni 17 Face to Face
“Siediti accanto a me. Voglio guardare il tuo viso mentre parliamo. Capire cosa pensi”.
Gordon Guillaumier reinterpreta il divano e lo trasforma in uno spazio di relazione
uno-a-uno. Due schienali contrapposti e morbidi cuscini in piuma invitano a sedersi
vis à vis e a guardarsi negli occhi, per ritrovare la dimensione umana dello sguardo ovunque
ci si trovi. Rivestito in tessuto o pelle, Face to Face è pensato per essere messo a centro
stanza sia in un ambiente contract sia nell’intimità di un salotto domestico. Le cuciture
a contrasto con punto a incrocio lo rendono la perfetta metafora di ogni rapporto a due.

Designer, Year: Gordon Guillaumier, 2017

Domestic Portraits: cat. Modular Systems + Sofas
18 FACE TO FACE (cat. Sofa) designed by Gordon Guillaumier (2017),
base T27 Matt Black Chrome 19 Shown with: SOAP (cat. Low Table) designed by Gordon Guillaumier,
top T74 Sahara Noir Marble, base T03 Grey RAL 7016
UMBRA (cat. Rug) designed by Maria Gabriella Zecca,
developed by TacchiniEdizioni
20 Technical Informations
Designer: Gordon Guillaumier
Gordon Guillaumier was born in 1966,
and was educated firstly in Malta,
then in Switzerland, England and Italy.
He graduated from IED in Milan (1988-91),
before specializing in design at the Domus
Academy, Milan (1992). In 1993 he began
working with Baleri Associati, as well as
collaborating with architect Rodolfo Dordoni.
In 2002 he set up his own design studio in
Milan, principally working on product design,
but also for design consultancy projects.
In 2006 he lectured in industrial design at
Milan’s Politecnico university.
Dimensions:
Cod. OFAC196
W 196 D 97 H 73,5 cm
H seat 38 cm
Face to Face 21 FACE TO FACE (cat. Sofa) designed
by Gordon Guillaumier (2017), base T27
Shown with: SOAP (cat. Low Table) designed
by Gordon Guillaumier, top T74 Sahara Noir
UMBRA (cat. Rug) designed
by Maria Gabriella Zecca,
Matt Black Chrome Marble, base T03 Grey RAL 7016 developed by TacchiniEdizioni
(En) “Sit down next to me. I want to
look at your face while we speak, to
understand what you’re thinking.”
Gordon Guillaumier reinterprets the sofa,
transforming it into a space for one-on-one
relations. Two backrests mirror each other,
while soft feather cushions invite us to sit
face-to-face and look each other in the
eye, rediscovering the human dimension
of our gaze, wherever we may be. With
fabric or leather covering, Face to Face
is designed to sit at the centre of the
room, both in contract settings and in the
intimacy of a domestic lounge room. The
contrasting cross-stitched seams make it
the perfect metaphor of any relationship
between two people.
(De) „Setz dich zu mir. Ich will dir
ins Gesicht sehen, während wir uns
unterhalten. Verstehen, was du denkst“.
Gordon Guillaumier interpretiert das
Sofa neu und verwandelt es in einen
Raum der Beziehungen von Angesicht
zu Angesicht. Zwei gegenüberliegende
Rückenlehnen und weiche Daunenkissen
sind eine Einladung, sich einander
gegenüber zu setzen, sich anzublicken,
um überall den persönlichen Blickkontakt
wiederzufinden. Face to Face, bezogen
mit Stoff oder Leder, wurde entwickelt,
um in Raummitte in Gemeinschaftsräumen
oder in der Gemütlichkeit eines
Wohnzimmers aufgestellt zu werden.
Die Kreuzstich-Nähte in Kontrastfarben
machen es zur perfekten Metapher jeder
Zweierbeziehung.
(Fr) « Assieds-toi à côté de moi. Je veux
regarder ton visage quand nous parlons.
Et comprendre ce que tu penses ».
Gordon Guillaumier réinterprète le canapé
et le transforme en un espace de relation
individuelle. Deux dossiers opposés et
des coussins moelleux en plume invitent
à s’asseoir en vis-à-vis et à se regarder
dans les yeux, pour retrouver la dimension
humaine du regard où qu’on soit.
Revêtu en tissu ou en cuir, Face to Face
est pensé pour être mis au milieu d’une
pièce, dans un espace public comme dans
l’intimité d’un salon privé. Les coutures
contrastantes au point de croix en font la
parfaite métaphore de tout rapport a deux.
22 OLIVER (cat. Sofa) designed by Gianfranco Frattini (1957), developed by Tacchini (2017),
structure T02 White RAL 9016, feet T43 Dark Walnut
23 Oliver
Disegnato da Gianfranco Frattini nel 1957 e prodotto a partire dall’anno successivo, il divano
872 ha riscosso negli anni un grandissimo successo. Essenziale ed elegante, è caratterizzato
da una struttura leggera in acciaio con piedini terminali in legno e dall’imbottitura capitonné
di seduta e schienale, un dettaglio di grande sapienza artigianale.
Designer, Year: Gianfranco Frattini, (1957) 2017
Domestic Portraits: cat. Modular Systems + Sofas
24 25 OLIVER (cat. Sofa) designed by Gianfranco Frattini (1957),
developed by Tacchini (2017), structure T02 White RAL 9016,
Shown with: GIO (cat. Low Table) designed by Gianfranco
Frattini, top T67 Shiny Yellow, base T 43 Dark Walnut;
feet T43 Dark Walnut VASUM (cat. Accessory) and LINEA (cat. Rug) designed
by Maria Gabriella Zecca, developed by TacchiniEdizioni
26 OLIVER (cat. Sofa) designed by Gianfranco Frattini (1957), developed by Tacchini (2017),
structure T02 White RAL 9016, feet T43 Dark Walnut 27 Technical Informations
Designer: Gianfranco Frattini
Gianfranco Frattini was born in Padua, Italy, on 15th
May, 1926. He graduated in Architecture, at the
Politecnico, Milan, in 1953. At the end of the 50’s, he is
one of the founders of ADI, Association for Industrial
Design. Frattini opened his own studio in Milan, after
working in the office of his teacher and mentor Gio
Ponti. In few years, he became an industrial designer,
well-known worldwide. Among his many successful
projects, in 1956 designed the chair model 849,
nominated for the “Compasso d’Oro” Prize. Now, this
armchair, which takes shapes from the original design,
is proposed by Tacchini with the name of “Agnese”.
Dimensions:
Cod. OOLIV190
W 190 D 83,5 H 77 cm
H seat 40 cm
Oliver
(En) Designed by Gianfranco Frattini
in 1957 and produced as from the following
year, the 872 sofa has achieved a huge
success over the years. Minimalist and
elegant, it features a lightweight structure
in steel with end feet in wood and tufted
upholstery on the seat and back, a detail
requiring great craft expertise.
(De) Entworfen von Gianfranco Frattini
im Jahr 1957, ging das Sofa 872 im Jahr
darauf in Produktion und war in all den
Jahren überaus erfolgreich. Schlicht und
elegant, charakteristisch das schwerelose
Stahlgestell mit Abschlussfüßen aus
Holz und die kapitonierte Polsterung
von Sitz und Rückenlehne, eine sehr
schöne Verarbeitung mit handwerklicher
Kunstfertigkeit.
(Fr) Dessiné par Gianfranco Frattini
en 1957 et produit à partir de l’année
suivante, le canapé 872 a obtenu au cours
des ans un très grand succès. Essentiel
et élégant, il est caractérisé par une
structure légère en acier avec les pieds
se terminant par un embout en bois et par
le rembourrage capitonné de l’assise et
du dossier, un détail manifestant un grand
savoir-faire artisanal.
28 Santiago 29 Technical Informations
Santiago
(It) Morbide e accoglienti e con un
taglio decisamente contemporaneo,
le poltrone e i divani Santiago giocano
su proporzioni insolite per creare una
particolare presenza visiva, a seconda
del punto di vista dal quale si osservano.
Di lato, il bracciolo appare piccolo
e di forma irregolare, mentre per contrasto
lo schienale è alto e triangolare. Quando
invece sono visti frontalmente, sia il
divano che la poltrona hanno una forma
piacevolmente arrotondata, che sembra
Designers: Claesson Koivisto Rune
galleggiare sospesa su una struttura sottile
The Claesson Koivisto Rune studio was di tubolare verniciato, oppure su piedini
established in 1995 as a multidisciplinary in frassino tinto noce chiaro. Disponibile
architecture and design workshop, in linewith anche il pouf.
the classic Scandinavian tradition, but with the
aim of exploring new concepts, and pursuing (En) Soft and comfortable with a
the values of simplicity and innovation. contemporary cut, Santiago armchairs
The three Swedes have created architectural and sofas play with unusual proportions
designs throughout the world and in every to create a unique visual presence that
sector, from homes to restaurants, retail to
executive buildings, as well as furniture ranges changes depending on the point you
for numerous major international firms. watch them from. From the side, the
armrest appears small and irregular, while,
as contrast, the backrest is high and
triangular. From the front side, both sofa
and armchair have a pleasant rounded
shape, which seems to float suspended on
a thin structure of a painted tubular, or on
ash wood feet dyed light walnut. Available
also the ottoman.
(De) Die Linie der Sessel und Sofas
Santiago, weich und gemütlich,
zeitgenössisch im Design, spielen mit
ungewöhnlichen Proportionen, um je nach
dem Blickwinkel des Betrachters, eine
besondere Optik entstehen zu lassen.
Von der Seite gesehen ist die Armlehne
klein und von unregelmäßiger Form, im
Gegensatz dazu ist die Rückenlehne hoch
und dreieckig. Steht man aber davor,
haben Sofa und Sessel eine gefällig
gerundete Form, die auf einem schlanken,
lackierten Metallrohrgestell oder auf
Füßen aus Eschenholz, gebeizt Nussbaum
hell, zu schweben scheint. Erhältlich auch
der Fußhocker.
(Fr) Avec leurs lignes douces et
Dimensions: accueillantes et un goût clairement
Sofa
contemporain, les fauteuils et les canapés
Cod. OSANT164 Santiago jouent sur des proportions
W 164 D 88 H 85 cm insolites pour créer une présence visuelle
H seat 41 cm particulière, suivant le point d’observation.
SANTIAGO (cat. Sofa) Armchair
Sur le côté, l’accoudoir semble petit et de
designed by Claesson forme asymétrique, en contraste avec le
Cod. OSANT96
Koivisto Rune (2016),
base T02 White RAL 9016 W 96 D 88 H 85 cm dossier, haut et triangulaire. Vus de face,
H seat 41 cm tant le canapé que le fauteuil ont une
Shown with: CAMPO forme agréablement arrondie, qui semble
(cat. Rug) designed Ottoman
by Claesson Koivisto Rune Cod. OSANT93 flotter, suspendue sur une structure fine

Designer, Year: Claesson Koivisto Rune, 2016 (2016), developed

by TacchiniEdizioni
W 93 D 71 H 40 cm
H seat 40 cm
en tube laqué ou sur des pieds en frêne
teinté noyer clair. Un pouf est disponible
en complément.
Domestic Portraits: cat. Modular Systems + Sofas
30 SANTIAGO (cat. Sofa) designed by Claesson Koivisto
Rune (2016), base T02 White RAL 9016
SANTIAGO (cat. Armchair) designed by Claesson Koivisto
Rune (2016), base T02 White RAL 9016 31 Shown with: CAMPO (cat. Rug) designed by Claesson Koivisto
Rune (2016), developed by TacchiniEdizioni
RULER (cat. Low Table) designed by Gordon Guillaumier,
top T33 Matt Black Travertine Marble, base T44 Light Walnut
32 Sesann 33 SESANN (cat. Sofa) designed by Gianfranco Frattini (1970),
structure T10 Orange RAL 2004, feet T43 Dark Walnut
Design Classic: read more about Tacchini
re-editions program on p. 39

Un sistema di divani e poltrone che suscitano una sensazione di sensuale calore, con le
loro forme morbide, accoglienti, pienamente protagoniste dello spazio anche in virtù
dell’importanza dei volumi. A questa sensazione estetica e fisica, si aggiunge la peculiarità
della struttura avvolgente ed a vista, in tubolare metallico cromato o verniciato. I piedi di
supporto sono in legno di frassino tinti noce o grigio. Diversi i rivestimenti disponibili, in
pelle o tessuto, per creare molteplici sensazioni e abbinamenti cromatici con la struttura.

Designer, Year: Gianfranco Frattini, 1970

Domestic Portraits: cat. Modular Systems + Sofas
34 SESANN (cat. Sofa) designed by Gianfranco Frattini (1970),
structure T28 Polished Black Chromed, feet T49 Grey
Shown with: Cage (cat. Low Table) designed by Gordon Guillaumier,
top T32 Black Marquinia Marble, base T27 Matt Black Chromed 35
and T28 Polished Black Chromed
AGNESE (cat. Armchair) designed by Gianfranco Frattini,
base T43 Dark Walnut
E63 (cat. Lamp) designed by Umberto Riva and TARSIA
(cat. Accessory) designed by Maria Gabriella Zecca, developed
by TacchiniEdizioni
36 SESANN (cat. Sofa) designed by Gianfranco Frattini (1970),
structure T23 Polished Chrome, feet T49 Grey
37 Shown with: SHELTER (cat. Armchair) designed
by Noé Duchaufour-Lawrance, base T27 Matt Black Chrome
CAGE (cat. Low Table) designed by Gordon Guillaumier,
base T07 Black RAL 9011, top T60 Black;
38 SESANN (cat. Sofa) designed by Gianfranco Frattini (1970),
structure T23 Polished Chrome, feet T49 Grey
39 Technical Informations
Designer: Gianfranco Frattini
Gianfranco Frattini was born in Padua, Italy, on 15th
May, 1926. He graduated in Architecture, at the
Politecnico, Milan, in 1953. At the end of the 50’s, he is
one of the founders of ADI, Association for Industrial
Design. Frattini opened his own studio in Milan, after
working in the office of his teacher and mentor Gio
Ponti. In few years, he became an industrial designer,
well-known worldwide. Among his many successful
projects, in 1956 designed the chair model 849,
nominated for the “Compasso d’Oro” Prize. Now, this
armchair, which takes shapes from the original design,
is proposed by Tacchini with the name of “Agnese”.
Dimensions:
Cod. OSES180
W 180 D 94 H 67 cm
H seat 38 cm
Cod. OSES240
W 240 D 94 H 67 cm
H seat 38 cm
Sesann
(En) A system of sofas and armchairs
that create a feeling of sensual warm,
with their soft, comfortable shapes which
are definitely the protagonists of space
also due to the importance of volumes.
In addition to this aesthetic and physical
feelings, there is the peculiarity of its
embracing structure, which can be in
metallic chromed or painted tubular.
The feet are made with ash wood dyed
grey or walnut. Different upholsteries are
available, leathers or fabrics, in order to
create various feelings and chromatic
combinations with the structure.
(De) Ein System von Sofas und
Sesseln, die ein Gefühl von sinnlicher
Wärme geben. Ihre Formen sind weich
und gemütlich. Zu diesem ästhetischen
und physischen Gefühl kommt die
Besonderheit der sichtbaren einhüllenden
Struktur: ein verchromtes oder lackiertes
Metallrohr. Die Füße sind aus grau
gebeizter Esche oder Nuss. Verschiedene
Bezüge aus Leder oder Stoff sind verfügbar
und formen haptische und farbliche
Kombinationen mit der Struktur.
(Fr) Un système de sofas et fauteuils
qui suscitent une sensation de chaleur
sensuelle avec leurs formes douces,
accueillantes, qui sont les protagonistes
de l’espace aussi grâce à ses volumes
importants. À cette sensation esthétique
et physique, s’ajoute la particularité de
la structure enveloppante et exposée, en
tubulaire métallique chromatique ou verni.
Les pieds sont en bois de frêne teinté
gris ou noyer. Différents revêtements
disponibles en cuir ou tissu, pour créer
de multiples sensations et associations
chromatiques avec la structure.
Design Classics: Sesann
Respecting the thought of Gianfranco Frattini,
the new edition of Sesann keeps the spirit of the
product intact. Characterized by a leather upholstery,
Sesann owes its typical soft and enveloping form to the
structure in pine plywood, covered with polyurethane
foam and encircled with an architectural tubular
steel (chrome or painted), with feet in ash wood.
The particular configuration of Sesann – both formal
and functional – constitutes the basis for a system
of products characterized by the same structural
elements, but declined in unique and fascinating
objects. This approach of synthesis and reduction,
proposed by Frattini, produced a formally elegant
design, conceptually elaborated and, above all, unique.
40 Millennium Drive 41 MILLENNIUM DRIVE (cat. Sofa) designed by Christophe Pillet (2008). Shown with: SOAP (cat. Low Table)
designed by Gordon Guillaumier (2017), top T31 White Calacatta Marble, base T25 Matt Champagne Gold

Scenografico nell’impatto visivo, eppure essenziale nelle forme, Millennium Drive

accoglie il corpo in un morbido ed ergonomico abbraccio, caratterizza lo spazio
con il suo design originale, giocato sul contrasto fra la seduta trapuntata e la base liscia,
con rivestimento sfoderabile: una comodità nella comodità.

Designer, Year: Christophe Pillet, 2008

Domestic Portraits: cat. Modular Systems + Sofas
42 MILLENNIUM DRIVE (cat. Sofa) designed by Christophe Pillet (2008)
43 Shown with: KELLY E (cat. Armchair) designed by Claesson
Koivisto Rune, base T25 Matt Champagne Gold
SOAP (cat. Low Table) designed by Gordon Guillaumier (2017),
top T31 White Calacatta Marble, base T25 Matt Champagne Gold
44 MILLENNIUM DRIVE (cat. Sofa) designed
by Christophe Pillet (2008)
Shown with: GLIDE (cat. Armchair) designed by Monica Förster
(2006), base T02 White RAL 9016 45 Technical Informations
Designer: Christophe Pillet
This lodestar in French design gained a
Master’s degree in Design in Milan in 1985,
before working with Philip Starck in Paris from
1988 to 1993, after which he set up his own
independent, eclectic business, featuring his
hallmark style – simple, strong, and to the
point – be it in architecture or interior design,
furniture, fashion or industrial design.
Winner of the French “Créateur de l’année”
award in 1994, Pillet works with some of the
biggest names in contemporary furniture
design.
Dimensions:
Cod. OMIL208
W 208 D 84 H 70 cm
H seat 42 cm
Cod. OMIL248
W 248 D 84 H 70 cm
H seat 42 cm
Millennium Drive
(En) Theatrical in its visual impact yet
minimalist in design, Millennium Drive
holds the body in a soft and ergonomic
embrace and defines space with its
original design, played out on the contrast
between the quilted seating and the
plain base with removable covers for
convenience in comfort.
(De) Millennium Drive, wirkungsvoll
für das Auge und dennoch puristisch in
den Formen, nimmt den Körper in einer
weichen, ergonomischen Umarmung
auf, das eigenwillige Design im
spielerischen Kontrast von gesteppter
Sitzfläche und glatter Basis verleiht
dem Raum Charakter. Bezüge abnehmbar:
für noch mehr Komfort.
(Fr) D’un grand impact visuel, bien
qu’essentiel dans les formes, Millennium
Drive accueille le corps dans une douce
étreinte ergonomique, il caractérise
l’espace avec son design original, joué
sur le contraste entre l’assise matelassée
et la base lisse avec revêtement
déhoussable : une commodité en plus.
46 DRESSED (cat. Sofa) designed by Luca Nichetto (2010),
base T07 Black RAL 9011
Shown with: COOT (cat. Low Table) designed by Gordon Guillaumier,
top T32 Black Marquinia Marble, base T07 Black RAL 9011 47 Dressed
La famiglia Dressed si amplia con ulteriori elementi che danno nuove possibilità di
ambientazione, composizione ed utilizzo: a iniziare dal divano, proposto in due diverse
dimensioni e caratterizzato dalle imbottiture cucite direttamente nel rivestimento. Una
soluzione ispirata al mondo dello sportswear che si ritrova anche nella poltrona e nella sedia,
liberamente abbinabili con il divano.

Designer, Year: Luca Nichetto, 2010

Domestic Portraits: cat. Modular Systems + Sofas
48 DRESSED (cat. Sofa) designed by Luca Nichetto (2010),
base T02 White RAL 9016
Shown with: COOT (cat. Low Table) designed by Gordon Guillaumier,
top T29 Shiny White Carrara Marble, base T03 Grey RAL 7016; 49 Technical Informations
QUARTIER (cat. Ottoman) designed by Claesson Koivisto Rune
Designer: Luca Nichetto
Luca Nichetto was born in Venice in 1976, and
graduated in Industrial Design at IUAV university
of architecture in Venice. In 1999 he launched his
professional career, designing his first products
in Murano glass. Later the same year he began
working with Foscarini, designing a number of
products for the firm and working as a consultant
for research into new materials and product
development. In 2006 he set up his own agency,
Nichetto&Partners, dealing in both industrial design
and design consultancy. He has received a number
of international prizes, including the Gran Design
Award 2008, the Chicago Atheneum Museum
of Architecture Good Design Award 2008, the
IF Product Design Award 2008 and the Elle
Decoration International Design Awards 2009
as Designer of the Year in the Young Designer Talent
category. He has held workshops in numerous
universities both in Italy and abroad, and has
exhibited in Europe, the United States and Japan.
Dimensions:
ODRES175
W 175 D 88 H 81 cm
H seat 40 cm
ODRES220
W 220 D 88 H 81 cm
H seat 40 cm
Dressed
(En) The Dressed product range
expands with additional elements that
give rise to new opportunities in terms of
settings, arrangements and use, starting
from the sofa: it comes in two sizes
and its main feature is the padding sewn
directly into the fabric. A solution inspired
by the world of sportswear, it also applies
to the armchair and chair that can be
easily matched with the sofa.
(De) Die Familie Dressed wird
durch weitere Elemente, welche
neue Möglichkeiten der Einrichtung,
Zusammensetzung und des Nutzens
ermöglichen erweitert: beginnend mit
dem Sofa, welches in zwei verschiedenen
Größen vorgeschlagen ist und durch
direkt in die Verkleidungen eingenähten
Füllungen charakterisiert wird.
Eine Lösung, welche von der Welt der
Sportswear inspiriert wurde und sich
auch in Sessel und Stuhl, welche bestens
mit dem Sofa kombiniert werden
können, wiederfinden lässt.
(Fr) La famille Dressed s’agrandit
avec des éléments ultérieurs offrant
de nouvelles possibilités d’insertion au
sein des espaces, de composition et
d’utilisation : à commencer par le canapé,
proposé en deux dimensions différentes
et caractérisé par les rembourrages
cousus directement dans le revêtement.
Une solution qui s’inspire au monde du
sportswear et que l’on retrouve aussi dans
le fauteuil et dans la chaise, pouvant être
associés librement avec le canapé.
50 MONTEVIDEO (cat. Sofa) designed by Claesson Koivisto Rune (2008), base T07 Black RAL 9011
Shown with: RULER (cat. Low Table) designed by Gordon Guillaumier, top T33 Matt Black Travertine Marble, base T44 Light Walnut
51 Montevideo
Linee e proporzioni studiate con cura, per offrire un comfort totale: questo é il principio
ispiratore del divano Montevideo. Braccioli e schienale disegnano un’unica forma morbida
e accogliente, completata da cuscini in piuma che sostengono la base della schiena.
Ergonomico ed elegante, il divano Montevideo è inoltre abbinabile ad una poltrona
coordinata. Un volume soffice che accoglie piacevolmente il corpo, un cuscino con
imbottitura in piuma da posizionare liberamente per un comfort ancora più personalizzato:
è la poltrona Montevideo, una sintesi di estetica ed ergonomia per gli ambienti più diversi,
da sola o in abbinamento al divano dal design coordinato.
Designer, Year: Claesson Koivisto Rune, 2008
Domestic Portraits: cat. Modular Systems + Sofas
52 MONTEVIDEO (cat. Armchair) designed by Claesson Koivisto
Rune (2008), base T07 Black RAL 9011
MONTEVIDEO (cat. Sofa) designed by Claesson Koivisto
Rune (2008), base T07 Black RAL 9011 53 Shown with: RULER (cat. Low Table) designed by Gordon Guillaumier,
top T33 Matt Black Travertine Marble, base T44 Light Walnut
QUARTIER (cat. Ottoman) designed
by Claesson Koivisto Rune
54 Technical Informations
Montevideo 55 MONTEVIDEO (cat. Armchair) designed by Claesson Koivisto
Rune (2008), base T07 Black RAL 9011
Shown with: COOT (cat. Low Table) designed by Gordon Guillaumier,
top T32 Black Marquinia Marble, base T07 Black RAL 9011

(En) Carefully designed shapes and

sizes for all-round comfort: this is the
guiding principle behind the Montevideo
sofa. Armrests and backrest trace a soft
and cozy outline, complete with feather
cushions supporting your lower back.
Ergonomic and elegant, the Montevideo
sofa is also paired with a matching
armchair. A soft, enveloping frame that
warm accomodates the body, a feather
cushion to be arranged at will for a
more customized comfort: this is the
Designers: Claesson Koivisto Rune
Montevideo armchair, the net result of
The Claesson Koivisto Rune studio was aesthetic and ergonomic principles and
established in 1995 as a multidisciplinary designed for a variety of settings, either
architecture and design workshop, in linewith as stand-alone or combined with its
the classic Scandinavian tradition, but with the
aim of exploring new concepts, and pursuing matching sofa.
the values of simplicity and innovation. (De) Bestens durchdachte Linien und
The three Swedes have created architectural Proportionen um umfassenden Komfort
designs throughout the world and in every bieten zu können: das ist das inspirierende
sector, from homes to restaurants, retail to
executive buildings, as well as furniture ranges Prinzip des Sofas Montevideo. Die
for numerous major international firms. Arm- und Rückenlehnen ergeben eine
einzige gemütliche und behagliche Form,
welche durch Federkissen ergänzt wird
um den Rücken zu stützen. Ergonomisch
und elegant ist das Sofa Montevideo
desweiteren auch mit dem koordinierbaren
Sessel kombinierbar. Ein gemütliches
Volumen, welches auf angenehme Art und
Weise den Körper umgibt, ein mit Federn
gefülltes Kissen, welches so positioniert
werden kann, dass es einen noch
persönlicheren Komfort schafft: das ist
der Sessel Montevideo, eine Synthese aus
Ästhetik und Ergonomie, geschaffen für
die verschiedensten Räumlichkeiten, allein
oder auch in Kombination mit dem Sofa in
koordiniertem Design.
(Fr) Des lignes et des proportions
étudiées avec soin pour offrir un confort
total : voici le principe qui a inspiré la
création du canapé Montevideo. Les
accoudoirs et le dossier dessinent une
forme unique, souple et accueillante,
complétée par des coussins en plume qui
soutiennent la base du dos. Ergonomique
et élégant, le canapé Montevideo peut
Dimensions: être associé en outre à un fauteuil
Cod. OMON162G
coordonné. Un volume moelleux qui
/OMON162P accueille agréablement le corps, un
W 162 D 90 H 78 cm coussin avec un rembourrage en plume,
H seat 40 cm peut être positionné librement pour un
Cod. OMON192G
confort encore plus personnalisé : voici
/OMON192P le fauteuil Montevideo, une synthèse
W 192 D 90 H 78 cm d’esthétique et d’ergonomie pour les
H seat 40 cm milieux les plus divers, seul ou associé au
Cod. OMON222G
canapé du design coordonné.
/OMON222P
W 222 D 90 H 78 cm
H seat 40 cm
56 Quilt 57 QUILT (cat. Sofa) designed by Pearson Lloyd (2007),
base T02 White RAL 9016
Shown with: CAGE (cat. Low Table) designed by Gordon Guillaumier,
top T41 Smoked Mirror, base T25 Matt Champagne Gold

Quilt nasce dal desiderio di andare oltre le mode del momento, proponendo un sistema
di imbottiti adattabile all’ambiente domestico e al mondo del contract, caratterizzato
dalla trapuntatura che trasmette immediatamente, alla vista come al tatto, una piacevole
sensazione di comfort e prestigio. Quilt, proposto in diverse misure, é appoggiato su un
basamento in acciaio, mentre la poltrona può anche essere dotata di base a disco in acciaio
verniciato. La collezione è completata da un pouf quadrato, accostabile al divano oppure
alla poltrona.

Designer, Year: Pearson Lloyd, 2007

Domestic Portraits: cat. Modular Systems + Sofas
58 QUILT (cat. Sofa) designed by Pearson Lloyd (2007), base T02 White RAL 9016
59 Shown with: RULER (cat. Low Table) designed by Gordon Guillaumier,
top T33 Matt Black Travertine Marble, base T44 Light Walnut
ISOLA (cat. Armchair) designed by Claesson Koivisto Rune,
base T07 Black RAL 9011
60 QUILT (cat. Sofa) designed by Pearson Lloyd (2007), base T02 White RAL 9016
Shown with: RULER (cat. Low Table) designed by Gordon Guillaumier, top T33 Matt Black Travertine Marble, 61 Technical Informations
Quilt
base T44 Light Walnut
(En) Soft and comfortable with a
contemporary cut, Santiago armchairs
and sofas play with unusual proportions
to create a unique visual presence that
changes depending on the point you
watch them from. From the side, the
armrest appears small and irregular, while,
as contrast, the backrest is high and
triangular. From the front side, both sofa
and armchair have a pleasant rounded
shape, which seems to float suspended
on a thin structure of a painted tubular,
Designers: Pearson Lloyd
or on ash wood feet dyed light walnut.
Pearson Lloyd is one of the leading names Available also the ottoman.
in contemporary British design, and this (De) Quilt will über Tagesmoden
multidisciplinary studio works in a wide range of hinausgehen und präsentiert sich als
sectors: from furnishing to public spaces to brand
development. Established by Luke Pearson System von Polstermöbeln für den
and Tom Lloyd in 1997, the studio has received häuslichen Bereich ebenso wie für
numerous acknowledgements and accolades Objekteinrichtung. Charakteristisch die
in both Europe and the United States. gesteppte Ausführung, die sowohl für
The British design duo write regularly for
major design magazines, as well as acting as das Auge als auch bei der Berührung ein
“visiting lecturers” at the École Cantonale d’Art unmittelbares Gefühl von Komfort und
in Lausanne. Prestige vermittelt. Das in verschiedenen
Größen angebotene Sofa stutzt sich auf
ein Stahlgestell, der Sessel kann auch eine
runde Bodenplatte aus lackiertem Stahl
haben. Die Kollektion wird durch einen
quadratischen Hocker Ergänzt, der neben
Sofa oder Polstersessel aufstellbar ist.
(Fr) Quilt nait du désir d’aller au-delà
des modes du moment, en proposant un
système de meubles rembourres adaptable
a la vue comme au toucher, une agréable
sensation de confort et de prestige.
Quilt, proposé en différentes mesures,
repose sur une base en acier, tandis que
le fauteuil peut aussi avoir une base
circulaire en acier laque. La collection
est complétée par un pouf carre, qui peut
Cod. OQUL240 être associé au canapé ou au fauteuil.
Dimensions: W 240 D 80 H 68 cm
H seat 41 cm
Cod. OQUD140
W 140 D 80 H 68 cm Cod. OQUM240
H seat 41 cm W 240 D 80 H 68 cm
H seat 41 cm
Cod. OQUE140
W 140 D 80 H 68 cm Cod. OQUI260
H seat 41 cm W 260 D 80 H 68 cm
H seat 41 cm
Cod. OQUC160
W 160 D 80 H 68 cm Armchair
H seat 41 cm Cod. OQUA100
W 100 D 80 H 68 cm
Cod. OQUG200 H seat 41 cm
W 200 D 80 H 68 cm
H seat 41 cm Armchair
Cod. OQUB100
Cod. OQUH200 W 100 D 80 H 68 cm
W 200 D 80 H 68 cm H seat 41 cm
H seat 41 cm
Ottoman
Cod. OQUF200 Cod. OQUN80
W 200 D 80 H 68 cm W 80 D 80 H 41 cm
H seat 41 cm H seat 41 cm
62 QUADRO (cat. Modular System) designed by Pietro Arosio (2001)
63 Quadro
Quadro è un sistema modulare che consente di creare divani, poltrone e pouf di qualsiasi
tipologia e dimensione, risolvendo ogni necessità d’utilizzo e di ambientazione, con
semplicità e senso del comfort: nei piccoli come nei grandi spazi. Tutti i rivestimenti sono
sfoderabili.

Designer, Year: Pietro Arosio, 2001

Domestic Portraits: cat. Modular Systems + Sofas
64 65 QUADRO (cat. Modular System) designed
by Pietro Arosio (2001)
Shown with: GLIDE (cat. Armchair), designed
by Monica Förster, base T02 White RAL 9016
66 QUADRO (cat. Modular System) designed by Pietro Arosio (2001)
Shown with: Polar Table (cat. Low Table) designed by Pearson Lloyd, finish T20 Shiny Black RAL 9005 67 Technical Informations
Designer: Pietro Arosio
Pietro Arosio was born in 1946 in Lissone, near Milan.
He learnt his profession at the research centre of
a company specialising in the production of metal
furniture for communal spaces. This experience led to
the emergence of a design philosophy that developed
over time through his work as an industrial designer.
He began his career in 1972, and was already winning
accolades in 1983, receiving the Casaviva d’Oro award.
The fundamentals of his work include essentiality,
research into new materials and technologies, and
attention to detail and to the engineering implications
of his designs. Pietro Arosio is fully aware of the
emotional impact his products can have, and has
worked in partnership with various internationally-
acclaimed artists, including Nespolo, Del Pezzo,
Hsiao Chin, Tilson, Rotella and Keizo. A number of his
pieces have been exhibited at the Victoria and Albert
Museum in London, and at the Munich modern art
museum Die Sammlung.
Quadro
(En) Quadro is a modular system which
enables several configurations of sofas,
armchairs and ottomans in a variety of
combinations and dimensions addressing
the needs of any space or environment
with simplicity and comfort for large and
small spaces. All covers are removable.
(De) Quadro ist ein modulares System:
die schlichten Formen können sich zu
Sofas, Sessels, Hocker und grossen
Wohnlanschaften formen, für jede
Nutzung und Lebensraum. Alle Bezüge
sind abnehmbar.
(Fr) Quadro est un système modulaire
pour créer les canapés, les fauteuils et
les poufs de quelconque typologie et de
dimension, pour résoudre chaque besoin
d’emploi et d’ambiance, avec simplicité
et le sens du confort : dans les petits
comme dans les grands espaces. Tous les
revêtements sont déhoussable.

Dimensions:

Cod. OQA100
W 98 D 98 H 66 cm
H seat 36 cm

Cod. OQB70
W 70 D 98 H 66 cm
H seat 36 cm

Ottoman
Cod. OQD70
W 70 D 70 H 36 cm
H seat 36 cm

Bench
Cod. OQE35
W 98 D 35 H 36 cm
H seat 36 cm
68 LIMA (cat. Armchair) designed by Claesson Koivisto Rune
(2012), base T07 Black RAL 9011
Shown with: RULER (cat. Low Table) designed by Gordon Guillaumier,
top T33 Matt Black Travertine Marble, base T44 Light Walnut 69 Lima
Un sistema composto da divani e poltrone di differenti dimensioni, caratterizzati da una
particolare forma sinuosa che accoglie piacevolmente il corpo. Un comfort ulteriormente
enfatizzato dal cuscino poggiareni, collocato sulla seduta ampia dal volume generoso.
Elegantemente sottili sono invece i piedi della struttura, per aggiungere un tocco di
dinamismo alla comodità.

Designer, Year: Claesson Koivisto Rune, 2012

Domestic Portraits: cat. Modular Systems + Sofas
70 LIMA (cat. Armchair) designed by Claesson Koivisto Rune
(2012), base T07 Black RAL 9011
LIMA (cat. Sofa) designed by Claesson Koivisto Rune
(2012), base T07 Black RAL 9011 71 Shown with: MONZINO (cat. Low Table) designed by Franco Albini,
base T44 Light Walnut, top T36 Shiny Cristallino Marble
72 LIMA (cat. Armchair) designed by Claesson Koivisto Rune (2012), base T07 Black RAL 9011
73
74 Technical Informations
Lima 75 LIMA (cat. Armchair) designed by Claesson Koivisto Rune (2012), base T07 Black RAL 9011

(En) A system consisting of sofas

Designers: Claesson Koivisto Rune
The Claesson Koivisto Rune studio was
established in 1995 as a multidisciplinary
architecture and design workshop, in linewith
the classic Scandinavian tradition, but with the
aim of exploring new concepts, and pursuing
the values of simplicity and innovation.
The three Swedes have created architectural
designs throughout the world and in every
sector, from homes to restaurants, retail to
executive buildings, as well as furniture ranges
for numerous major international firms.
and armchairs in different sizes,
with a markedly sleek shape to receive
the body nicely. Extra comfort is given
by the large lumbar supporting cushion
on the ample seat. Elegantly thin are
the feet at the base of the frame, adding
a touch of dynamism to the comfort.
(De) Das Sitzsystem, zusammengestellt
aus Sofas und Sessels verschiedener
Abmessungen, zeichnet sich durch eine
besonders geschwungene Form aus,
die den Körper bequem umschließt.
Ein Rückenkissen, das am ausladenden
Sitz mit seinem großzügigen Volumen
angeordnet ist, sorgt noch für
zusätzlichen Komfort. Schlank und sehr
elegant sind hingegen die Füße am
Unterbau, die der Bequemlichkeit einen
dynamischen Touch verleihen.
(Fr) Un système composé de canapés
et de fauteuils de différentes dimensions,
caractérisés par une forme sinueuse
particulière qui accueille agréablement le
corps. Un confort amplifié par la présence
du coussin lombaire, qui complète l’assise
au volume généreux. La fine élégance
des pieds de la structure ajoute une
touche de dynamisme à la commodité.

Dimensions:

Cod. OLIM89
H 78,5 P 91 L 89 cm

Cod. OLIM153
H 78,5 P 91 L 153 cm
H Seat 39,5 cm

Cod. OLIM183
H 78,5 P 91 L 183 cm
H Seat 39,5 cm

Cod. OLIM213
H 78,5 P 91 L 213 cm
H Seat 39,5 cm

Cod. OLIM70
H 38,5 P 70 L 89 cm
76 Havana 77 HAVANA (cat. Sofa) designed by Lievore Altherr Molina (2005), base Aluminium

Havana è una sintesi armoniosa di eleganza e flessibilità. Da elegante divano protagonista

dello spazio, si trasforma in comodo letto dotato di contenitore, con un semplice gesto.
Versatile anche l’estetica, grazie alla scelta fra più rivestimenti sfoderabili e basi con
rivestimento in alluminio o wengè.

Designer, Year: Lievore Altherr Molina, 2005

Domestic Portraits: cat. Modular Systems + Sofas
78 79 HAVANA (cat. Sofa) designed by Lievore Altherr Molina (2005), base Aluminium
80 HAVANA (cat. Sofa) designed by Lievore Altherr Molina (2005), base Aluminium
81 Technical Informations
Designers: Lievore Altherr Molina
Born in 1948, Alberto Lievore studied
architecture in Buenos Aires. In the early
years he focused not only on design, but also
on the production and marketing of furniture,
then, having moved to Barcelona, he was
part of the Grupo Berenguer (1977),
a leading name in Spanish design. In 1984
he inaugurated his own studio, focusing on
industrial design, and on consultancy and art
direction for a number of firms. His partners
are designer and stylist Jeannette Altherr,
who specializes in objects and spaces for
children, and Manel Molina, who again brings
with him vast and varied experiences in the
industrial and exhibition design sectors.
Havana
(En) Havana is a synthesis of elegance
and flexibility. From an elegant centrepiece
of any space it can be transformed with
a simple action into a bed with storage.
Versatile also by virtue of the choice
of a number removable covers and base
options in aluminium or wengè finish.
(De) Havana ist eine Synthese aus
Eleganz und Flexibilität. Aus einem Sofa
der schlichten Linien wird mit einem
einfachen Handgriff ein bequemes Bett
mit praktischem Stauraum. Die Bezüge
sind abziebar, das Untergestell mit
Verkleidung aus Aluminium oder Wengè.
(Fr) Havana est une synthèse
harmonieuse d’élégance et de
flexibilité. Il se transforme de canapé
élégant protagoniste de l’espace à un
lit confortable équipé de rangement,
avec un simple geste. Versatile dans
l’esthétique, grâce au choix parmi plusieurs
revêtements amovibles et bases avec
revêtement en aluminium ou wengè.

Dimensions:

Cod. OHAV135
W 135 D 102 H 69 cm
H seat 38 cm

Cod. OHAV225
W 225 D 102 H 69 cm
H seat 38 cm

Cod. OHAV255
W 255 D 102 H 69 cm
H seat 38 cm

Ottoman
Cod. OHAVP100
W 100 D 60 H 38 cm
H seat 38 cm
82 SLIDING (cat. Sofa) designed by Pietro Arosio, base T03 Grey RAL 7016
83 Sliding
Un divano essenziale ed elegante, caratterizzato dalla base in pressofusione di alluminio,
che si trasforma in un comodo letto a due piazze, semplicemente abbassando lo schienale
con meccanismo brevettato. I cuscini con imbottitura in piuma d’oca, sono funzionali ad
entrambi gli utilizzi. Tutti i rivestimenti sono sfoderabili.

Designer, Year: Pietro Arosio, 2000

Domestic Portraits: cat. Modular Systems + Sofas
84 85 SLIDING (cat. Sofa) designed by Pietro Arosio,
base T03 Grey RAL 7016
Shown with: RULER (cat. Low Table) designed by Gordon Guillaumier,
top T33 Matt Black Travertine Marble, base T44 Light Walnut
86 SLIDING (cat. Sofa) designed by Pietro Arosio,
base T03 Grey RAL 7016
Shown with: RULER (cat. Low Table) designed by Gordon Guillaumier,
top T33 Matt Black Travertine Marble, base T44 Light Walnut 87 Technical Informations
Designer: Pietro Arosio
Pietro Arosio was born in 1946 in Lissone, near Milan.
He learnt his profession at the research centre of
a company specialising in the production of metal
furniture for communal spaces. This experience led to
the emergence of a design philosophy that developed
over time through his work as an industrial designer.
He began his career in 1972, and was already winning
accolades in 1983, receiving the Casaviva d’Oro award.
The fundamentals of his work include essentiality,
research into new materials and technologies, and
attention to detail and to the engineering implications
of his designs. Pietro Arosio is fully aware of the
emotional impact his products can have, and has
worked in partnership with various internationally-
acclaimed artists, including Nespolo, Del Pezzo,
Hsiao Chin, Tilson, Rotella and Keizo. A number of his
pieces have been exhibited at the Victoria and Albert
Museum in London, and at the Munich modern art
museum Die Sammlung.
Sliding
(En) A practical and extremely elegant
sofa characterized by its base in cast
aluminium which transforms itself into a
comfortable double bed simply by lowering
the backrest via the patented mechanism.
The cushions are upholstered in duck
down. All covers are removable.
(De) Ein elegantes schlichtes Sofa,
zeichnet sich durch sein Alluminiumgestell
auf Rollen aus, verwandelbar in ein
bequemes Doppelbett durch einfaches
Runterdrücken der Lehne. Die Kissen
mit Daunenfüllung sind für beide
Anwendungen funktionell. Alle Bezüge
sind abziehbar.
(Fr) Un canapé essentiel et élégant,
caractérisé avec la base moulage sous
pression en aluminium, qui se transforme
dans un lit confortable à deux places,
simplement en baissant le panneau
arrière avec le mécanisme breveté.
Les coussins rembourrés avec plume d’oie
sont fonctionnels pour les deux emplois.
Tous les revêtements sont amovibles.

Dimensions:

Cod. OINGV200
W 204 D 100/144 cm
H 83/42 cm
H seat 42 cm
88 Giulia 89 GIULIA (cat. Armchair) designed by Gianfranco Frattini (1957),
developed by Tacchini (2016), base T43 Dark Walnut
Shown with: GIO (cat. Low Table) designed by Gianfranco Frattini,
top T67 Shiny Yellow, frame T43 Dark Walnut

Riedizione di un progetto originale di Gianfranco Frattini risalente al 1957, ma ancora attuale

nelle forme e nello spirito, la poltrona Giulia fa rivivere nello spazio contemporaneo
una sensazione senza tempo di bellezza, comfort ed armonia. Impeccabile la realizzazione,
come nella tradizione Tacchini, dalla scelta dei materiali per la scocca dalle forme
avvolgenti, alla base in legno di frassino tinto noce scuro o grigio, di sapore artigianale.

Designer, Year: Gianfranco Frattini, (1957) 2016

Domestic Portraits: cat. Armchairs
90 Technical Informations
Designer: Gianfranco Frattini
Gianfranco Frattini was born in Padua, Italy, on 15th
May, 1926. He graduated in Architecture, at the
Politecnico, Milan, in 1953. At the end of the 50’s, he is
one of the founders of ADI, Association for Industrial
Design. Frattini opened his own studio in Milan, after
working in the office of his teacher and mentor Gio
Ponti. In few years, he became an industrial designer,
well-known worldwide. Among his many successful
projects, in 1956 designed the chair model 849,
nominated for the “Compasso d’Oro” Prize. Now, this
armchair, which takes shapes from the original design,
is proposed by Tacchini with the name of “Agnese”.
Dimensions:
Cod. OGIU86
W 86 D 95 H 104 cm
H seat 43 cm
Ottoman
Cod. OGIUP57
W 57 D 51 H 42 cm
Giulia 91 GIULIA (cat. Armchair) designed by Gianfranco Frattini (1957), developed by Tacchini (2016),
base T43 Dark Walnut
(En) Relaunch of an original project of
Gianfranco Frattini dated 1957, but still
actual for its shapes and spirit, Giulia
armchair creates in the contemporary
space a timeless feeling of beauty, comfort
and harmony. A flawless realization, typical
of Tacchini’s tradition, from the choice
of materials for the embrace-shaped
structure, to the ash wood basis dyed dark
walnut or grey with artisan taste.
(De) Der Lehnsessel Giulia, Neuauflage
eines originalen Entwurfs von Gianfranco
Frattini aus dem Jahr 1957, der in Form
und Esprit immer noch aktuell ist, bringt in
unser heutiges Ambiente das Gefühl von
zeitloser Schönheit, Komfort und Harmonie
zurück. Erstklassige Ausfertigung in der
Tradition von Tacchini, von den gewählten
Materialien für die anschmiegsame
Form der Sitzschale, bis zum Gestell aus
Eschenholz gebeizt Nussbaum dunkel oder
grau, von handwerklichem Flair.
(Fr) Réédition d’un projet original de
Gianfranco Frattini datant de 1957, mais
avec des formes et un esprit encore
actuels, le fauteuil Giulia fait revivre dans
l’espace contemporain une sensation
intemporelle de beauté, de confort et
d’harmonie. Réalisation impeccable, dans
le style Tacchini le plus pur, du choix
des matériaux pour la coque aux formes
enveloppantes, jusqu’à la base en bois de
frêne teinté noyer foncé ou gris, de goût
artisanal.
92 Sesann 93 SESANN (cat. Armchair) designed by Gianfranco Frattini (1970),
developed by Tacchini (2015), structure T23 Polished Chrome,
feet T43 Dark Walnut
Shown with: CAGE (cat. Low Table) designed by
Gordon Guillaumier, top T32 Black Marquinia Marble,
base T28 Matt Black Chrome

Un sistema di divani e poltrone che suscitano una sensazione di sensuale calore, con le
loro forme morbide, accoglienti, pienamente protagoniste dello spazio anche in virtù
dell’importanza dei volumi. A questa sensazione estetica e fisica, si aggiunge la peculiarità
della struttura avvolgente ed a vista, in tubolare metallico cromato o verniciato. I piedi di
supporto sono in legno di frassino tinti noce o grigio. Diversi i rivestimenti disponibili, in
pelle o tessuto, per creare molteplici sensazioni e abbinamenti cromatici con la struttura.

Designer, Year: Gianfranco Frattini, (1970) 2015

Domestic Portraits: cat. Armchairs
94 SESANN (cat. Armchair) designed by Gianfranco Frattini (1970), developed by Tacchini (2015)
structure T23 Polished Chrome, feet T43 Dark Walnut 95 Technical informations
Designer: Gianfranco Frattini
Gianfranco Frattini was born in Padua, Italy, on 15th
May, 1926. He graduated in Architecture, at the
Politecnico, Milan, in 1953. At the end of the 50’s, he is
one of the founders of ADI, Association for Industrial
Design. Frattini opened his own studio in Milan, after
working in the office of his teacher and mentor Gio
Ponti. In few years, he became an industrial designer,
well-known worldwide. Among his many successful
projects, in 1956 designed the chair model 849,
nominated for the “Compasso d’Oro” Prize. Now, this
armchair, which takes shapes from the original design,
is proposed by Tacchini with the name of “Agnese”.
Dimensions:
Cod. OSES110
W 110 D 94 H 67 cm
H seat 38 cm
Sesann
(En) A system of sofas and armchairs
that create a feeling of sensual warm,
with their soft, comfortable shapes which
are definitely the protagonists of space
also due to the importance of volumes.
In addition to this aesthetic and physical
feelings, there is the peculiarity of its
embracing structure, which can be in
metallic chromed or painted tubular.
The feet are made with ash wood dyed
grey or walnut. Different upholsteries are
available, leathers or fabrics, in order to
create various feelings and chromatic
combinations with the structure.
(De) Ein System von Sofas und
Sesseln, die ein Gefühl von sinnlicher
Wärme geben. Ihre Formen sind weich
und gemütlich. Zu diesem ästhetischen
und physischen Gefühl kommt die
Besonderheit der sichtbaren einhüllenden
Struktur: ein verchromtes oder lackiertes
Metallrohr. Die Füße sind aus grau
gebeizter Esche oder Nuss. Verschiedene
Bezüge aus Leder oder Stoff sind verfügbar
und formen haptische und farbliche
Kombinationen mit der Struktur.
(Fr) Un système de sofas et fauteuils
qui suscitent une sensation de chaleur
sensuelle avec leurs formes douces,
accueillantes, qui sont les protagonistes
de l’espace aussi grâce à ses volumes
importants. À cette sensation esthétique
et physique, s’ajoute la particularité de
la structure enveloppante et exposée, en
tubulaire métallique chromatique ou verni.
Les pieds sont en bois de frêne teinté
gris ou noyer. Différents revêtements
disponibles en cuir ou tissu, pour créer
de multiples sensations et associations
chromatiques avec la structure.
Design Classics: Sesann
Respecting the thought of Gianfranco Frattini,
the new edition of Sesann keeps the spirit of the
product intact. Characterized by a leather upholstery,
Sesann owes its typical soft and enveloping form to the
structure in pine plywood, covered with polyurethane
foam and encircled with an architectural tubular
steel (chrome or painted), with feet in ash wood.
The particular configuration of Sesann – both formal
and functional – constitutes the basis for a system
of products characterized by the same structural
elements, but declined in unique and fascinating
objects. This approach of synthesis and reduction,
proposed by Frattini, produced a formally elegant
design, conceptually elaborated and, above all, unique.
96 AGNESE (cat. Armchair, Ottoman) designed by Gianfranco Frattini
(1956), developed by Tacchini (2014), base T49 Grey
Design Classic: read more about Tacchini
re-editions program on p. 101 97 Agnese
Agnese è la riproposizione di uno storico progetto di Gianfranco Frattini, protagonista
del design e dell’architettura italiana del Novecento: la poltrona Agnese fu segnalata al
Compasso d’Oro 1956. Realizzata con fedeltà filologica e cura di ogni dettaglio, dalla
struttura in legno di frassino, con diverse finiture, all’armonioso insieme della scocca, dello
schienale e dei braccioli, con cuciture sartoriali, Agnese può essere abbinata a un pouf
coordinato, sempre su progetto originale di Gianfranco Frattini.

Designer, Year: Gianfranco Frattini, (1956) 2014

Domestic Portraits: cat. Armchairs
98 99 AGNESE (cat. Armchair, Ottoman) designed by Gianfranco Frattini
(1956), developed by Tacchini (2014), base T43 Dark Walnut
100 AGNESE (cat. Armchair) designed by Gianfranco Frattini (1956), developed by Tacchini (2014), base T49 Grey
101 Technical informations
Designer: Gianfranco Frattini
Gianfranco Frattini was born in Padua, Italy, on 15th
May, 1926. He graduated in Architecture, at the
Politecnico, Milan, in 1953. At the end of the 50’s, he is
one of the founders of ADI, Association for Industrial
Design. Frattini opened his own studio in Milan, after
working in the office of his teacher and mentor Gio
Ponti. In few years, he became an industrial designer,
well-known worldwide. Among his many successful
projects, in 1956 designed the chair model 849,
nominated for the “Compasso d’Oro” Prize. Now, this
armchair, which takes shapes from the original design,
is proposed by Tacchini with the name of “Agnese”.
Dimensions:
Cod. OAGN84
W 84 D 76 H 73 cm
H seat 44 cm
Ottoman
Cod. OAGNP57
W 57 D 51 H 42 cm
Agnese
(It) Agnese is the relaunch of an historic
project of Gianfranco Frattini, protagonist
of Italian design and architecture in the
XX century. Agnese armchair was in fact
pointed out at Compasso d’Oro in 1956.
Realized with philological fidelity and
attention for every detail, from the ash
wood structure with different finishes,
to the harmonic set of body, backrest
and arms, made with sartorial stitches,
Agnese can be combined with a
coordinated ottoman, like the original
project of Gianfranco Frattini.
(De) Agnese ist eine neue Interpretation
eines historischen Projects von
Gianfranco Frattini, einer der wichtigsten
Persönlichkeiten des italienischen
Designs und der Architektur im 20.
Jahrhundert. Der Sessel Agnese war
zu Compasso d’Oro 1956 signalisiert.
Er wurde mit philologischer Genauigkeit
realisiert, von der Struktur aus Eschenholz
mit verschiedenen Oberflächen bis
zur harmonischen Gesamtheit von
Schale, Rückenlehne und Armlehnen
mit Ziernähten. Agnese kann mit einem
Ottomanen kombiniert werden, wie im
Originalprojekt von Gianfranco Frattini.
(Fr) Agnese est la nouvelle proposition
d’un projet historique de Gianfranco
Frattini, protagoniste du design et de
l’architecture italienne du XX siècle :
le fauteuil Agnese a été signalisé au
Compasso d’Oro 1956. Réalisé avec fidélité
philologique et soin de tous les détails,
de la structure en bois de frêne de
différentes finitions jusqu’à l’ensemble
harmonieux de la coque, du dossier et des
accoudoirs avec coutures fines, Agnese
peut être coordonné avec un pouf toujours
sur le projet original de Gianfranco Frattini.
Design Classics: Agnese
Agnese is the name of the new version of the 849,
the armchair designed by Gianfranco Frattini around
1956 in his Milan studio, in via Sant’Agnese in fact.
All the style and radiance of an age take shape in
the lines of this armchair which is much more than a
classic and almost an archetype. Agnese, the armchair,
is produced in a very accurate way and with extreme
fidelity to the original design; moreover, following
from Frattini’s original project, the armchair is
accompained by a matching ottoman. Agnese is just
the beginning of a comprehensive project that aims
to support the revival of a great designer’s style but also
an entire atmosphere of interior decor.
102 Shelter 103 SHELTER (cat. Armchair, Ottoman) designed by Noé Duchaufour
Lawrance (2014), base T27 Matt Black Chrome

Con la sua scocca a forma di uovo e l’ampio poggiatesta completato da un cuscino,

la poltrona Shelter è disegnata per accogliere il corpo come in un abbraccio.
Protettiva e avvolgente, è comunque caratterizzata da un disegno estremamente
semplice e leggero, fatto di curve armoniose e sottili profili che le conferiscono un fascino
particolare.

Designer, Year: Noé Duchaufour-Lawrance, 2014

Domestic Portraits: cat. Armchairs
104 105 SHELTER (cat. Armchair) designed by Noé Duchaufour-Lawrance
(2014), base T27 Matt Black Chrome
Shown with: CAGE (cat. Low Table) designed by Gordon Guillaumier,
top T41 Smoked Mirror, base T07 RAL 9011
106 SHELTER (cat. Armchair, Ottoman) designed by Noé Duchaufour
Lawrance (2014), base T27 Matt Black Chrome
107 Technical informations
Designer: Noé Duchaufour-Lawrance
Gianfranco Frattini was born in Padua, Italy, on 15th
May, 1926. He graduated in Architecture, at the
Politecnico, Milan, in 1953. At the end of the 50’s, he is
one of the founders of ADI, Association for Industrial
Design. Frattini opened his own studio in Milan, after
working in the office of his teacher and mentor Gio
Ponti. In few years, he became an industrial designer,
well-known worldwide. Among his many successful
projects, in 1956 designed the chair model 849,
nominated for the “Compasso d’Oro” Prize. Now, this
armchair, which takes shapes from the original design,
is proposed by Tacchini with the name of “Agnese”.
Dimensions:
Cod. OSHE69
W 69,5 D 85 H 114,5 cm
H seat 41 cm
Footstool
Cod. OSHE60
W 60 D 51 H 41 cm
H seat 41 cm
Shelter
(En) With its egg-shaped structure and
the large headrest completed by a cushion,
Shelter armchair is designed to embrace
the body. Protective and enveloping, it is
characterized by an extremely simple and
light design, made of harmonic curves and
thin profiles, which give to this armchair a
unique charm.
(De) Mit seiner eiförmigen Schale und
einer breiten Kopfstütze, die mit einem
Kissen ergänzt wird, ist der Sessel Shelter
gemacht, um den Körper wie mit einer
Umarmung zu empfangen. Schützend
und umhüllend, ist seine Linie einfach
und leicht mit harmonischen Kurven und
dünnem Profil, das einen besonderen
Charme gibt.
(Fr) Avec sa coque qui rappelle la
forme d’un œuf et le large appuie-tête
complété par un coussin, le fauteuil
Shelter est dessiné pour accueillir le corps
comme une embrassade. Protecteur et
envoûtant, il est caractérisé par un dessin
extrêmement simple et léger, fait de
courbes harmonieuses et des profils fins
qui lui donnent un charme particulier.
108 Dot 109 DOT (cat. Armchair) designed by Patrick Norguet (2015),
base T02 White RAL 9016
Shown with: SPLIT (cat. Low Table) designed by Claesson Koivisto
Rune, top T57 White Full Color, base T02 White RAL 9016

La poltrona Dot raccoglie i valori simbolici della casa ideale, traducendoli in morbide curve,
geometrie avvolgenti, sensazioni tattili e linee essenziali. Il suo progetto è caratterizzato
da una forma unica e continua, con lo schienale curvato che si trasforma delicatamente
in un elemento strutturale, mentre l’imbottitura conferisce stabilità e comfort alla seduta,
sollevata da una base dalla forma contrastante, disponibile sia in legno che
in metallo.

Designer, Year: Patrick Norguet, 2015

Domestic Portraits: cat. Armchairs
110 111 DOT (cat. Armchair) designed by Patrick Norguet (2015), base T02 White RAL 9016
112 Technical informations
Designer: Patrick Norguet
Gianfranco Frattini was born in Padua, Italy, on 15th
May, 1926. He graduated in Architecture, at the
Politecnico, Milan, in 1953. At the end of the 50’s, he is
one of the founders of ADI, Association for Industrial
Design. Frattini opened his own studio in Milan, after
working in the office of his teacher and mentor Gio
Ponti. In few years, he became an industrial designer,
well-known worldwide. Among his many successful
projects, in 1956 designed the chair model 849,
nominated for the “Compasso d’Oro” Prize. Now, this
armchair, which takes shapes from the original design,
is proposed by Tacchini with the name of “Agnese”.
Dimensions:
Cod. ODOT87
W 87 D 81 H 92 cm
H seat 42 cm
Dot 113 DOT (cat. Armchair) designed by Patrick Norguet (2015), base T02 White RAL 9016
(En) Dot armchair embraces the
symbolic values of the ideal home and
turns them into soft curves, embracing
geometries, tactile feelings and simple
lines. Its project is characterized by
a unique and continuous shape, with
a curved backrest which gently becomes
a structural element, while the padding
gives stability and comfort to the seat,
raised by a contrasting basement shape,
available in wood and metal.
(De) Der Sessel Dot nimmt die
die symbolischen Werte des idealen
Heims auf und übersetzt sie in weiche
Kurven, umhüllende Geometrien,
angenehme Haptik und einfache Linien.
Er ist durch eine eigene und fließende
Form charakterisiert. Die gekrümmte
Rückenlehne wird zum Strukturelement,
während die Polsterung Stabilität und
Komfort gibt. Das alles sitzt auf einer
kontrastierenden Basis, die in Holz oder
Metall lieferbar ist.
(Fr) Le fauteuil Dot accueille les valeurs
symboliques de la maison idéale et les
traduit avec des courbes douces, des
géométries envoûtantes, des sensations
tactiles et des lignes essentielles.
Son projet est caractérisé par une forme
unique et continue, avec un dossier
courbé qui se transforme délicatement
en un élément structural tandis que le
rembourrage donne stabilité et confort
à l’assise qui est relevé par une base
à la forme contrastante, disponible en bois
et en métal.
114 KELLY L (cat. Chaise-longue) designed by Claesson Koivisto Rune (2014), base T07 Black RAL 9011
115 Kelly
Kelly è una famiglia di sedute caratterizzate da uno spirito amichevole e giocoso, espresso
attraverso forme organiche, colori puri e brillanti, sensazioni positive. La personalità di
ciascun modello è caratterizzata dalle diverse forme e proporzioni dello schienale e del
sedile, sempre sospesi su sottili strutture metalliche, con un richiamo agli arredi vintage
e alle opere dell’arte moderna. Le sedute Kelly possono vivere da sole oppure creare diversi
abbinamenti e composizioni, negli ambienti domestici come negli spazi del contract.
La poltrona lounge può essere completata da un pouf poggiapiedi coordinato.

Designer, Year: Claesson Koivisto Rune, 2014

Domestic Portraits: cat. Armchairs
116 Technical informations
Kelly 117 KELLY E (cat. Armchair) designed by Claesson Koivisto Rune (2014), base T18 Green RAL 6029

(En) Kelly is a collection of chairs

Designers: Claesson Koivisto Rune
The Claesson Koivisto Rune studio was
established in 1995 as a multidisciplinary
architecture and design workshop, in linewith
the classic Scandinavian tradition, but with the
aim of exploring new concepts, and pursuing
the values of simplicity and innovation.
The three Swedes have created architectural
designs throughout the world and in every
sector, from homes to restaurants, retail to
executive buildings, as well as furniture ranges
for numerous major international firms.
characterized by a friendly and jovial spirit
which is expressed with organic shapes,
pure and shiny colours and positive
feelings. The personality of every model is
distinguished by various shapes and sizes
of seat and backrest, always suspended
on thin metallic structures which remind
vintage furniture and modern art’s works.
Kelly chairs can stay independent or create
different combinations and compositions,
both in domestic and public environments.
Kelly lounge armchair can be also
combined with a coordinated footrest.
(De) Kelly ist eine Familie von
Sitzmöbeln, die durch fröhliche, positive
Ausstrahlung, organische Formen und
klare, strahlende Farben charakterisiert
ist. Jedes Modell hat seine eigene
Persönlichkeit durch verschiedene Formen
und Proportionen der Rückenlehnen und
des Sitzes. Gemeinsam sind immer die
schlanken Metallstrukturen, Erinnerung an
vintage Möbel und moderne Kunstwerke.
Die Kelly Stühle können allein gestellt
werden oder in vielfältigen Kombinationen
und Kompositionen im Haus oder im
Objekt. Der Loungesessel kann mit einer
passenden Ottomane ergänzt werden.
(Fr) Kelly est une famille de sièges
caractérisée par un esprit convivial et gai
exprimé par des formes organiques, des
couleurs pures et brillantes, des sensations
positives. La personnalité de chaque
modèle est caractérisée par les différentes
formes et proportions du dossier et de
l’assise, toujours suspendu sur de fines
structures métalliques, avec un rappel
au mobilier vintage et aux œuvres de
l’art moderne. Les sièges Kelly peuvent
être indépendants ou créer différentes
compositions et associations dans les
espaces domestiques comme dans les
espaces contract. Le fauteuil lounge peut
être complété avec un pouf coordonné.

Dimensions:

Kelly L
Cod. OKELL104
W 104 D 116 H 84 cm
H seat 36 cm

Kelly F
Cod. OKELF104
W 104 D 49,5 H 41 cm
H seat 36 cm

Kelly E
Cod. OKELE70
W 70 D 80 H 81 cm
H seat 39,6 cm
118 DOODLE (cat. Armchair) designed by Claesson Koivisto Rune (2008),
base T25 Matt Champagne Gold 119 Doodle
La parola inglese “Doodle” indica quei disegni che tutti facciamo mentre parliamo al telefono
o abbiamo la mente occupata in chissà quali pensieri. Linee, spirali, ghirigori sempre
diversi, dai quali prende spunto il design concept di questa famiglia di sedute. Le cuciture
a vista delle poltroncine Doodle, creano disegni tono su tono o contrastanti con la tinta
del rivestimento. Sedute e basi di diverse tipologie, formano una famiglia completa, per
aggiungere poesia e comfort ad ogni spazio: dal contract, all’ufficio, alla casa. La collezione
si arricchisce oggi di un nuovo elemento: lo sgabello alto, disponibile in diversi colori, con
cuciture in tonalità contrastanti. La base metallica, sottile ed elegante, viene proposta con
verniciatura bianca, nera o marrone, oppure con finitura cromo satinata.

Designer, Year: Claesson Koivisto Rune, 2008

Domestic Portraits: cat. Armchairs
120 DOODLE (cat. Armchair) designed by Claesson Koivisto Rune (2008),
base T02 White RAL 9016 121 Technical informations
Designers: Claesson Koivisto Rune
The Claesson Koivisto Rune studio was
established in 1995 as a multidisciplinary
architecture and design workshop, in linewith
the classic Scandinavian tradition, but with the
aim of exploring new concepts, and pursuing
the values of simplicity and innovation.
The three Swedes have created architectural
designs throughout the world and in every
sector, from homes to restaurants, retail to
executive buildings, as well as furniture ranges
for numerous major international firms.
Dimensions:
Lounge
Cod. ODOD87
W 87 D 78 H 77 cm
H seat 41 cm
Doodle
(En) Doodle: those drawings we do
while on the phone or with our minds
on whatever other things. Lines, spirals
and swirls that are always different, the
inspiration behind the design concept of
this seating range. The visible spiralling
lines of Doodle armchairs, stitched
onto the fabric or leather in contrasting or
matching colours, create various options
of seat and complete a family suitable
for all spaces, where comfort and fun
are required: from contract, office to the
home. Today the collection takes on a new
element: the high stool, available in several
colours, with stitching in contrasting hues.
The metal base is available painted white,
black or brown, or with satin chrome finish.
(De) Das englische Wort “Doodle”
bedeutet “Kringel” diese machen wir alle
beim telefonieren oder in gedanken versin-
kenkt. Lineen, Spiralen, Schnörkel, immer
andere, davon ist das konzept für diese
Stühle abgeleitet. Die dekorative Nähte
schaffen Muster passend oder kontrastie-
rend zur Farben der Bezüge. Stühle und
Gestelle in verschiedenen Ausführungen
fügen sich zu Komplettfamilie, um in den
verschiedensten Räume Komfort und Poe-
sie hinzufügen. Die Kollektion wird durch
ein neues Element bereichert: den hohen
Hocker, der in verschiedenen Farben mit
Kontrastnähten erhältlich ist. Die schmale
und elegante Metallbasis ist mit weißer,
schwarzer oder brauner Lackierung, aber
auch in einer satinierten verchromten End-
verarbeitung erhältlich.
(Fr) Le terme anglais “Doodle” indique
les dessins ou modèles que nous faisons
tous quand nous parlons au téléphone ou
quand nous nous perdons dans des rêvier-
es. Lignes, spirales, toujours différentes,
à partir desquelles naît le projet de cette
famille d’assises. Les coutures à vue des
fauteuils Doodle, créent des dessins ton
sur ton ou en conflit avec la teinte du
revêtement. Les sessions et les siéges de
différentes typologies, forment une famille
complète, pour ajouter poésie et confort à
chaque espace : du contrat, au bureau, au
domicile. La collection compte aujourd’hui
un nouveau produit : un tabouret haut,
disponible en plusieurs couleurs, qui se
caractérise par ses coutures aux tonali-
tés opposées. La base métallique, fine et
élégante, existe en version vernissée blanc,
noir ou marron ou avec finition chromée
satinée.
122 Jacket + Jacket Outdoor 123 JACKET (cat. Armchair) designed by Patrick Norguet (2012),
frame T07 Black RAL 9011
Shown with: RULER (cat. Low Table) designed by Gordon Guillaumier,
top T33 Matt Black Travertine Marble, base T44 Light Walnut

Visibilmente ispirata al mondo della moda, la poltrona Jacket si presenta in una versione
rinnovata nella realizzazione sartoriale e nelle tonalità della struttura metallica, dalle
linee snelle e sinuose. Il tessuto trapuntato non si limita a vestirla, ma diventa esso stesso
una morbida ed accogliente scocca, con un bordo che ricorda il bavero di una giacca.
Due cuscini aggiungono una soffice sensazione di comfort. La versione Jacket Outdoor
apre ulteriori possibilità di utilizzo per la poltrona Jacket, mettendo a nudo la sua struttura
sinuosa ed elegante, realizzata in tubolare metallico di diametro 30 mm, con verniciatura
epossidica resistente alle intemperie. L’ampia scocca, anch’essa in metallo, e resa ancora
più comoda e accogliente da un sottile cuscino, in diversi tessuti e colori adatti per l’utilizzo
in esterni. La poltrona Jacket Outdoor può essere affiancata da un elemento coordinato,
utilizzabile come seduta o piano d’appoggio.

Designer, Year: Patrick Norguet, 2012 – 2013

Domestic Portraits: cat. Armchairs
124 125 JACKET (cat. Armchair) designed by Patrick Norguet (2012),
frame T07 Black RAL 9011
Shown with: RULER (cat. Low Table) designed by Gordon Guillaumier,
top T33 Matt Black Travertine Marble, base T44 Light Walnut
126 JACKET OUTDOOR (cat. Armchair, Ottoman)
designed by Patrick Norguet (2013), frame T02 White RAL 9016
Show with: TRIO (cat. Low Table) designed
by Patrick Norguet, frame T02 White RAL 9016 127 Technical informations
Jacket + Jacket Outdoor
(En) Drawing evident inspiration from the
fashion world, Jacket armchair now appears in a
renewed version, with revamped sartorial details
and new colours for its sleek and slender metal
frame. The quilted fabric, in addition to dressing
the piece, forms its soft, cosy shell, with edging
reminiscent of a jacket lapel. Two cushions add
a sense of snug comfort. The Jacket outdoor ver-
sion opens up new possibilities of use for the Ja-
cket armchair, revealing its sleek and sophistica-
ted frame: powder-coated and weather resistant
metal tubing with a 30 mm diameter. The broad
Designer: Patrick Norguet
shell, which is also made of metal, has been
Gianfranco Frattini was born in Padua, Italy, on 15th made even more comfortable and snug with a
May, 1926. He graduated in Architecture, at the thin pillow in different fabrics and colors suitable
Politecnico, Milan, in 1953. At the end of the 50’s, he is for outdoor use. The Jacket Outdoor chair may
one of the founders of ADI, Association for Industrial
Design. Frattini opened his own studio in Milan, after be paired up with a matching furnishing element
working in the office of his teacher and mentor Gio to be used as a seat or surface top.
Ponti. In few years, he became an industrial designer, (De) Der Sessel Jacket, der sichtbar von
well-known worldwide. Among his many successful der Welt der Mode beeinflusst ist, präsentiert
projects, in 1956 designed the chair model 849,
nominated for the “Compasso d’Oro” Prize. Now, this sich in einer erneuerten, maßgeschneiderten
armchair, which takes shapes from the original design, Ausführung und in neuen Farben für das metal-
is proposed by Tacchini with the name of “Agnese”. lische Untergestell in schlanken, geschwunge-
nen Linien. Der gesteppte Bezug ist nicht nur
eine Bekleidung, sondern wird selbst zu einer
weichen, behaglichen Sitzschale, mit einem
oberen Abschluss, der an einen Rockkragen
erinnert. Verstärkt wird der flauschige Komfort
durch zwei Kissen. Die Variante Jacket Outdoor
eröffnet dem Lehnstuhl Jacket neue Nutzung-
smöglichkeiten, indem seine elegant beschwin-
gte Struktur freigelegt wird: sie besteht aus
Metallrohr, Durchmesser 30 mm, mit witterun-
gsbeständiger Pulverlackierung. Die großzügige
Sitzschale, ebenfalls aus Metall, ist noch beque-
mer durch ein dünnes Kissen in verschiedenen
Textilien und Farben, die sich für den Gebrauch
im Freien eignen. Der Lehnstuhl Jacket Outdoor
kann durch ein koordiniertes Element ergänzt
werden, das als Sitz oder Ablage nutzbar ist.
(Fr) S’inspirant clairement du monde de la
mode, le fauteuil Jacket se présente dans une
version renouvelée dans la fabrication très
« couture » et dans les teintes de la structure
métallique, aux lignes fines et sinueuses. Le tissu
matelassé ne se limite pas à l’habiller mais de-
vient lui-même une coque douce et accueillante,
Dimensions: avec un bord qui rappelle le revers d’une veste.
Jacket
Deux coussins ajoutent une sensation de confort
Cod. OJACK86 douillet. La version Jacket Outdoor offre des
W 89 D 80 H 79 cm possibilités d’utilisation supplémentaires pour
H seat 42 cm le fauteuil Jacket, en mettant à nu sa structure
Jacket Outdoor
sinueuse et élégante, réalisée en tube métalliq-
Cod. OJACK86OU ue de 30 mm de diamètre, avec peinture époxy
W 89 D 80 H 79 cm résistant aux intempéries. La large coque, elle
H seat 42 cm aussi en métal, est rendue encore plus confor-
Footstool
table et accueillante par un fin coussin, réalisé en
Cod. OJACKP54OU différents tissus et coloris adaptés pour une uti-
W 54 D 47 H 32,5 cm lisation à l’extérieur. Le fauteuil Jacket Outdoor
H seat 33 cm peut être complété par un élément coordonné,
utilisable comme siège ou plan d’appui.
128 Isola 129 ISOLA (cat. Armchair) designed by Claesson Koivisto Rune (2012),
base T24 Satin Chrome, table top T34 Shiny Biancone Marble
Shown with: RULER (cat. Low Table) designed by Gordon Guillaumier,
top T33 Matt Black Travertine Marble, base T44 Light Walnut

Avvolgente, accogliente, invitante come un’isola in mezzo al mare, questa poltrona

è caratterizzata dalla forma organica e dalla struttura leggera. Ideale nel panorama del
contract come nell’habitat, perfetta per tuffarsi nel relax ma anche per immergersi
nel lavoro o nello studio, grazie a un tavolino opzionale, posizionabile sul lato destro
o sinistro e realizzato in pregiato marmo biancone o travertino nero opaco. La struttura
è disponibile cromata o verniciata.

Designer, Year: Claesson Koivisto Rune, 2012

Domestic Portraits: cat. Armchairs
130 ISOLA (cat. Armchair) designed by Claesson Koivisto
Rune (2012), base T07 Black RAL 9011
Shown with: CAGE (cat. Low Table) designed by Gordon Guillaumier,
top T41 Smoked Mirror, base T27 Matt Black Chrome 131 Technical Informations
Designers: Claesson Koivisto Rune
The Claesson Koivisto Rune studio was
established in 1995 as a multidisciplinary
architecture and design workshop, in linewith
the classic Scandinavian tradition, but with the
aim of exploring new concepts, and pursuing
the values of simplicity and innovation.
The three Swedes have created architectural
designs throughout the world and in every
sector, from homes to restaurants, retail to
executive buildings, as well as furniture ranges
for numerous major international firms.
Dimensions:
Cod. OIS118
W 118 D 86.5 H 85 cm
H seat 40 cm
Cod. OIS118T
W 118 D 86.5 H 85 cm
H seat 40 cm
H table 57.5 cm
Isola
(En) Enveloping, cozy, and as inviting
as an island out at sea, this armchair is
marked by a more organic shape and
loosely structured frame. It fits in ideally
in home furnishings and public contracts
alike, perfect for relaxing as well as
soaking up work or study due thanks
to its optional table, placed on the right
or left and made in precious white marble
or matte black travertine. The frame may
be either chromed or painted.
(De) Komfortabel, gemütlich,
einladend, wie eine Insel mitten im Meer
charakterisiert dieser Sessel durch eine
organische Form und eine leichte Struktur.
Ideal sowohl im Bereich Contract, als
auch im Bereich Habitat ist er perfekt,
um zu relaxen, aber auch um sich der
Arbeit oder dem Studium zu widmen
und zwar dank eines Zusatztischchens,
welches auf der rechten oder linken
Seite angebracht werden kann und aus
wertvollem Biancone Marmor oder matt
schwarz Travertin besteht.
(Fr) Enveloppant, accueillant, invitant
comme une île au milieu de la mer, ce
fauteuil est caractérisé par sa forme
organique et par sa structure légère. Idéal
au sein d’un panorama contract comme
dans l’habitat, il est parfait pour se plonger
dans le relax mais aussi pour s’immerger
dans le travail ou dans l’étude grâce à
une petite table en option, située sur le
côté droit ou gauche et réalisée dans un
précieux marbre biancone ou en travertin
noir opaque. La structure est disponible
chromée ou vernie.
132 SANCARLO (cat. Armchair) designed by Achille Castiglioni (1982),
developed by Tachcini (2010), base T07 Black RAL 9011
Shown with: RULER (cat. Low Table) designed by Gordon Guillaumier,
top T334 Shiny Biancone Marble, base T44 Light Walnut;
QUARTIER (cat. Ottoman) designed by Claesson Koivisto Rune
133 Sancarlo
Un progetto storico che ritorna ad affascinare per l’attualità ergonomica dello sdoppiamento
fra poggiareni e poggiatesta: un concetto all’avanguardia per l’epoca in cui venne
presentato, oggi reso ancora più efficace dalla moderna imbottitura a densità differenziata.
Anche la struttura in tubo curvato, tipica espressione della cultura del progetto
del XX secolo, diventa ancora più piacevole ed espressiva, al tatto ed alla vista, grazie alla
moderna finitura colorata.

Designer, Year: Achille Castiglioni, (1982) 2010

Domestic Portraits: cat. Armchairs
134 Technical informations
Designer: Achille Castiglioni
Lo studio Castiglioni viene fondato nel 1938 dai fratelli
Livio e Pier Giacomo, ai quali si affianca, in occasione
di alcuni progetti, Luigi Caccia Dominioni. Nel 1944
anche Achille entra a far parte dello studio:
la collaborazione fra i tre fratelli continuerà fino
al 1952, quando Livio inizia un’attività parallela,
lavorando con Pier Giacomo e Achille in occasione
di particolari allestimenti. Il lavoro di Achille e Pier
Giacomo si svolge senza una reale divisione di
compiti ma con una comune partecipazione ed un
continuo scambio e confronto. Questa collaborazione
si prolunga fino nel 1968, anno della morte di Pier
Giacomo. Achille continua il suo lavoro nello stesso
modo in cui l’aveva sempre condotto con il fratello,
a tal punto che sembra impossibile reperire,
nella lettura dei suoi progetti, cambiamenti nel modo
di operare, se non quelli prodotti dall’evoluzione
tecnologica e sociale.
Dimensions:
Armchair
Cod. OSAN62
W 62,5 D 92 H 118 cm
H seat 45 cm
Sofa
Cod. OSAN124
W 124 D 83,5 H 192 cm
H seat 45 cm
Sancarlo 135 SANCARLO (cat. Sofa) designed by Achille Castiglioni (1982),
developed by Tacchini (2010), base T02 White RAL 9016
(En) An historical project that fascinates
us once again thanks to the current
ergonomic value of the split between the
headrest and lumbar support: an advanced
concept for its time when it was presented,
now made even more effective by modern
upholstery in varying degrees of thickness.
The curved tubular structure, typical
example of twentieth century design
culture, is even more fun and expressive
to touch and look at thanks to its modern
coloured trim.
(De) Ein geschichtsträchtiges Projekt,
welches aufgrund seiner ergonomischen
Aktualität der Teilung zwischen Nieren-
und Kopfstütze wieder neu fasziniert: ein
fortschrittliches Projekt für die Epoche,
in welcher es präsentiert wurde, welches
heute durch die moderne Füllung mit
differenzierten Härtegraden noch effektiver
wird. Auch die Struktur aus gebogenem
Rohr, typischer Ausdruck der Kultur des
Projektes des XX. Jahrhunderts, wird noch
angenehmer und ausdrucksstärker, sowohl
für den Seh- als auch für den Tastsinn, dank
der modernen farbigen Endbearbeitung.
(Fr) Un projet historique qui fascine de
nouveau par l’actualité ergonomique du
dédoublement de son appui-reins et de
son appui-tête : un concept à l’avant-garde
à l’époque où il fut représenté et qui est
rendu aujourd’hui encore plus efficace
par un rembourrage moderne à densité
différenciée. La structure en tube courbé,
une expression typique de la culture du
projet du XX siècle, devient encore plus
agréable et expressive, au toucher et à la
vue, grâce à une finition colorée moderne.
Design Classics: Sancarlo
The Sancarlo armchair is a treatise on statics,
ergonomics, function and geometry. Commissioned
at the time by Driade, Achille Castiglioni has taken
up again the idea of the Sanluca, designed a few
decades earlier with his brother Pier Giacomo.
The result is the breaking-down of the seat into
a series of cushions which curve to each part of the
body they have to support.
136 GLIDE (cat. Armchair) designed by Monica Förster (2006), base T07 Black RAL 9011
137 Glide
L’ispirazione di partenza per Glide è l’osservazione della natura, il fluido e continuo
passaggio da una forma ad un’altra, da uno stato all’altro: come la neve in primavera.
Un concetto dal quale nasce una seduta ampia, morbida e sottile, realizzata in poliuretano
espanso a quote differenziate, sostenuta da aerei sostegni metallici, che accoglie
il corpo in un abbraccio aereo e spontaneo.

Designer, Year: Monica Förster, 2006

Domestic Portraits: cat. Armchairs
138 GLIDE (cat. Armchair) designed by Monica Förster (2006),
base T16 Black RAL 5003 139 Shown with: CAGE (cat. Low Table) designed by Gordon
Guillaumier (2010), base T28 Polished Black Chrome, top T32 Black
CAGE (cat. Low Table) designed by Gordon Guillaumier (2010),
base T07 Black RAL 9011, top T41 Smoked Mirror
Marquinia Marble
140 Technical informations
Designer: Monica Förster
One of the best-loved interpreters of
contemporary Swedish design, Monica Förster
works in Stockholm, but she was born and
raised close to the Arctic Circle, and this
environment has had a clear influence on her
work, seen in a deep love for the purest of
shapes and for natural sources of inspiration,
alongside a curiosity for new materials and
technologies. She works with numerous
international clients, often inventing new
typologies of products in industrial, furniture
and object design. She has received accolades
including the Excellent Swedish Design award,
the Design Plus award in Germany and the
Future Design Days Award.
Dimensions:
Cod. OGLI106
W 106 D 65 H 61 cm
H seat 37 cm
Glide 141 GLIDE (cat. Armchair) designed by Monica Förster (2006), base T07 Black RAL 9011
(En) The basic inspiration for Glide
is observation of nature, the fluid and
constant change from one shape to
another, from one state to another, like
the snow in spring. A concept that has
produced a large, soft and slim chair in
polyurethane foam with differentiated
density, supported by an airy metal
frame, which holds the body in a light and
spontaneous embrace.
(De) Die erste Inspiration für Glide
kommt aus der Beobachtung der Natur,
dem fließenden, dauernden Übergang von
einer Form zur anderen, von einem Zustand
zum anderen: wie der Schnee im Frühling.
Ein Konzept, aus dem ein großzügiges,
weiches und schlankes Sitzmöbel
entstanden ist, hergestellt aus PU-Schaum
in differenzierten Höhen und getragen
von Metallstützen, das den Körper in einer
lockeren, spontanen Umarmung aufnimmt.
(Fr) L’inspiration de départ pour Glide
est l’observation de la nature, le passage
fluide et continu d’une forme à une autre,
d’un état à l’autre: comme la neige au
printemps. Un concept d’où naît une
assise ample, moelleuse et fine, réalisée
en polyuréthane expansé à densité
variable, soutenue par d’élégants supports
métalliques, qui accueille le corps dans une
étreinte aérienne et spontanée.
142 QUARTIER (cat. Ottoman) designed by Claesson Koivisto Rune (2010)
Shown with: SPLIT (cat. Low Table) designed by Claesson Koivisto Rune
143 Quartier
Una metropoli di edifici in miniatura, colorati, soffici e accoglienti, per arredare il paesaggio
domestico e collettivo: questa è l’idea creativa da cui nascono i nuovi pouf Quartier.
Disegnati dallo studio Claesson Koivisto Rune, sono disponibili in tre diverse misure ed in
diversi colori. Le loro linee squadrate e le cuciture a vista in tonalità contrastanti, ricordano
i palazzi di mattoni dei “cartoon”. Una novità giovane e divertente, ma allo stesso tempo
pratica e versatile, per dare nuove forme al comfort ed alla convivialità domestica.
Designer, Year: Claesson Koivisto Rune, 2010
Domestic Portraits: cat. Ottomans
144 QUARTIER (cat. Ottoman) designed by Claesson Koivisto Rune (2010)
Shown with: SPLIT (cat. Low Table) designed by Claesson Koivisto Rune
145 Technical Informations
Designers: Claesson Koivisto Rune
The Claesson Koivisto Rune studio was
established in 1995 as a multidisciplinary
architecture and design workshop, in linewith
the classic Scandinavian tradition, but with the
aim of exploring new concepts, and pursuing
the values of simplicity and innovation.
The three Swedes have created architectural
designs throughout the world and in every
sector, from homes to restaurants, retail to
executive buildings, as well as furniture ranges
for numerous major international firms.
Dimensions:
Cod. OQUAR46
W 46 D 46 H 46 cm
H seat 46 cm
Cod. OQUAR62
W 62 D 62 H 38 cm
H seat 38 cm
Cod. OQUAR6112
W 112 D 112 H 33 cm
H seat 33 cm
Quartier
(En) A metropolis of buildings in
miniature, colourful, soft and cosy, to
combine the wide range of differing private
and public areas. This is the creative
idea from which arise the new ottoman
Quartier. Design Claesson Koivisto Rune,
available in three different sizes and
different colours. Their square lines and
visible stitching in contrasting tones, are
reminiscent of buildings in a “cartoon”
strip. A young and funny new product
both practical and versatile at the same
time, giving new forms to comfort and
conviviality.
(De) Eine Metropole aus
Miniaturgebäuden, farbig, bequem und
einladend, um das Wohnumfeld privat und
im Objekt zu gestalten: das ist die creative
Idee, aus der sich die neuen Sitzkissen
Quartier vom Studio Claesson Koivisto
Rune entwickeln. Sie sind in drei
Maßen und diversen Farben verfügbar.
Ihre eckigen Linien und die Nähte
in Kontrastfarben erinnern an die
Backsteinhäuser der “cartoon”. Eine junge
und zugleich praktische Neuheit,
um Wohnen neue Formen zu geben.
(Fr) Une métropole d’immeubles
en miniature, colorées, souples et
accueillantes pour meubler divers espaces
publics et privés. C’est de cette idée que
sont nés les nouveaux poufs Quartier.
Imaginés par le studio Claesson Koivisto
Rune, ils sont disponibles en trois
différentes dimensions et dans plusieurs
coloris. Ses lignes et ses coutures à vue
conçues dans des tonalités contrastées,
rappellent les palais de briques des
“cartoon”. Une nouveauté jeune et
amusante, pratique et qui s’adapte à
diverses ambiances pour donner des
nouvelles formes de confort et de
convivialité de la maison.
146 Technical informations
Designer: Pietro Arosio
Pietro Arosio was born in 1946 in Lissone, near Milan.
He learnt his profession at the research centre of
a company specialising in the production of metal
furniture for communal spaces. This experience led to
the emergence of a design philosophy that developed
over time through his work as an industrial designer.
He began his career in 1972, and was already winning
accolades in 1983, receiving the Casaviva d’Oro award.
The fundamentals of his work include essentiality,
research into new materials and technologies, and
attention to detail and to the engineering implications
of his designs. Pietro Arosio is fully aware of the
emotional impact his products can have, and has
worked in partnership with various internationally-
acclaimed artists, including Nespolo, Del Pezzo,
Hsiao Chin, Tilson, Rotella and Keizo. A number of his
pieces have been exhibited at the Victoria and Albert
Museum in London, and at the Munich modern art
museum Die Sammlung.
Dimensions:
SLALOM
(cat. Chaise-Longue) Cod. OSLA56
designed by Pietro Arosio W 56 D 160/168 cm
(2002), base T24 Satin
Chromed
H 98/78 cm
H seat 31/19 cm
Slalom 147 Slalom
(En) A chaise-longue with extremely
elegant and ergonomic form and which
is able to offer a surprising versatility.
It can be set to a different position of
inclination simply by rotating the base.
The head rest can be fixed in various
positions by means of a simple magnet.
(It) Una chaise-longue dalle forme
estremamente eleganti ed ergonomiche,
che rivela una sorprendente versatilità.
Può infatti assumere due diverse
inclinazioni, con la semplice rotazione
del basamento. Il cuscino poggiatesta
è a sua volta collocabile in diverse posizioni
a piacere, grazie a un magnete.
(De) Eine sehr elegante und
ergonomische Liege, Durch eifaches
Drehen des Untergestells ist ihre
Neigung auf zwei Positionen verstellbar.
Das Kopfkissen hält durch Magneten
in verschiedenen Positionen.
(Fr) Une chaise-longue avec des formes
très élégantes et ergonomiques, qui révèle
une versatilité surprenante. Elle peut
prendre deux inclinaisons différentes,
avec une simple rotation de la base.
L’appui- tête oreiller est à son tour
positionné dans différentes positions,
grâce à un aimant.
Designer, Year: Pietro Arosio, 2002
Domestic Portraits: cat. Chaises-longues
148 KELLY C (cat. Armchair) designed by Claesson Koivisto
Rune (2014), base T07 Black RAL 9011
Shown with: KELLY T (cat. High Table) designed by Claesson Koivisto
Rune, top T07 Black RAL 9011, base T07 Black RAL 9011 149 Kelly C
Forme semplici e sottili strutture metalliche, dal sapore piacevolmente vintage,
per la sedia Kelly. Dinamica e leggera, condivide il proprio “dna” con la poltroncina
della stessa collezione, ispirata al mondo dell’artista statunitense Ellsworth Kelly.
La stessa ispirazione si ritrova nello sgabello Kelly, utile e amichevole complemento
per mille situazioni diverse.

Designer, Year: Claesson Koivisto Rune, 2014

Domestic Portraits: cat. Chairs
150 KELLY C (cat. Armchair) designed by Claesson Koivisto
Rune (2014), base T07 Black RAL 9011
Shown with: KELLY T (cat. High Table) designed by Claesson Koivisto
Rune, top T07 Black RAL 9011, base T07 Black RAL 9011 151 Technical informations
Designers: Claesson Koivisto Rune
The Claesson Koivisto Rune studio was
established in 1995 as a multidisciplinary
architecture and design workshop, in linewith
the classic Scandinavian tradition, but with the
aim of exploring new concepts, and pursuing
the values of simplicity and innovation.
The three Swedes have created architectural
designs throughout the world and in every
sector, from homes to restaurants, retail to
executive buildings, as well as furniture ranges
for numerous major international firms.
Dimensions:
Cod. OKELC52
W 52 D 51 H 79 cm
H seat 45,5 cm
Kelly C
(En) Simple shapes and thin metal
structures of vintage taste for Kelly chair.
Dynamic and light, it shares its “dna”
with the little armchair, which is part
of the same collection inspired by the
world of the American artist Ellsworth
Kelly. We find the same inspiration in Kelly
stool, an useful and friendly element
for a thousand of different situations.
(De) Einfache Formen und dünne
Metallstrukturen im vintage Stil für den
Stuhl Kelly. Er ist dynamisch und leicht und
teilt seine „DNA“ mit den kleinen Sesseln
aus derselben Kollektion, die von der Welt
des amerikanischen Künstlers Ellsworth
Kelly inspiriert ist. Dieselbe Inspiration
findet man im Hocker Kelly, einer
nützlichen Ergänzung für alle Lebenslagen.
(Fr) Formes simples et fines structures
métalliques avec un goût vintage pour la
chaise Kelly. Dynamique et légère, elle
partage son «dna » avec un petit fauteuil de
la même collection inspiré par le monde de
l’artiste américain Ellsworth Kelly. La même
inspiration se retrouve dans le tabouret
Kelly, utile et amical complément pour
mille différentes situations.
152 Kelly V 153 KELLY V (cat. Chair) designed by Claesson Koivisto Rune (2016),
base T04 Grey RAL 7022, seat T52 Black RAL 9005

Continua l’evoluzione del progetto Kelly, una famiglia di sedute e complementi che traendo
ispirazione da un concetto di design colorato, amichevole e multiforme, dà forma a una
serie praticamente infinita di variazioni sul tema ed esplorazioni di materiali. Contraddistinta
dall’accattivante forma arrotondata e dalla sottile struttura metallica verniciata o cromata,
la sedia Kelly V in legno si presenta in tre nuove versioni. Ricco di charme e prestigio
artigianale, il modello con scocca bicolore orizzontale, in legno di un colore più chiaro o
più scuro sulla fascia anteriore in alto e sul retro, nelle tonalità azzurro, grigio e marrone.
Intonata ai gusti contemporanei, il modello con scocca in legno laccato. Adattabile e
funzionale in ogni situazione, la versione in laminato. Tutti i modelli sono impilabili: una dote
salvaspazio particolarmente apprezzata nel contract.

Designer, Year: Claesson Koivisto Rune, 2016

Domestic Portraits: cat. Chairs
154 KELLY V (cat. Chair) designed by Claesson Koivisto Rune (2016),
base T04 Grey RAL 7022, seat T52 Black RAL 9005
155 Technical informations
Designers: Claesson Koivisto Rune
The Claesson Koivisto Rune studio was
established in 1995 as a multidisciplinary
architecture and design workshop, in linewith
the classic Scandinavian tradition, but with the
aim of exploring new concepts, and pursuing
the values of simplicity and innovation.
The three Swedes have created architectural
designs throughout the world and in every
sector, from homes to restaurants, retail to
executive buildings, as well as furniture ranges
for numerous major international firms.
Dimensions:
Cod. OKELV52
W 56 W base 47 cm
D 53 cm H 82 cm
H seat 45 cm
Kelly V
(En) The evolution of Kelly project continues, a
collection of chairs and complements inspired by
the concept of a colored, friendly and multiform
design which creates an endless series of theme
variations and materials explorations. Marked by
a captivating rounded shape and a thin painted
or chromed metallic structure, Kelly V wooden
chair presents three new versions. Rich of charm
and artisan prestige, the model with horizontal
bicolor structure, with darker or lighter wood on
the top and on the back, dyed light blue, grey and
brown; the model with wood lacquered structure
is in accordance with contemporary styles; the
laminated version is adaptable and functional
for every situation. All models are stackable: a
feature that allows to save space, particularly
appreciated in the contract market.
(De) Das Projekt Kelly entwickelt sich weiter,
Sitzmöbel und Wohnzubehör, die durch ein
farbenfrohes, freundliches und vielgestaltiges
Design geprägt sind und einer praktisch
unendlichen Reihe von Variationen zum Thema
Material und seiner Erforschung Form geben. Der
Stuhl Kelly V, charakteristisch und attraktiv mit
gerundeter Form und schlankem Metallgestell,
lackiert oder verchromt, präsentiert sich in
drei neuen Ausführungen. Mit handwerklichem
Charme und Prestige das Modell mit horizontal
zweifarbiger Sitzschale, aus Holz, in einer
helleren oder dunkleren Tönung der obere
Streifen auf der Vorderseite und die Rückseite,
in den Farben Hellblau, Grau und Braun.
Stilistisch modern das Modell mit Sitzschale aus
lackiertem Holz. Vielseitig und zweckdienlich
in jeder Situation die Ausführung aus Laminat.
Alle Modelle sind stapelbar, eine vorteilhafte
Eigenschaft besonders im Objektbereich.
(Fr) L’évolution du projet Kelly se poursuit :
une famille de sièges et de meubles de
complément, tirant leur inspiration d’un concept
de design coloré, convivial et multiforme, donne
naissance à une série pratiquement infinie de
variations sur le thème et d’explorations de
matériaux. Caractérisée par une forme arrondie
séduisante et par la fine structure métallique
laquée ou chromée, la chaise Kelly V en bois est
proposée en trois nouvelles versions. Charme
incontestable et prestige artisanal pour le modèle
avec coque bicolore horizontale, en bois d’une
couleur plus claire ou plus foncée sur la bande
supérieure devant et derrière, dans les teintes
bleu ciel, gris et marron. En syntonie avec le
goût contemporain pour le modèle avec coque
en bois laqué. Adaptable et fonctionnelle en
toute situation pour la version en stratifié. Tous
les modèles sont empilables : une solution gain
de place particulièrement appréciée dans les
fournitures pour les collectivités.
156 BABELA (cat. Chair) designed by Achille + Pier Giacomo Castiglioni
(1958), developed by Tacchini (2010), base T43 Dark Walnut
Shown with: NASTRO (cat. High Table) designed by Pietro Arosio,
top T53 Grey RAL 7016, base T53 Grey RAL 7016 157 Babela
Nata nel 1958 per l’arredamento della Camera di Commercio di Milano, questa poltroncina
è stata progettata per unire comfort e impilabilità. Lo stesso concetto è stato ripreso per gli
ambienti contemporanei, ma con un cambiamento fondamentale: la struttura, anziché in
ferro come nel progetto originale, è in caldo legno di frassino, con finitura naturale, noce,
bianco, nero o grigio.

Achille + Pier Giacomo

Designer, Year: Castiglioni, (1958) 2010
Domestic Portraits: cat. Chairs
158 Technical informations
Designers: Achille + Pier Giacomo Castiglioni
Lo studio Castiglioni viene fondato nel 1938 dai fratelli
Livio e Pier Giacomo, ai quali si affianca, in occasione
di alcuni progetti, Luigi Caccia Dominioni. Nel 1944
anche Achille entra a far parte dello studio:
la collaborazione fra i tre fratelli continuerà fino
al 1952, quando Livio inizia un’attività parallela,
lavorando con Pier Giacomo e Achille in occasione
di particolari allestimenti. Il lavoro di Achille e Pier
Giacomo si svolge senza una reale divisione di
compiti ma con una comune partecipazione ed un
continuo scambio e confronto. Questa collaborazione
si prolunga fino nel 1968, anno della morte di Pier
Giacomo. Achille continua il suo lavoro nello stesso
modo in cui l’aveva sempre condotto con il fratello,
a tal punto che sembra impossibile reperire,
nella lettura dei suoi progetti, cambiamenti nel modo
di operare, se non quelli prodotti dall’evoluzione
tecnologica e sociale.
Dimensions:
Cod. OBAB56
W 56 D 59 H 80 cm
H seat 49 cm
Sancarlo 159 BABELA (cat. Chair) designed by Achille + Pier giacomo Castiglioni
(1958), developed by Tacchini (2010), base T43 Dark Walnut
Shown with: NASTRO (cat. High Table) designed by Pietro Arosio,
top T53 Grey RAL 7016, base T53 Grey RAL 7016
(En) Created in 1958 for the interiors of
the Chamber of Commerce of Milan, this
chair is designed to combine comfort and
stackability. The same concept was revived
for contemporary settings, but with a
fundamental difference: unlike the iron
frame of the original project, it is now
in warm ash wood with natural, walnut,
white, black or gray finish.
(De) 1958 als Einrichtungsgegenstand
für die Mailänder Handelskammer
entstanden, wurde dieser Sessel entwickelt
um Komfort und Stapelmöglichkeit zu
vereinen. Das gleiche Konzept wurde
für die zeitgenössischen Bereiche
wieder aufgenommen, aber mit einer
grundlegenden Änderung: die Struktur
anstatt aus Eisen, wie im Originalprojekt,
besteht nun aus warmem Eschenholz in
den Endbearbeitungen Natur, Nuss,
weiß, schwarz oder grau.
(Fr) Crée en 1958 pour l’ameublement
de la Chambre de Commerce de Milan, ce
petit fauteuil a été conçu pour unir confort
et empilabilité. Ce même concept a été
repris pour les espaces contemporains,
mais avec un changement fondamental :
au lieu d’être en fer comme dans le projet
original, la structure est composée de
la chaleur d’un bois de frêne, avec une
finition naturelle, noyer, blanc, noir ou gris.
Design Classics: Babela
There are designs which are born classics in name
only. Babela is one of those designs and one of those
names. In 1958 Achille Castiglioni designed this
small armchair to add to the furniture of the Milan
chamber of commerce. Comfort meets form and
function which is revealed in the possibility of stacking
this seat up like a tower.
160 Dressed 161 Technical Informations
Designer: Luca Nichetto
Luca Nichetto was born in Venice in 1976, and
graduated in Industrial Design at IUAV university
of architecture in Venice. In 1999 he launched his
professional career, designing his first products
in Murano glass. Later the same year he began
working with Foscarini, designing a number of
products for the firm and working as a consultant
for research into new materials and product
development. In 2006 he set up his own agency,
Nichetto&Partners, dealing in both industrial design
and design consultancy. He has received a number
of international prizes, including the Gran Design
Award 2008, the Chicago Atheneum Museum
of Architecture Good Design Award 2008, the
IF Product Design Award 2008 and the Elle
Decoration International Design Awards 2009
as Designer of the Year in the Young Designer Talent
category. He has held workshops in numerous
universities both in Italy and abroad, and has
exhibited in Europe, the United States and Japan.
Dimensions:
Cod. ODRES59
Designer, Year: Luca Nichetto, 2012 W 59 D 57 H 77 cm
H seat 48 cm
Domestic Portraits: cat. Chairs
Dressed
(It) La poltroncina girevole Dressed
è contraddistinta dai cuscini cuciti nel
rivestimento, con un effetto che ricorda
i capi di abbigliamento sportivo e con un
comfort molto personale e gradevole.
Compatta e versatile, adatta all’utilizzo
domestico come allo spazio ufficio o alle
sale riunioni, Dressed può anche essere
abbinata alla poltrona ed al divano della
stessa famiglia.
(En) The Dressed swivel chair stands out
for its high performance and outstanding
comfort, as well as for its cushions sewn
into the fabric, an effect that recalls sports
clothing. Compact and versatile, it is
suitable for household or office use or in
meeting rooms. The Dressed chair may
also be combined with the armchair and
the sofa of the same family.
(De) Der Drehstuhl Dressed zeichnet
sich durch die in den Bezug eingenähten
Füllungen aus und zwar mit einem Effekt,
welcher an Sportbekleidung erinnert und
ein sehr persönliches und angenehmes
Ergebnis zur Folge hat. Kompakt und
vielseitig, geeignet für den häuslichen
Gebrauch, aber auch für Büros und
Konferenzräume kann Dressed auch mit
dem Sessel und dem Sofa derselben
Familie kombiniert werden.
(Fr) Le petit fauteuil pivotant Dressed
est caractérisé par des coussins cousus
dans le revêtement, avec un effet qui fait
penser aux vêtements sportifs et offrant
un confort très personnel et agréable.
Compacte et versatile, adaptée tout aussi
bien à l’utilisation domestique qu’à l’espace
du bureau ou aux salles de réunion,
Dressed peut être associée aussi au
fauteuil et au canapé de la même famille.
162 Technical informations
Designers: Claesson Koivisto Rune
The Claesson Koivisto Rune studio was
established in 1995 as a multidisciplinary
architecture and design workshop, in linewith
the classic Scandinavian tradition, but with the
aim of exploring new concepts, and pursuing
the values of simplicity and innovation.
The three Swedes have created architectural
designs throughout the world and in every
sector, from homes to restaurants, retail to
executive buildings, as well as furniture ranges
for numerous major international firms.
Montevideo 163 Montevideo
(It) Gambe snelle e forme avvolgenti
per la sedia Montevideo, un progetto che
non sacrifica sicuramente la comodità
all’eleganza. La morbida imbottitura in
gomma accoglie il corpo, garantendo un
relax perfetto. Il rivestimento sfoderabile la
rende particolarmente pratica nell’utilizzo,
in qualsiasi contesto d’arredo, sempre con
una personalità speciale.
(En) With its slender legs and soft
shapes, the Montevideo chair certainly
does not trade in comfort for elegance.
The soft foam cushion envelops the body,
ensuring perfect relaxation. The removable
cover makes it particularly handy in any
context of use, always with its own special
character.
(De) Schlanke Beine und gemütliche
Formen für den Stuhl Montevideo, ein
Projekt, das die Gemütlichkeit auf keinen
Fall der Eleganz opfert. Die weiche
Gummifüllung nimmt den Körper so auf,
dass perfektes Erholen gewährleistet wird.
Der abziehbare Bezug ist praktisch im
Gebrauch, aber auch geeignet für jeden
Einrichtungskontext und zeugt immer von
ganz besonderer Persönlichkeit.
(Fr) Des pieds fins et des formes
enveloppantes pour la chaise Montevideo,
un projet qui ne sacrifie certainement
pas la commodité à l’élégance.
Le rembourrage moelleux en mousse
accueille le corps, en garantissant
un relax parfait. Son revêtement
déhoussable lui offre une grande praticité
d’utilisation, dans n’importe quel contexte
d’ameublement et toujours avec une
personnalité spéciale.

MONTEVIDEO
(cat. Chair) designed
by Claesson Koivisto
Rune (2008), base T07
Black RAL 9011

Shown with: SPLIT

(cat. Low Table) designed Dimensions:
by Claesson Koivisto
Rune, top T33 Matt Cod. OMON54
Black Travertine,
base T08 Brown RAL 9011
W 54 D 62 H 80 cm
H seat 47 cm Designer, Year: Claesson Koivisto Rune, 2008
Domestic Portraits: cat. Chairs
164 Mayfair 165 Technical Informations
Designer: Christophe Pillet
This lodestar in French design gained a
Master’s degree in Design in Milan in 1985,
before working with Philip Starck in Paris from
1988 to 1993, after which he set up his own
independent, eclectic business, featuring his
hallmark style – simple, strong, and to the
point – be it in architecture or interior design,
furniture, fashion or industrial design.
Winner of the French “Créateur de l’année”
award in 1994, Pillet works with some of the
biggest names in contemporary furniture
design.
Dimensions:
Cod. OMAY57
Designer, Year: Christophe Pillet, 2008 W 57 D 56 H 80 cm
H seat 45,5 cm
Domestic Portraits: cat. Chairs
Mayfair
(It) La sedia Mayfair riprende le forme
avvolgenti e sottili della poltrona con lo
stesso nome, presentandosi come un unico
foglio leggero, agile e accogliente allo
stesso tempo, sospeso su sottili gambe
metalliche. Un complemento d’arredo
originale, adatto agli spazi domestici come
agli ambienti pubblici ed ai ristoranti,
grazie alla facilità di spostamento ed alla
forte personalità del design.
(En) The Mayfair chair resumes the thin
and enveloping shapes of the armchair
by the same name, presenting itself as a
single, light sheet, lithe and comfortable
at the same time, perched upon thin metal
legs. A highly original furnishing element, it
is equally suited to households and public
areas such as restaurants, thanks to its
easily-arranged frame and powerful design.
(De) Der Stuhl Mayfair übernimmt die
einnehmende und schmale Form des
gleichnamigen Sessels und präsentiert
sich wie ein einziges leichtes, agiles und
behagliches auf schmalen Metallbeinen
aufgehängtes Blatt. Ein originelles
Einrichtungsstück, das sowohl für
häusliche, als auch für öffentliche
Räumlichkeiten, aber auch für Restaurants
geeignet ist. All dies dank der Einfachheit,
wenn man ihn verrücken möchte, aber
auch dank seinem anziehenden Design.
(Fr) La chaise Mayfair reprend les formes
douces et chaleureuses du fauteuil avec le
même nom. Elle se présente comme une
feuille légère unique, à la fois souple et
accueillante, suspendue sur des piètements
métalliques d’une grande finesse. Ce
complément d’ameublement original,
particulièrement facile à déplacer et avec
une personnalité très forte en termes
de design, est parfait aussi bien pour la
maison que pour les espaces publics et les
restaurants.
166 Nebula 167 NEBULA (cat. Screen) designed by Pearson Lloyd (2015), developed by TacchiniEdizioni
textile POISSONS designed by Jean Dunand, base T04 Grey RAL 7022

Nebula è un sistema di elementi divisori piatti e tridimensionali, pensato per delimitare e

organizzare lo spazio, ma al tempo stesso per unire situazioni e modellare scenari, creando
ambienti al tempo stesso intimi e aperti. Caratterizzati da forme pulite ed organiche, gli
elementi Nebula si articolano in tre dimensioni diverse e in altrettante varianti cromatiche
che possono essere sia sospese, sia appoggiate a terra.

Designer, Year: Pearson Lloyd, 2015

Domestic Portraits: cat. Screens
168 169 NEBULA (cat. Screen) designed by Pearson Lloyd (2015), developed by TacchiniEdizioni
textile INTERIORS designed by Lucia Pescador, base T04 Grey RAL 7022
170 NEBULA (cat. Screen) designed by Pearson Lloyd (2015)
Shown with: KELLY E (cat. Armchair) designed by Claesson Koivisto Rune, base T05 Grey RAL 7023 171 Technical Informations
Designers: Pearson Lloyd
Pearson Lloyd is one of the leading names
in contemporary British design, and this
multidisciplinary studio works in a wide range of
sectors: from furnishing to public spaces to brand
development. Established by Luke Pearson
and Tom Lloyd in 1997, the studio has received
numerous acknowledgements and accolades
in both Europe and the United States.
The British design duo write regularly for
major design magazines, as well as acting as
“visiting lecturers” at the École Cantonale d’Art
in Lausanne.
Nebula
(En) Nebula is a system of flat and three-
dimensional dividing elements, realized
to delimit and organize the space, and to
connect situations and to model sceneries,
creating at the same time intimate and
open environments. Characterized by clean
and organic shapes, Nebula elements are
structured in three different dimensions
and many chromatic varieties which can be
suspended or based on the floor.
(De) Nebula ist ein System von
Trennelemente, die flach und
dreidimensional sind. Sie sind dafür
gedacht, den Raum zu teilen und
organisieren, aber auch zu verbinden
und zu modellieren. Gekennzeichnet durch
saubere und organische Formen werden
die Nebula-Elemente in drei verschiedenen
Größen und in vielen Farbvarianten vorge-
stellt, und können entweder aufgehängt
oder auf den Boden gestellt werden.
(De) Nebula est un système d’éléments
diviseurs plats et tridimensionnels, pensé
pour délimiter et organiser l’espace, mais
aussi pour unir des situations et modeler
des scénarios en créant des environnemen-
ts intimes et ouverts. Caractérisés par des
formes propres et organiques, les éléments
Nebula s’articulent en trois différentes
dimensions et en autant de variantes chro-
matiques qui peuvent être soit suspendus
soit posés au sol.

Dimensions:

Cod. ONEB122T
/ONEB122S
W 124 D 4 H 125 cm

Cod. ONEB150T
/ONEB150S
W 124 D 4 H 150 cm

Cod. ONEB181T
/ONEB181S
W 124 D 4 H 181 cm
172 Spindle 173 SPINDLE (cat. High Table) designed by Gordon Guillaumier (2014),
top T38 White Rear-Painted Glass, base T03 Grey RAL 7016
Shown with: DOODLE (cat. Armchairs) designed by Claesson
Koivisto Rune, base T07 Black RAL 9011

Collezione di tavoli caratterizzati dalla forma affusolata delle gambe, realizzate in

pressofusione di alluminio e raccordate al profilo smussato e sottile del piano, con un effetto
di piacevole morbidezza e leggiadria. Le gambe smontabili e l’impilabilità dei tavoli, sono
due doti particolarmente indicate per un utilizzo contract, mentre la gamma completa di
dimensioni dei piani, di forma quadrata o rettangolare, permette di soddisfare le più diverse
esigenze d’uso, sia in ambienti collettivi che residenziali: come scrittoio, tavolo da pranzo
o da riunione.

Designer, Year: Gordon Guillaumier, 2014

Domestic Portraits: cat. High Tables
174 SPINDLE (cat. High Table) designed by Gordon Guillaumier (2014),
top T38 White Rear-Painted Glass, base T03 Grey RAL 7016
175 Technical Informations
Designer: Gordon Guillaumier
Gordon Guillaumier was born in 1966,
and was educated firstly in Malta,
then in Switzerland, England and Italy.
He graduated from IED in Milan (1988-91),
before specializing in design at the Domus
Academy, Milan (1992). In 1993 he began
working with Baleri Associati, as well as
collaborating with architect Rodolfo Dordoni.
In 2002 he set up his own design studio in
Milan, principally working on product design,
but also for design consultancy projects.
In 2006 he lectured in industrial design at
Milan’s Politecnico university.
Dimensions:
Cod. 1SPI90Q
W 90 D 90 H 73 cm
Cod. 1SPI145Q
W 145 D145 H 73 cm
Cod. 1SPI145
W 145 D 70 H 73 cm
Cod. 1SPI185
W 185 D 95 H 73 cm
Cod. 1SPI240
W 240 D95 H 73 cm
Spindle
(En) A collection of tables characterized
by tapered legs realized through die
casting of aluminium and linked with the
thin rounded top that gives a pleasant
softness and prettiness. The removable
legs and its stackability are two
characteristics that make it particularly
suitable for the contract use, while the
complete range of tops dimensions, square
or rectangular, allows to satisfy different
needs both in collective and residential
environments: like writing desks, dining or
meeting tables.
(De) Kollektion von Tischen, deren
Füße eine schlanke Form haben, realisiert
in Aluminium-Druckguss und verbunden
mit einer abgerundeten Tischplatte,
die eine weiche und leichte Wirkung
hat. Die Füße sind zerlegbar und die
Tische stapelbar – zwei Eigenschaften,
die besonders im Objektbereich
wichtig sind. Die Auswahl an Formaten,
quadratisch oder rechteckig, erfüllen die
Anforderungen sowohl in öffentlichen,
als auch in privaten Umgebungen,
ob als Schreibtisch, Esstisch oder als
Besprechungstisch.
(Fr) Collection de tables caractérisées
par la forme fuselée des pieds, réalisés
en aluminium moulé sous pression et
raccordés au profil arrondit et fin du
plateau avec un effet d’agréable douceur
et de grâce. Les pieds démontables
et empilables des tables sont deux
caractéristiques particulièrement
indiquées pour un usage contract, tandis
que la gamme complète de dimensions
des plateaux, de forme carrée ou
rectangulaire, permet de satisfaire les plus
diverses exigences d’utilisation dans les
espaces collectifs et résidentielles comme
bureau, table de repas ou de réunion.
176 Nastro 177 Technical Informations
Designer: Pietro Arosio
Pietro Arosio was born in 1946 in Lissone, near Milan.
He learnt his profession at the research centre of
a company specialising in the production of metal
furniture for communal spaces. This experience led to
the emergence of a design philosophy that developed
over time through his work as an industrial designer.
He began his career in 1972, and was already winning
accolades in 1983, receiving the Casaviva d’Oro award.
The fundamentals of his work include essentiality,
research into new materials and technologies, and
attention to detail and to the engineering implications
of his designs. Pietro Arosio is fully aware of the
emotional impact his products can have, and has
worked in partnership with various internationally-
acclaimed artists, including Nespolo, Del Pezzo,
Hsiao Chin, Tilson, Rotella and Keizo. A number of his
pieces have been exhibited at the Victoria and Albert
Museum in London, and at the Munich modern art
museum Die Sammlung.
Nastro
(It) Dall’ambiente ufficio agli spazi
domestici, da solo o in composizioni
con penisole laterali, il tavolo Nastro
consente di creare molteplici soluzioni,
partendo da una forma assolutamente
essenziale e giocando liberamente con
colori, finiture e geometrie.
(En) From the office environment to
the home, on its own or in a composition
with lateral returns, the Nastro table allows
the creation of a number of layouts from
the most basic of forms and the ability
to vary colours, finishes and configuration.
(De) Vom Bürobereich bis im privatem
Raum, der Tisch Nastro spielt mit
eine einfache geometrische Form und
viele möglichen Farbkombinationen bei
Gestell und Tischplatte.
(Fr) Du bureau àu domicile, seul ou
dans des compositions avec des péninsules
latérales, la table Nastro permet de
créer plusieurs solutions, à partir d’un
module absolument essentiel et jouer
librement avec les couleurs, les finitions
et les géométries.

NASTRO (cat. High Table)

designed by Pietro
Arosio (2009), top T53
Grey RAL 7016, Dimensions:
base T03 Grey RAL 7016
Cod. 1NAS200
Shown with: BABELA W 200 D 90 H 72 cm
(cat. Chair) designed by
Achille + Pier Giacomo Cod. 1NAS300
Castiglioni (1958), W 300 D 90 H 72 cm
developed by Tacchini

Designer, Year: Pietro Arosio, 2009 (2010), base T43 Dark

Walnut
Cod. 1NAS120
W 200 D 120 H 72 cm

Domestic Portraits: cat. High Tables

178 SPLIT (cat. High Table) designed by Claesson Koivisto Rune (2007),
base T02 White RAL 9016, top T51 White RAL 9016
179 Split
Un completo sistema di tavoli dalla forma rotonda, ovale, quadrata o rettangolare,
di diversa altezza e con molteplici finiture, accomunati dal design caratteristico
della base metallica: una risposta unica ed originale alle più diverse esigenze del contract
e dell’arredo casa.

Designer, Year: Claesson Koivisto Rune, 2007

Domestic Portraits: cat. High Tables
180 SPLIT (cat. High Table) designed by Claesson Koivisto Rune (2007),
base T07 Black RAL 9011, top T33 Black Matt Travertine Marble 181 Shown with: KELLY V (cat. Chair) designed by Claesson Koivisto Rune (2016),
base T04 Grey RAL 7022, seat T52 Black RAL 9005
182 Technical informations
Designers: Claesson Koivisto Rune
The Claesson Koivisto Rune studio was
established in 1995 as a multidisciplinary
architecture and design workshop, in linewith
the classic Scandinavian tradition, but with the
aim of exploring new concepts, and pursuing
the values of simplicity and innovation.
The three Swedes have created architectural
designs throughout the world and in every
sector, from homes to restaurants, retail to
executive buildings, as well as furniture ranges
for numerous major international firms.
Dimensions:
Rectangular table
W 180 D 110 H 72 cm
Oval table
W 220 P 120 H 72 cm
Split 183 SPLIT (cat. High Table) designed by Claesson Koivisto Rune (2007),
base T02 White RAL 9016, top T51 White RAL 9016
(En) A complete system of round,
oval, square or rectangular tables
of varying height and finishes. They are
characterised by the very simple
yet rigid and sturdy metallic base
which veers away from the conventional
single column and round base type.
(De) Ein komplettes System von
Tische, rund, oval, quadratisch oder
rechteckig, in diversen höhen und viele
ausführungen, mit sofort erkennbarer
Identität, für den Objektbereich und die
Wohnungseinrichtung.
(Fr) Un système complet de tables
rondes, ovales, carrées ou rectangulaires,
de différentes hauteurs et avec
plusieurs finitions avec le projet
caractéristique de la base métallique :
une réponse unique et originale aux
exigences les plus diversifiées du contrat
et de l’ameublement maison.
184 Ruler 185 RULER (cat. Low Table) desgned by Gordon Guillaumier (2012),
top T33 Matt Black Travertine Marble, base T44 Light Walnut

Un abaco di semplici forme geometriche, sostenute da tre o quattro gambe di legno di forma
elementare e di sapore artigianale. Una famiglia di tavoli studiati per inserirsi nei contesti
più diversi, caratterizzati dall’incredibile sottigliezza del piano, realizzato in marmo biancone
lucido o travertino nero opaco.

Designer, Year: Gordon Guillaumier, 2012

Domestic Portraits: cat. Low Tables
186 RULER (cat. Low Table) desgned by Gordon Guillaumier (2012),
top T33 Matt Black Travertine Marble, base T44 Light Walnut 187 RULER (cat. Low Table) desgned by Gordon Guillaumier (2012),
top T34 Shiny Biancone Marble, base T44 Light Walnut
188 RULER (cat. Low Table) desgned by Gordon Guillaumier (2012),
top T33 Matt Black Travertine Marble, base T44 Light Walnut
189 Technical Informations
Designer: Gordon Guillaumier
Gordon Guillaumier was born in 1966, and
was educated firstly in Malta, then in
Switzerland, England and Italy. He graduated
from IED in Milan (1988-91), before specializing
in design at the Domus Academy, Milan (1992).
In 1993 he began working with Baleri Associati,
as well as collaborating with architect Rodolfo
Dordoni. In 2002 he set up his own design
studio in Milan, principally working on product
design, but also for design consultancy
projects. In 2006 he lectured in industrial
design at Milan’s Politecnico university.
Ruler
(En) An abacus of simple geometric
shapes, supported by three or four
wooden legs of basic form and traditional
style. A range of tables designed to fit
into many different settings, featuring an
incredibly thin surface made of polished
biancone marble or matte black travertine.
(De) Ein Abakus in einfachen
geometrischen Formen, gestützt von drei
oder vier Holzbeinen in elementarer Form
und Handwerkskunst. Eine Tischfamilie,
welche entwickelt wurde, um sich in die
verschiedensten Umgebungen einzufügen,
charakterisiert durch die unglaubliche
Feinheit der Tischplatte, hergestellt aus
glänzendem Biancone Marmor oder matte
schwarz Travertin.
(Fr) Un abaque de simples formes
géométriques, soutenues par trois ou
quatre pieds en bois de forme élémentaire
et au goût artisanal. Une famille de tables
étudiées pour s’insérer dans les contextes
les plus divers, caractérisées par la finesse
incroyable de leur plateau, réalisé en
marbre biancone brillant ou en travertin
noir opaque.

Dimensions:

Cod. 1RULT50
Ø 50 H 46 cm

Cod. 1RULQ45
W 45 D 45 H 46 cm

Cod. 1RULE49
W 49 D 49 H 46 cm

Cod. 1RULT100
Ø 100 H 28 cm

Cod. 1RULQ100
W 100 D 100 H 28 cm

Cod. 1RULE100
W 100 D 100 H 28 cm

Cod. 1RUL120
W 120 D 55 H 28 cm
190 CAGE (cat. Low Table) designed by Gordon Guillaumier (2010),
base T25 Matt Champagne Gold, top T42 Bronzed Mirror 191 Cage
Minimalismo ed eleganza allo stato puro contraddistinguono i tavoli Cage, con prezioso
piano in diverse tipologie di marmo, di forma rotonda o quadrata.

Designer, Year: Gordon Guillaumier, 2010

Domestic Portraits: cat. Low Tables
192 CAGE (cat. Low Table) designed by Gordon Guillaumier (2010),
base T25 Matt Champagne Gold, top T42 Bronzed Mirror
CAGE (cat. Low Table) designed by Gordon Guillaumier (2010),
base T26 Polished Champagne Gold, top T31 Calacatta Marble 193 CAGE (cat. Low Table) designed by Gordon Guillaumier (2010),
base T28 Polished Black Chrome, top T32 Black Marquinia Marble
CAGE (cat. Low Table) designed by Gordon Guillaumier (2010),
base T07 Black RAL 9011, top T41 Smoked Mirror
194 Technical Informations
Cage 195 CAGE (cat. Low Table) designed by Gordon Guillaumier (2010),
base T28 Polished Black Chrome, top T32 Black Marquinia Marble

(En) Minimalism and pure elegance

characterize the Cage tables, whose
precious top comes in different types
of marble, round or square.
(De) Reiner Minimalismus und pure
Eleganz kennzeichnen die Tische
Cage mit der wertvollen Tischplatte
aus verschiedenen Marmortypologien
in runder oder quadratischer Form.
(Fr) Les tables Cage se distinguent
par un minimalisme et une élégance
à l’état pur, avec un plateau précieux
en différentes typologies de marbre,
de forme ronde ou carrée.
Designer: Gordon Guillaumier

Gordon Guillaumier was born in 1966, and

was educated firstly in Malta, then in
Switzerland, England and Italy. He graduated
from IED in Milan (1988-91), before specializing
in design at the Domus Academy, Milan (1992).
In 1993 he began working with Baleri Associati,
as well as collaborating with architect Rodolfo
Dordoni. In 2002 he set up his own design
studio in Milan, principally working on product
design, but also for design consultancy
projects. In 2006 he lectured in industrial
design at Milan’s Politecnico university.

Dimensions:

Cod. 1CAGT50
Ø 50 H 47 cm

Cod. 1CAGQ50
W 50 D 50 H 47 cm

Cod. 1CAGT100
Ø 100 H 32 cm

Cod. 1CAGQ100
W 100 D 100 H 32 cm
196 Coot 197 Technical Informations
Designer: Gordon Guillaumier
Gordon Guillaumier was born in 1966, and
was educated firstly in Malta, then in
Switzerland, England and Italy. He graduated
from IED in Milan (1988-91), before specializing
in design at the Domus Academy, Milan (1992).
In 1993 he began working with Baleri Associati,
as well as collaborating with architect Rodolfo
Dordoni. In 2002 he set up his own design
studio in Milan, principally working on product
design, but also for design consultancy
projects. In 2006 he lectured in industrial
design at Milan’s Politecnico university.
Dimensions:
Designer, Year: Gordon Guillaumier, 2010 Cod. 1COOT50
W 50 D 50 H 48,5 cm
Domestic Portraits: cat. Low Tables
Coot
(It) Le forme della natura rappresentano
una delle principali fonti di ispirazione del
designer Gordon Guillaumier. Il piano del
tavolino Coot, ispirato alla pura e semplice
geometria di un petalo, è un motivo
perfetto per comporre una molteplicità
di modelli diversi,partendo da un unico
modulo. La struttura di sostegno è pensata
per permettere al piano di librarsi sopra
una poltrona o un divano: una funzione
particolarmente utile quando si utilizza un
computer portatile.
(En) Nature’s shapes represent a major
source of inspiration for designer Gordon
Guillaumier. The top of the Coot table
was inspired by the simple geometry of a
petal;it is a perfect motif for generating a
variety of different models from one single
form. The support structure is designed
to allow the top to open up over a chair
or sofa, a particularly useful feature when
using a laptop computer.
(De) Die Naturformen stellen eine
der Hauptinspirationen des Designers
Gordon Guillaumier dar. Die Tischplatte
des Tisches Coot, inspiriert durch die
einfache und pure Geometrie eines
Blütenblattes, ist ein perfektes Motiv
welches auf einem einzigen Modul basiert
aber die Kombination vieler verschiedener
Modelle zulässt. Die Stützstruktur wurde
so gedacht, dass die Tischplatte die
Möglichkeit hat sich über einem Sessel
oder einem Sofa zu entfalten: eine
besonders nützliche Funktion, wenn man
ein Notebook benutzt.
(Fr) Les formes de la nature représentent
l’une des principales sources d’inspiration
du designer Gordon Guillaumier. Le
plateau de la petite table Coot s’inspire
à la géométrie pure et simple d’un pétale
; c’est le motif parfait pour composer
une multiplicité de modèles différents en
partant d’un seul modèle. La structure
de soutien est conçue afin de permettre
au plateau de planer au-dessus d’un
fauteuil ou d’un canapé : une fonction
particulièrement utile lorsque l’on utilise un
ordinateur portable.
198 Kelly B, O, W 199 KELLY W (cat. Low Table) designed by Claesson Koivisto
Rune (2014), structure T07 Black RAL 9011
Shown with KELLY H (cat. Armchair) designed by Claesson
Koivisto Rune, base T25 Matt Champagne Gold

Concepiti per completare le sedute della collezione Kelly, ma utilizzabili in un’infinità di

situazioni, dalla casa al contract, questi tavolini con diverse altezze sono caratterizzati dalla
forma piacevolmente organica del piano e dalla sottile struttura metallica, che li rende
dinamici e leggeri.

Designer, Year: Claesson Koivisto Rune, 2014

Domestic Portraits: cat. Low Tables
200 KELLY O (cat. Low Table) designed by
Claesson Koivisto Rune (2014), structure
T12 Red RAL 3000
KELLY B (cat. Low Table) designed by
Claesson Koivisto Rune (2014), structure
T05 Grey RAL 7023
Shown with: KELLY E (cat. Armchair)
designed by Claesson Koivisto Rune,
base T05 Grey RAL 7023
201 Technical informations
Designers: Claesson Koivisto Rune
The Claesson Koivisto Rune studio was
established in 1995 as a multidisciplinary
architecture and design workshop, in linewith
the classic Scandinavian tradition, but with the
aim of exploring new concepts, and pursuing
the values of simplicity and innovation.
The three Swedes have created architectural
designs throughout the world and in every
sector, from homes to restaurants, retail to
executive buildings, as well as furniture ranges
for numerous major international firms.
Dimensions:
Kelly B
Cod. 1KELB125
W 125 D 88 H 27 cm
Kelly O
Cod. 1KELO50
W 50 D 34,6 H 39,5 cm
Kelly W
Cod. OKELW90
W 90 D 50 H 62 cm
Kelly B, O, W
(En) Created in order to complete Kelly
seating collection, but usable in every
situation, from home to contract, these
small tables with different heights stand
out for the top’s organic shape and for the
thin metallic structure that make them
dynamic and light.
(De) Entwickelt, um die Sitzmöbel
der Kelly Kollektion zu ergänzen, aber in
einer Vielzahl von Situationen einsetzbar,
sowohl zuhause als auch im Objekt.
Diese Tische mit unterschiedlichen
Höhen stechen heraus durch die
angenehmen organischen Formen und
die dünnen Metallstruktur. Sie sind
dynamisch und leicht.
(Fr) Conçus pour compléter les sièges
de la collection Kelly, mais utilisables
pour d’infinies situations, de la maison au
contract, ces petites tables de différentes
hauteurs sont caractérisées par
une forme organique du plateau et par
une fine structure métallique qui les rend
dynamiques et légères.
202 Nara 203 Technical Informations
Designers: Lievore Altherr Molina
Born in 1948, Alberto Lievore studied
architecture in Buenos Aires. In the early
years he focused not only on design, but also
on the production and marketing of furniture,
then, having moved to Barcelona, he was
part of the Grupo Berenguer (1977),
a leading name in Spanish design. In 1984
he inaugurated his own studio, focusing on
industrial design, and on consultancy and art
direction for a number of firms. His partners
are designer and stylist Jeannette Altherr,
who specializes in objects and spaces for
children, and Manel Molina, who again brings
with him vast and varied experiences in the
industrial and exhibition design sectors.
Dimensions:
Cod. 1NAR110R
Ø 110 H 26 cm
Cod. 1NAR80R
Ø 80 H 36 cm
Cod. 1NAR109
W 109 D 109 H 25 cm
Designer, Year: Lievore Altherr Molina, 2005 Cod. 1NAR70
W 70 D 70 H 30 cm
Domestic Portraits: cat. Low Tables
Nara
(It) Totalmente rivestito in cuoio, il
tavolo Nara è un volume geometrico puro,
una presenza calda ed essenziale allo
stesso tempo. Due i modelli disponibili:
uno utilizzabile come tavolino nella zona
conversazione, l’altro pensato come
mobile di servizio, facilmente abbinabile
a qualsiasi altro elemento d’arredo.
(En) Completely upholstered in leather
the Nara table has a pure geometric form
and at the same time has warmth and
finesse. Two models are available:
one which can be used as a lounge or living
area coffee table and the other as a side
table accompanying any other piece of
furniture.
(De) Ganz mit Leder verkleidet, der
Tisch Nara, ein klares, geometrisches
Volumen, simpel und gleichzeitig warm.
Zwei Varianten, niedrig und breit für die
“plauderecke” oder höher und kleiner,
vielseitig anwendbar.
(Fr) Totalement recouvert de cuir,
Nara est un volume géométrique
pur, une présence indispensable et chaude
en même temps. Deux modèles sont
disponibles: un peut être utilisé comme
une table de café dans la conversation,
l’autre pensé comme meuble de service,
il peut être uni avec un autre élément
de l’ameublement.
204 Thanks to

Tacchini Domestic Portraits &Tradition

Alessi
Edition 2017 Artemide spa
©Tacchini Italia Forniture Srl Attico, Cristina Celestino
Bitossi Home
Graphic design Bosa
Casamania
Think Work Observe cc tapis
Centro Pelletteria Menini
Product photography Danese Milano
Andrea Ferrari Davide Groppi
D-Moch
Domus-Licht
Styling Dott. Alberto Benzoni
Gabriella Zecca Fabriano Boutique srl
Fabrica⁄Design Department
Fedrigoni
Text editing Flos
Massimiliano Di Bartolomeo Gruppo Campari
Hay
Iittala Group OY (FISKARS Milano)
Italtessil
La Lattoniera – Sara Ricciardi
Leucos spa⁄Fdv Group
Lumina Italia srl
Lurisia Acque Minerali srl
Luxit
Mater
Mh Way
Moleskine srl
Muuto
Nava Design Spa
Nemo Cassina Lighting
Nodus, de Il Piccolo srl
Omikron Design
Orsjo
Pallucco
Penta Light
Plus Minus Zero
Raffaella Mangiarotti Design
Richard Ginori
Rotaliana
Saskia Diez
Tobeus A Matter Of Toys
Vago Forniture
Valenti
Venice Factory
Vibia
Vistosi
Wastberg
Zero Lighting

Special thanks to the artists Marcello

Morandini, Michael Roger, Patrizia
Novello courtesy by Martina’s Gallery,
Seregno

Tacchini Italia Forniture Srl

19, via Domodossola

20822 Baruccana di Seveso
(Monza Brianza) Italy
T: +39 0362 504182
F: +39 0362 552402
E–mail: info@tacchini.it
www.tacchini.it

Tacchini is a philosophy. Behind every object there is a story and behind every story there is a person.
We fall in love with our products, their stories and the stories of those who have produced them,
and continue to make things by hand — so that this story continues, is passed on by the designer to the creator,
and from the creator to the future owner of the product. And then, it continues further.
Tacchini is a philosophy.
Behind every object there
is a story and behind every
story there is a person.
We fall in love with our
products, their stories
and the stories of those
who have produced them,
and continue to make
things by hand, so that this
story continues, is passed
on by the designer to
the creator, and from the
creator to the future owner
of the product. And then,
it continues further.
Tacchini Domestic Portraits
Tacchini è una filosofia.
Dietro ogni oggetto c’è
una storia e dietro
ogni storia c’è una persona.
Ci innamoriamo dei nostri
prodotti, delle loro storie
e delle storie di chi li
costruisce, di chi continua
a fare le cose a mano,
in modo tale che questa
storia possa continuare,
possa essere trasmessa
dal designer al produttore
e dal produttore al futuro
proprietario del prodotto.
E poi continuare ancora.