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Documenti di Cultura
- 1 -
Karli Heffner
July
2,
2013
Gentle
Architecture:
A
Critical
Look
at
the
Importance
of
Gentle
and
Sustainable
Architecture/Construction
Practices
Human
civilizations
have
made
exponential
industrial,
technological,
and
construction advancements in the past two centuries. This period of progress and
change altered our world and our way of life forever. We can now travel in hours,
distances that used to take days if not months to traverse. We are building higher
and larger structures than ever before. Towers of steel and glass arise to pierce the
clouds in record-‐breaking speed. All of the changes have not been for the good,
however, we have consumed natural resources at unprecedented rates, paved over
uncountable acres across the globe, and pumped pollutants of untold amounts into
the environment. It has only been in the last half century that people have started to
truly take notice of this darker side of progress. Among the many participants in
energy consumption the largest contributors are buildings and the construction
industry. It is not surprising then that the field of architecture has had many
these movements is one, which was championed by the late Malcolm Wells. Gentle
Architecture, is the name Well’s put to his work and philosophy. Gentle
beyond the building itself. The philosophy of gentle architecture takes a step back
and looks at broader issues such as development and infrastructure.
To understand Gentle architecture it is important to have an understanding
of
the
significance
of
the
most
common
terms
being
thrown
around
architectural
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discussions today: sustainability. Knowing that the root of the term is the word
sustain, it would appear to be a simple matter of applying the terms definition to the
complex field. The term can be used in conjunction with material choices,
production/consumption, etc. Due to this variety of definitions and applications it is
important to keep an open and flexible mind when dealing with the concept of
conception of sustainable architecture has of late been directed towards images of
development however does not stop with city limits, they extend into every
inhabited corner of the country, and it is in rural America where one of the most
Few would argue the statement that nature has value. The question is
instead, “what is that value?” Studies conflict and have yet to verify the exact value
Nature
seems
to
be
important
to
people…
it
is
hard
to
justify
the
role
nature
plays
in
rational
terms.
In
fact,
people
with
relatively
little
money
are
no
less
likely
than
the
more
affluent
to
have
a
splash
of
colorful
flowers
in
front
of
their
homes…The
grief
neighbors
feel
when
“their”
tree
is
removed
can
hardly
be
explained
by
economic
grounds
(Kaplan
1).
It
is
possible
for
alternative
explanation
to
be
provided
for
these
examples,
all the same they provide circumstantial evidence, “that nature is important in itself
rather
than
for
some
extrinsic
reason
(Kaplan
1).
Operating
under
this
context,
that
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nature has value in and of itself, it is easy to understand the call for the
reintroduction of nature into urban sites. Why then if we are able to understand
and recognize the importance of nature in these highly developed areas why are we
so apt to simply pave over fields and forests for the sake of parking lots and strip
malls in more rural regions? Individuals who live rural areas would often admit to
loving the great expanse of nature stretching out from their doorsteps, but will still
leap at the chance to have a new retail district in town, or not hesitate to pave a new
Nature is amazingly resilient. We can rip up trees, burn out roots, and pave
acres until we are blue in the face, but if we stop for just a moment and step back we
will see an even more incredible process. During a trip across the country in 1997,
to document the extents of our most sprawling works, Malcolm Wells saw all stages
for hundreds of miles, strip mines eating mountains, and forests denuded (RA 20).
At the same time he also saw the resourcefulness of nature at her finest. Abandoned
parking lots and shopping centers being retaken bit by bit. What started as nothing
more than dirt and dust and cracks in the asphalt was becoming grass, wildflowers,
and trees (RA 54). In town after town and state after state, Well’s photographs help
to prove beyond any doubt that we are paving over and demolishing our natural
environment at an unprecedented rate, at the same time though nature continues to
prove that no matter how much we try to erase it, nature will always find a way to
come back if given the smallest of footholds. Thankfully we are not perfect and
This is where the philosophy of gentle architecture flourishes. The root of
gentle architecture lies in a reverence for life, by recognizing the reality that the
green plants unique to the third planet should be held as priority number one.
Take
away
all
governments
and
armies,
take
away
all
businesses
and
industries,
take
away
all
communications;
take
away
cars,
house,
cities,
hospitals
schools
and
libraries;
take
away
electricity,
clothes,
medicine,
and
police;
take
away
everything
in
fact,
but
the
green
plants,
and
most
of
us
would
survive.
But
take
away
the
plants
and
we
would
all
die.
That’s
how
important
they
are
(GA
19).
It
is
with
this
thought
in
mind
that
gentle
architecture’s
practice
follows
one
key
rule: “improve the land when you build, or don’t build there.” According to Wells,
the next great frontier for architects and engineers are the parking lots, strip mines
and worn out farms we have worked so hard to cultivate over the recent decades
(GA 19). People though are never that simple. While we may be able to agree on the
benefits of reclaiming, reusing, and rehabilitating these sites those who need to
build will not always be willing to relocate to where the parking lot was. People will
architects, must learn to adapt our practices and designs. “But first we’ve got to
commit ourselves, for life, to the idea of land-‐respect (GA 8).”
The groundwork for such designs and architecture are already at our
save energy, water, and the very air we breathe from waste and pollution. Both
active and passive systems have already been created. Sun, wind, and water can be
harnessed to help reduce our consumption of other natural un-‐renewable resources
and electricity. Passive solar design can be used for space heating and lighting,
reducing
a
home’s
demand
for
electricity.
By
focusing
on
thermal
mass,
improving
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building orientation/site and shape a solar house can optimize it’s performance
(Hachem 1). Small design changes can have great impacts; heating loads can vary
south. Glazing on the façade influence the amount and timing of solar heat gain by
changing size and location of windows. In northern climates south-‐facing windows
can maximize gains in the heating season and minimize during the cooling season.
Glazing on the east or west facing facades however, have the reverse effect (Hachem
1).
Natural lighting has more to offer than just energy and cost saving benefits
though. Studies have shown that daylight, or the lack thereof, can impact the health
and wellbeing of building users (Barrett 10). Lack of light is believed to be the
resulting in depression, low energy, and disturbed eating and sleep patterns.
Changes in the pattern of light during winter have been accredited with causing
inhabitants, and it is time that we step up to challenge of designing not only for the
bodies of users but for their minds as well. As R.G. Hopkinson said, “the architect’s
task of creating a favorable environment for living and working demands a study of
the response of the human being to this environment” (Barrett 16).
Architects must accept the fact that the goal of design and architecture is not
to
design
glorified
shelters,
but
environments.
We
share
this
burden
with
many
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other design professions, interior designers, city planners, and civil engineers to
such a whole it is important to design with the intention of providing for both
physical and psychological needs. Psychology, environmental and the more recently
termed design psychology, plays a pivotal role in being able to provide a complete
the physical-‐spatial environment, and the social use of space” (Kaye 104).
potentially dangerous tool if works are not reviewed and followed up to determine
success. In residential design the social uses of spaces play an important role, and
uses can change depending on culture, age, occupation, and other variables. The
importance of the kitchen, for example, extends beyond the utilitarian purpose of
food preparation and is also used by many as a social gathering place as well (Kaye
107). “Design programming should take into account the needs of the users, the
The study of the mind and our understanding of how it works is an evolving
field. Neuroscience is discovering that the human brain is far more changeable then
scientists used to think. Our brains can be reformed and rewired, neural
connections can even be regenerated in the case of trauma or damage. “The things
we
say
and
do,
and
even
feel,
can
help
in
this
process.
Presumably,
the
places
and
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environments in which we live can also help (or hinder)” (Beatley 1). This evolving
science is teaching us new things about our brains and why we operate the way we
do. As designers it is key that we understand, in order to design places that make
people happy, how the brain works. Green spaces are needed parts of designs for
productive and healthy individuals (Beatley 1). Studies have shown that interaction
with nature has cognitive benefits. A study at the University of Michigan conducted
two separate experiments focusing on attention restoration theory (ART) (Berman
1207). “ART is based on past research showing the separation of attention into two
intriguing or important stimuli, and voluntary or directed attention, where attention
by interaction with nature. The studies found that participants who had been
Research has shown that nature helps improve our memory and our ability
to focus, perhaps we should take advantage of this and look a little deeper at what
else nature can teach us. We work so hard everyday to try to conquer nature, bend
her to our will, and establish ourselves as the greatest force on earth. Nature’s
response: tornados, earthquakes, hurricanes, and tsunamis. Anything we build up,
nature can bring down. So why fight against nature and the inevitable? Why fight
so
hard
to
build
against
the
forces
of
nature?
Why
not
build
with
them?
When
we,
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as designers, begin to look at nature as a teacher rather than an enemy, that is when
In order to do this it will take a major shift in the way we think about design.
No longer will we be designing for the sake of keeping nature out. Instead our
designs will work along nature, alongside the natural climate. Our buildings will be
shaped by the climate and with the climate. The theories regarding form and
function will be rewritten, form and function will follow climate. Around the world
designers are beginning design in this way. In France, designers harness the unique
natural properties of the soil to purify and temper the air (Rahm 7). The rooms of
the house are then organized in accordance with the purity of the air, air flows first
to bedrooms and living spaces, then to the kitchen and finally to the bathroom. In
this way the purity of the air, from fresh to stale, determined the placement of the
rooms of the house. Cascading down, the rooms work to together to form a passive
system to help air flow through the space (Rahm 7).
Perhaps the oldest form of architecture, which works with climate and
structural systems begun to take an entirely new meaning. No longer does the
With the aide of concrete and steel we can lift the earth above our heads and create
an entirely new landscape. A landscape of lush green foliage to replace the empty
asphalt parking lots and barren roofs we are so accustomed to today.
To
see
architecture
fully
you
must
tip
it
up,
stand
it
on
its
edge.
When
you
do,
you
always
see
a
dead
land
on
display
(RA
16).
Malcolm
Wells
spent
a
lifetime
documenting,
designing,
and
promoting
underground and earth-‐berm architecture as the way of the future. While some of
overflowing with greenery and cascading down into rolling hills of green roofs, he
also had a much more practical view of the way of the world. “As I see it, all we need
to do is start…one by one…” with small projects, bit by bit we can take back our
world, or rather give back our world to nature (GA 31).
keeps our world alive, and the way we know it. Plants provide us with food, shelter,
materials, even the air we breathe. If there are no plants, there is no life. This is
why we must learn to coexist in a way that is both sustainable and mutually
beneficial. There is no excuse besides our own carelessness that has cost us so
many miles of forests and meadows. We have the means to build a world where
both people and plants can thrive; we just need to care enough to do so. Gentle
countless acres of land and return it to life. In 1982 there were roughly only fifteen
to twenty architects practicing or specializing in underground architecture, but over
20,000 potential clients in the market for such structures (GA 61). One can be
certain that with growing awareness and contemporary sustainable movement that
the number of clients has grown, but has the number of specializing architects come
close to filling this need? In architecture schools, sustainability is stressed, but why?
species we share the planet with and the rampant state of destruction industry
doubtful that it is the later, but in student critiques green spaces, meant to exemplify
sustainability, are carefully manicured lawns and weeded flowerbeds. Is this really
sustainable? Lawns of toxic green grass and plantings weeded to within an inch of
their life and sprayed with chemicals to keep it that way. This is nothing more than
the window dressings Wells spoke of. Tools used to draw the eye away from the
larger picture; that the buildings are still killing the land they are being built on.
problem, but it will take commitment to see real results. Imagine manicured green
roofs replaced by true fields of deep, rich topsoil above well-‐drained and insulated
roofs with hundred-‐year weatherproofing (GA 30). These will be buildings that are
returning life to their sites rather than stealing it from them. These structures will
They will be designed to function in harmony with the climate, and draw inspiration
from it. Gentle architecture holds the potential to change the world, but not at the
architecture is a movement much like nature itself, piece by piece, learning from
experience, we can build a world which will truly last and live.
Heffner
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Bibliography
Articles
Barrett,
Richard.
"The
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2013.
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Green:
Right
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(2010):
38-‐9.
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Berman,
Marc,
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Jonides,
and
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Hachem,
Caroline.
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Kaye,
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Books
and
Excerpts
(in-print,
not
online)
Kaplan,
Stephen,
and
Stephen
Kaplan.
The
experience
of
nature:
A
psychological
perspective.
1st
ed.
Cambridge
University
Press,
1989.
1-‐5.
Wells,
Malcolm.
Gentle
Architecture.
1st.
ed.
New
York:
McGraw-‐Hill,
1982.
Print;
hereafter-‐abbreviated
GA
Wells,
Malcolm.
Recovering
America:
[a
more
gentle
way
to
build].
Cape
Cod,
MA:
Malcolm
Wells,
1999.
Print;
hereafter-‐abbreviated
RA