Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Kailah J Jones
Capstone Research
introduced itself before my lips could part. A crown made up of curls an coils that dressed
so tightly into what you would call a mess. My crown is much more than a ball of
is my story.
Since I was little the importance of my hair and its presentation has always been
seen as baggage. From the constant burning of flesh from the hot comb, the painful
headaches from the tension my braids caused, to the continual fear of leftover scabs from
the chemical perms that were smeared onto my kinky coily hair in hopes of a more
“manageable” condition. For years this went on, I became comfortable with my altered
image often avoiding my natural state concluding my natural state was an unacceptable
presentation of myself. Weaves, perms, and heat became what I depended on to define
my beauty. Often avoiding water in fear that my hair would revert into an afro that I often
referred to as a “nappy tumbleweed”. The word “nappy” easily slipped my lips and the lips
ignorance and Afrophobia I began to hate my self-reflection and all the things that made
me different, that made me Black, that made me a woman. It was not until I became older
and media representation of natural black women grew, that I reflected on how much
internal hate I had for myself and the black community. I, like so many other Black Men
and Women forcefully adapted their image in hopes of fitting into an Afrophophic Culture.
This Afrophobic culture emphasizes a single beauty, one that does not stretch to include
protected by styles, oils, and prayer- hair is what connects us to our lineage. Hair may be
perceived as such a dull topic, but it has such rooted implications for how African
American women experience the world (Jacobs-Huey 3). Black women in this society
depend on hair as a way to weigh their beauty. According to Ingrid Banks, author of Hair
“desirable and undesirable hair is based on one's hair texture”. What determines the
desirability of hair is measured against standards of beauty, which include long straight
and usually blonde, excluding hair that kinky or coily. Consequently, Black Women’s hair,
(Banks 2). Furthermore, it is historically seen how black hair has “presented an array of
work, and the extent of good versus bad hair continue to privilege Eurocentric standard of
beauty” (Jacobs-Huey 3). It Is because of the impact slavery had on African Americans
The history of Black hair started where everything began, in Africa. Before the
mass cultural assassination caused by slavery. The variety of African hair textures ranges
from the deep ebony, kinky curls of the Mandigos to the loosely curled, flowing locks of
the Ashanti. Although there are many African hair textures the main constant they share
when it comes to hair is the social and cultural significance intrinsic to each beautiful
strand (Bird and Tharp 1). Hair Within the Black community was used for more than just
for design. Hair was used as a method of transportation, an indication of financial and
social status, along with their religion (Bird and Tharp 2). While the importance of hair
played a great social significance for African people, the aesthetics of hair were equally
Sierra Leone wrote that “West African communities admire a fine head of long, thick hair
on a woman. A woman with thick hair demonstrates the life-force, the multiplying power of
profusion, prosperity, and a ‘green thumb’ for raising bountiful farms and many healthy
children” (4). Hair and its quality is a factor that men looked for when deciding on who to
marry. In fact, a particular hairstyle could be used to attract someone of the opposite sex,
signal a religious ritual, or a symbol of preparation for war (Bird and Tharp 3-4).
African hair was used to emphasize one’s devotion to a certain god or gods under
the perception that hair’s value and worth were “enhanced by its spiritual qualities”. Both
male and females depending on your worship of certain gods were required to maintain a
certain hairstyle. It is because of the “hair being the closest thing to heaven to the heaven,
communication from the gods and spirits was thought to pass through the hair to get to
the Soul”(Bird and Tharp 4-5). It is important to understand the power of hair, as it was
used and still is being used as a way to seek control. “Spell and chants that could be used
to bring hard to another person by acquiring a single strand of their hair(Bird and Tharp
5).” it is said that within the Woolf tradition, an ancient tribe in West Africa, that “ women
had the power to make men crazy for them by calling on the power of genies and spirits in
their hair(Bird and Tharp 6).” Hair and its significance had an impact on every part of
African traditions. In many ways, Hair is responsible for the survival of many tribes and
traditions.
When the Europeans ships arrived in Africa, many people were captured and even
more was slaughtered. What many fail to understand is that it was not just random
Africans that were captured. Many powerful figures within these communities such as
chiefs, kings, and queens were captured. This not only created the feeling of inferiority
within the minds of the African slaves but also influenced the overwhelming feeling of
fear. According to Black then, “ When slaves were captured, their hair was cut off, to
begin the process of eradicating their sense of culture and identity. They were then given
head-wraps to use as protection against harsh weather and the spread of head lice.
When hair grew back, there was no time to form elaborate hairstyles. Initially, these head-
wraps were given to both sexes but later were used exclusively by women. In some
places in the South, women were required by law to secure their hair in these wraps.”
Although the hair wrap symbolized inferiority and poverty to white people they became a
sense hope for those enslaved. The hair wrap was style in different ways depending on
the location and the plantations resources. The head wrap was strategically tied in a form
that allowed the wearer to express and give herself a sense of freedom and
empowerment.
this that the value of slaves increased. Furthermore, because the religion of Christianity
was forced on those encaptured this allowed them to be able to rest on the Sabbath day.
Give this day of rest this allowed slaves an opportunity to tend to their hair. According to
Blackthen, “During the week, they would continue to cover their heads with the wrap but
would remove it for church. However, they were still unable to regress to the African
styles as the combs they had previously used, and palm oil was not available in America.
Instead, women had to wash and condition their hair using butter, kerosene and bacon
grease and brushed it with the carding combs used for the sheep.”
After two centuries after bondage, the invention of a more specific hair care system
known as a perm had arrived into the Black communities with the main goal of destroying
Black hair with the hopes of getting a result closer to a more socially accepted texture,
white hair(Bird and Tharp 16). According to Mary Phillips Author of Black Hair Politics in
White Academia: With Reference to Black Studies, In the 1980s and 1990s, many black
women endured heavy criticism and condemnation in the workforce for wearing their hair
in braids and other natural hairstyles(98). Banks (2000) mentions that “in the late 1980s,
black female employers went to court to challenge a policy by Hyatt Hotels and American
Airlines against wearing braids. These companies couched their policy in terms that
related to ‘appropriate’ grooming practices, which they argued braids violated” (p. 16).
Sadly, cases similar to this one are still occurring today. In 2019, approximately 159 years
since slavery and 55 years since segregation, a law was passed in New York city making
In today’s society, it is more acceptable for one to appropriate black culture than to
be black. The appropriation of Black hairstyles such as braids, locks, and afros are
deeper than what others struggle to understand. For example in the media we see
famous non-black celebrities appropriating hairstyles that have been in the black
community for years. For example, a popular hairstyle within the Black community are
braids. Nowadays, braids are a protective and creative style women use to show off their
personal style, their creativeness or protect their hair and scalp. But centuries before,
braids were much more than just a hairstyle. Braids are a part of the tribal customs in
Africa. The braid patterns signify the tribe and help to identify the member of the tribe.
The cultural significance and roots of braiding can be traced back to the African tribes.
community, age, marital status, wealth, power, social position, and religion. And in some
cases, braids were a form of survival. Depictions of women with cornrows have been
found in Stone Age paintings in the Tassili Plateau of the Sahara, and have been dated
as far back as 3000 B.C. There are also Native American paintings as far back as 1,000
standards, the demonization of natural hair in the media, and cultural appropriation that
allows this internal hate for one's own natural black hair texture to prevail. Black people
more specifically, black women, are more subjected to a western standard of beauty.
Forcing them to conform to the many guidelines that help shape what beauty is within
society. The consequence of this is that it ultimately leads to internalized racism and
insecurities. Behind every braid, loc, coil, and curl there is a black person with a sad truth
about their hair, either through experiences, facts, or the media. For centuries within the
black community, hair has been a quality in which can determine one's beauty,
start the conversation about black hair and its beauty. In order to break the barriers that
are placed on black hair, it is imperative that I address the history and evolution of black
hair’s history while analyzing the controversy that comes with it. I argue that the spread of
Europeans ideologies is what allowed the standards of beauty on other ethnicities to rely
on European standards.
Works cited:
Byrd, Ayana D., and Lori L. Tharps. Hair Story: Untangling the Roots of Black Hair in
Hooks, Bell. Black Looks: Race and Representation. New York: Routledge, 2015. Print.
Lane, Derrick. “More Than A Hairstyle: How Braids Were Used To Keep Our Ancestors
african-hair-braiding/2/.
Thompson, Cheryl. “Black Women, Beauty, and Hair as a Matter of Being.” Women's