ANI

OF
OL
HO
SC

MA 25
YEARS

TI
ON
 AAFT is indebted to
Late Shri Suraj Prakash Marwah
(The Founder of AAFT) for his invaluable
contribution to our mission to provide quality
media education worldwide

Marwah
Productions
CONTENTS
pg pg pg
7-9 10-11 12-15
Why Us Board of Directors From The President’s Desk
History & Future Patrons Message From Director
of Indian Animation Academic Council Message From Dean
Advisory Council

pg pg pg
16-25 26-47 48-53
About Us In-House Production Online TV
Founders of 100 Acre Studio In-House Film Club
Noida Film City Student Projects Animation Club
Infrastructure

pg pg pg
54-61 62-71 72-75
Japan Anime Convention Events Student Speak
Master Classes, Workshops, News International Students
Seminars Celebrity Visits
Japan Trip

pg pg pg
76-79 80-84 85-94
Study Tour To Singapore Our Alumnus AAFT - A Unit of ICMEI
Placements & Core Faculty Courses Offered
Career Opportunities Our Presence
 WANT TO
BE A PART OF
`
5000 CRORE
INDIAN ANIMATION
INDUSTRY

4
In 2009,
the animation industry in India
was growing at a CAGR of 30%
By 2015, it reached

US$ 1.5 billion

In the non-entertainment
segment, the demand for
animation production services
have touched

US$ 14.7 billion

by 2015

The global Film/TV program

production market has created

US$ 17.5 billion

revenue opportunity for
animation production houses

5
 JOIN USfor a
360 degree exposure.
FOCUS ON CREATIVE PRODUCE TECHNO COMPLETE PERSONALITY
VISUALIZATION BLENDED ARTISTS DEVELOPMENT OF THE
WITH TECHNOLOGY STUDENT
PROJECT ORIENTED
TRAINING
TRAINING ON LATEST PUSH THE LIMITS OF THE
STRESS ON INNOVATION CREATIVE TOOLS STUDENTS

6
WHY US
PROXIMITY TO THE FILM STUDIO
AAFT School of Animation is a specialty institute of
Marwah Studios, the top film studio in India, which
operates from the same premises. On successful
completion of the animation and multimedia programs
the pass outs get a unique opportunity to step in to the
world of animation film-making, toon characters design,
and generate visual effects (VFX). The proximity of the
world class production studio to the School is definitely
an added advantage.
ACCESS TO REAL-TIME PRODUCTION
You get to work in-sync with the creative team of the in-
house production facility for film-making and bring out a
quality product under their guidance.
INFRASTRUCTURE
The Institute has the best infrastructural facilities in
terms of Studios and Labs, equipped with latest
software and hardware used in animation film-making
and visual effects generation, for instance Green
Screen Studio, Sound Studio, Editing Studio and
others.
PRACTICAL AND VALUE ADDED CURRICULUM
The industry oriented curriculum takes into account the
latest and novel concept in teaching, and is at par with
international standards of animation industry.
FOCUSED FACULTY & INSTRUCTORS WITH MORE
THAN 10 YEARS OF EXPERIENCE
Here you get the opportunity to attend the lectures from
production-experienced faculty members and
established professionals as part of their academics to
enhance the learning experience. This makes our
Institute stand out vis-à-vis its counterparts.
INTERACTIVE SESSIONS WITH INDUSTRY EXPERTS
Academy offers its students opportunity to interact with
Industry experts through in-house seminars and
workshops. Here students get opportunity to interact
with creative geniuses behind various multinational
advertisements, shows and animation shorts, and learn
from their experiences.
CROSS-DISCIPLINE EXPOSURE
The aim is both to increase the knowledge of different
aspects of animation and multimedia and the
awareness of how different creative disciplines are
tuned in to construct and frame the holistic
representation. The cross-disciplinary interactions with
students of various creative Schools, such as Cinema,
Mass Communication, Advertising and Fashion,
promote diverse learning opportunities and transfer of
artistic ideas across content areas.
REAL TIME PROJECTS THROUGH IN-HOUSE
INTERNSHIPS
An additional bonus for our students through in-house
internship opportunity gives them a chance to work on
live projects under the guidance of established artists
and animators. You get to be a part of some of the
prestigious projects that are broadcasted in famous TV
channels once you have mastered the techniques and
championed your course.
GLOBAL STUDENT EXCHANGE PROGRAM
With international assignments in major countries
across the globe, the Global Student Exchange Program
allows you to collaborate with people of diverse
backgrounds — both professionally and culturally. The
international exchange offers you new challenges,
global mindset and opportunities to grow.
EXCELLENT PLACEMENT TRACK RECORD
Till date, the School has enjoyed an enviable placement
record of more than 98% across its various batches. Our
alumni are associated with well reputed organizations
as character designers, effects artists, producers,
lighting artists, film editors, content developers,
multimedia programmers etc.
LOCATION
Location is yet another charm. The Institute is located at
Noida Film City, the First Film City of North India, with
almost all the top-most media and entertainment
companies that have established their base in this prime
location. This well connected, lush green campus is
definitely a place where students enjoy coming in and
experience a new learning ambience.
7
 HISTORY
&
FUTURE
OF INDIAN
ANIMATION

S T I NDIAN
FI R
A T I O N FILM
ANIM N DEER
BANY
A 1957
THE

The first film by the Indian
Animation Industry was produced
in 1957!! Yes, even before the
Indian Market introduced the
color television! ‘The Banyan Deer’
(1957) was made by a group of
Indian animators under the
guidance of Disney Animator Clair
Weeks, who had worked on
‘Bambi’ (1942) and was on a
mission to establish and train
India’s first animation studio as
part of the American Technical Co-
operation mission.
Out of this group, 2 people went
on to be animation pioneers in
India. Ram Mohan, known as the
veteran in the Indian animation
industry today, worked as an
animator till the late 1960’s,
thereafter, establishing a
production of his own in 1972.
Bhimsain Khurana, known as the
father of Indian animation,
became independent in 1971 and
made another animated film ‘Ek
Anek aur Ekta’ (1974), which was
the first animation film aired on
the famous local channel,
Doordarshan. His son Kireet
Khurana would go on to walk in his
father’s footsteps.

8
Most animated series and short
movies in the 1980’s were
dedicated to teaching lessons
mainly to the younger generation.
The Hindi version, of Aesop’s
Fables, was one of them. Children
love cartoons, and this seemed the
best way to get through to them in
an educational way. Some folk
tales in the form of short films
were also transformed into
animations for entertainment
purpose.
Animated characters alongside
actors, was first seen in the movie
‘Raja Chinna Roja’ (1989). A
director’s wish took animation to
the next level. Bringing actors into
the animation world not only
entertained kids but also got the
older generation intrigued. Later
on, actors started voicing
cartoons in the late 1990’s.
I n i t i a l l y, c a r t o o n s w e re
dubbed by non-actors but
soon a new trend hit the
market where actors were
lending their voices to dub
m a n y c a r t o o n
characters. This is
probably as India is obsessed
with the Bollywood film industry,
because the actor is known, these
cartoons are also enjoyed by
adults. Yes! It is all about knowing
your audience and making them
grow. Another advantage is that
the dubbing, of national and
international animated films, had
created a notable scope of
employment for Indian mimicry
artists.
In 2010, the Indian animation
industry was expected to be worth
2.5 billion dollars! And it was
predicted that it will grow by
23% in the next four years. The
three main factors that were to
push animation in India to grow
were low cost of production, highly
skilled labor and of course, the
government ’s support in
producing original content locally.
But because there are no tax
breaks or subsidies by the
government with regards to this
industry, it is impossible to
produce a lot of local animated
content in the Indian market. Most
of the shows watched by children
are either from America or Japan
and only dubbed in India. Skilled
labor in this industry is in plenty
but professionalism
GROW
ING @
30%
PER YEAR
has yet to hit us.
Today, animation has found itself
expressive and communicative in
various fields like e-education,
medical/mechanical information,
architecture visualization, web
designing and various segments of
entertainment such as TV
broadcast, animated movies,
cartoons, computer games, direct-
to-DVD and VFX. Many of these are
now being done with the help of
computer animation where
animated images are generated by
using computer graphics.
9
 BOARD OF
DIRECTORS

PATRONS
LT. GEN. K. M. SETH (RETD.)
Hon’ble Former Governor of
Chhattisgarh

DR. BHISHMA NARAIN SINGH

Hon’ble Former Governor & Union
SANDEEP MARWAH Minister
President, Marwah Studios
DR. R. L. BHATIA
Hon’ble Former Governor of Kerala

SHRI VED MARWAH

Hon’ble Former Governor of
BONEY KAPOOR
Film Producer Jharkhand

IEUAN WYN JONES

Former Deputy First Minister fo
Wales

SHATRUGHAN SINHA
Former Union Minister

ANIL KAPOOR
Cine Artist

AKSHAY MARWAH
CEO, Marwah Studios

10
ACADEMIC ADVISORY
COUNCIL COUNCIL

PROF. KARL BARDOSH SOORA J BARJATYA

Tisch School of the Arts, New York University, USA Renowned Director
TERI C MCLUHAN JAVED AKTHAR
Visiting Professor of Film, New York University, USA Renowned Film Writer
DR. PADMESH GUPTA SATISH KAUSHIK
Oxford Business College, Oxford, UK Renowned Director & Actor
JOHN SHAW MADHUR BHANDARKAR
University of Central Lancashire, UK Renowned Director
ALAN EVANS MUKHTAR ABBAS NAQVI
Cardiff University, UK Former Minister of State for Information and
Broadcasting in Govt. of India
ROBERT STEWARD
Northern Melbourne Institute of TAFE, Australia GIRJA VYAS
Former Minster of State for Information and
PROF. CHRISTOPHER TURNER
Broadcasting in Govt. of India
The University of Winchester, UK
SALMAAN KHURSHID
PROF. DEWANAND MAHADEW
Former Minister of Water Resources Member of
Spinoza University, The Netherlands
Lok Sabha
DR. JAVED LEHGIRI
SHAH NAWAZ HUSSAIN
Former Vice Chancellor, Shaheed Zulfikar Ali Bhutto Institute of
Former Indian federal minister & a politician of BJP
Science & Technology, Karachi, Pakistan
Dr. Lalit Bhasin
SANTOSH BHARTIYA
Senior Lawyer, Supreme Court
Former member Parliament, Editor - Chuathi Duniya
BHASKAR GHOSH
MS. MALTI SAHAI
Former Director General of Doordarshan
Former Director, Directorate of Film Festivals, Govt. of India,
New Delhi AZIZ BURNEY
Former Editor, Sahara Urdu
DR. M. MUSHARRAF HUSSAIN
Management Expert, Bangladesh BRIJENDRA SAHAI
Former Chief Secretary, Govt. of U.P.
SAEED MIRZA
Filmmaker, Mumbai RAHUL DEV
Editor, Aaj Samaj
P. MURARI
Former Chairman, Indian Institute of Mass Comm., New Delhi ROB LYNES
Director, British Council, India
PRAYAG RA J
Film Writer & Director
MR. PAHLA J NIHALANI
Film & Television Producer
A.S. BEDI
Producer / Director

11
 FROM THE
PRESIDENT’S
DESK
SANDEEP MARWAH
We are all travellers on the information
highway and citizens of the modern
society. Information is the most
important capital in modern times. Our
lives are closely interlinked with the
media, the disseminator of information.
We are in the business of training
personnel in becoming the best informed,
responsible and committed professionals
with a strong sense of integrity.
At Asian Education Group (AEG) we are
conscious of the huge responsibility we
carry on our shoulders. We are aware
that systematic education, and training
and mandatory stellar as well as industry
exposure are necessary for preparing
students to be excellent professionals in
print and electronic journalism, cinema,
radio, television and computer centric
multimedia fields. We take pride in being
the only institute in Asia to have such a
huge professional infrastructure of well-
equipped studios, films, & libraries and
highly qualified and experienced faculty
to train our students. Our close links with
the Mumbai film industry puts us in an
envious position in comparison to the
other media schools.
It is no wonder that we draw the highest
12
number of students to our institute and
have made a record number of over a
thousand films since our inception, a no
mean achievement by any standard.
Our Education Group covers, Asian
Business School, Asian Academy of Film
& Te l e v i s i o n , S c h o o l o f M a s s
Communication, School of Fashion and
Design, School of Communication,
School of Multimedia, School of
Advertising, School of Fine Arts, School of
Creative Business, creates unique
synergies and imparts 360 degree
training to students right from ideation
to the final marketing and dissemination
of the media product.
A balanced study of the academic and
practical exposure system creates
understanding of various mediums of
communication operate; what are the
effects of media on the audience and
what is the nature of media auxiliaries
such as advertising and public relations
etc. Asian Education Group offers both
graduate and post graduate level
courses in management, print, electronic
media and film to equip the students
with adequate knowledge and skill in
their chosen field of creative work.
AWARDS & ACCOLADES
Honored by Nepal Prime
Minister as Chairman of
Indo-Nepal Film & Cultural
Forum
"Man of Asia" Award
- Singapore
Asian Unity Award by
Association for Asian Union
& Asia Pacific Cooperation
Honored as Chairman of
Indo - Guatemala Film and
Cultural Forum
by Ambassador of Guatemala
Chairmanship of Indo-
Venezuela Film Association
Chairmanship of Indo-
Gabon Cultural Forum
Honored with Patron ship
of IFUNA
Chairmanship for Indo-
Slovenian Republic Film &
Cultural Forum
Delhi Gaurav Award 2015 -
Vigyan Bhawan - National
Level Award
Chairmanship for Indo-
Czech Republic Film &
Cultural Forum
Chairmanship for Indo-
Romania Republic Film &
Cultural Forum
Chairmanship for Indo-
Cyprus Republic Film &
Cultural Forum
Honored by Aavishkar
Media, 6th BCS Ratna Award
International Award - Global
Tibetan Entrepreneurship
Conference
Param Shree Award 2014 -
Media Excellence Award by
All Journalist Association
The Pride of India Awards
2015
Honored by Dalai Lama for
5 world records
Global Cultural Minister
titled by Education Council of
India
Research Foundation
International & Roma
Research Centre "Excellent
Research Work”
UN Shawl of Responsibility
presented by UNIC at NIOS
Honored by the Ministry of
DONER - For Supporting
Media & Entertainment
Industry
13
 MESSAGE
FROM
DIRECTOR
The technological revolution along with
rapid growth and development around
the world has opened new channels to
masses for developing the knowledge
based society. Every nation and society
has to create the pool of intellectual
wealth in order to capitalize upon the
current demands and contextual
requirements.
We, at Asian School of Media Studies, have
been committed to excellence since the
very beginning of our journey. The
institute recognizes hidden abilities and
strengths of its students and enables
them to learn, to grow and evolve into
successful professionals in their areas of
interest. The whole atmosphere at ASMS
is perfectly conducive to overall
personality development of the learners,
with an alert focus on developing them
into efficient, confident and
knowledgeable animation professionals
with global thinking and futuristic mindset
along with an understanding of ethical
values embedded in the heritage.
Every course has been structured to
deliver insights into the importance of
individual and collective creativity, be it
14
design practice, curatorial evaluation or
artistic consideration. School of Animation
objectively strives to ensure that each
student must maximize his/her highest
potential as an artist, designer, animator,
and entrepreneur.
The teaching methodology, along with co-
curricular activities and monitoring
mechanism at ASMS, is specifically
designed to articulate various dimensions
of the strategic Key Result Areas (KRAs)
which guarantees an enviable confidence
and alertness in our students.
The four basic elements of contemporary
education system i.e. faculty, students,
infrastructure and curriculum, are
realistically and perfectly blended to
ensure the development of six essential
qualities in the students. These are
Sincerity, Personal Integrity, Humility,
Dedication, Wisdom and Charity.
In its march towards success, we ensure
every possible effort to take its alma mater
to the happiest route of success and
prosperity.
MESSAGE
FROM
DEAN
ASHISH GARG
Welcome to the School of Animation. We
firmly believe that every student, whoever
joins us, is a talent to be tapped. We place
confidence in making every student learn
rather in just teaching. With our student-
centric efforts we are determined to draw
out the best in each one of them. Our
philosophy is about continuous
evaluation of the student. We do not
expect them to do the proper things
always. We encourage them to make
mistakes, to experiment, to explore the
untreaden path in the world of animation
and multimedia. For after all, Design is
thinking different.
We nurture an artistic environment that is
personalized, innovative and progressive.
The School of Animation provides its
students and the community various
forums to develop a meaningful dialogue
about graphics and animation, its
expression, and purpose. Our active
involvement with the industry
professionals, artists and designers
through master classes, workshops,
seminars and guest lecturers reinforces
the classroom experience. Students learn
to develop and build networks which
helps them to create professional,
productive relationships that lasts a
lifetime.
Our commitment to quality education
continues to flourish as is evidenced from
the outstanding work created by SOA
students. You can explore the student
projects to witness the technical skill and
the level of creativity in their work. At our
Animation school the students learn to
give life to their imagination. They have the
advantage of a variety of elective courses
from the degree and diploma programmes
in animation and multimedia.
We are committed to furthering the
excellence of the art of character, creature
design in the Animation and Multimedia
Industry by continuing to create using
traditional, modern sculpture techniques
and design methods to bring the most
memorable characters and creatures to
life for audiences around the world to
experience and enjoy. As you continue to
look for the graphics, multimedia,
animation and visual effects school that
fits your goals, we are sure all your
questions will be answered when you visit
our campus.
15

ABOUT
US
The School of Animation provides the
right foundation to students who
would like to make a career in
animation and multimedia industry.
Our objective is to train students on all
aspects of animation film making and
give them real life exposure through
projects and case studies.
We impart an intensive training
program on the techniques and use of
tools for producing artwork digitally.
We also offer fundamentals of classical
animation such as timing and spacing,
and enable the students to apply these
c o n c e p t s i n t h e p ro d u c t i o n o f
animation within the digital realm.
Students get all-day access to our top-
of-the-line workstations loaded with
the latest softwares.
Our wide experience and knowledge of
the animation industry as a leading 3D
animation school gives us the edge
16
Glo
ba
l
170 ofNetwo
Pro 00 M
fes ed
rk
s
120 acro iona ia
Co ss ls
un
trie
s
when it comes to offering specialized
training. Through an innovative and
personalized approach we craft and
polish our students’ skills and hone
them into a complete animation
expert.
Right from the curriculum design to our
hand picked team of professional
instructors to the strong infrastructural
support of our animation institute, we
ensure a blend of innovation and
creativity to add new dimensions to our
students’ abilities and enhance their
learning experience.
Being part of the Asian Education
Group, our students get to interact with
students of Mass Communication,
Cinema, Fashion and other creative
disciplines, which gives them a 360
degree exposure of the Media and
Entertainment Industry. This makes
our students stand out of the crowd.
 THE ONLY
ANIMATION SCHOOL
ASSOCIATED WITH
THE BEST FILM SCHOOL

17
 FOUNDERS OF 100 ACRE
NOIDA FILM CITY
17000 30 200 350
People Working Shooting Production TV
in 3 shifts Floors Houses Channels

162 16
Connected Research
With 162 Nations
1
International
Centers

Education Centre

MARWAH Studios

18
 WE ARE THE ONLY MEDIA EDUCATION HUB
LOCATED IN THE HEART OF MEDIA CENTER OF
SOUTH ASIAN CONTINENT...
NOIDA FILM CITY

ZEE TV NETWORK 18 INDIAN EXPRESS NDTV

NDTV TODAY GROUP INDIA TV TIMES NOW & ET NOW

DISH TV INDIA MARWAH STUDIOS MOVING PICTURES

T-SEIRES BAG FILMS AZAD CHANNEL NTPC EAGLE FILMS

JUBLIANT INDUSTRIES PRAGYA CHANNEL MAHUA CHANNEL

19
 ASSOCIATED WITH
4500 TV
PROGRAMMES
FOR
50 CHANNELS &
125 FEATURE
FILMS
OPPORTUNITY FOR STUDENTS
TO CREATE HIGH-QUALITY
VISUAL EFFECTS (VFX) FOR FILMS,
TV, ADVERTISEMENTS & GAMES

20
21
 TV PROGRAMMES
SHOT AT STUDIOS Yog Chaya : 13 Episodes (DD)
Chitrakar : 13 Episodes(DD)
Talk Show Teen Canteen : 21 Episodes – Hinduja
Roshni : 6 Episode for (DD)
Sahi Kaha Tumhne Telefilm for (DD)
Nimantran Telefilm for (DD)
Prashna Telefilm for (DD)
Aaghat
The Widowed Brick
Tol Mol Ke Bol : 200 episodes (Zee TV)
Tana Bana : 40 episodes (RTI TV)
Physical Fitness : 6 episodes (Zee TV)
Dream Merchant : 6 episodes (DD I)
Turning Point : 400 episodes (Zee TV)
Aaj Ki Baat : 4 episodes (DD Metro)
Khali Haath : 13 episodes (DD Metro)
Kahani Ek Kanya Ki : 4 episodes (DDK Delhi)
Ayodua Talk Show : (Channel 4)
Lady Child : 2 episodes (Channel 4)
Aap Ki Adalat : 30 episodes (Zee TV)
Rang Barase : 4 episodes (Zee TV)
Faisla Aap Ka : 6 episodes (Zee TV)
Tele Film : Nazar (DD-I)
Tele Film : Saya (DD-I)
Time Pass Yaar : 13 episodes (B.I. TV)
Guest House : 4 episodes (DD-II)
Subha Savere : 600 episodes (DD-I)
Good Morning India : 180 episodes (ND TV)
Ji Pradhan Mantri Ji (ND TV)
Ji Mantri Ji : 21 espisodes (ND TV)
Kahani Shahajanabad Ki : 13 episodes (DDK Delhi)
Sharma Bandhu’s Ram Bhajan : 13 episode(DD-I)
New Year Program (ATN)
New Year Program (DDK Jaipur)
Gurbani Gao Sachi : 100 (episodes) (DD-I)
Daman Chakra
Ghosts (Advit)
Gustakhi Maff (Definition Films)
Sahara News Line 180 Episodes (Sahara TV)
Parakah (DD-I)
Rail Watch Show (DD-I)
Mastan-E-Phool (Cubra Communication)
Ladki Kamaal (Aryan)
Star Talk (Star TV)
22
 INDIA’S
Chalo Kashmir (Quiz)
PREMIER
Pooche Paintal Se CHANNELS
Shringar
Pyare Tere Bol WHICH
Maan Ki Batain
Ulghnain
HAVE
Dee’s Home Shopping (DD-I) WORKED
Computer Watch (DD-II)
Khana Khazana (Zee TV) WITH
Luxor Film Time (DD-I)
Saazish (Telefilm)
MARWAH
Saya STUDIOS
Tera Zabab Nahin (Zee TV)
News Line (EL TV)
India Hungama (Sony TV)
Ayur Herbal (AD)
BPL Music Mainia (Jain TV)
Eye Witness
Kaal Chakra (News DD)
Panchtantra Ki Kahani
Gunda
Chitrkar
Nimmantran
Abra Ka Dawra (E. TV)
Ralk Chauk (E. TV)
Tere Mere Geet (E. TV)
Devotional Program(E. TV)
B.E.K. Adar Bahar (E. TV)
Ek Mulakat E.TV
Bajme Kawateen (E. TV)
Dastarkhan (E. TV)
Urdu Jiska Naam Hai(E. TV)
Teree Meree Yaree (E. TV)
Ed Mladun Navi (E. TV)
Jasoos Vijay (BBC Worldwide)
Whirlpool Ad Film (Dream World Films Pvt. Ltd.)
Hari Darshan Agarwatti Ad Film (Mr. Kocher)
Ahaasas
Just-A-Minute (B.I. TV)
Jasoos Hain Aap
Kasamkash (Sony TV)
Aaltu Faltu (Home TV)
Sarahad (Zee TV)

23
 INFRASTRUCTURE 2 FCP EDITING LABS
16 (12+4) Workstations
Apple MAC Pro. HD Ready
Black Magic Editing Card

2 EDITING LABS
CLASS ROOMS : 1-16 25 (16+9) Workstations
16 Air-conditioned Class Rooms Adobe Premier Editing Suite
Digital Interactive Boards 110” Avid and Velocity Editing Suite
High Lumens Projectors with Projection Screens
Plasmas MULTI CAMERA SETUPS
16 Channel Yamaha Mixers
LIBRARY : 16 Channel Video Mixers
More than 4000 books on every aspect of film
making CELL ANIMATION DEPARTMENT
More than 50 Magazine covering Latest 13 Stations
technology and news Tailor Light Box Tables
More than 20 News Papers for Radio and News Wacom Equipments
More than 1000 of DVDs on Classics
PRINT MEDIA LAB
13 Workstations
AIR-CONDITIONED, ACOUSTICALLY TREATED 42” Plasma
FILM STUDIOS AND THEATERS : Digital Pen Tablet
T.V. Studios (1A AND 1B) : 45x24x13
Screening Theater (1D) : 50x30x70 3D ANIMATION AND WEB DESIGNING LAB
Film Shooting Floor (1E) : 57x36x22 1-13 Workstations
Low Raise TV Studio (1C) : 45x24x10 Inter High End Render Machines
Mini TV Training Studio (Studio 1) : 45x22x13
Mini Film Training Studio (Studio 3) : 45x22x13 RADIO STATION - 107.4FM
Mini Preview Theater (Studio 5) : 45x22x20 Audio Studio, On Air Studio & Post Production Studio
Film Studio for Chroma (Studio 7) : 45x22x20 BEL 50W Transmitters
Screeing Studio (Studio 9) : 45x25x20 Phone Facilities
Photography Studio (Studio 6) : 45x22x20
Cell Animation Studio (Studio 8) : 45x22x20 SOUND DEPARTMENT AND AUDIO STUDIO
Mini Preview Theater (G9) : 40x20x18 Yamaha Digital Mixer Control
8 Edit Stations
OTHER FACILITIES
Cafeteria / Open Cafeteria | Conference PRODUCTION DEPARTMENT
Rooms | Video Conferencing Facility Tracks (Curved and Straight)
Rehearsal Hall | Deluxe Make-Up Room | Trolleys
Research Centre | Film Club Cranes
Out Door Shooting Facility | Spacious Garden | 7 different types of lights
First-Aid and Medical Camera with HD and SD Compatibility
Sets & Properties for Film Shooting | Private HDV Sony 1X : 3 Units
Screening Rooms | WiFi Enabled Campus Sony PD - 150 : 2 Units
Sony PD - 170 : 9 Units
Sony PD - 177 : 4 Units
Panasonic 102X : 1 Unit
Cannon HD Camera : EOS 5D Mark II : 21MP
Arriflex Super 16mm Video Camera
Sony PMW - Ex3 Video Camera
Professional Still Cameras D70, D40, D705, D3000
Blue and Green Shooting Facility
Virtual Sets

24
TECHNOLOGY
PARTNER

25
 IN-HOUSE
PRODUCTION
STUDIOS
CHROMA LAB
With over 25 years of combined experience in
television production, feature films and short films
production, as well as live broadcast of events across
the country, Marwah Studios works with leading
industry professionals and the latest technology to
create exceptional digital content. We believe the key
to effectively communicate any idea or message to
your audience is to create emotive and engaging story.

Marwah Studios has been associated with the

production of 4500 television programmes for nearly
50 television channels and around 125 feature films. To
our advantage, the in-house production Studios used
for a wide variety of communication purposes ensures
that important information does not inadvertently leak
to the press or public ahead of when it should. We are
equipped with an unmatched range of production
equipment and services that enable us deliver
broadcast quality content for TV and films.

PHOTOGRAPHY LAB

MULTICAM LAB

26
INTERVIEW STUDIO VIDEO EDITING LAB

ANIMATION
PRINT LAB FILM-MAKING LAB

SOUND STUDIO RADIO BROADCAST TV STUDIO

STUDIO
27
 VIDEO EDITING LAB

STUDIOS
& LABS

PRINT LAB

FILM-MAKING STUDIO CHARACTER DESIGN LAB

28
 PAINTING & DRAWING LAB

PHOTOGRAPHY LAB VFX LAB

LECTURE ROOM LIBRARY

29
 STUDENT
PROJECTS
SKETCHING
Drawing and sketching are central to the
art of animation and can be crucial tools
in designing and developing original
stories, characters and layouts.
Animation requires essential sketching,
technical drawing and ideation
techniques. You get to learn about using
simple shapes and drawing them into
figures and animals, constructing
characters, drawing the 'scapes: land,
t ow n a n d s e a' a n d d ev e l o p i n g
background design.

30
31
 STUDENT
PROJECTS
CHARACTER DESIGN
& 2D ILLUSTRATION
Character Design is about creating new,
original characters for a purpose. The
range of character design hierarchy can
go from extremely graphic (like “Hello
Kitty”) to very photo-realistic (as with CG
animated characters like the “Hulk” in
the Avengers film series). A character
can be based on a definition from a
story or script as would be the process in
Feature Films, TV Series, Video Games,
Children’s Books, Web Animation,
Comic Books, Comic Strips, or even
Licensing or Toy Design.

Whether it is with pencil and paper, or

drawing digitally on computers, the
basis of creating a character design is
dependent on drawing ability. The
character development begins with
visualizing the characters from
descriptions given in a story. The
concept artwork of that character then
gets modeled in the computer to create
a 3D version that can then be used in
video games or CG animation. In the
larger studios, another person, not the
character designer, creates the
character modeling.

A good character designer must have a

strong knowledge of all the drawing and
design principles to achieve his/her end
goal, which is, to create an appealing
character that best fits the needs of the
story at hand. It is all about having good
ideas, strong draftsmanship, and a great
eye for design and the only way to gain
those abilities is to draw every day.

32
33
 STUDENT
PROJECTS
GRAPHIC DESIGN
Graphic design is all around
us, in a myriad of forms, both
physical and virtual. This
creative field is considered a
s u b s e t o f v i s u a l
communication as well as
communication design.
Graphic designers use a
combination of words,
typography, symbols, and
images to create a visual
representation of ideas,
messages and experiences.
Designing graphics is about
the art and practice of
planning and projecting those
ideas with visual and textual
content.

Motion graphics have

predetermined design
structure, followed by the
informative content. These
are crafted to be experienced
over a fixed time span. Print
graphics, that usually have the
written & visual content all set
before the design, are meant
to be enjoyed over time.
Graphics have been around
the longest, in the form of
posters, newspapers and
magazines, television,
broadcast, and web.

34
35
 STUDENT
PROJECTS
SCULPTING
Clay Sculpting or clay modeling is
regarded as a highly artistic style for
animation. It allows for the maximum
amount of creativity from students,
through the tips, tricks and techniques
used in crafting clay models for
animation. It gives them a better
perspective on shapes, characters, and
expressions. It sharpens multiple details
like sizes, proportions, space, textures
and colours in a 3D clay character. The
traditional clay sculpting breathes life
into a creation. The surface texturing
through realistic wrinkles, scars, hair, fur
etc allow for an exciting new way of
creative expression. It essentially
supports the development of patience
and focused working in the learners.

In real world, the Sculptors take sketches

or drawings from the Character
Designers and create them three
dimensionally in clay, test the designs
and make changes. Their job is to come
up with how a character will look in 3-D.
To get a distinctive character, the
students need to imagine the character
through their sketches; assemble the
armature (wire skeleton) for clay
application; and build up the shapes and
forms by refining the contours.
Character sculptures are intended to
show the personality of the character,
usually in a pose, expression or emotion.
These sculpts are then digitally mapped
to be used in pre-production in stop
motion, planning and testing design
ideas for the production of characters
through animation. Students are
required to add the necessary effects,
movements, and sound to render a 3D
animated film from their created clay
models.

36
37
 STUDENT
PROJECTS
3D MODELING

The world of 3D is huge. You have

seen countless movies, games, and
commercials full of robots, futuristic
buildings, alien spaceships and
vehicles that make your jaw hit the
floor. You know they couldn't possible
exist in the real world, but at the same
time you are not quite sure how the
artists and filmmakers are able to
bring such amazingly complex
concepts to the silver screen. 3D
animation is all about designing
virtual worlds, creating character, walk
cycles, 3D modeling and texturing,
and keyframe animation. Mastering
this field empowers you to make
movies or TV shows, games, create
visual effects, product designs, stop-
motion animation, and last but not
the least your very own art.

38
39
 3D MODELING

40
41
 STUDENT ANIMATION
PROJECTS VIDEOS

STOP MOTION...
Credits India is everywhere you are

STOP MOTION... STOP MOTION...

Multimedia
Water pollution Showreel

42
WEBSITE DESIGN

Design is the process of collecting ideas, and

aesthetically arranging and implementing them,
guided by certain principles for a specific purpose. It
is not purely aesthetic or purely functional, but a
combination of both to serve that purpose. Web
design is a similar process of creation, with the
intention of presenting the content on electronic web
pages, which the end-users can access through the
internet with the help of a web browser. Different
kinds of websites have different purposes depending
on who the intended audience is. Some websites are
geared towards selling products, promoting people
or businesses, and other websites are geared
towards providing practical information and storing
content, while others are merely for entertainment
and connecting people.

A professional design adds a sense of

trustworthiness to a business. Web design uses
many of the same key visual elements as all types of
design, such as layout, colour, graphics, fonts, and
content to enhance a website’s usability as well as its
attractiveness. The web design professionals create
excellent User Interface (UI) Design for a satisfying
web experience. They use critical planning and
analysis for the design and they pay attention to the
user-friendly specifications, converting the intricate
process into a simple and elegant piece of art.

43
 VISUAL EFFECTS (VFX)

Visual effects are often integral to a

movie's story and appeal. In
filmmaking, visual effects (commonly
shortened to Visual FX) involve the
integration of live-action footage and
generated imagery to create
environments which look realistic.
These environments would otherwise
be dangerous, expensive, impractical,
or impossible to capture in camera.

Reality Television, Scripted Television,

Feature Films and certain Corporate
Branding pieces, all share a common
requirement for visual polish and on-
screen effects. Digital effects
(abbreviated FX) are usually
associated with the still photography
world in contrast to visual effects
(abbreviated VFX) which are
associated with motion film
production.

Developing and executing dazzling on-

screen visual effects involves the
various processes by which imagery is
created and/or manipulated with or
from photographic assets with the use
of multiple tools and technologies
such as graphic design, modeling,
lighting, texturing, rigging, animating,
compositing, particle effects (snow,
rain, sparkles), digital sets and
backgrounds.

Before-and-After
VFX Shots
in Bollywood

44
Before-and-After VFX Shots in Hollywood

45
 School of Animation
Student's Work Exhibition at GFJN 2017

Inter School Gaming Competition at GFJN 2017

46
 Workshop on Creativity & Design Graphics

Workshop on VFX Technologies Workshop on History of

Stereoscopy in Film 3D Application in Indian Cinema

Workshop on Personality Workshop on Tools & Technologies

Development used in Cell Phone Cinema

47
 ONLINE
TV www.
mstv.co.in

LIVE
BROADCASTING
OF
STUDENT
PROJECTS

LIVE
BROADCASTING
OF ALL
EVENTS
OF AAFT

48
Architectural Visualisation Character Animation

Stop Motion Video Editing

Visual Effects and Compositing VFX

49
 IN-HOUSE
FILM CLUB

GLOBAL FILM FESTIVAL NOIDA (GFFN)

In order to promote and implement cinema,

animation and multimedia in academics, Marwah
Studios in association with ICMEI, has been
organizing the Global Film Festival Noida. The festival
has special place for Animation Films, and gives a
platform to the upcoming young animators to
showcase their creative work in front of eminent
Filmmakers and TV professionals from all over India
and other participating countries. The 9th Global Film
Festival Noida at Marwah Studios witnessed an array
of films from upcoming directors as well. The festival
has segments for national and international films,
workshops, exhibitions, seminars, interactions,
releases, launching of forums, release of new films,
networking lunches and gala dinners.

INDIA INTERNATIONAL ANIMATION AND

CARTOON FILM FESTIVAL (IIACFF)

Marwah Studios is the media partner for the global

animation festival IIACFF. With ICMEI and Marwah
Studios joining hands with IIACFF, there is a whole
new outlook for the animation & VFX work across the
globe. The festival now has a stronger connection to
the animation and multimedia world across the
countries, leveraging the professional network of
animators, character designers, effects experts,
multimedia programmers and other artists. The
festival aims to change the scenario of the animation
industry and students in India by creating awareness
about the usage of graphics and animation, and also
to promote business related to animation
internationally.

50
Conducted

80 Film Festivals...
... Highest in the World

51
 ABOUT
“Animazica” – The ASMS
Animation Club was formed
to bring artistic and creative
students under one roof.
ANIMAZICA currently has
members from School of
Cinema, School of
Animation, School of Mass
Communication, School of
Fashion & Design and School
of Communication. This Club
is “For”, “of” and “By” the WHY TO JOIN
students. The students drive
In today’s day and age,
the Club under the guidance
people spend most of their
of ASMS School of
time with gadgets,
Animation.
Everybody needs an outlet to
bring out their creative
potential. Animazica – The
OBJECTIVE
Animation Club is the exact
The objective of “Animazica” place for you where you can
is to identify artistic potential “Give Life to Your
CLUB ACTIVITIES
within the students and Imagination”. You don’t need
guide them to become to be a professional artist or 4 S c re e n i n g o f “ O u t - o f - t h e – B ox “
Techno Artists. Animazica sculptor to become a International & National Ad films
conducts various indoor and member of the Club. 4Creative workshops
outdoor artistic and creative
With a busy schedule of 4Typography workshops
activities on a regular basis.
attending classes and
The members of the Club get 4Ad Film-making workshops
lectures, assignment and
to interact with Artists,
projects, you need to also 4Club Events Management workshops
Sculptors, Animators and
pursue your passion and
Special Effects experts of 4Ad-Mad-Show workshops
interest. Animazica will give
National and International
you the space to “Imagine, 4Fun trips
fame and repute.
Create and Animate. As this 4Photography workshops
Club is managed by the
4 " H ow t o b e c o m e a n A d - M a n"
students, you will get to be a
workshops
member as well as a leader.
4Asian Ad Club Fest - once a year
52
53
 JAPAN ANIME
CONVENTION
HELD AT AAFT
TO LEARN ABOUT
ANIMATION
FILMMAKING

54
55
 Workshop by
VVS Prabhakar -
Renowned
MASTER Animator

CLASSES
SEMINARS
WORKSHOPS

Painting Exhibition by
BY INDUSTRY Nishtha Kundra
EXPERTS

Multimedia &
Animation Seminar
by Dr Bhishma
Narayan

Seminar by
PS Subrayanam -
3D Animator

56
 Workshop on
Stop Motion Animation
by Intekhab Alam
Seminar By
David Dhawan

Workshop by
Claudia Ceisla

Anime Convention
at Noida

Seminar by
the gaming industry
expert, Ashok

Painting Exhibition by
Tapan Dash

57
 WORKSHOP ON
HUMAN ANATOMY BY
MR. INTEKHAB ALAM
SOA organised a very
interactive Workshop on
Human Anatomy which is a
very integral component of
learning Animation. This
workshop was conducted by
Mr.Intekhab Alam, BFA and
MFA. He is a Freelance Artist /
Art Director / Art Trainer.

ASMS SKETCHING DAY MONO LIGHTING

FOR MOVIES
On 25th & 28th Nov’14,
students of all departments of Color has a powerful impact in
ASMS participated in the films, it can subtly project
Sketching and Painting emotions, mood, time of day,
Competition respectively. The and location. This Master class
duration of the Competition was targeted to manipulate
was 40mins. Around 300 these visual elements in a
students participated in each variety of shots, from interior
of the Competition. spaces to outside landscapes,
with color grading.

CURRENT & FUTURE TRENDS

IN ANIMATION INDUSTRY –
A GLOBAL PERSPECTIVE
The session started with the
Welcome of Guest by Dean SOA
– Mr.Biswajit Das. Mr.Soumendu
Sinha introduced his team to the
audience. He started the session
with Interaction of Students. He
tried to know the background of
students and their general
knowledge about the Industry.

INTER SCHOOL PRE-PRODUCTION

SKETCHING COMPETITION CLAY MODELING
Animazica conducted its first Clay animation or claymation is
activity this session on 20th one of many forms of stop motion
August. Animazica held an animation. Each animated piece,
Inter School Sketching either character or background, is
Competition. All the School “deformable” - made of a
Heads were pre informed malleable substance, usually
about the activity. It was very Plasticine clay. Characters in the
surprising to know that around animated series From Ilich to
500 students were interested Kuzmich, a clay animation scene
to participate in this event. from a Finnish TV commercial are
some examples where clay
modeling is used.
58
INTER SCHOOL PERSONALITY
SCULPTING DEVELOPMENT
COMPETITION WORKSHOP
In order to understand the Ms.Babita Saksena, a
nuances and technicalities of renowned Image Consultant
Sculpting, School of Animation and Soft Skill Trainer
had organized a 2 days(9th and conducted a Workshop on
10th April) Workshop/Demo on “Personality Development” for
“Sculpting” by an eminent students of School Of
industry professional Animation and School Of
Mr.Intekhab Alam. Fashion. Ms.Babita dwelled
upon issues commonly faced
by students.

SEMINAR ON JAPANESE
ANIMATION INDUSTRY
The Seminar was attended by all
students and faculty members
of School Of Animation.
Students appreciated the inputs
provided by the professionals.
At the end there was a Q & A
session where the students
asked questions related to
Japanese and Indian Animation
industry.

3D ANIMATIC STOP MOTION

LIGHTING BY ANIMATION WORKSHOP
MR. PRAAFUL CHAUDHARY SOA organised a very interactive
3d animatic lighting refers to the Workshop on “STOP MOTION
simulation of light in computer ANIMATION”. It is a very popular
graphics. This simulation can medium of animation. Lot many
either be extremely accurate, as is advertisements use Stop Motion
the case in an application like Animation. Characters are created
Radiance which attempts to track out of clay and pictures are taken
the energy flow of light interacting using Still Cameras and tripod.
with materials using radiosity Students created frame by frame
computational techniques. movement of characters.

IMPORTANCE OF ACTING
IN ANIMATION
As an animator you’re essentially
an actor with a computer and
some software. Being an
animator really adds a whole new
level of complexity to traditional
movie acting because not only do
you need to create a performance
for this character but you also
have to think about every little
action they take.

59
 JAPAN TRIP
ORGANIZED FOR
ANIMATION STUDENTS
TO GAIN
PRACTICAL EXPOSURE

60
61
 EVENTS

62
63
 NEWS

Press Conference
of IIACFF 2015
in association with
Marwah Studios

‘Baru – The
Wonder Kid’ to
premiere at 3rd
Global Film
Festival Noida

Indo Nigerian
Film Association
Will Participate in
4th Anime
Convention

School of
Animation Ranks
First in Facilities

64
Japan Foundation
and School of
Animation as
knowledge partners
organized a 3-Day
Animation Film
Festival at Siri Fort,
New Delhi

Multimedia
Students show
there talent at
Global Film
Festival Noida

Animation
workshop
Inagurated by
Dharmesh
Dharshan

IFTRC is a part of
Anime
Convention

65
 CELEBRITY
VISITS

66
67
 CELEBRITY
VISITS

68
69
 CELEBRITY
VISITS

70
71
 STUDENT
SPEAK
As a Web Design Intern, I learned
about the design and digital jargon
used by the creative minds. The
best part has been making the
design choices to serve the
purpose of communicating the
right message to the mass
audience through digital medium.
Another key thing I learned is that
web designing is about creating
something for the clients, and help
them achieve their business goals.
Niti Wadhwa - MSc II Semester
During my coursework, I have had
the unique opportunity to explore
all aspects of art, storytelling, and
filmmaking. This has helped me
create great stories and layouts,
and accordingly develop visually
appealing characters for those
stories. I have also effectively
learned the technicalities involved
in creating effects in Animation.
Shubham Kumar - BSc IV Semester
I enjoy producing storyboards for
animation videos that have
animated characters and specific
layouts for the story theme. The
animation course at ASMS has
h e l p e d m e c re a t e c re a t i v e
storyboards during this study
programme, which will help me
work for animation film production
and advertising companies.
Aishwarya Shujoya - BSc IV Semester
72
At ASMS, the faculty has been
thorough with teaching us the
design process from beginning to
end, integrating idea generation,
technical knowledge, design theory
and studio skills at every step.
Working with Graphic Design
software and other multimedia
tools has enabled me understand
the field of web-based graphics
production better.
Hemant Gupta - BSc II Semester
I aspire to be a professional Flash
Animator and this animation
school has given me the apt
platform to excel in this field. I love
to design, layer images and create
special effects by assembling those
images or animation used in
videos, computer games, films and
other electronic media.
Jagriti Kashyap - MSc II Semester
School of Animation is my best
choice for fulfilling my dream of
Multimedia Career in the
entertainment industry, as it has
the appropriate infrastructure and
multimedia technology used for
filmmaking. As a multimedia artist I
will have multiple career options to
create designs, visual and special
effects for the movies,
commercials, music videos, or
other media.
Rahul Singh Negi - BSc II Semester
 Jonathan
INTERNATIONAL
STUDENTS
Mustafa
Mohamed
AAFT ATTRACTS STUDENTS
FROM THE MOST POPULAR
COUNTRIES IN THE WORLD
– ASIA, AFRICA, AUSTRALIA,
EUROPE, NORTH & SOUTH
AMERICA.
Monisha
Having made remarkable
gains in attracting stellar
students from across 120
countries, we intend to
capitalize on this
momentum to further
enhance our commitment
to producing global leaders
of the highest intellectual
and ethical calibre.

Ahmed
Mohamed

Suraj

Almcknemir

73
 STUDENTS
FROM

120
COUNTRIES

74
75
 STUDY TOUR
TO
SINGAPORE

76
77
 PLACEMENTS
Asian Education Group has a dedicated network CAREER OPPORTUNITIES
to assist the placement of our students. The far-
Ÿ Animator Ÿ Director
re a c h i n g s t ra t e g i c l i n k a g e w i t h m e d i a
c o r p o ra t i o n s , c o m m u n i c a t i o n a g e n c i e s , Ÿ Art Director Ÿ Effects Animator
marketing organizations, the newspaper Ÿ Flash Animator Ÿ Forensic Animator
i n d u s t r y, p u b l i s h i n g c o m p a n i e s , P R
Ÿ Graphic Designer Ÿ Independent
consultancies, as well as TV & radio companies Animation Filmmaker
incessantly supports our placement activities. Ÿ Stop Motion Animator
Ÿ Key Animator
We have recruiting partners both in India and Ÿ Video Game Designer
overseas. However, the placement for a given Ÿ Lighting Technician
Ÿ Animation Director
student entirely depends upon his/her own Ÿ Modeler
Ÿ Background Painter
talent, intellectual abilities and hard work and
Ÿ Renderer
thus cannot be guaranteed. Ÿ Cartoonist
Ÿ Storyboard Artist
Ÿ Character Animator
The major objective of placement assistance is Ÿ Texture Artist
to guide students to find employment in their Ÿ Character Rigger
Ÿ Visual Development
interest of organization with minimum struggle. Ÿ Color Key Artist Artist
The proactive approach followed by our
Ÿ Compositing Artist Ÿ Freelance/Self
placement counselors open up the pathways for
Employed
Ÿ Concept Artist
a wide range of careers options for the young
learners of our media school. Their professional Ÿ Digital Painter

help through pre-placement talks and mock

interviews coupled with the students’ talent,
efforts and achievements throughout EMPLOYED IN
academics as well as student-industry
Ÿ Film Production Houses
interactions result in highly effective placement
process. Ÿ Animation Production Houses

Ÿ Advertising Agencies
Over the past decade, nearly 98% students from
the Creative Schools of AEG have been Ÿ Print & Publishing Companies

successfully placed in the media and Ÿ Television Studios and Channels

entertainment industry. Students from different
Ÿ Web Design & Development Companies
academic programmes with short-term courses,
diploma courses or degree courses, qualify for Ÿ Game Design & Development Companies

an equal opportunity to placement assistance. Ÿ Event Management Companies

78
79
 OUR
ALUMNUS

Incharge Graphics
ABHINAV BAJPAI
Oscar Winning Documentary - Smile Pinki

RAHUL BANGA GLEEN D’SOUZA PRINCY BHARDWA J SHIVG SINGH

Exec. Member at SAID Freelancer 3d Max Editor , Magic Softwares Pvt. Ltd.
(Society For Animation in Delhi) & Mahuaa Tv
C.E.O. at Moonwalk Design Studio

DEEPTI SINGH ANIRUDH SHARMA GAURAV ARORA SAURAV MISHRA

Magic Softwares Pvt. Ltd. Sr. Graphic Designer, Sr. Editor, Animator,
Studio B Morcan Studios Visual-Ink.in

80
Editor
SANDEEP GUPTA
Des Mein Nikla Hoga Chand

Special Effects Head

ANUSHREE D. KALMAKAR
Film : Aks

PRASHANT KAMAL RITURAA J TAYE SAGAR GUPTA RITESH SHARMA

Creative Graphic Designer, Project Officer, Owner, Production Work,
Sheen Fashions (India) Pvt. Ltd. South Asia Foundation Superstar Production NS Media Films Pvt. Ltd.

ANJANI KUMAR KUSHAGRA RA J HIMANHI CHAUHAN OMOGBOLAHAN BUSARI-DAVID

Graphic Web Designer Game Designer/Level Designer Video Editor Intl. Film/Media Professional
Flash RNF Technologies Sudarshan News Film: The Interrogation,
Ago Iwoye, Ogun

81
 Video Editor
ZUHAIB KHAN
Sony TV

Video Editor
RITESH ANAND
Fashion TV

Video Editor
SATBIR KAUR
CNEB

Video Editor
NAVEEN K.
ESPN

Video Editor
PRABHAT
KUMAR
ZEE Tv

Video Editor
KAPIL HANDA
ETC Punjabi

82
 Senior Designer
GOPAL
KRISHNA
Dreamworks
Animation

Editor
LALIT KUMAR
Prime Focus

Animator
AKSHAY
MISHRA
Reliance
Broadcast
Network Ltd.

Video Editor
GAGAN
KUMAR
Doordarshan
Assam

Managing Editor
NEETESH
SRIVASTAVA
Raftaar Live

Video Editor
ABHISHEK
DIWAKAR
Channel V

83
 INTELLECTUAL
CORE FACULTY
CAPITAL

Anil Kumar Roy

VARUN SHARMA GOPAL KRISHNA ASHISH AHUJA

SHUDHANSHU KUMAR GAURAV NATH

84
AAFT - A UNIT OF ICMEI
INTERNATIONAL CHAMBER OF MEDIA
AND ENTERTAINMENT INDUSTRY
International Chamber of Media and Entertainment
Industry is a representative business organization for the
Media and Entertainment Industry in India and other
countries. It plays an important role in bridging the gap
between the Industry and the Government by ensuring a
focused involvement of both towards the commercial
welfare. It oversees the governmental policies and the
legislations that will facilitate the latest infrastructure,
financial assistance and business facilities to the
SHRI J.P. AGARWAL
Member of Parliament, North East Delhi &
SHRI PRADEEP GANDHI
BJP Member
MUKHTAR ABBAS NAQVI
Minister of State for Parliamentary Affairs
industry. Established with the intent to develop and
promote the growth of media and entertainment
industry in India and other countries worldwide, the
Chamber has created 162 international committees and
80 national committees. With offices in 100 countries
across the world, ICMEI provides a common platform for
the members of the media industry to come forth and
exchange ideas originating from different cultures of
these countries.
SMT. SUSHMA SWARA J
Minister of External Affairs of India
SHRI L.K. ADVANI
Senior Leader BJP
85
 PROMOTING WORLD PEACE, ARTS & CULTURE THROUGH
MEDIA & POLITICAL ASSOCIATIONS

DR. HARSHAVARDHAN GEN. (RETD.) V.K. SINGH

Minister of Science and Technology Union Minister of State for External Affairs

SHYAM JA JU SHRI VIJAY GOEL

Senior Vice President BJP (Delhi & Uttarakhand) Member of Parliament, Rajya Sabha

86
 PROMOTING WORLD PEACE, ARTS & CULTURE THROUGH
MEDIA & POLITICAL ASSOCIATIONS

DR. (PROF.) RAM SHANKAR KATHERIA INDRESH KUMAR

Minister of State in the Human Resource Ministry of Development of North Eastern Region,
Development Ministry Govt. of India

MANOJ TIWARI SHRI KALRA J MISHRA

Member of Parliament, North East Delhi Minister of Micro, Small and Medium Enterprises

87
 PROMOTING WORLD PEACE, ARTS & CULTURE THROUGH
MEDIA & POLITICAL ASSOCIATIONS

SHRI ARUN JAITLEY MR. RAMA RAMAN (IAS)

Minister of Finance, Chairman & CEO, Noida Authority
Minister of Information and Broadcasting, India

SHRI ALOK SINHA (IAS) SHRI RA JEEV KUMAR SHARMA (IPS)

Commissioner, Meerut Deputy Inspector General of Police

88
 PROMOTING WORLD PEACE, ARTS & CULTURE THROUGH
MEDIA & POLITICAL ASSOCIATIONS

MR. BILL CLINTON DHARMENDRA YADAV

Former President, United States of America Member of Parliament (Samajwadi Party),
Nephew of Mulayam Singh Yadav

DR. MAHESH SHARMA ASHOK KUMAR PRADHAN

Minister of State for Culture and Tourism Former Minister of State, Govt. of India

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Prime Minister, Nepal Prime Minister, Mauritius

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