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Jeremiah Weir
Professor Litle
ENG.121001
6 March 2019
The article “The Mass Production of Celebrity: ‘Celetoids’, Reality TV and the ‘Demotic
Turn’” by Graeme Turner, which appeared in the September 2006 issue of the International
Journal of Cultural Studies, explores the subject of the proliferation of celebrities who are mass
produced by reality television, DIY websites, and talk radio. It analyzes the impact of this
development on worldwide culture and examines how these illusions of authenticity have
become implanted in the audience’s lives, making these charades entertainment for mass
consumption. This rise in ‘celetoids’, a term coined by Chris Rojeck, (Rojek, qtd. in Turner 156)
has increased the media’s wealth, power, influence, and centrality to the average citizen’s life
while subsequently altering our ideals, values, and perceptions of everyday reality. I agree with
Graeme Turner on many of his points, especially in regard to media’s influence on culture and
identities through ‘celetoids’ and the falsified genuineness of reality television. However, I
disagree with Turner’s assessment of the driving force behind these tactics, and of his assertion
that media is an independent source of power rather than a mediating apparatus. With these
things in mind, we will explore the issues that Graeme Turner addresses in his article along with
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my own thoughts on his conclusions, which I mostly agree with but expand on, but with one
major difference concerning the governing entities behind the media’s modus operandi.
Here are some key terms from the article for the sake of clarity. ‘Demotic Turn’ is a term
the author developed that he uses to define the mass production of celebrity status from ordinary
people (Turner 153). His definition of ‘ordinary’ in this context is stated as “the individual with
no particular talents which might give them expectations of work in the entertainment
industry…” (Turner 156). The term ‘celetoids’ expresses the idea of people that Rojek calls
“accessories” of the mass communication culture (Rojek qtd. in Turner 156). Essentially, it is a
reference to temporary and expendable celebrity status, a “shift from the elite to the ordinary”
(Turner 154).
According to Turner, the mass production of temporary and expendable celebrities from
common people has in many ways begun to redefine modern culture, recreate personal and
collective identities, and elevate morally depraved behavior in society, thus perpetuating and
encouraging negative cultural and behavioral patterns. This, in turn, reinforces the media’s
power and influence through financial and social means. The sheer volume and variety of
celebrities made available through this model have served to turn the media from a conduit or
facilitator of ideas to a creator of ideological models, making the media its own power source.
This also gives the media far greater control over its artisans by regulating them through every
step of the production process, from pre-conception all the way through the post-production
stage.
I personally agree with many if not most of the points that Turner makes; however, I
agree for reasons that differ from some of those presented by him. Having long viewed the role
of media through the lens of a Christian world-view, I see a subtle manipulation of the populace
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to accept shallow, depraved, and destructive values and behaviors. Many of these reality
television programs encourage the worst of human traits and trivialize them as a form of
behavior into our subconscious minds. The most common method I see employed in this
endeavor is to portray virtues or strong moral values as rigid, oppressive, intolerant, and boring,
while refraining from showing the horrors on the other side of the equation absent these
guideposts.
I believe that Turner is right about the media’s role in constructing our culture, identities,
and values (162). The illusion of authenticity created by these shows and their ‘celetoid’
characters has completely eroded society’s sense of truth and diverted its moral compass,
cultivating a cheap, shallow, and unfulfilling replacement for life along with false expectations.
While we are led to believe that this trend grants equal access to stardom for anyone, after further
examination, we find that there is a completely manufactured selection process for it where every
The one point where I disagree with Turner is that the media is operating solely in the
interest of its own benefit and continued existence (159). It is my belief that it is serving in the
capacity of a propaganda machine for much larger entities with a grand agenda of lulling the
minds and hearts of the masses into ignorance, apathy, and depravity for purposes of moral and
intellectual control. Obviously, it needs financial gain to maintain its position of power and its
continuity, but I do not think it is operating independently from outside governing agents with
their own designs for its uses. In short, the media is really a tool, as opposed to a self-guiding
machine. As I am aware that some of these statements may seem rather cryptic, I will now
elaborate on what I mean. I am referring to the battle against spiritual armies of evil spoken of in
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the New King James Version of the Holy Bible in the Apostle Paul’s letter to the church in
Ephesus (New King James Holy Bible, 1899). This particular passage speaks of a spiritual war
for the hearts and minds of human beings, of which I believe the media is an integral part of,
serving as an agent of the “ruler of this world”, otherwise known as Satan or the devil, spoken of
Aside from this single point of contention, I wholeheartedly agree with Turner’s
media because it is planting subtle yet highly destructive ideas into the collective hearts and
minds of the people. I believe we need to bring awareness to how these platforms are being
utilized to manipulate our cultural and individual identities before they undermine our
civilization and poison our souls to their very cores. “For we wrestle not against flesh and blood,
but against principalities, against powers, against the rulers of the darkness of this age, against
spiritual hosts of wickedness in the heavenly places…” (New King James Holy Bible, 1899).
Works Cited
Turner, Graeme. “The Mass Production of Celebrity: ‘Celetoids’, Reality TV, and the ‘Demotic