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2.

TORTUE S
Le Cantm,al des Animaux
C {\IILLE S.{I\T-SJ
Andante maestoso (i835 - t9tlr

1
41
46
-o 410

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3. WALTZ
Roses from the South (Op.3SS)
JOHANN STRAU
(1825 _ ee)

lr-- ,nf

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.if
1. CANON ON 'FRERE JACQUES.
51,nrp hony I
i\Iarcia funebre
arco 2 4

ry -
pizz.

-t

.) e.4
4 o ? 42 a
First Position
or
S econd D eg re e

f,

7. ODE TO JOY
Symphony 9 'The Choral'

L.van BEETHOVEN
Allegro assai (r770 - rs27)
4

cresc. sub.p
8. DRINK TO ME ONLY
ENGLISH AIR
(17 th cent.)

ry

g. PILGRIMS' MARCH
Symphony 4 'The Italian'
FELIX MENDELSSOHN
Andante con moto
(180e- 47)
V
1
1 ?r

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-

10. MINTJE,T
I2 Duets for two Basset Horns ( K.487 )
W.A. MOZART
(t7s6 - e1)
Allegretto
1I. MINUE,T
Aires and Dances
JOH\ ECC L
Allegretto (16ttt .-:
o1 4a
-'O4

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12.THE TROUT
Varintion 3: Piano Quintet (Op.1I4)

Antlantino FRANZ SCHL BE I

V
(179- - . 'l'

\_;

Í p
-

-
Second Position
f
or lc
,Gil
c

cfl ffi
bb

bf
Third Degree
)g
A d c'

13. ANDANTE CANTABILE.


String Quartet I (Op.I l ) P.I. TCHAIKOVSKY
The notes in Bar I should be taken in Second Position and slurred across the string. (1840 -93)
To help produce a fine legato sound, press the Íïngers for both notes firmly down together.

:=:-

mf

- --------
-
T4. LULLABY
Op.49 No.4
JOHANNES BRAHMS
(1833 -e7)
Andante

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I5. MARCH
Judas .l'laccabaeus
G.F. HANDEL
)Iaestoso -
(r68s rlse)

tnf

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16. NOW IS THE, MONTH OF MAYING


THOMAS MORLEY
(1ss7 - 1603)
@?..

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l_l

17. OLD TRENCH SONG


-

Album for the l"ourtg


P.I. TCHAIKOVSKY
]Ioderato (1840 - e3)
L?

mf

@;_@1 n
aC><- 21

-
-
18. BERCEUSE
Dolly Sufte (Op.56)
The notes c' and d' in bars 13 and 14 introduce a new 'shift' into Third Position.

Allegretto moderato GABRIEL FAURE


V l4 (184s - te24)

V V
@,^\ril@4 ilo .-

!o t4
-

-p
Third Position
or
Fifth Degree
27. MY HEART E.VE,R FAITHF'TJL
Cantata 68
J.S. BACH
)Ioderato (168s - l7s0)
\/
Y
1

22. LARGO
Symphony 9 'From the New llorld' ANToNTN nvonÁr
(184r - 1eo4)
In this, originally a solo for Cor Anglais, play the noter .[l as kgato as possible.

t-----l ,^o
a-a ^-, /. ]\- 4

p- -

T
13
23. MARCH
Scipio G.F. HANDEL
(r68s - Lts9)
&ie tlt. same rhythm is played sÍaccato .n . with the notes 'hooked' together in one bow.
i
fr! ,aa
,^@4

mf
m
--- rnf

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24. ANDANTINO
Symphony 4
P.I. TCHAIKOVSKY
(1840 -e3)

-1

-
]5. ANDA\ TE
í'ariarion ó: Rococo l.aiarions t t)p.3 3 I P.I. TCH.{IKOVSK'
4 @a
,^ls
(18.10 - 93)

-\

-_

@1
-.

---
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f
26. J I.JPITE,R
The Planets

GUSTAV HOLST
Andante maestoso @4(^ (1874 - 1e34)

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15

27. THE. GIFT TO BE SIMPLE


SHAKER SONG
(19th cent.)

Allegro moderato

cnf

4^@

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T-t'
I

28. WHE,RE'ER YOU WALK


Semele
The notes e' and dr in bars 26-27 introduce a new 'shift' into Fourth Position. G.F. HANDEL
Largo
(168s - 17s9)

p ry

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-
]9. JESU. JOY OF MAN'S DESIRING
)Ioderato Cantara I47
i, q 2
@

3h Position
or
S ixth Deg ree

30. t GREEN SLE,E.VE,S


AndantlZ 4'z- ,V
ilk,,__ i
19

Fourth Position
or
Seventh Degree

-/l'

iI
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34. SHEEP
j MAY SAFE,LY GRAZE
\\ \,_r,_
Cantata 208
''' " "'r."é

Andante pastorale o
3
r\
^4

,-.4 @í
r\

p
o
3
/-

rall.
,-ar2
oo
33

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37. RONDO ALL'ONGARESE


Piano Trio in G
JOSEPH HAYDN
A preparatory exercise: double,stopping in thirds. (1732 - 180e)

The opening bars are fingered in some detail, both to introduce the notes e' and c' in Fifth Position, and to show
the value of playing the notes across the string in thirds. See also l{o.45, bars l2-16, in Sixth Positiort.

Presto

ry

f" f" -f

ry
.).)

Fifth Position
or
E ighth Degree

38. INTtrRMEZZO
Cavalleria Rusticana
PIETRO MASCAGI
The a' harmonic in bar 23 can be played with the (1863 - te4s)
I st Finger in Fourth position.

Andante sostenuto
9t@

-_

l@-_---.r

f ---

p m orend o pp

39. TOREADOR'S SONG


Carmen: Act 2 No.I4 GEORGES BIZET
AllegroA moderato (1838 __ 7s)
Z} n mq
mf p
e9- l,'@ I
V

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The lnna lÍagdalena .\-otebook

Allegretto

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