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Documenti di Professioni
Documenti di Cultura
plans that are said to represent a hou~e finding himself on the wrong side of Smi th (his first wife), D. H . Lawre nce,
in which Johns lived as a child. Here he current taste. 'v\' hen Kimme lm an con- Ottoline Morrell or Wittgenste in, he
is supposed to be in o ne of hi s medita- cedt>s .John s his ''place in history," how- would become co nvin ced tha t he had
tive moods, a ort offugu c state in which ever, he's j umpin g th e g un . The idea me t someon e immemelv superi o r to
a rt history and persona l history begi n tha n a n artist who has been acclaime d himself, intellectually, mo rally, or both.
to merge. This man wh ose idea of an fo r thirty-five years is a permanent fix- But he would then dec ide, often fa irlv
ho mage is to do tracings after Cezanne ture re nects a ~ h onsi gh tecl view of his- quickl y, that he had been wrong. To a
is trying to convince us tha t he is kee p- tor y. J oh ns's long relationship with the few people-Conrad , for example-he
ing the hig h an tradition alive. J o hns's Museum of Modern An prove~ nothing remained a good friend and a loyal
tamped-down palette doesn ' t ach ieve the except tha t he is the clo~es t thing to a n adm irer over the years. Man y others
twilit poe try tha t he 's pro bably after, official artist tha t we have, and that must have wo ndered why he was now
but the gu n-meta l color scheme does doesn ' t prove much a t all. so ready to d ismiss them with a will)'
put us o n notice that this is sober work. There are official artists, such as Ve- phrase, when he had been all O\'er them
The most recent canvases arc mean t to latquez, whom we count among the last mo nth , or last year. It wou ld be an
convey an impression of middle-aged immo rtals. And there are orficial artists, overs tatement to say that Russell was
maturity, lessons learned, chall cngt>~ ~u c h a~ Le Brun , who dominated France e ither at yow fee t or at your throat, but
met. These high-priced gra) paintings in the second half of the se1·enteenth reading M o nk· ~ biogra phy makes it clear
are the an-world equ ivale nt of a very ce ntury, filling Versailles much as J o hns that he hac! a tendency to think that peo-
expensive gray suit. They are engineered now fills the Mode rn , who hardly count ple were eitl1cr glo rio us o r useless.
for importa nce. with anybod)' today. Ani~ts are ha iled
in one generatio n and forgotte n two or ussell spent his 30 and 40s
R
Some people say that J aspe r Johns
has bee n maki ng an impre~sion for so three generations later. l wonder ifJ ohns on the fringes of Blooms-
lo ng that by now he's beyond th e reach recalls an observation th at his frie nd bury, in the days whe n (or
of critici m . Michael Kimmelman ex- Duchamp made in 1966: "Success isju ·t a so it now seems) most of
plained in his review of th e J ohns show brush lire, a nd o ne has to lind wood to the artistically or intellectually g ifted
in The New York Times that he doesn't feed it." Kirk Varnedoe ha~ thrown o n members of th e English middle a nd up-
care for a lo t of the work, but he also lots of wood, and the fire is burning furi- pe r c lasses knew one another and con-
obser ved that "it's pointless to argue o usly. This huge retrospective is the ulti- versed a nd corresponded incessantly.
about Mr. Jo hns's place in history; this mate accolade that John s wi ll receive This lirst volume of Monk \ pn~jected
issue was settle d decades ago.'' By re- from his contempo raries. And in th e two-volume biography stops in 1921, <mel
assuring his readers tha t J ohns really heat or MoMA's tire it's eas}' to fo rget thus covers Russell 's Bloo msbury pe ri-
is an imponan t artist, Kimme lman may that what remains afte r the names di e od. It will attract, and g rati fy. at least
intend to soften his own discomfo n at down is ano ther matter t'ntircly. • two son s of readers: people who lind
Bloomsbury e ndlc s~l y fasci nating, and
philosophy buff~.
I sha re Mo n k's fascinatio n wi th
Bloo msbury, but I a m slightly a'>hamed
K
uhn taug ht us LO trea t
claims of scie ntificity socio- British empiricism . including th e pro- and World is such a n attem pt, in which he
log icall)' rather than epis- empiricist revolutio n of the first fifty tried he roicall) to com bine the best of
temological!). lle said thai years a nd th e anti-empiri cist coun tei'" Russe ll wit h the best of li ege!. McDowe ll
one mark of wha t he called "normal revolution ofthesecond lifty) r a rs, looks wou ld like t<> re habilitate kn owledge by
scie nce" is the ex istence of a di ~ciplin a r y o ddly parochia l. The pree mine nt philos- acquaintance by breaking down the tradi-
matrix buill aro und respect fo r a para- o phers of othe r lands, su ch as Gada mer, tio nal distinction between the co ncep-
digma tic achicYc menl. Within such a Den·ida and Vauimo, arc balTic d bv the LUal and the se nsor y. T h is migh t j ust
matrix, th ere is gene ral agreeme nt importance th at their l>ritish and A;lleri- wor k. Stran!{er peripi ties have occurred
among inquirers abo ut who is do ing can rolleagucs attribute to Russell and in the history of p h il o~o ph y.
pro mi ing work, who deserves th e big Wittgenste in. They see th e fabl ed "rigor At the mo me nt, th o ug h, the re seems
prizes, a nd o on . The re is a lso ag ree- and clarity'' o f phi losophy as it is prac- little reason to agree with Mo nk tha t Rus-
ment on who has achieved ··piecemeal. ticed at Oxfo rd or Harvard as mos t ana- sell . duri ng the )Cars d e~crib ed in this
detailed and ve rifiable resul ts.·· Still, lytic philosophe rs sec philosoph y as per- first vo lum e. was do ing epoc h-making
Kuhn we nt on to say, there is a lso revo- fo rm ed in Paris: it loo ks local , qua int, philoso phica l work. Histo rians a rc mo re
lutionary scie nce, whi ch is th e sort o r po intless. likely to d e~c ribe him no t as th e Gali-
science you get when it is not yet clear It is possible. or course, that this most leo o f his d iscip line, but as the rounder
whethe r some bo ld new innovato r is a recent revo luti on in angloph o ne phi- of a relatively short-lived a nd provi ncia l
genius o r a koo k, and the re are ~e\ e ral losophical o pinio n, the o ne whi ch re- school of tlw ught.
co mpeting di sciplinary mau·ice!> aro und , sulted fro m Wittgcnste in 's criti cism of his
so that which o ne you wind up worl-ing Tmrln lu~ in his !Jwrstigntiom , i ~ iL~clf j ust RtCI t \RD RORTI' teach es ph ilosophy at the
within d epends upo n whic h graduate an o th er !lash in the pa n. 1t is even possi- University of Yi rgin ia.
schoo l, o r mcillor, you happen to pick.
·when a n ew achi eveme nt begins to
make it loo k as if the old paradigmati c
achievements will have to be reth o ught-
when paradigms collide-the Old Guard
and the Yo ung Turks no longer agree o n
what constitutes promising work, o r even
Revolutionary Ware
o n what constitutes sciemi[jc clarity a nd
rigor. From the n o n, until a new, un- BY JACKSON LEARS
challenged, post-revolutionary di scipli-
nary matrix geLS establish ed. until all the
Aristote lians have die d out and bee n re- American Plastic: A Cultural History
placed with Ga lileans, or all the Galeni c
docto rs have so ld the ir prac tices to fo l-
by Jeffrey L. Meikle
lowe rs o f Ha rvey, you cann o t ge t a con- (Rutgers University Press, 403 pp., $49.951
se nsus o n wha t is scie nce and what is no t,
on whic h termino logy is clear a nd which
arg ume nts a re rigorous. Nor can you ge t
Plastic: The Making of a Synthetic Century
a consensus on whe the r some thing is a by Stephen Fenichell
verifiable result o r an o bsolete piece o f
(Harper Collins, 356 pp., $251
rubbish .
Wiugc nste in 's Philosophical flme.ltiga- isto rians, like o th e r in tel- of th e pre-ind ustria l past and chant the
tions engendered a philosophical revo-
lutio n . It insinuated tha t most of what
both Russc·ll and Wittgenstein himself
(in his first book, the Trartatus LogicQ-
PhilosofJhin ll) had , circa 1920, taken as
H lectuals, have rare ly shown
much interest in how
things wo1·k. Bla me it o n a
dua listic tende ncy to c leYatc spirit over
matte r, o r on an inh e1i ted Pro testant
ma n tra or the Di ~ n e) imagineers: ·•tr we
can d ream it, we can do it." The EPCOT
vision of techno-histo r y is simp!) the
DisnC)' versi•>n or a wel l-funded , qua~i
o fficial view of tec hnolog-ical cha nge. lt i ~
de finite ve rifia ble results we re really o b- prd"e,·en re for words over objc·cLS as a n o utl ook tha t ha!\ bt·c n around fo r
solete rubbish . We a ng lopho ne philoso- carrie rs of meaning, or o n a professorial more than a century, em bodied in c>eq-
phers a rc stillli\ ing within th e new disc;i- incompe tence around tools: whatever thing fro m world's l~1ir broch ures a nd
p linary matrix crea ted by that revolu- the reason , th e rc~ ult of this in attentio n urban renewal plam to AT&T comm er-
tio n. And for as lo ng as we arc living in is tha t (wi th a few shining exceptio ns) cials. An d it is a n odd mix o f tec hn ologi-
it, the consensus about Russell is Iii-ely to th e history of tec hn ology has bee n left cal de te rm in ism and fa nta1>ies of huma n
be that he was brillia ntly, charming ly, large ly to nu ts-and-bolts a ntiquarians o r om ni potence. accord ing to which th e
provocatively and profc>undly wrong. co rporate techno philes. dc miurge o r "developme nt" will libe ra te
'When Russell decided tha t philoso phy The latte r have mo re mo ney and more US fro m I he dead ha nd o f the past,
consisted in logical a na lysis, and tha t the in!luence. To a n appalling exte nt, po pu- whe th er we lil-e it or not. We are in-
new log ic he had hel ped invent would lar understanding o f th e history of tech- exorably tethered to th e treadmill of
make a new way of doing philosophy no logy has been ~ h a ped by institutio ns progress.
possible, Russell creat ed a new and exc it- such a EPCOT Ce nte r, where patro ns Th i prog1e ~siw ,;ew denies the mes~i
in g matrix. He there by bro ug ht abo ut a a re in vited to la ug h a t the ine ptitude ness o f hu man exp e rie nce. lt conceals