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I. Compare and contrast the Moro/Islamic music and Non-Islamic music using the Venn diagram below.
II. MATCHING TYPE. Match column A to its corresponding words in column B. Write your answer on the space
provided before the number.
A. B.
IDENTIFICATION. Identify the following items below. Write your answer on the space provided.
_______________________1. Suspended gong ensembles (9-11 gongs, played a melody and drone player) in various
names according to each tribe.
_______________________2. Ensembles of 6-8 hanging melody gongs in a row, hung on ropes in pyramidal order.
_______________________3. Gong-based emsemble used by the Maguindanao and Maranao of Western Mindanao,
the Tausug, the Yakan, and the Sama-Bajao of the Sulu Archipelago.
_______________________4. A large, deep-rimmed gong, vertically suspended, hanged in wooden frames.
_______________________5. Highly valued priceless heirloom that can command a high price as dowries. The
ownership of these instruments indicates high social status and cultivated taste.
_______________________6. Considered among early Filipinos as a spiritual connection from our physical world to the
spiritual.
_______________________7. A guitar-lik made of bamboo, cut before one nod and after next.
_______________________8. A native xylophone in Sulu, a bamboo keyboard on top, constructed out of wood.
_______________________9. Made mainly of “Tamiang” bamboo, a long, thin-walled bamboo tube.
_______________________10. 2-string plucked lute instrument made of wood which resembles and elongated guitar
usually having 2 strings.