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Introduction
D espite untold explanatory efforts, the developm ent from the
older twenty-four-graphem e fuþark to the younger sixteen-graph
em e fuþark still remains disputed. In his brief discussion, Düwel
(2001: 88 f. [based on Birkm ann 1995]) m entions four overall fac
tors, w hich — in isolation or com bination — contributed to the
change from the older to th e younger fuþark: (1) n u m b e r m a g i c
(including gematrics), (2) g r a p h o l o g i c a l simplification,
(3) l i n g u i s t i c f a c t o r s (particularly language change) and (4) t h e
a l t e r a t i o n o f t h e r u n e n a m e s (i.e. the acrophonic principle
coupled w ith Nordic sound changes). A fu rth e r issue to be addressed
here is (5) l a n g u a g e c o n t a c t both w ith Latin and w ith the Fen-
nougric languages. In reassessing these five factors, the present paper
S ch u lte, M ., dr. phil., In stitu tt for nordisk og m ediefag, H øgskolen i Agder, K ristian
sand. “T h e transform ation o f the older fuþark: N u m ber m agic, runographic or lin g u is
tic prin cip les?”, A N F 121 (2006), pp. 41-74.
A bstract: T h e present paper addresses different approaches to th e younger fuþark.
Taking th e Ribe cranium (ca 725 A D ) as prim ary evid en ce, I argue that the reduction
in th e n um ber o f runes predates certain graphic sim p lification s by a considerable span
o f tim e. T h e crucial factor w h ich paves th e way for th e sixteen -grap h em e fuþark is
m u ltifu n ctio n a lity . In brief, the failure to invent n ew runic sym b ols to accom m odate
th e n ew p h on em es is partly based on th e lack o f con tact w ith other scripts in th e transi
tional period. T hus in co n trad istinction to th e augm ented A nglo-F risian rune row, th e
Scandinavian fuþark is a fun d am en tally conservative w ritin g system . In conclusion, th e
loss o f eig h t runes (including th e consonant sym b ols g and d) is n ot a groundbreaking
reform — rather a logical recognition o f th e w idespread m u ltifu n ctio n a lity that already
o b ta in ed in Scandinavian runic w riting b efore 7 0 0 A D .
K eyw ords: Anglo-Frisian fuþorc, Scandinavian fuþark, older fuþark, younger fuþark,
F en nou gric-N ord ic contact, L atin -N ordic con tact, Roman script, transitional in scrip
tions, R ibe cranium , Eggja ston e, Blekinge group, m u ltifu n ction ality, acrophonic
p rinciple
42 Michael Schulte
1.1. The th ree above-m entioned older runes k 1 o (p, Ï, g ) were falling
out of use early on. O n their marginal status in the older fuþark, see
Derolez (1998) and Schulte (2004) w ith fu rth er references.
1.2. The voice contrast w ith the plosives /p, t, k / vs. /b , d, g / was
filtered out of the system: X (k ) in the younger fuþark represents /k , g,
nk, ng, y/, T (t) represents /t, d, nt, nd/, and conversely (due to point 1.1
1 In this regard, th e p resent approach differs from L iestøl (1981a, 1981b) and Barnes
(1987) w ho inclu d e th e sh ort-tw ig runes and th e inscription on th e Rök ston e for
m eth od ological reasons. H ow ever, taking th e R ibe cranium as an upper tim e lim it (ca
725 A D ), all runic data p ostd atin g this inscription w ill be regarded m erely as secondary
evid en ce in the follow in g presentation. O n the evaluation o f th e sh ort-tw ig runes, see
particularly Barnes (2001) and Fridell (2000).
The transformation of the older fuþark 43
above) & (b) represents /p , b, mp, mb/. This p art of the restructuring,
which has puzzled many researchers, attracts the particular attention
of Fennougrists (cf. 6.2 below).
The semi-vowels /], w/, formerly w ritten <> and P, are designated by
1 .3 .
the vowel runes I (i) and H (u), respectively (see section 5.5 below).
1.4. The m id-high vowels /e, 0/, formerly w ritten 11 and %, are repre
sented by th e runes for high vowels I (i) and D (u), such th at th e old
e- and o-rune are lost (see again section 5.5 below).
Fig. 1: Drawing of the G rum pan brae- Fig. 2: Drawing of the Vadstena brac-
teate IK 260. (From IK n, p. 47) teate IK 377,1. (From IK 11, p. 157)
1.7. To sum up, the younger fuþark excluded the runes X (g) and F
(w ) from th e first æ tt, the runes l ( ï )and K (p ) from th e second ætt,
and the R(z)-rune (T) was m oved to the end of th e th ird ætt, such
th at only five runes rem ained in w hat was originally the second group.
In th e th ird ætt, th e runes II o M £ (e g d o) were excluded and the
R(z)-rune which is a ‘word-final m arker’ was attached at th e very end,
f uþqrkhnia stb m i r
Fig. 4: Drawing of the Gørlev fuþark. (From DR, col. 770; fig. 576)
fuþ^rkhniastbmlR
It can in fact be rejected that the skull fragment was worn by someone
as a kind of amulet hanging from the bored hole. High magnifications
of the upper edge of the hole show a slight upward curling o f the lam
ina externa and there is no indication of wear or polishing as a result of
the passage of a cord through the hole. (Benner Larsen 2004: 45)
in der von von Friesen p o stu lierten g e m e i n n o r d i s c h e n Form [...]" (Birkm ann 1995:
231; m y em phasis).
’ Follow ing DR (col. 945), G rønvik (1999: 112 f.) regards -ÍA- in uiA rki as an in cid en ce
o f breaking. For a critical d iscussion, how ever, see Stoklund (2001: 114, 119 f.).
48 Michael Schulte
2.4. Last b u t not least, regarding th e graphic shapes, Ribe still has the
complex forms for h, m and a , viz. N M 3!', predating the transitions H
- + (h ), PI - ? (m ), and + -*• \ (a ). It may also be noticed that the
fu rth er developm ents of the runes H (h ) and + (a ) m ust be interlinked
to avoid graphemic merger. This indicates th a t the establishm ent of
m ultifunctional runes, as discussed in section 5.6, predates particular
simplifications of rune shapes and th at both processes in principal
are independent of one another. In this light, th e Ribe skull fragm ent
invalidates the claim of a graphologically driven process urging the
reduction of th e older fuþark by aiming to ease the w riting process
(e.g. O denstedt 1992). I am aware th a t this conclusion depends to a
great extent on the exclusion of the short-tw ig runes from considera
tion as prim ary evidence. (See the introduction w ith note 1 above.) For
fu rth er discussion of the graphological argum ent, see section 4.
3. Magico-numerical approaches
A rgum ents in term s of num ber magic, num erology and cryptography
have been p u t forward by some scholars to explain the structure of
the younger sixteen-graphem e fuþark in relation to its forerunner, the
older fuþark.11 Among the classic works in this field is O lsen’s Om
Troldruner from 1917. Incidentally, D üw el (1998: 275) m entions five
approaches to th e fuþark involving magic elements: 1. num ber magic,
2. gematrics (numerical structure), 3. rune nam e magic, 4. astro-magic,
and 5. symbol magic.
Inferences have been drawn from th e fact th at th e older and the
younger rune row contain m ultiples of the num ber eight: thrice or
twice eight respectively (cf. point 1.7 above). Magnus Olsen, for
instance, argued th at the num bers 24 and 16 (possibly 8 itself) “p re
dom inantly belonged to runic inscriptions th at were intended to have
supernatural, magic connotations” [“... vorzugsweise Inschriften ange
hört haben, in die man eine übernatürliche, magische K raft hinein
legen w ollte”] (Olsen 1908: 21; my translation).
In a later study on the Setre comb, Olsen characterizes the common
feature of the older and younger fuþark as follows:
11 For a research report, see N ielsen (1985: 79 f.); cf. critically M orgenroth (1961) and
M cK innell and Sim ek (2004: 36 f.). T h e pion eerin g w ork in refuting the m agical theory
is Bæksted (1952). For further d iscussion, see Birkm ann (1995: 217-19).
50 Michael Schulte
According to Olsen, the magic value of the num ber ‘eight’ and its prod
ucts is vital not only for m eaningful (i.e. semantically readable) runic
inscriptions like Setre, but also for th e fuþarks themselves. This view
is supported by th e fact th at several fuþarks are em bedded in magic
formulaic texts or spells (see, for instance, the Gørlev stone, fig. 4
above). A part from readable inscriptions and fuþarks, a th ird category
is provided by enigm atic sequences like g a g a g a g in u g a on th e Krage-
hul spearshaft (KJ 27) which makes up the num ber eight by count
ing each bind-rune g a as one unit. D ifferent num erical and gematric
approaches have been put forward by other scholars like Agrell (1932)
and Klingenberg (1973); for a more detailed account, see Nielsen (1985)
as well as Düwel and H eizm ann (2006).
In essence, the fuþark in its entire representation w ith 24 (or later
16) runes symbolizes completeness as well as order, and by m eans of
the object which the runes were inscribed on, this notion was passed
on to the hum an (also dead) or non-hum an addressee in order to take
effect in honam or in malam partem (cf. Düwel 1998: 275 w ith refer
ence to Flowers 1986: 348 and D üwel 1992: 97 f.).
However, one problem w ith th e num ber eight’ is th a t the medieval
fuþarks directly continue the three-<z?f£-system of the older fuþark:
fuþgrk:hnias:tbm lR , in particular B17 rune stick [side B] f*uþork:hnias*
tbm ly and B490 cattle shoulder bone fuþork-hnias-tblm y (e) as well as
B26 rune stick [side B] fuþ(o)rk|hnisæ |tb(m )ly (for the m aterial from
Bryggen in Bergen, see Knirk 1994: 179; furtherm ore Seim 1999: 88 f.,
114 w ith B26 as an additional possible example). M ention m ust also
be made of the early Danish inscription from Schleswig 12 (19), p u b
lished by Lerche Nielsen et al. (2001: 220 f.); a correct interpretation
12 “Reform en var, u tvortes betraktet, radikal, m en der blev ikke rørt ved d et som
var l i v s n e r v e n i den gam le runeskrift: futharkens anvendelighet i m agisk ø iem ed led
in tet avbrekk, id et den også i sin nye skik k else (jfr. senere in n sk rifters 'tilsik ted e tall-
forh old ’ bygget på 16-tallet) kom til å in n eh old e et m ultip lu m av 8. A d in d irek te vei
får vi således en b ek reftelse på at ikke bare 24-tallet, m en også 8 -ta llet fra gam m elt har
vært hellig" (my em phasis).
The transformation of the older fuþark 51
of this inscription (it is incorrect in Moltke 1976: 383 f., 1985: 479) was
published by Stoklund (1997). The significance of the inherited cett-
structure is also supported by the use of cryptic runes (including the
later Rök inscription) which are not based on an alleged bipartite (or
four-part) system of 8:8 runes, viz. f u þ p r k h n : i a s t b m l R , vel sim.
A nother objection concerns the status of 'eight’ in G erm anic. The
holy num ber in Old G erm anic would not be the eight’ b u t rather
the ‘n ine’, as for instance tw ice m entioned in the introductory line
of the Stentoften inscription from Blekinge and in th e Eddie poem of
Vglospg.u As M cKinnell and Simek critically rem ark in their Source
book,
[a]part from the number nine, which does not feature prominently
in these speculative calculations, no number can be shown to have
had religious/magical importance in heathen Germanic antiquity.
(McKinnell and Simek 2004: 37)
13 T h e opening lin es [I—II] o f th e S ten toften in scrip tion invoke th e ‘h o ly ’ num ber
nine (niu) as follow s:
[I] niuhAborum R [II] n iu h ag estu m R [III] hAþuwolAÍRgAf j (=<>)
‘w ith nine rams, w ith n in e stallion s H ad u w olf gave a [good] year’; n ote th e id eo
graphic u se o f th e rune = G m c. jä ra ‘year’ (for a research report, see M cK innell and
Sim ek 2004: 54 f., also S ch u lte 2 006c, forth com in g). O n th e num erical significance o f
the num ber n in e (nio) in th e tex tu re o f Vçlospç, see S ch u lte (2005a: 208-13).
52 Michael Schulte
00 [ p I ï
Md Xg P w
n e *0
This would be the general reason why these eight runes were aban
doned. But obviously th e argum ent involves an oversimplification.
A lthough th e graphic claim is valid in a general perspective, I want
N ot until there were major disruptions in this fit would the possi
bility of various spellings for the same phonological unit arise, and
evaluation, see Barnes (1998: 458) w ith reference to Grønvik (1985: 175
f. and elsewhere).
Similarly, the somewhat earlier inscriptions from Blekinge (ca 600-
650 AD) show both i u and e o as the representations of their them atic
vowels (or reflexes thereof) such th a t th e graphemes 11 and £ are still in
use (cf. also Nielsen 2000: 97). In summary, there are no good grounds
to assume th at the parsimony of th e younger fuþark is m otivated by
th e reduced phonological oppositions in unstressed syllables. This will
fu rth e r be illustrated by the process of final devoicing.
high low
unrounded rounded
17 See R ischel (1967/68: 12 f. w ith fig. 3). For furth er d iscu ssion o f th is m odel, cf.
Birkmann (1995: 1 9 6 -9 8 ).
The transformation of the older fuþark 57
did not accurately represent the sound system of the language in any
case, that sound system could be expressed by an even simpler ortho
graphy in which only the crassest o p p o s i t i o n s were taken into
consideration. (Antonsen 1963: 201; my emphasis)
1. The fate of the *;ara-rune which comes to denote the prim ary value
/ a / due to the transition *jära > är(a) underpins the significance of
this concept.
2. The fourth rune w ith the original nam e *ansuz designates nasal /^ /
and partly /0 / which is in tune w ith th e developm ent *ansuz > *pss
> ÓSS.
3. The original fifteenth rune, which prim arily stands for / r / (< /z /),
later also denotes /y / (coupled w ith its rune nam e yn) as well as /æ /
and / e / (due to the nam e forms *celgr, elgr ‘elk, cervus alces' which
are the expected developm ents of *algiz).20
4. The younger seventh rune, hagall ‘h ail’ from *hagalaz, comes to
denote / a / in certain areas of Sweden w here loss of initial / h / was
com m on (cf. the Sälna stone, U 323).
19 See L iestøl (1981a) and (1981b). A m on g his principal follow ers are Barnes (1987,
*998), Q u ak (1982) and S ch u lte (2004, 2006b ). For a d iscussion, cf. also Birkmann
(1995: 208-17).
2(1 See particularly Larsson 2002.
The transformation of the older fuþark 59
affected by velar m utation: *iwaz > ýR (O N ýr} gen. pi. ifa) yew -tree’;
*ingwaz > yngR (O N Yngvi).
To conclude, while it is tru e th a t the ‘acrophonic approach’ evidently
accounts for the destabilization of w, e, o (as well as V, g, p) in the N or
dic fuþark, its direct im petus on th e loss of the runes d, g is m uch less
obvious; cf. Birkmann (1995: 212-14) com m enting on Q uak (1982). It
is th e loss of th e consonantal runes d and g w hich has defied a sound
phonological explanation and which led many scholars to the notion of
a conscious runic reform as the final stage of the graphem ic reduction.
Alternatively, the possibility of language contact w ith the Fennougric
languages will be addressed shortly in section 6.2.
f g -> - - N -
Given th at vowel reduction, um laut and other sound changes m ade
persistent headway in th e transitional period, it seems obvious th at
th e ‘ideal’ i:i-phonem e-graphem e relationships (corresponding to
D erolez’ ‘perfect fit’) were disrupted early on. This m ust have been a
crucial factor for th e rise of the younger fuþark. In Barnes’ graphologi-
cally based model (Barnes 1 9 9 8 ) , inscriptions like Stentoften or Björke
torp are central as they still show the older inventory of runes (though
w ith the non-occurrence of p, Ï, rj) together w ith the starlike rune
used for a (i.e. Barnes’ m ain criterion for ‘transitional’, see section 2.3
above). Yet, there are fu rth e r indications th a t the graphem e-phonem e
correspondences are disrupted. A case in point is the use of e in ArAgeu
rnMAmmgrs
Fig. 7: Mønsted window stone. (From Moltke 1985: 399 [no. 5])
700 AD. This focus on the pre-R ibe period (6th and 7th centuries)
implies th at considerations concerning Birka-Swedish or Hedeby-
Nordic have no bearing on th e issue (for discussion, see Stoklund
2001 and Lerche Nielsen 2001, w ith fu rth e r references).
The forms red, con, nod can be looked upon as East Scandinavian
monophongized forms contrasting with West Norse reid, kaun, and
naud. The form mander rather than madr is a manifest expression
of East Scandinavian — perhaps Old Swedish or Danish rather than
unambiguously Danish as assumed by Wrenn (1932: 33) (cf. Brøn-
dum-Nielsen 1928-74: §§ 241 Anm. 1, 350 and 467,2). The form loer
for West Norse Içgr might be explained as a loss of fricative / r / as
in East Scandinavian (Brøndum-Nielsen 1928-74: §§ 309, 392). (Page
and Hagland 1998: 67).
Conclusion
Surveying various approaches to the younger fuþark, it seems clear
th at phonological argum ents centred on the rune nam e theory play the
m ost im p o rtant p art (see section 5.5). O n th e whole, there are clear
indications th a t runographers linked their spellings up w ith an under
lying canon of rune names. This is w hat we sporadically still do today
to ensure a correct spelling, e.g. stating 'a as in A p ril’, or ‘a wie A n to n ,
etc. In sum, th e runographers did not undertake a strict phonem ic
analysis in the m odern linguistic sense, otherw ise they would have
The transformation of the older fuþark 67
7. the need for a m emorizable, and thus ordered, fuþark which was in
tune w ith the prevailing structuring principles, in particular num
erical ones (e.g. Liestøl i960).
Acknowledgements
This is the enlarged and revised version of my paper “Motivations for grapheme
loss: older and younger fuþarks”, which was held at the workshop The Futhark
and the Fur Trade, Umeå, 15th September of 2005. In addition to the audi
ence at this meeting, I owe thanks to Klaus Düwel and James E. Knirk who
reviewed this article. Jonas Norby kindly provided me with informations
about his ph.d. project Lønnruner: systemer og funksjon. Finally, I would like
to thank Prof. emeritus Jorma Koivulehto for kind remarks regarding Fenno-
ugric-Nordic contacts. Needless to say, the usual disclaimers apply.
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