Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Opus 11: Piano Trio No. 4 in B-flat major ("Gassenhauer") (1797) (*for clarinet (or violin), cello
(sometimes bassoon), and piano)
No. 1: Piano Sonata No. 9 in E major (Arranged for String Quartet by the composer in F major (H
34) in 1801).
Opus 16: Quintet for Piano and Winds (1796) (later arranged for piano quartet)
Opus 25: Serenade for Flute, Violin and Viola in D major (1801)
Opus 34: Six variations on an original theme for piano in F major (1802)
Opus 35: Fifteen variations and a fugue for piano on an original theme in E-flat major ("Eroica
Variations") (1802)
Opus 38: Piano Trio in E-flat major (Arrangement of the Septet, Opus 20) (1803)
Opus 39: Two Preludes through all twelve major keys for piano (1789)
Opus 40: Romance for Violin and Orchestra No. 1 in G major (1802)
Opus 41: Serenade for Piano and Flute or Violin in D major (1803)
Opus 43: The Creatures of Prometheus, overture and ballet music (1801)
Opus 44: Variations on an original theme in E-flat major for piano trio (1792)
No. 1: "Bitten"
No. 6: "Bußlied"
Opus 50: Romance for Violin and Orchestra No. 2 in F major (1798)
No. 2: "Feuerfarb'"
No. 4: "Maigesang"
No. 7: "Marmotte"
Opus 56: Triple Concerto for violin, cello, and piano in C major (1804–1805)
Opus 63: Arrangement of String Quintet (Opus 4) for Piano Trio (1806)
Opus 64: Arrangement of String Trio (Opus 3) for Piano and Cello (1807)
Opus 66: 12 Variations for cello and piano in F major on Mozart's "Ein Mädchen oder Weibchen"
(1796)
Opus 72: Fidelio, opera (c. 1803–05; Fidelio Overture composed 1814)
Opus 72a: Leonore (earlier version of Fidelio, with Leonore Overture No. 2) (1805)
Opus 72b: Leonore (earlier version of Fidelio, with Leonore Overture No. 3) (1806)
No. 1: "Mignon"
No. 3: "Es war einmal ein König" from Goethe's Faust; also known as "Song of the Flea"
Opus 76: Six variations on an original theme for piano in D major (1809)
Opus 80: "Choral Fantasy" (Fantasia in C minor for piano, chorus, and orchestra) (1808)
Opus 81a: Piano Sonata No. 26 in E-flat major ("Les Adieux") (1809)
No. 2: "Sehnsucht"
Opus 85: Oratorio: Christus am Ölberge (Christ on the Mount of Olives) (1803)
Opus 87: Trio for two Oboes and English Horn in C major (1795)
Opus 105: Six sets of variations for Piano and Flute (1819)
Opus 107: Ten National Airs with Variations for Flute and Piano (1820)
Opus 112: Meeresstille und glückliche Fahrt (Calm Sea and Prosperous Voyage), for chorus and
orchestra (1815)
Opus 113: Die Ruinen von Athen (The ruins of Athens), overture and incidental music (1811)
Opus 114: Die Ruinen von Athen (The ruins of Athens), March and Chorus (1822).
Opus 116: "Tremate, empi tremate", vocal trio with orchestra (1802)
Opus 117: König Stephan (King Stephen), overture and incidental music (1811)
Opus 118: "Elegischer Gesang" for four voices and string quartet (1814)
Opus 120: Thirty-three variations on a waltz by Diabelli for piano in C major ("Diabelli Variations")
(1823)
Opus 121a: Kakadu Variations, for Piano Trio (Variations on "Ich bin der Schneider Kakadu") (1803)
Opus 122: "Bundeslied" for voices, chorus and wind instruments (1824)
Opus 123: Missa Solemnis in D major (1823)
Opus 124: Die Weihe des Hauses (Consecration of the House), overture (1822)
Opus 129: Rondo à Capriccio for piano in G major ("Rage over a lost penny") (1795)
Opus 133: Große Fuge in B-flat major for string quartet (originally finale of Opus 130) (1826)
Opus 134: Piano arrangement (4 hands) of the Große Fuge, Opus 133 (1826)
Opus 138: Leonore, opera (earlier version of Fidelio, with Leonore Overture No. 1) (1807)
The numbers and categories used below are from the Kinsky–Halm Catalogue of 1955. WoO is an
abbreviation of "Werke ohne Opuszahl", German for "Works without Opus number".
Orchestral works
Orchestra alone
WoO 1: Musik zu einem Ritterballett (Music for a ballet on horseback) – eight movements
WoO 2a: Triumphal March for orchestra for Christoph Kuffner's tragedy Tarpeja (1813)
Concertante
WoO 4: Piano Concerto in E-flat major (solo part only with indications of orchestration),
occasionally referred to as Beethoven's Piano Concerto No. 0
WoO 6: Rondo in B-flat major for piano and orchestra, fragment, possibly part of initial version of
the Piano Concerto No. 2
Dances
WoO 8: Twelve German Dances for orchestra (later arranged for piano)
WoO 10: Six minuets for orchestra (original version lost, only an arrangement for piano is extant)
WoO 11: Seven Ländler for two violins and cello (original version lost, only an arrangement for
piano is extant)
WoO 12: Twelve minuets for orchestra (probably spurious, actually by Beethoven's brother Carl)
WoO 13: Twelve German Dances for orchestra (only a version for piano is extant)
WoO 15: Six Ländler for two violins and cello (also arranged for piano)
WoO 17: Eleven "Mödlinger Tänze" for seven instruments (probably spurious)
WoO 18: March for Military Band "Für die Böhmische Landwehr" ["For the Bohemian Ward"] (trio
added later)
WoO 19: March for Military Band "Pferdemusik" ["Horse-music"] (trio added later)
WoO 20: March for Military Band "Zapfenstreich" ["The Tattoo"] (trio added later)
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WoO 25: Rondo for 2 oboes, 2 clarinets, 2 horns and 2 bassoons (Believed to be the original finale
of the Octet, opus 103) (1792)
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WoO 27: Three duets for clarinet and bassoon (probably spurious)
WoO 28: Variations for two oboes and cor anglais on "Là ci darem la mano" from Mozart's opera
Don Giovanni
WoO 29: March for Wind Sextet in B-flat (2 clarinets, 2 horns & 2 bassoons)
WoO 30: Three Equale for four trombones – Vocal arrangements of these were performed at
Beethoven's funeral.
WoO 32: Duo for viola and cello, "mit zwei obligaten Augengläsern" ("with two obbligato
eyeglasses")
With piano
WoO 37: Trio for piano, flute, and bassoon in G major (1786)
WoO 39: Allegretto for piano trio in B-flat major (Piano Trio No. 9)
WoO 40: Twelve variations for piano and violin on "Se vuol ballare" from Mozart's The Marriage of
Figaro (1792–93)
WoO 42: Six German Dances for violin and piano (1796)
WoO 45: Twelve Variations for cello and piano on "See, the conqu'ring hero comes" from Handel's
Judas Maccabaeus (1796)
WoO 46: Seven Variations for cello and piano in E-flat major on "Bei Männern welche Liebe
fühlen" from Mozart's The Magic Flute
WoO 47: Three piano sonatas (E-flat major, F minor, D major) ("Kurfürsten Sonatas") (1783)
WoO 51: Piano Sonata in C major (1797–98, fragment) completed Ferdinand Ries, 1830
WoO 52: Presto (Bagatelle) for piano in C minor (1795, rev. 1798 and 1822)[5]
WoO 56: Allegretto (Bagatelle) for piano in C major (1803, rev. 1822))[5]
WoO 57: Andante favori – original middle movement from Piano Sonata No. 21 (Waldstein) (1805)
WoO 58: Cadenzas for 1st and 3rd movements of Mozart's D minor Piano Concerto (K. 466)
WoO 59: Poco moto (Bagatelle) for piano in A minor ("Für Elise") (c. 1810)[5]
WoO 60: Ziemlich lebhaft (Bagatelle) for piano in B-flat major (1818))[5]
Variations
WoO 63: Nine variations for piano on a march by Ernst Christoph Dressler (1782)
WoO 64: Six Variations on a Swiss song for piano or harp (1790–1792)
WoO 65: Twenty-four variations for piano on Vincenzo Righini's aria "Venni Amore" (1790–1791)
WoO 66: Thirteen variations for piano on the aria "Es war einmal ein alter Mann" from Carl Ditters
von Dittersdorf's opera Das rote Käppchen
WoO 67: Eight variations for piano four hands on a theme by Count Waldstein
WoO 68: Twelve variations for piano on the "Menuet a la Vigano" from Jakob Haibel's ballet La
nozza disturbate (1795)
WoO 69: Nine variations for piano on "Quant'e piu bello" from Giovanni Paisiello's opera La
Molinara
WoO 70: Six variations for piano on "Nel cor più non mi sento" from Giovanni Paisiello's opera La
Molinara (1795)
WoO 71: Twelve variations for piano on the Russian dance from Paul Wranitzky's ballet Das
Waldmädchen
WoO 72: Eight variations for piano on "Une Fièvre Brûlante" from André Ernest Modeste Grétry's
opera Richard Coeur-de-lion
WoO 73: Ten variations for piano on "La stessa, la stessissima" from Antonio Salieri's opera Falstaff
WoO 74: "Ich denke dein" – song with six variations for piano four hands
WoO 75: Seven variations for piano on "Kind, willst du ruhig schlafen" from Peter Winter's opera
Das unterbrochene Opferfest
WoO 76: Eight variations for piano on "Tändeln und scherzen" from Franz Xaver Süssmayr's opera
Soliman II
WoO 78: Seven variations for piano on "God Save the King"
Dances
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WoO 98: "Wo sich die Pulse," chorus for The Consecration of the House
WoO 100: Musical joke for three voices "Lob auf den Dicken"
WoO 101: Musical joke for three voices and chorus "Graf, Graf, liebster Graf"
WoO 104: "Gesang der Mönche" from Schiller's Wilhelm Tell for three male voices
WoO 105: Song for solo voice, chorus and piano "Hochzeitslied"
Folksong arrangements for one or more voices, with piano trio accompaniment
Vocal canons
WoO 199: Musical joke "Ich bin der Herr von zu"
WoO 202: Riddle canon "Das Schöne zu dem Guten" (first version)
WoO 203: Riddle canon "Das Schöne zu dem Guten" (second version)
WoO 204: Musical joke "Holz, Holz, Geigt die Quartette So"
WoO 205: Ten musical quips (Kinsky's word is "Notenscherze") from Beethoven's letters
These are works from the Appendix (Anhang in German) of Kinsky's catalog that were attributed to
Beethoven at the time the catalog was compiled, but might not have been written by him.
Sonatina in G major
Sonatina in F major
Anh. 7: Piano concerto (Allegro) in D major (first movement) – at first, many were unconvinced
that this work was by Beethoven; most believed it to be a missing movement from a piano
concerto by the Bohemian composer Jan Joseph Rosler (1771–1813). Today, though, some experts
believe it to be a true work by Beethoven, as it recalls the 20-year-old Beethoven's musical style.
In any case, it is estimated to have been written between 1788 and 1793.[citation needed]
Anh. 10: Eight variations on the song "Ich hab'ein kleines Hüttchen nur" for piano in B-flat major
Anh. 11: "Alexandermarsch" for Louis Duport ballet "Der blode Ritter" march for piano in F major
Anh. 15: "Glaube, Liebe, und Hoffnung" waltz for piano in F major, most known as "Adieu to the
piano" ("Farewell to the piano")
"Gertruds Traumwalzer" waltz for piano in B-flat major, most known as "Gertrude's Dream Waltz"
Anh. 17: "Introduction and Waltz (Klavierstück)" waltz for piano in F major
Anh. 18: "An Sie" or "Nachruf" "O du nach der sich alle meine Wunsche lenken" song in A-flat
major (Voice and Piano or Guitar)
These works have numbers that were assigned by Willy Hess. Many of the works in the Hess
catalog also have WoO numbers; those entries are not listed here.
H 12: Oboe Concerto in F (lost; only incipits and draft of 2nd movement extant) [1]
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Ländler in C minor, H 68
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H 89: Musik zu einem Ritterballett (Music for a ballet of knights) (piano arrangement of WoO 1)
H 118: Music for The Consecration of the House (from Opus 113)
H 133: Folksong
H 134: Folksong