*** M 3855a Music Education Culture *** Sp 2019*** m 9548 cultural & social perspectives ***

March 27, Wednesday

Caroline, Michael, and Kirsten

Comments/Question for Presenters

BREAK
Guests: Caroline and Fox and Brazil!!

Break
3855: Chapter 10
9548 annotations
Beineke, V. (2013). Creative learning and communities of practice: Perspectives for music education in the
school. International Journal of Community Music, 6(3), 281-290.
Boer, D., Fischer, R., González Atilano, M. L., de Garay Hernández, J., Moreno García, L. I., Mendoza, S., ... & Lo, E.
(2013). Music, identity, and musical ethnocentrism of young people in six Asian, Latin American, and
Western cultures. Journal of Applied Social Psychology, 43(12), 2360-2376.
Diaz, J. (2019) Meaning Beyond Words: A Musical Analysis of Afro-Cuban Bata Drumming. Ann Arbor, MI: Proquest.
Edwin, R. (2007). Belt is Legit. Journal of Singing, Vol. 64. National Association of
Teachers of Singing. Pp 213-215. Retrieved:
https://www.nats.org/_Library/Kennedy_JOS_Files_2013/JOS-064-2-2007-213.pdf
Manning, Iliana (2016). Music for All: Supporting Students with Special Needs in the Music Classroom. Ontario
Institute for Studies in Education of the University of Toronto.
Pruitt, L. (2007). Real men kill and a lady never talks back: Gender goes to war in country music. International
Journal on World Peace, 24(4): 85-106.
Rischar, Richard (2004). A vision of love: an etiquette of vocal ornamentation in
African-American popular ballads of the early 1990s. American Music, vol. 22. Pp. 407+.
Silveira, J. M. (2019). Perspectives of a Transgender Music Education Student. Journal of Research in Music
Education, 66(4), 428-448.
Trevor, C. & Huron, D. (2018). Animated performance: ‘Better’ music means larger motions. Society for Music
Theory, 24(4).
Vogel, S. (2010). Jamaica on Broadway: The popular Caribbean and mock transnational performance. Theatre
Journal, 62(1), 1-21. Retrieved from http://www.jstor.org/stable/40587439
Waldron, J., Mantie, R., Partti, H., & Tobias, E.S. (2018) A brave new world: theory to practice in participatory
culture and music learning and teaching, Music Education Research, 20:3,289-
304, DOI: 10.1080/14613808.2017.1339027
BREAK
*** M 3855a Music Education Culture *** Sp 2019*** m 9548 cultural & social perspectives ***

SMALL GROUPS
If you aren’t meeting in a small group, talk through your final project with
each other or your familiar to exotic presentation due next week . . .
5) Familiar-Exotic (10%)
Work with the pieces you’ve selected. How can you make the piece your own? Take notes
of your journey and create a 4-5 minute ppt at the end of the semester to share in class.

ON THE HORIZON
3855b:
Get crafty – If you haven’t done your concert reviews yet, what else can you find – a rehearsal?
Ppt 4-5 minutes familiar to exotic!

9548b
1) Annotations!!
2) concert reviews in please

11
W Music: Micro-teaching a Lesson: Caroline, Michael, Kirsten
Mar 27 Reading: Chapter 10:
Guests: Caroline and Fox with Brazilian Music
Sat Dinner at Dr. V’s 5:30 – 8pm 153 St. James St.
Mar 30
12
W Micro-teaching a Lesson: Kyle, Xiaodan, Cecilia, Aiden, Jennifer
April3 Music: Micro-teaching a Lesson: Anthony & Brittany
Familiar-Exotic Due in Class
13
W Final interviews and Portfolios are this week.
April10
Upcoming concerts
• Enter the Haggis Thursday March 28 8pm Aeolian Hall. $25 advance, $30 door