12.

Duetto "Quando corpus morietur"

(Duetto)

   dolce sempre      
Violin I    
      
Largo assai

 




 
Violin II                                            
 
dolce sempre

    
      
                      
    


       
dolce sempre


Viola

Soprano    
  


   
Alto  

               
                 
    
dolce sempre

Basso continuo

              
 
 

 
Vln. I        
 
4 sotto voce


                                    
             
           
Vln. II

                      
   


  

Vla.

     

S


A      

           
 

     

 
    
 
   
 
B. C.


   
   
Vln. I                                    
 
7

                                            
   


         
               
Vln. II

 
     


  
    
Vla.

      
 sostenuto


Quan do cor pus mo ri

          
sostenuto




        
Quan do cor pus mo ri

                 
 
B. C.       


  
                                
     
10

 
                        
Vln. I

Vln. II        
      
    
  
               
 
        
   
      
Vla.


S        

      
 

       

e tur fac ut a ni mae do ne tur
A


           
e tur fac ut

       
      
         

B. C.

2
  
                                  
 
13

                                 
Vln. I

 
 
        
Vln. II

  
                       
  
    
Vla.

   

  

S

    
  

 
           
pa ra di si glo ri



A

       
a ni mae do ne tur pa ra di si glo ri

                 
          
 
B. C.

   
                                   
     
16


   
Vln. I

Vln. II                                     

  

         
Vla.   
                  
       
  
S          


      
  
a. Quan do cor pus mo
A 
a. Quan do cor pus mo

                 
                  
 
B. C.

3
  
                                               
  
19

                     
Vln. I

Vln. II                            

  
        
Vla.                   
            
       
S      



 
         
ri e tur fac ut a ni mae do
A 

               
ri e tur fac ut a ni mae do

B. C.                       

  
                                            
22


                                            
Vln. I

  
    
       
Vln. II


Vla.                   
      
            

      

  

S




  

    
ne tur pa ra di si glo ri a, pa ra


A


          
       
ne tur pa ra di

           
  
   
B. C.

4
           sotto voce
Vln. I                                        


25


                  
 
                    
Vln. II              
 sotto voce

  sotto voce 

Vla.   
                              
            
             

    


S  
piano assai

  
   
di si glo ri a, pa ra di si glo ri a.

              
piano assai

                
si glo ri a, pa ra di si glo ri a,

                      
   
sotto voce

B. C.



    Presto assai    
Vln. I                
  

29

         
Vln. II                   
     


  
Vla.   

                
 


 
S   
               

 


           

A men, a men, a men, a
A


    
                  
A men, a

B. C.  


5
      
Vln. I   
                      
39

             
       

        
Vln. II


Vla.   
   

 
    
                 



S

   
           
men, a men, a

A       

          
men, a men, a men, a

         
B. C.   


          
Vln. I                 

50

 
                              
Vln. II 

        

Vla.   
            
 
                
S         


            
men, a men, a men, a men, a

     
A 
men, a

             
         
B. C.


6
      
Vln. I                
 
59

                      
   
     
           
Vln. II

  
Vla.      
       
                      
S      
 
A                    
men, a

    
   


                     
B. C.



                
 
    
  
       
Vln. I   
68


         

    
  
         
Vln. II

 
Vla.           


S                


                      
men, a men, a

A        
men, a

         
              
Tasto solo

B. C.

7
                          
Vln. I           

79

                
         
     


      

Vln. II

 
Vla.          
 


    
             
S   
 

 


               
men, a men, a men, a men, a men, a

A     

  
 

  
           
men, a men, a men, a men, a men, a

B. C.  
 

                     
Vln. I            
88

               
         
Vln. II       


   
Vla.               

 

      
         
 


forte assai

S




men, a men, a men, a men, a men, a men.

              
forte assai




           
men, Finis

  
men, a men, a men, a men, a men, a

 
Laus Deo

B. C.

 