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At this point, with the wax gone (a step where the clay
mold and clay model hardened from the firing) and with
the supporting function of the nails, there would exist a
half inch thick air space, between the mold and model.
This space is then filled with molten bronze poured
down in a small hole or two in the mold. When the
bronze has solidified and cooled, the clay mold is
removed, revealing a hollow bronze statue. Well, it is
not really hollow since the clay model has yet to be
removed, but this is easily performed by scraping out
the model from a small opening on the bottom. That
entire process provided the easiest method to produce
hollow bronze sculptures, but whether it or another,
similar though more complicated, method was used by
the first Greek casters cannot be determined. The
other method relied on a mold and a core (in the last
method the model served as the core, but the core in
this method is not the original model) but the major
difference is instead of the mold being one piece it is
made out of several. The first step of this process is the
creation of these mold pieces. Exactly the same steps
are followed as before in covering the clay model with
wax and clay, but now the mold is removed (without
melting away the wax, for this time the wax merely
acted to prevent the clay from adhering to the model) in
pieces: like one piece for the chest one for the back,
two for the sides, and so on. The sculptor also had the
option of applying the clay (composing the mold)
directly onto the clay model (without the wax); this
captured all the details of the original model but it
involved shaving half an inch off the mold such that
bronze could later fill this created space between the
mold and core. Adding another twist to this method, all
the pieces of the mold would be reconstructed, this time
without the model inside, in effect making a hollow clay
mold. Next, an adhesive material would be poured
inside filling the hollow mold, and after the material
dried into a solid form, all the pieces would once again
be removed. The result of these steps is the creation of
a core, which is essentially a carbon copy of the original
clay model. This is actually an important step that
makes this method revolutionary as it preserves the
original model allowing the sculptors assistants to
reproduce the same sculpture any number of times by
simply taking more mold pieces from the model and
then making additional core pieces. The wax is then
removed from the mold pieces and the fine details of
the final sculpture are easily carved into the soft clay
interior of the mold parts. The details are carved into
the inside of the mold because that surface will
eventually be in contact will the molten bronze. Wax is
then put back into the interior of the mold pieces over
the details just added. After the core is complete and
the mold finished and re-waxed this method actually
branches with two different choices to move on from.
The limitations of working with molten bronze
encountered by the first casters probably made the
choice of casting seven or so pieces from the various
mold pieces and the core. This choice is easier to
implement as each bronze piece cast dealt with a small
portion of the entire sculpture like a leg or head, for
example (again nails would support the mold over the
core and the wax would be melted away prior to
addition of the liquid metal). Once enough smaller
bronze pieces were cast they would all be welded
together into the form of the finished sculpture, just like
the hammered bronze sheets were connected by the
more primitive sculptors. The other choice, requisite of
a higher degree of experience in working with larger
quantities of molten bronze, was the casting of one
single bronze piece. This choice involved a complete
reconstruction of the mold over the core, the insertion of
supportive nails, the draining of the waxen inner lining,
and then the filling of the empty space (left behind when
the wax melted away) with molten metal. The name for
these methods of casting bronze sculpture is cire
perdue, translated quite fittingly to "lost wax" as wax is
drained from the mold and "lost" in that sense.