fUDl1aclón DONACION

Sistema !re m1Questas

 SUGGESTIONS FOR USING TI-llS MMO EDmON

WE RAYE TR1ED to create a product that wish to perform at a different tempo, or

will provide you an easy way to learn to slow down or speed up the accompani-
and perform concerted pieces with a full ment for practice purposes. You can pur-
orchestra in the comfort of your own chase from MMO(or from other audio and
home. Because it involves a fixed orches- electronics dealers) specialized CD players
tral performance, there is an inherent lack which allow variable speed while main-
of flexibility in tempo. The following :\IMO taining proper pitch. This is an indispens-
features and techniques will reduce these able tool for the serious musician and you
inflexibilities and help you maximize the may wish to look into purchasing this
effectiveness of the M:\10practice and per- useful piece of equipment for full enjoy-
formance system: ment of all your :\1:\10editions.
Where the soloist begins a piece or We want to provide you with the
movement solo, we have provided an most useful practice and performance
introductory measure with subtle taps accompaniments possible. If you have
inserted at the actual tempo before the any suggestions for improving the :\1:\IO
soloist's entrance. system, please feel free to contact uso
Regarding tempi: we have observed You can reach us by e-mail at
generally accepted tempi, but some may mmogroup@musicminusonecom.

1L'\1O;3122
 MGSIC MI~CS O:-;E

8122

EASY CONCERT PIECES

FOR

VIOLIN & ORCHESTRA

COMPLETE MINUS
VERSION VIOLlN
TRACK TRACK SECTION PAGE

1m Tnning ;";ot(,8: AHO

[TI ID Jaeqnes Offenbaeh:

Les COIItes d'Hoffmann (Tales of Hoffnran): Barearolle (Jlodemto), ,.,. 4

~11 'l'raditional: Drink to :\'Ie Only with Thine Eyes , 6

""'" """ " " " " " ''''''''''',,'''''''''' "
lliJ DI Steplwn Foster: Old Folks at Honre
,.,.",.""""".""""""".",.,.,.""""""""""""".6
@] 11 Franz Xaver Gruber: Silent Xight S
.""".""""""""."...""".""".""".."".""""",.,..

[§] lID Nikolai Rinrsky-Korsakov: Song of India,.,.".,.,.""".""."""""."""""."""."""." S

[ID E Piotr Ilyieh Tchaikovsky: Chanson Triste,.".""",.."."".""".""""""",.,.,."".,." 10
[Z] 11 Sebastian de Yradier (Iradier): La 12
Paloma."".""""""""""""""."".""""""".
lliJ 1m Georges Bizet: L'Arlesienne Suite: Adagietto
".""""."",.,.,."""".""""""."""
14
[ill 1m Franz Lehár: Die Lustige Witwe (The :\'Ierry Widow): 'Vilja'
"""."""".""".15

cg2001 MMO Musíe Group, lne. AIl rights reserved.

NUlO 3122
4

Barcarolle
(from "The Tales Of Hoffman")

1st Violin ~3t~

iIJm
Moderato
LiMen (o Harp for en(ranee

Harp i
eup.

~
-
~

p
Jacques Offenbach

~, ~~j ~ ~--~---~
~

~~r
O

~r--==~~
G]] ~

~--~r~r~r ~r~~~~
~~~~
~( ~
O

~~

l\nm 3J22
 5

~
v
~~ ., j~ ~.
rito

.,
I

~I O

~ v
-
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p
~~
p

dim.

~~4
v
~~~r' r. ~~~;j. ~. J.

000000_000000_0000_00_00_00--_,

800

v V

~. I~. ~.-------- ~., ., ~

MMO 3122
6

Drink To Me Only With Thine Eyes

L~ Traditional
at ,o
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.
.

~f = =

~
~
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= = be played 800

Old Folks At Home

Stephen Foster
19

~ mp

v
~ ~ s.

~.
 7

[ill~ ~
~'
mf
g .J~, P9 ~ r
~-
- I

[GJ

~, ~§ ~~'I
"-----
=- P

,[TI]

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mf

~f M'
~ L f §:' ~
I

r-:

~r
Ci>I

~r §~ tkf ~f ~ l I

~.

~J ~

1\11\10 :3122
 8

Silent Night
¡[1]11
Moderato
:Franz Gruber
~ 3rdverseEF ~
3 3/
V ~
- V
~-=Al. p ~ J. ~.
~
¡r ~
2. (mf)3. (PP) .'3
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rn

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cresc.
~.-=j~
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1
.

~~ 'J O
~
:J repeat twice

~. 1: ' cl.-~
~ ;J~.
E I
pp~

Song Oí India
¡ffiJlJ Xikolai Rimsky-Korsakov
Andantino
ti
~~~ ~,tenuto~

P dolce
-

~-~~- ~ --
~
.

[gj]

~ ~'~ ~~ -, ~~-g ~
-- ~-

:vnro :H22
 9

~~=~ ~ ~ ~ :~=~
~
~~ ~~~~~ -

~~ ~r~~ ~t
~

~ - ~~~-=-~
mf
~ ~
[1Q]

~c~~
~F8F~ p

~r~-( ~
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riten.
~OCOrit~
-
~
MMO 3122
10

Chanson Triste

1[ID 1m Piotr Ilyich Tchaikovwky

Andantino
sulA
l~-~ -:3 - -

tap tap tap tap

~~

~
2 2 2

~ ~
espress.

(poco rit.)

~u p
~ ~
~~
~~

~ p ~

~r~ f
:\1:\10 :3122
 11

2
~

~
4 .
lliJ > 'J pOCOnt.

~ atempo
~ ~ ;~ 'J
p

- - - ~

~ p

800---------------------------------------------------------.--------------------------.-----------------------------.-._------------_._---------------------
[12]
~~~ ~~~

~~~I p
~---------------------------------------._--------------------------------------------------------------._---------------------------------

M_M'

~ P

~
§i

~ 1
4
1
~.1------
ppp

lVIMO :3122
12

La Paloma
Sebastian de Yradier

trn. v ~

~ ~
f
V
2

v
~ ~
- 3 .)

~. ~
:\1:\10 ,3122
 13

V 1

~ s

4 ')
V V~~:3 v O

s
~

MMO :3122
14

Adagietto
(from the "L'Arlesienne Suite")
Georges Bizet
1lliJlm
Adagio ( j =40 )
con3om -----
=no,",-- - ~
~

lOa
~
tap tap tap pp i~ PPespress.

~ ~ ~

@]
------
=t1 ~

-
~
~

f cresc. malta

PP
.ff
~

dim. malta

~ - cresc. if dim. PP smorzando

:\nlO :3122
 15
Vilja
(from "The Merry Widow")
1lID 1m Franz Lehár
Allegretto

~.~
tap tap p

~. ~ rito

a tempo

~r.
(PP)
~

~ ,--=. -

rito v

~(mf)
poco lento
-= f ====-
rito

~
pp
~
v

~ mf = morendo
Engral'ing: Wieslml" NOlYlk

Ml\lO iU22
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Elmsl()J'(1. -"el\' York 1052'\- 1323 800-GG9-7464 (C.5.)¡!J14-;j!J2-
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Printed in Canada
:\L\IO ilI22
 Geollreu ADDlegate
An aecIaimed virtuoso and reeording artist, Geoffrey
Applegate madI' his solo debut at age twelve with the San
Diego Symphony, to raye reviews. Bis "especially eloquenC'
artistry (Detroit News) has Ied to collaborations with sueh
artists as Isaae Stern and )ames Toeco, in settings through-
out North Ameriea, Europe and South Ameriea. The leader
of the Detroit Symphony Orehestra's second violín seetion
sinee 1986, he has drawn international attention for his
frequent solo performanees with the OSO, whieh are broad-
east nationally. Mr. Applegate's twenty-eight recordings of
the violín coneerto repertoire for Music Miuus Oue are in
constant demand world-wide, as are his ehamber musie
recordings, whieh appear 011the Koeh International Classies
label. Born in Portsmouth, Virginia, Mr. Applegate's violín
studies began at age ten with Rafael Oruian and Sidney
Harth. He is a graduate of the Peabody Conservatory of
Musie, where he was a student of Charles Libove, and serves
as adjunet famlty at Wayne State University. In 1995 1\1r.
Applegate joined the aecIaimed SI. Clair Trio as violínist.

Emil Kahn
One of Europe's great twentieth-erntury con-
duetors, Emil Kahn was known for his bril-
líant interprrtations of a vast repertoire, from
baroqur to modemist. Bis reeordings for
Musie Minus One, spalming nearly one hun-
dred albul11s, have become cIassies in their
own right. 1111'author of one of the hand-
books of modrrn conduetors-in-training,
COTlductiTlg (1965), his associations \Iith the
world's finest orehestras and soloists speak of
his legendary standing in the intemational
cIassieal music world.

11lese coneened pieces rallge

DIFFICULTYLEVEL from relatiwly shon wmks sueh
as Si/eT/t Sight to the longer
ChaTlsoTlTriste and La Paloma. AlI
of these selections are suitable fm
1 2 3 4 5 6 7 8 9 10 ,iolinists in their earlier stages of
EASY MODERATE DIFFICULT technical development. once flJl-
gerings. bO\\ing and basic tone-
produetion teehniques have been studied. Pitehedin the easiest keysfm the ,iolin. they offer a
slight variation in diffimlty throughout whieh will ehallenge rather than owrwhelm the less
advaneed student. They will help develop all the basie technical skills as well as musicality and
subtle tone teehniques, AlI of these pieees prO\ide a rewarding and enjoyable way to improve the
violinist's teehnique in the company of a full symphony mehestra.
Note: 111isguide is mrant for general rrferenee only and \\ill vary slightly \\ith indhidual ability.

111is Music Mil111S OTte editioTt iTtcllldes:

- A eompaet dise containing the complete performance of eaeh piece \\ith full mchestra. in
digitally masterrd strrro;
- A second stereo version of eaeh pieee minus the soloist. voluminously inde..xed for ease of
praetiee and perfonnanee;
- A 16-pagrmusie bookcontaining an eas)'-toread.newl)'engral-edsolo ,iolin pan. printed
on high-quality ivory paper.

¡:J -~'._"" ,
~
Other Breat Uolumes 01 MuSIC lor Ulolln Wllh Drcheslra lor the AoUanClng StUIlBlI1 ~--::..:,-:

111eConcertmaster: Solos from Symphonic Works nith Orchestra II.\IO CD 3118

Geoffrey Applegate (violin) - Stuttgart Symphony Orchestra/Kahn: These solo extraclS from
great symphooic works are great preparation for any orchestral pla}ing and for solo den'lop-
ment as wel!. DijfiClllty Levels: 4-8
Air on a G String: Favorite Encores with Orchestra ~I.'IO CD 3119
Geoffrey Applegate (violin) - Stuttgart S}wphony Orchestra/Kahn:
niog the entire history of c1assical mnsic. DijfiClllt)' Leve/s: 4-6
Beautiful c1assics span-
~~~::c-
I
Album Re-Release Produeer MICHAEL NORELL
Cover Graphir. Design PATTI MILES'
Exeeutive
Cover photo eourtesy
. Produeer IRVING KRATKA
01 The Instrumentalisl.
Concert Pieces for the Serious Violinist II.\IO CD 3120
Geoffrey Applegate (violin) . Stuttgart Festival Orchestra/Kahn: lIere is much of the best I ";

IADD I STEREO
Master Preparation
This reeording was digitally remastered lor high-definition sound
and Digital Remastering RICHARD PRICE, Greg Squires Produetions
literature and favorite selections for the \iolin. DijfiClllt)'Lae/s: 4-7
18th Century Violin Pieces for Violin & Orchestra
Geoffrey Applegate (violin) - Stuttgart Symphony Orehestra/Kahn:
~L\1O CD 3121
A trem['ndous sel['('tion
,
,~ ','1"'../..,...,..-

@ of 1Bth,Cl'ntury works which will provide you years of pleasure. DijfiClllty Leve/s: 4.7
2001 MMO Musie Group Ine.
50 Exeeutíve Boulevard Intermediate Conrert Pieres for Violin with Orehestra ~L'1O CD 3123
Elmstord, NY 10523-1325
111111111111111111111111111111
Geoffrey Applegate (violin) . Stuttgart Symphony Orchestra/Kahn: 11lis second volume of concert pieces allow the inteml<"
www.musicminusone.com diate violiuis! to begin attemlJting some of the more challenging pieces for violin ami orchestra. A delightflll collection which
o 77712 33122 7 Email: mmogroup@musieminusone.eom will hoth increase \['chnique and provide a lifetime ofwonderflll musie-making. DWiclllty 11'V<'ls:4-6