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Journal of Personality Assessment


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SCORS–G Stimulus Characteristics of Select Thematic


Apperception Test Cards
a b c a
Michelle B. Stein , Jenelle Slavin-Mulford , Caleb J. Siefert , Samuel Justin Sinclair ,
a a d a
Megan Renna , Johanna Malone , Iruma Bello & Mark A. Blais
a
Psychological Evaluation and Research Laboratory (PEaRL) , Massachusetts General Hospital
and Harvard Medical School
b
Department of Psychology , Augusta State University
c
Department of Psychology , University of Michigan–Dearborn
d
Department of Psychiatry, New York University , Langone Medical Center and School of
Medicine
Published online: 27 Aug 2013.

To cite this article: Michelle B. Stein , Jenelle Slavin-Mulford , Caleb J. Siefert , Samuel Justin Sinclair , Megan Renna ,
Johanna Malone , Iruma Bello & Mark A. Blais (2014) SCORS–G Stimulus Characteristics of Select Thematic Apperception Test
Cards, Journal of Personality Assessment, 96:3, 339-349, DOI: 10.1080/00223891.2013.823440

To link to this article: http://dx.doi.org/10.1080/00223891.2013.823440

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Journal of Personality Assessment, 96(3), 339–349, 2014
Copyright C Taylor & Francis Group, LLC
ISSN: 0022-3891 print / 1532-7752 online
DOI: 10.1080/00223891.2013.823440

SCORS–G Stimulus Characteristics of Select Thematic


Apperception Test Cards
MICHELLE B. STEIN,1 JENELLE SLAVIN-MULFORD,2 CALEB J. SIEFERT,3 SAMUEL JUSTIN SINCLAIR,1 MEGAN RENNA,1
JOHANNA MALONE,1 IRUMA BELLO,4 AND MARK A. BLAIS1
1
Psychological Evaluation and Research Laboratory (PEaRL), Massachusetts General Hospital and Harvard Medical School
2
Department of Psychology, Augusta State University
3
Department of Psychology, University of Michigan–Dearborn
4
Department of Psychiatry, New York University, Langone Medical Center and School of Medicine
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There has been surprisingly little research into the stimulus properties of the Thematic Apperception Test Cards (TAT; Murray, 1943). This study
used the Social Cognition and Object Relations Scale–Global Rating Method (SCORS–G; Stein, Hilsenroth, Slavin-Mulford, & Pinsker, 2011;
Westen, 1995) to explore the stimulus properties of select TAT cards in a clinical sample. The SCORS–G is a theoretically based and empirically
validated measure of object relations that has widely been used in TAT research. A sample of 80 patients referred for psychological assessment at a
large Northeastern hospital were administered the TAT (Cards 1, 2, 3BM, 4, 13MF, 12M, and 14) as part of their assessment battery. Trained raters
scored the narratives using the SCORS–G. The SCORS–G ratings were analyzed to determine the nature and degree of object representation “pull”
both across and within the TAT cards. The results showed that Cards 3BM and 13MF exhibited the greatest card pull for negative pathological
object representations, and Card 2 displayed the highest card pull for adaptive and mature object representations. Both clinical and research related
implications are discussed.

The Thematic Apperception Test (TAT; Murray, 1943) is a free- chapters. As a result, clinicians and researchers might have dif-
response and implicit measure of personality. Murray described ficulty accessing this valuable information. There are a number
it as “a method of revealing some of the dominant drives, emo- of potential reasons for the present state of TAT research. For
tions, sentiments, complexes, and conflicts of personality” (p. 3). example, such research is burdensome in terms of obtaining
In considering what accounts for individual differences Aronow, and rating a suitable number of protocols. Further, TAT rating
Weiss, and Reznikoff (2001) posited that there are three contrib- scales are not widely known nor routinely employed in clinical
utors to the TAT response: card stimulus, testing environment, practice. And there is no single widely accepted scoring system
and the patient’s inner world. It is typically left up to the exam- for the TAT like the Comprehensive System for the Rorschach
iner to differentiate what aspects of an individual’s responses (Exner, 1995). Jenkins (2008) reported that the most common
can be attributed to each of these sources. To date, the major- measures used to rate TAT narratives include the Social Cogni-
ity of the TAT literature has focused on understanding how the tion and Object Relations Scale (SCORS; Westen, 1995) and the
patient’s inner world and experience becomes reflected in TAT Defense Mechanism Manual (DMM; Cramer, 1991). However
responses. There is a relative dearth of research examining the to our knowledge, neither of these measures has been employed
role of the testing environment and the stimulus pull of indi- to examine stimulus characteristics of individual cards.
vidual TAT cards. This study begins to address this gap in the Although generally underexamined, there have been some
literature by analyzing the stimulus properties of a select group studies examining stimulus pull within and across individual
of commonly employed TAT cards. cards. The TAT cards used in this study (1, 2, 3BM, 4, 13MF,
Stimulus pull can be defined as the “tendency of the stimulus 12M, and 14) are the focus of the literature review, even though
to evoke or predispose certain perceptual and/or affective re- additional cards might have been used in previous research.
sponses in the subject (Peterson & Schilling, 1983, p. 273). “It Table 1 provides a description of each card and Table 2 provides
denotes a reality which does not come from within the subject a summary of prior research findings. Early empirical research
. . . but corresponds more closely to the actual picture perception, on TAT stimulus pull focused on rating the frequency of themes
a more or less objective report of what’s out there” (Peterson and emotions evoked by the cards in both patient and nonpa-
& Schilling, p. 266). To date, the literature on stimulus pull tient samples (Eron, 1948, 1950, 1953; Rosenzweig & Fleming,
is limited and empirical studies are “embarrassingly lacking” 1949). There was also research into the perceptual clarity as-
(Peterson & Schilling, 1983; Zubin, Eron, & Schumer, 1965, sociated with the cards (e.g., the extent to which people were
p. 60). Further, a significant portion of the existent research on viewing the characters, objects, and social perception of charac-
stimulus pull is contained in doctoral dissertations and book ters similarly; Murstein, 1972; Rosenzweig & Fleming, 1949).
Eron (1950) developed normative data as well as created TAT
rating scales for emotional tone and checklist for themes and
Received July 28, 2012; Revised February 25, 2013. interpretations levels within and across cards. Eron’s work on
Address correspondence to Michelle B. Stein, Psychological Evaluation and developing normative data was groundbreaking. It allowed re-
Research Laboratory (PEaRL), Massachusetts General Hospital and Harvard searchers and clinicians to determine the extent to which patient
Medical School, One Bowdoin Square, 7th Floor, Boston, MA 02114; Email:
narratives deviated from those of a particular diagnostic group
mstein3@partners.org
339
340 STEIN ET AL.

TABLE 1.—Thematic Apperception Test card descriptions. More recently, Seedwaldt (2006) conducted a study focus-
ing on stimulus characteristics across and within TAT cards (1,
TAT Card Description (Murray, 1943)
2, 3BM, 4, 5, and 13MF) using a well-validated method for
1 A young boy is contemplating a violin which rests on a table in conceptualizing interpersonal themes, the Core Conflictual Re-
front of him. lationship Theme (CCRT; Luborsky & Crits-Christoph, 1998).
2 Country Scene; in the foreground is a young woman with books The CCRT was originally created to be used with Luborsky’s
in her hand, in the background a man is working in the fields Relationship Anecdotes Paradigm interview or from transcripts
and an older woman is looking on.
3BM On the floor against a couch is the huddled form of a boy with his in supportive-expressive therapy. In this study, the CCRT was
head bowed on his right arm. Beside him on the floor is a adapted for the TAT. Notably, aspects of Murray’s scoring sys-
revolver. tem (needs and press) informed the CCRT standard categories.
4 A woman is clutching the shoulders of a man whose face and The CCRT was developed to identify a “central relationship
body are averted as if he were trying to pull away from her.
13MF A young man is standing with downcast head buried in his arm.
pattern, script, or schema that each person follows in conduct-
Behind him is the figure of a woman lying in bed. ing relationships” (Luborksy & Crits-Christoph, 1998, p. 3).
12M A young man is lying on a couch with his eyes closed. Leaning The CCRT uses three components—the Wish (W), Response
over him is the gaunt form of an elderly man, his hand from Other (RO), and the Response of Self (RS)—to identify
stretched out above the face of the reclining figure. repetitive relationship patterns expressed in narrative data (a
14 The silhouette of a man (or woman) against a bright window. The
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rest of the picture is totally black. more detailed description of the CCRT method can be found
in Luborsky & Crits-Christoph, 1998). In Seedwaldt’s study,
Cards 1, 2, 4, and 13MF exhibited strong and moderate stim-
ulus pull for W, RO, and RS. In contrast, Card 3BM had high
and from stimulus properties of a card such as themes evoked, stimulus pull for content pertaining to the RO and RS, but weak
emotional tone, perceptual accuracy, and verbal productivity card pull for W. Overall, this study highlights that these selected
and word count. TAT cards vary in their degree of stimulus pull and elicit dif-
Other researchers followed suit and began using specific rat- ferent interpersonal themes. An important strength of this study
ing scales to examine unique aspects of stimulus pull. For ex- is the use of an empirically based scale for coding TAT nar-
ample, Alvarado (1994) asked students to make comparisons of ratives, the CCRT method, that has both research and clinical
the relative similarity of cards over multiple trials and employed relevance.
a more experimental or social psychological method for exam- Aronow et al. (2001), Bellak and Abrams (1997), and Holt
ining stimulus pull. Using a visual triad task (e.g., subjects are (1978) provided comprehensive reviews of the research on stim-
asked to make comparisons of the relative similarity of items in ulus pull. They also provided insights from their clinical expe-
each domain), 21 TAT cards (1, 2, 3BM, 4, 5, 6BM, 6GF, 7GF, rience on the common interpersonal and emotional themes seen
8BM, 8GF, 9BM, 9GF, 10, 12BG, 12F, 12M, 13MF, 17BM, across cards, some of which were described earlier. These are
18BM, 18GF, and 20) were presented to subjects over multiple predominantly summarized in Table 2.
trials. Participants were asked to rate similarity between cards To expand this line of research, we used the Social Cognition
as well as intensity of emotional response evoked by each card. and Object Relations Scale–Global Rating Method (SCORS–G;
Consensus analysis was used to determine whether responses Stein, Hilsenroth, Slavin-Mulford, & Pinsker, 2011; Westen,
of subjects were idiosyncratic or whether a common response 1995) to examine the stimulus pull of the TAT cards listed in
existed within the group. Using this method, Alvarado found Table 1 as they relate to the emotional and cognitive aspects
that Cards 1 and 2 were rated as being similar to each other; of interpersonal perception and functioning. These are the TAT
likewise, 13MF and 4 were rated as similar and 3BM and 12M cards, which we administer in our clinic and have data for. The
were ranked as similar. Interestingly, the results also indicated SCORS–G is a widely used empirically based measure for cod-
that the emotional tone of the card partially mediated the sim- ing TAT narrative data in a reliable and valid manner (see Stein
ilarity effect. Alvarado interpreted these findings as suggesting et al., 2011, for details). One advantage of the SCORS–G is that
that participants rated cards as being more or less similar based it rates multiple domains of psychological functioning. Westen
on the degree to which they “pulled” for common aspects of ob- et al. (1991) stated that the TAT is a “particularly good test for
ject representations such as affect tone, emotional investment, assessing object relations because the stimulus is unambigu-
and self-esteem and identity. ously social and the subjects are likely to provide enough detail
Ehrenreich (1990) examined stimulus pull for Cards 1, 2, in describing characters and relationships as to provide con-
3BM, 12M, and 13 MF using narrative content gathered from a siderable access to cognitive and affective motivation patterns
nonpatient sample. He assessed drive expression (Pine, 1960), related to interpersonal functioning” (p. 56). For these reasons,
defensive patterns (as measured across four tiers ranging from the SCORS–G appears to be an ideal measure in examining the
mature to extremely pathological), dependency (e.g., rated as stimulus properties of selected TAT cards.
dependent, interdependent, independent/autonomous, or nonin- In summation, there is limited research on stimulus pull, with
teractive, p. 16), and locus of control. He found that narratives the majority of studies on this topic being conducted several
for Cards 3BM and 13MF contained the lowest level of defenses, years ago before the most common coding systems for TAT
whereas narratives for Card 2 tended to contain the highest, most narratives were developed. Previous studies have also tended
adaptive level defenses. With the exception of locus of control, to limit examination of pull to the global level and most have
narratives for all cards differed significantly from one another, utilized nonclinical and college samples. This study builds on
suggesting that individual cards “elicited specific themes and previous research and pursues four goals. First, using a clinical
were differentially arousing” (p. 15) across measures of drive sample, we examined seven TAT cards for pull using an expert-
expression, defense, and dependency. rater coding system (i.e., the SCORS–G). This system allows
STIMULUS CHARACTERISTICS AND SCORS–G 341

TABLE 2.—Summary of research on stimulus pull.

Emotional Tone Frequently Occurring Themes CCRT Wish7 CCRT Response of Other7 CCRT Response of Self 7

Card 1 1. Neutral to 1. Aspiration3, 13 1. To achieve and help others 1. Controlling 1. Disappointed and
moderately sad1, 2 2. Parental pressure/conflict3, 4, 5, 6 2. To feel good and comfortable 2. Rejecting and opposing depressed
2. Most frequent 3. Belongingness1 2. Self-controlled and
outcome is 4. Achievement5, 6, 13 self-confident
happy1 5. Intermediate levels of defense14
6. External locus of control14
Card 2 1. Moderately 1. Ambivalence between personal ambition 1. To achieve and help others 1. Rejecting and opposing 1. Self-controlled and
happy1, 8 and families ties/role conflict3, 5, 9 2. Strong self-confident
2. Most frequent 2. Aspiration/occupational 2. Disappointed and
outcome is concern/achievement1, 4, 5, 6, 10, 11 depressed
happy1, 8 3. Economic pressure1, 4
4. Parental pressure1, 4, 6
5. Conception of family relationships and
attitudes as giving, supportive versus
barren and depriving13
6. High level defenses14
7. Internal locus of control14
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Card 3BM 1. Moderately to 1. Depressive themes3, 5, 9, 13 1. To be distant and avoid 1. Rejecting and opposing 1. Disappointed and
very sad1, 2, 8, 9 2. Suicide1, 3, 5, 9 conflicts 2. Helpful depressed
3. Loss of relationship/grief 3, 5, 9 2. Helpless
4. Failure1, 5
5. Punishment/parental pressure1, 5
6. Behavior disorder1
7. Coping resources5
8. Guilt13
9. Low-level defenses14
10. External locus of control14
Card 4 1. Neutral to mildly 1. Male–female roles/sexual attitudes and Female protagonist Female protagonist Female protagonist
negative1 conflicts such as a love triangle or 1. To be loved and 1. Rejecting and 1. Unreceptive
2. Outcome is infidelity3, 5, 9, 13 understood opposing Male protagonist
moderately 2. Pressure/departure/nurturance to and from 2. To be close and accepting 2. Upset 2. Self-controlled and
happy1 partner1, 4 Male protagonist Male protagonist self-confident
3. Impulsivity, aggression, and 3. To be distant and avoid 3. Rejecting and 3. Disappointed and
dangerousness2, 4, 5 conflicts opposing depressed
4. To achieve and help
others
Card 13MF 1. Sad1, 8 1. Sex1, 3, 5, 6, 9, 13 1. To be loved and understood 1. Rejecting and opposing 1. Disappointed and
2. Guilt and 2. Aggression1, 3, 5, 6, 9, 10 2. To be distant and avoid 2. Upset depressed
remorse1, 3, 4, 5 3. Hostility10, 11 conflicts 2. Anxious and ashamed
4. Suicide1, 5 3. To be close and accepting
5. Death/illness1, 4, 5, 6, 12
6. Low-level defenses14
7. External locus of control14
Card 12M 1. Moderately sad1 1. Hypnotism1 N/A N/A N/A
2. Religion1
3. Illness/death1
4. Emotional attitudes toward father5
5. Ideas regarding therapy/therapist5, 9, 13
6. Intermediate levels of defense14
7. External locus of control14
Card 14 1. Positive affect1, 5 1. Happy reminiscence1, 4, 5 N/A N/A N/A
2. Aspiration/hope/ determination1, 4, 5, 13
3. Dreaming, looking, seeking inspiration,
and relaxing1, 5
4. Contemplation9
5. Occupational concerns4
6. Curiorsity1
7. Frustrations/worries13

Note. CCRT = Core Conflictual Relationship Theme (Luborsky & Crits-Christoph, 1998).
1
Eron (1950). 2Goldfried and Zax (1965). 3Bellak & Abrams (1997). 4Eron (1953). 5Holt (1978). 6Rosenzweig & Fleming (1949). 7Seedwaldt (2006). 8Alvarado (1994). 9Aronow,
Weiss, & Reznikoff (2001). 10Campus (1976). 11Murstein (1965). 12Eron (1948). 13Rapaport, Gill, & Schafer (1968). 14Ehrenreich (1990).

us to examine evidence for pull at the global level (i.e., several some level of pull. Finally, we examined how word count was
dimensions of object relations influenced) and the specific level related to SCORS–G variables across specific cards. The over-
(i.e., one or two dimensions influenced). Second, if evidence arching purpose of this study was to determine and highlight
for pull was found, we wanted to determine which cards were any evidence for card pull on the SCORS–G. In so doing, and
more neutral, which had higher levels of global pull, and which by contextualizing our findings within the preexisting literature,
had higher levels of specific pull. Third, we compared and con- we hoped to outline various needs for future research that would
trasted our results to previous findings for all cards containing have implications for SCORS–G scoring and interpretation.
342 STEIN ET AL.

METHOD (e.g., 5, 6 or 7) indicate healthy responses. The first variable is


Participants complexity of representations of people (COM), which evalu-
ates internal states and how well the patient is able to see internal
Participants were 80 outpatients (48 male) referred for psy- states in the self and other when reporting narratives. It also as-
chological assessments in the outpatient psychiatry department sesses the patient’s relational boundaries and ability to integrate
of a large Northeastern academic medical center. All partici- both positive and negative aspects of self and others. Affective
pants were assessed between September 1, 2008 and July 1, quality of representations (AFF) examines a patient’s expec-
2010. On average, the sample was 38 years old (SD = 15.0) with tations of others within a relationship and the description of
14.5 years of education (SD = 3.0). The most common refer- significant relationships in the past. It assesses emotional tone
ral diagnoses were depressive disorder (47%), anxiety disorder of the narrative. Emotional investment in relationships (EIR)
(18%), and bipolar disorder (17%). However, these are outpa- assesses a patient’s ability for intimacy and emotional sharing.
tients who have a complex clinical picture, often have multiple Emotional investment and values in moral standards (EIM) as-
diagnoses, and are being referred for a diagnostic clarification. sesses the extent to which the patient uses abstract thought in
Approximately 41% of participants had history of psychiatric relation to morality and compassion for others. Understanding
hospitalization. Our sample was primarily White (91%). of social causality (SC) assesses the extent to which the patient
understands human behavior. Experience and management of
Procedure
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aggressive impulses (AGG) assesses the patient’s ability to tol-


Outpatients received a battery of standard clinical instruments erate and manage aggression appropriately. Self-esteem (SE)
including the TAT. After the TAT cards were administered, they assesses the patient’s self-concept, and identity and coherence
were transcribed (written verbatim as patient was creating nar- of self (ICS) assesses a patient’s level of fragmentation and
rative), deidentified, and scored by two independent raters using integration. More thorough descriptions of the eight SCORS
the SCORS–G. The SCORS–G was used to rate all TAT narra- variables, global rating method, and various training examples
tives from each patient. Raters (M. Stein and J. Slavin-Mulford) are provided in the manuals developed by Stein et al. (2011) as
are expert raters who have used this scale for at least 5 years and well as Westen (1995).
previously completed manualized training on the SCORS–G
(Hilsenroth, Stein, & Pinsker, 2007; Westen, 1995). Good
(> .60) to excellent (> .74) reliability was attained by both raters RESULTS
in previous research (Eudell-Simmons, Stein, DeFife, & Hilsen- SCORS–G Reliability
roth, 2005; Pinsker, Stein, & Hilsenroth, 2007; Slavin, Stein,
Intraclass correlation coefficients (ICCs) were used to calcu-
Pinsker-Aspen, & Hilsenroth, 2007; Stein, Hilsenroth, Pinsker-
late SCORS–G ratings of TAT narratives. We calculated ICC (2)
Aspen, & Primavera, 2009; Stein, Pinsker-Aspen, & Hilsenroth,
and Spearman–Brown corrected two-way random effects model
2007; Stein, Slavin-Mulford, Sinclair, Siefert, & Blais, 2012).
(2, 1). Shrout and Fleiss (1979) reported the magnitude for in-
Each rater independently rated all 544 TAT narratives employed
terpreting ICC values in which poor is < .40, fair = .40–.59,
in this study. It is important to note that although the “raw” TAT
good = .60–.74, and excellent >.74. As Table 3 shows, ICC
narratives were reviewed as part of the clinical assessment, as-
(2) fell in the good to excellent range and ICC (2, 1) fell in
sessing clinicians did not have access to the SCORS–G ratings.
the excellent ranges for all SCORS–G variables. The coefficient
Also, the SCORS–G raters were blind to the clinical assessment
alpha for each SCORS–G variable was also calculated and these
results.
fell in the excellent range. Alpha differs from ICC (2, 1) simply
by virtue of the fact that it is based on the Pearson correlation
Measures
Thematic Apperception Test. The standard TAT protocol
used at the clinic consists of Cards 1, 2, 3BM, 4, 13MF, 12M TABLE 3.—Interrater reliability of the Social Cognition and Object Relations
and 14, routinely given in this order. However the test battery is Scale–Global Rating Method (SCORS–G) variables for Thematic Apperception
applied flexibly and some subjects were given fewer than seven Test (TAT) narratives.
cards (due to symptom acuity, fatigue, or both). All participants
SCORS Coefficient
were administered Cards 1, 2, 3BM, and 4. Ninety-five percent Variables M SD ICC(2) ICC(2,1) Alpha
of participants were administered Cards 13MF and 14. Card
12M was administered to 92.5% of participants. Clinicians in COM 3.35 .55 .65 .79 .79
the clinic are trained to employ standard TAT instructions: AFF 3.30 .49 .79 .88 .88
EIR 2.99 .51 .75 .86 .86
Now I’m going to show you some cards with pictures on them. The EIM 3.62 .38 .73 .85 85
pictures are of people in various situations and what I want you to do is SC 3.17 .64 .67 .80 .80
AGG 3.53 .43 .83 .90 .90
make up a story around the picture. Like all stories, yours should have SE 3.74 .30 .67 .80 .80
a beginning, middle, and ending. Tell me what led up to the picture, ICS 4.43 .41 .68 .81 .81
how it turns out, and what the people feel and think. Here’s the first M .72 .84 .84
one. Make up a story around this picture.
Note. N = 80; 544 TAT narratives. ICC = intraclass correlation coefficient; (2) = Model
2, two-way random effect; (2,1) = Model 2, two raters, Spearman–Brown correction for
Social Cognition and Object Relations Scale–Global two-way random effect; COM = complexity of representations; AFF = affective quality of
Rating Method. This scale consists of eight variables that are representations; EIR = emotional investment in relationships; EIM = emotional investment
in values and moral standards; SC = understanding of social causality; AGG = experience
scored on a 7-point anchored scale where lower scores (e.g., 1, and management of aggressive impulses; SE = self-esteem; ICS = identity and coherence
2 or 3) indicate more pathological responses and higher scores of self.
STIMULUS CHARACTERISTICS AND SCORS–G 343

TABLE 4.—Estimated variance components and percentage variance explained from two-facet random crossed models ( p × r × c).

COM AFF EIR EIM


df MS σ2 % df MS σ2 % df MS σ2 % df MS σ2 %

Participant ( p) 72 3.576 .154 12% 71 4.085 .241 36% 71 3.916 .149 11% 71 2.020 .069 10%
Rater (r) 1 1.358 .001 0% 1 2.446 .003 0% 1 0.778 0 0% 1 0.254 0 0%
Card (c) 6 40.393 .267 21% 6 5.120 .029 4% 6 28.847 .184 13% 6 11.333 .071 10%
Pr 72 0.270 .004 0% 71 0.407 .030 5% 71 0.377 .009 1% 71 0.274 .013 2%
Pc 432 1.387 .573 46% 426 0.507 .154 23% 426 1.766 .727 52% 426 0.956 .389 54%
Rc 6 0.854 .009 1% 6 0.613 .006 1% 6 0.875 .008 1% 6 0.356 .002 0%
prc, e 432 0.241 .241 19% 426 0.198 .198 30% 426 0.313 .313 23% 426 0.179 .179 25%
SC AGG SE ICS
df MS σ2 % df MS σ2 % df MS σ2 % df MS σ2 %

Participant ( p) 71 5.794 .349 43% 70 2.669 .105 13% 71 1.258 .033 6% 71 2.488 .088 10%
Rater (r) 1 6.349 .011 1% 1 0.122 0 0% 1 0.025 .00 0% 1 1.750 .001 0%
Card (c) 6 3.106 .018 2% 6 13.765 .089 11% 6 8.337 .053 10% 6 21.941 .140 15%
Pr 71 0.567 .051 6% 70 0.220 .013 2% 71 0.262 .015 3% 71 0.464 .030 3%
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Pc 426 0.552 .170 21% 420 1.108 .491 59% 426 0.696 .272 52% 426 1.047 .396 43%
Rc 6 0.206 0 0% 6 0.119 0 0% 6 0.194 .000 0% 6 0.928 .009 1%
prc, e 426 0.212 .212 26% 420 0.127 .127 15% 426 0.152 .152 29% 426 0.255 .255 28%

Note. MS = mean squares; σ 2 = estimated variance component; % = percentage of variance accounted for; COM = complexity of representations; AFF = affective quality of
representations; EIR = emotional investment in relationships; EIM = emotional investment in values and moral standards; SC = understanding of social causality; AGG = experience
and management of aggressive impulses; SE = self-esteem; ICS = identity and coherence of self.

rather than the ICC. The SCORS–G ratings of TAT narratives function of card. Said differently, a participant who told a story
were highly reliable and showed strong internal consistency. high in COM to Card 1 might not have necessarily told a high
To examine potential sources of variance, we estimated vari- COM story to other cards. In general, these findings suggest that
ance components (σ 2) with techniques from generalizability individual reactions to the cards introduce the most variability
theory (Crick & Brennan, 1982; Shavelson & Webb, 1991). for several of the SCORS–G dimensions. However, these re-
Given that all participants were rated by all raters, and that raters sults in and of themselves do not indicate that respective cards
were not viewed as systematically different from the universe of pull for particular types of stories. To determine if cards pull
raters trained to rate the SCORS–G, variance component esti- for particular types of narratives, the mean response level for a
mates were calculated using a random two-facet model in which dimension on each respective card should be compared to the
participants ( p) were crossed with raters (r) crossed with cards overall mean for that dimension (see Table 5).
(c). This approach estimates variance components for the uni-
verse level (i.e., the participant level), as well as for rater and for SCORS–G Variable Means
card. Estimated variance components are also calculated for the The means and standard deviations based on raw scores for
interactions between participant and card (σ 2pc ), participant and the eight SCORS–G dimensions across all TAT cards are pre-
2
rater (σ pr ), and rater and card (rc). Finally, an estimated vari- sented in Table 5. Mean word count and standard deviations for
ance component is calculated for the residual (σ 2prc,e ). As can individual cards are presented in Table 6.
be seen in Table 4, raters were highly consistent with percentage
variance attributable to raters being 1% or less across SCORS–G Stimulus Characteristics of Individual TAT Cards
dimensions. Raters were also consistent across cards and par- Raw SCORS–G dimension scores are presented in the up-
ticipants. The interaction between raters and card accounted for permost portion of Table 5. To assess for individual card char-
very little variance (all σ 2rc accounting for 1% or less of to- acteristics, each participant’s response to each card was then
tal variance), and the interaction between rater and participant transformed into z scores (M = 0, SD = 1). The advantage of z
2
was also relatively small (σ pr ranging from 0% to 6% across scores is that one can easily see if a card is consistently scoring
SCORS–G dimensions). above the mean (i.e., a positive z score) or below the mean (i.e.,
Although raters tended to rate consistently across both cards a negative z score) and can easily determine the magnitude of
and participants, estimated variance components for that card the difference from the mean. There are two ways of calculat-
level and Card × Participant interaction were consistently larger. ing z scores (across and within participant z scores) and both
For COM, EIR, and SE, variance component estimates were are presented next. Significant results on either approach are
larger for card than for the participant level (i.e., universe level), suggestive of card “pull.”
indicating that participants’ narratives differed somewhat from
card to card. Further, the percentage of variance attributable to Across participant z scores. We calculated across partici-
the Card × Participant interaction considerably exceeded the pant z scores by determining the mean and standard deviation for
amount accounted for at the participant level for all SCORS–G each SCORS–G dimension across each participant’s response
dimensions except AFF and SC. This suggests that participants’ for all cards. For example, for the COM scale, the mean and
relative standing on the SCORS–G dimensions, with the ex- standard deviation for the sample was calculated using each
ception of AFF and SC dimensions, varied considerably as a participant’s COM score for each individual card. Thus, each of
344 STEIN ET AL.

TABLE 5.—Average raw and standardized SCORS–G dimension scores by card.

Raw Scores Averages Across Participants


Card COM AFF EIR EIM SC AGG SE ICS

1 3.62 3.52 2.90 3.64 3.41 3.62 3.90 4.69


2 3.55 3.72 3.35 3.87 3.32 3.79 3.99 4.88
3BM 3.14 2.73 2.54 3.58 3.10 3.46 3.42 3.84
4 3.42 3.35 3.23 3.54 3.27 3.37 3.75 4.54
13MF 3.21 2.47 2.75 3.06 3.06 2.96 3.44 4.05
12M 3.35 3.32 3.66 3.66 3.29 3.56 3.81 4.47
14 3.18 3.89 2.51 3.85 3.04 3.82 3.89 4.57
Average z Scores (Across Participants) by SCORS–G Dimension
Card COM AFF EIR EIM SC AGG SE ICS M SD

1 0.41 0.22 −0.10a 0.02a 0.27 0.10 0.24 0.30 0.18 0.17
2 0.28 0.41t 0.32∗ 0.33 0.16 0.31 0.38t 0.52∗∗ 0.34 0.10
3BM −0.23 −0.56∗∗ −0.43 t −0.06 −0.12 −0.10 −0.49t −0.71∗∗ −0.34 0.24
4 0.10 0.04a 0.21 −0.10 0.09a −0.20 0.00a 0.12 0.03 0.13
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13MF −0.19 −0.83∗∗ −0.23 −0.72∗∗ −0.17 −0.70∗∗ −0.46∗ −0.46∗ −0.47 0.26
12M 0.03a 0.02 0.60∗∗ 0.05 0.12 0.03a 0.10 0.04a 0.12 0.20
14 −0.23 0.58∗ −0.46 0.30 −0.20 0.34 0.22 0.15 0.09 0.35
F 9.62 27.32 14.93 11.30 5.50 11.50 9.89 18.60
p <.01 <.01 <.01 <.01 <.01 <.01 <.01 <.01
ŋ2 0.12 0.28 0.18 0.14 0.07 0.14 0.12 0.21
Average z Scores (Within Participant) by SCORS–G Dimension

Card COM AFF EIR EIM SC AGG SE ICS M SD

1 0.37 0.25 −0.14a −0.05 0.29 0.09a 0.11 0.28 0.15 0.18
2 0.33 0.47∗ 0.42∗∗ 0.38∗ 0.19 0.40 0.37 0.55∗ 0.39 0.10
3BM −0.35 −0.61∗∗ −0.50 −0.02a −0.13 −0.11 −0.51∗∗ −0.81∗∗ −0.38 0.28
4 0.19 0.05a 0.26 −0.04 0.08a −0.15 0.07a 0.21 0.08 0.14
13MF −0.24 −0.83∗∗ −0.22 −0.70∗∗ −0.30 −0.65∗∗ −0.46∗ −0.53∗∗ −0.49 0.23
12M 0.00a 0.10 0.67∗∗ 0.11 0.12 0.09 0.19 0.25 0.19 0.21
14 −0.28 0.65∗ −0.47 0.36∗ −0.27 0.36 0.23 0.05a 0.08 0.39
F 7.53 29.70 17.89 12.77 4.24 12.21 9.91 22.66
p <.01 <.01 <.01 <.01 <.01 <.01 <.01 <.01
ŋ2 0.10 0.30 0.21 0.16 0.06 0.15 0.13 0.25

Note. Superscript t are trends (<.10). Bold and superscript a represent the reference card. SCORS–G = Social Cognition and Object Relations Scale–Global Rating Method; COM =
complexity of representations; AFF = affective quality of representations; EIR = emotional investment in relationships; EIM = emotional investment in values and moral standards; SC
= understanding of social causality; AGG = experience and management of aggressive impulses; SE = self-esteem; ICS = identity and coherence of self.

Pairwise comparison with reference comparison card is significant at the p < .05 level. ∗ ∗ Pairwise comparison with reference comparison card is significant at the p < .01 level.

the 80 participants provided four (if administered four cards) to


TABLE 6.—Means, standard deviations, and correlations between card word seven (if administered the entire protocol) COM scores. Using
count and SCORS–G variables. this distribution, each participant’s score for every individual
1 2 3BM 4 13MF 12M 14 card was transformed to a z score. Thus, if participants consis-
tently created narratives to a specific card that were above the
N 80 80 80 80 76 74 76 average for a SCORS–G dimension (e.g., COM), then this card
M 119 147 101 124 107 112 102 would receive a positive z score. These data are located in the
SD 53.10 66.66 48.06 63.81 54.03 58.01 62.59 middle portion of Table 5 for all SCORS–G dimensions.
SCORS–G
COM .61∗ .46∗ .49∗ .49∗ .52∗ .53∗ .51∗ Using these z scores, repeated-measures analyses of vari-
AFF .19 .02 −.04 −.16 −.08 −.06 −.22 ance (ANOVAs) with card as the across-participant factor were
EIR .21 .13 .05 .06 −.11 −.07 .32∗ conducted for each SCORS–G dimension. All ANOVAs were
EIM −.16 −.01 −.13 −.19 −.08 −.01 −.10 significant with effect sizes ranging from .07 (SC) to .28 (AFF).
SC .59∗ .54∗ .49∗ .63∗ .58∗ .45∗ .51∗
AGG −.00 −.17 −.11 −.22 .01 −.04 −.18
We followed these analyses up with Bonferroni-corrected pair-
SE .02 .08 −.22 −.18 −.34∗ .06 −.22 wise comparisons. Rather than consider all comparisons, we
ICS .00 −.02 −.36∗ −.10 −.35∗ −.21 −.33∗ elected to select a reference card for each SCORS–G dimen-
sion to use as a comparison. The reference card varied across
Note. SCORS–G = Social Cognition and Object Relations Scale–Global Rating SCORS–G dimensions, but it was always the card with the value
Method; COM = complexity of representations; AFF = affective quality of represen-
tations; EIR = emotional investment in relationships; EIM = emotional investment in closest to the mean (i.e., closest to zero). When cards differed
values and moral standards; SC = understanding of social causality; AGG = experience significantly from the reference card on a SCORS–G dimension,
and management of aggressive impulses; SE = self-esteem; ICS = identity and coherence
of self.
as indicated by Bonferroni-corrected pairwise comparisons, we

p < .01. considered this to be evidence of card pull. Cards producing
STIMULUS CHARACTERISTICS AND SCORS–G 345

SCORS–G dimension scores that significantly differ from the significantly from the reference cards for any SCORS–G vari-
reference card score are indicated in the middle portion of ables, and ratings for this card tended to fall rather close to the
Table 5. mean of all cards on all SCORS–G dimensions.

Within participant z scores. We also calculated standard- Card 13MF. Of all the cards, and as might be expected,
ized scores (i.e., z scores) within participants. The difference narratives for 13MF tended to be rated the least adaptive across
between within- and across-participant z scores is that within- SCORS–G dimensions (M = −0.49, SD = 0.23). This card
participant z scores control for the effect of outliers. In this scored significantly lower than the reference card for AFF, EIM,
procedure, the means and standard deviation for a SCORS–G AGG, SE, and ICS. Characters in these narratives were malev-
dimension (e.g., COM) were calculated from the individual par- olent, harmful, angry, aggressive, and at times abusive (AGG).
ticipant’s responses to all seven cards. Only participants with There was less of an investment in morals (EIM) and moral-
responses to all seven cards (n = 73) were used to calculate ity (right and wrong) was more likely to be discussed in a less
within-participant z scores. We then converted raw scores on mature fashion. Characters tended to be described in ways that
each individual card (e.g., Card 1 COM) to a z score based on suggested low self-worth (SE) and possessing undifferentiated
the participant’s mean and standard deviation for that SCORS–G sense of identities (ICS).
dimension. The bottom third of Table 5 presents these data.
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Using the within-participant z score data, repeated-measures Card 12M. Card 12M did not consistently pull for adap-
ANOVAs with card as the within-subject factor were conducted tive or maladaptive object relations or social cognitions at the
for each SCORS–G dimension. All ANOVAs were significant global level (M = 0.19, SD = 0.21). However, 12M did score
with effect sizes ranging from .06 (SC) to .30 (AFF). We fol- significantly higher than the reference card for EIR, suggesting
lowed these analyses up with Bonferroni-corrected pairwise that it might pull for a specific theme. That is, narratives to Card
comparisons to determine which, if any, cards differed signif- 12M tended to indicate a greater investment in relationships.
icantly from the reference card. As can be seen in Table 5, Thus, although the card doesn’t appear to pull for more negative
effect sizes for across-participant (middle graph) and within- or positive object relations in general, it does seem to prompt
participant z scores (third graph) were highly similar. The only respondents to produce narratives in which they demonstrate
exceptions were for EIM for Cards 2 and 14. That is, within- higher investment in relationships.
participant z scores found that these cards pulled for adaptive as-
pects of morality. Given these similarities, we discuss responses Card 14. Similar to Card 12M, Card 14 did not consis-
to specific TAT cards next using only the within-participant z tently generally pull for adaptive or maladaptive scores across
scores (e.g., by TAT card and by SCORS–G dimension). SCORS–G dimensions (M = 0.08, SD = 0.39). However, unlike
Card 12M, which scored near the mean for all SCORS–G dimen-
Results by TAT Card sions, examination of the pattern of scores for Card 14 shows
greater variability, pulling for adaptive responses on some di-
Card 1. Card 1 did not differ significantly in the pairwise
mensions and maladaptive responses on others. Card 14 also
comparison analyses for any of the SCORS–G dimensions. In
differed significantly from the reference card pulling for narra-
other words, this card did not exhibit significant or unique card
tives involving more emotional investment in morality (EIM)
“pull” (M = 0.15, SD = 0.18).
and more adaptive expression and management of affect (AFF).
Card 2. Overall, Card 2 had the highest (adaptive) mean In fact, AFF scores on Card 14 were the highest of all cards
score across SCORS–G dimensions (M = 0.39, SD = 0.10). studied.
This card was significantly different from the reference card for
AFF, EIR, EIM, and ICS. Narratives with more positive affective Variability Across SCORS–G Dimensions
integration (AFF) and greater emotional investment in relation- Again, given similarities in the across-participants and within-
ships (EIR) were common for this card. In addition, narratives participants analyses, we limit our presentation of results in
tended to involve characters with a higher sense of moral stan- this section to the within-participant results. As indicated by
dards (EIM) and a more integrated sense of self (ICS). In sum, the effect size (i.e., partial eta squared [ŋ2]) of .10, there were
Card 2 pulled for significantly more adaptive object relations moderate differences among cards for COM; however no card
on multiple dimensions. In fact, although only four dimensions differed significantly from the reference card (Card 12) for this
reached the level of statistical significance, all SCORS–G di- dimension.
mensions scored above the mean for this card. For AFF, Card 4 was the reference card and Cards 2 ( p < .05)
and 14 ( p < .05) produced AFF scores significantly higher than
Card 3BM. Narratives for Card 3BM tended to be rated as the reference card and Cards 13MF ( p < .01) and 3BM ( p <
less adaptive across SCORS–G dimensions (M = –0.38, SD = .01) produced AFF scores significantly lower than the reference
0.28). Card 3BM scored significantly lower than the reference card (Card 4). For EIR, Card 2 ( p < .01) and Card 12M ( p <
card for AFF, SE, and ICS. Narratives were negatively toned .01) produced scores significantly higher than the reference card
and expectations of relationships were low (AFF), characters (Card 1). On EIM, Cards 2 ( p < .05) and 14 ( p < .05) produced
exhibited low self-worth (e.g., inadequacy, inferiority), and their scores significantly higher than the reference card (Card 3BM),
sense of identity fluctuated widely (ICS). and Card 13MF was significantly lower ( p < .01). For SC,
no card differed from the reference card (Card 4). For AGG,
Card 4. Card 4 was the most neutral of the cards studied Card 13MF scored significantly lower than the reference card
in terms of overall pull for positive or negative object relations (Card 1). For self-esteem (SE), cards 3BM ( p < .01) and 13MF
and social cognitions (M = 0.08, SD = 0.14). It did not differ ( p < .05) were significantly lower than the reference card (Card
346 STEIN ET AL.

4). For ICS, Card 2 scored significantly higher ( p < .05) than to be scored more in the middle. This is similar to Seedwaldt
the reference card (Card 14), and Cards 3BM ( p < .01) and (2006), who found different CCRT ratings depending on
13MF ( p < .01) scored significantly lower than the reference whether the male or female characters were described as the
card. Overall, six SCORS–G variables (e.g., AFF, EIR, EIM, dominant character. As such, aspects of object representations
AGG, SE, and ICS) evidenced significant variation across the might have been missed because of this. Cards 3BM and 13MF
TAT cards. The cognitive variables, COM and SC, appeared consistently led participants to produce narratives rated as more
more robust to pull from the cards in our TAT protocol. pathological across several SCORS–G dimensions. In contrast,
narratives for Card 2 tended to be consistently rated as more
Word Count adaptive across SCORS–G dimensions. With regard to specific
forms of pull, Cards 12M and 14 appeared to prompt respondents
We also wanted to assess whether individual cards varied in
to produce narratives that affected only one or two SCORS–G
regard to verbal productivity. To assess this, we correlated in-
dimensions. For example, in response to Card 14 respondents
dividual card count with the SCORS–G variables to examine
consistently produced narratives in which affect was expressed
within-card differences (see Table 6). We used r = .3 as the
and managed more adaptively. Thus, it is quite likely that Cards
cutoff for significance to control for multiple comparisons and
12M and 14 do not impact as many aspects of narratives as do
spurious findings. There was a significant positive relationship
Cards 3BM, 13MF, and 2. Instead, they exert a smaller impact,
between COM and SC for Cards 1, 2, 3BM, 4, 13MF, 12M,
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influencing a more narrow range of participants’ narratives.


and 14. Higher verbal productivity was related to higher, more
Our third goal was to examine how any evidence for card pull
adaptive object representations as measured by COM and SC.
related to previous research in this domain. Although several
Other aspects of object relations that showed significant as-
aspects of our findings relate to previous research, results for
sociations with word count included ICS, SE, and EIR. That
Cards 3BM and 13MF stand out most notably (Alvarado, 1994;
is, there was a significant negative association between Cards
Aronow et al., 2001; Eron, 1950; Goldfried & Zax, 1965). For
3BM, 13MF, and 14 and ICS. Higher word count was sug-
example, Ehrenreich (1990) found that narratives to these cards
gestive of lower SCORS–G ratings on ICS. Card 13MF was
tended to possess the most primitive drives and least adaptive
negatively related to SE. Greater verbal productivity was re-
defenses. Of note, Ehrenreich (1990) used a nonclinical female
lated to lower ratings on self-esteem. Lastly, there was a posi-
sample of students attending a two year community college,
tive relationship between Card 14 and EIR; that is, greater ver-
whereas our study employed a clinical sample. The consistency
bal productivity was associated with an increase in emotional
in findings across diverse samples suggests that these card-
investment.
effects generalize across clinical and non-clinical settings, and
are not simply due to the presence or absence of psychopathol-
DISCUSSION ogy and/or distress.
This study used the SCORS–G to assess the stimulus qualities The literature has been mixed regarding Card 2’s stimulus
or “pull” of selected TAT cards for dimensions of object rela- properties (e.g., Aronow et al., 2001; Eron, 1953; Goldfried &
tions. Our first goal was to provide evidence for card pull using Zax, 1965; Campus, 1976; Seedwaldt, 2006; Rapaport, Gill, &
an empirically based measure. Unique stimulus characteristics Schafer, 1968). In this study, narratives for Card 2 were rated
were evidenced across as well as within cards. Stated differ- highly for a number of SCORS–G dimensions, most notably
ently, some cards produced consistent differences in the quality ICS. This card appeared to trigger narratives involving char-
of object relations and social cognition at either the global level acters with goals, ambitions, and a clear sense of direction in
(i.e., across many SCORS–G dimensions) or the specific level life. Aronow et al. (2001), Eron (1950), and Rosenzweig and
(i.e., on one or two dimensions). The consistency with which Fleming (1949) also found that Card 2 elicited themes of per-
some cards (e.g., Card 2, Card 3BM) scored from the mean sonal ambition, role conflict, and achievement and aspiration,
strongly suggests that the cards are notably contributing to how suggesting that this finding is unlikely to be sample specific.
respondents inform their narratives. In short, the cards are not Similarly, Ehrenreich (1990) also found that narratives to Card
neutral and should not be viewed as “equivalent” in content. 2 contained the most adaptive and mature level of defenses (as
This has potential implications for both scoring and interpreta- compared to narratives for other cards). In sum, across studies,
tion (discussed later). outcome variables, and samples, Cards 3BM and 13MF pull for
Our second goal was to assess which cards were neutral, more pathological global responses, whereas Card 2 triggers
which pulled for more pathological or adaptive object rela- more adaptive global responses. Given the number of dimen-
tions at the global level, and which cards consistently produced sions impacted in our study, the consistency of the direction
pathological or adaptive responses that were limited to specific of impact, and findings from prior research, we speculate that
domains. Of the cards evaluated, Cards 1 and 4 appeared to these cards exert a wider influence impacting multiple aspects of
exert the least influence on respondent narratives. Neither of respondents’ narratives and resulting in narratives that suggest
these cards significantly differed from the reference card for lower global function.
any SCORS–G variable and z scores were generally close to the Whereas the global impact findings for Cards 2, 3BM, and 13
mean. Thus, these cards appear to be the most “neutral,” at least MF are most consistent with prior research, results for Card 12M
in terms of the SCORS–G rating scales. One of the reasons why relate to Eron (1950). In this study, Card 12M appeared to trigger
Card 4 did not produce any significant relationships with the the greater emotional investment and emotional intimacy and
SCORS–G variables (especially with EIR or AGG) might be sharing in relationships (EIR). Eron (1950), however, reported
because in Card 4, there appear to be two dominant characters limited “pull” for Card 12M, implying that narratives to this
with varying and at times opposing levels of investment. There- card did not appear to be systematically biased or influenced by
fore, in rating these narratives, some SCORS–G variables tended card content. However, differences between studies might have
STIMULUS CHARACTERISTICS AND SCORS–G 347

to do with the methods employed to rate narratives. Eron used a should focus on assessing how and if pull impacts predictive
more general, thematic approach focusing on overall quality of validity and diagnostic accuracy of SCORS–G ratings to TAT
narratives. In this study, a reliable and validated coding system narratives. This line might also determine if norm-referenced
allowed for examination of both global and specific aspects of scores at the card level are needed or might clarify which spe-
narratives. At the global level, our results are similar to those cific cards or card combinations are most useful for specific
of Eron. The majority of SCORS–G variables do not appear predictions (e.g., is the respondent depressed?). The second line
impacted by the content of this card. However, we did find that of research should focus on examining how personality might
this card elicits narratives higher in EIR. Thus, this card might interact with card pull. This is a notable implication, as currently
exhibit a more limited influence affecting only a narrow range SCORS–G ratings tend to be averaged across cards before be-
of object relations. ing compared to personality. The data reported here suggest
Our fourth goal was to examine the relationship among ver- that personality–SCORS–G relationships might need to be ex-
bal productivity, intelligence, and SCORS–G ratings. When amined at the individual card level. Finally, these data have some
examining the relationship between verbal productivity and implications regarding card selection.
SCORS–G variables, universally, higher verbal productivity was Although both past and present findings suggest that some
associated with increased complexity and differentiation of self cards strongly impact narratives, the results reported here specif-
and other (COM) and organization and coherence as well as ically raise questions regarding scoring and interpretation spe-
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increased understanding of social behavior (SC). COM and SC cific to SCORS–G ratings for TAT cards. For example, do less
have been linked to word length in previous studies (Eudell- adaptive SCORS–G ratings for Card 3BM indicate the same
Simmons et al., 2005; Stein et al., 2007; Stein et al., 2012) and thing as less adaptive SCORS–G ratings to Card 1 (a relatively
both dimensions appear to tap more “cognitive” aspects of social neutral card)? Similarly, is a response that stands in strong con-
functioning (Stein et al., 2012). In our sample, individual TAT trast to the general pull for a card meaningful? For example,
card word count was significantly positively correlated with the consider that Card 3BM consistently elicited more pathological
Wechsler Abbreviated Scale of Intelligence Vocabulary (Wech- narratives. If a respondent produces a narrative to 3BM that is
sler, 1999) score (r = .41, p = .001). However, future research is high in a number of SCORS–G dimensions is that more signif-
needed to further understand this complex relationship (poten- icant than adaptive narratives to Card 2? If the answer is yes,
tial link between verbal ability and SCORS–G variables: COM how should such a pattern be interpreted? Is it indicative of
and SC). particularly superb abilities in regulating emotional reactions to
Three additional findings are notable. For Cards 3BM and distressing stimuli or is it indicative of a defensive reaction?
13MF, the typical relationship (i.e., higher word count re- Are there features of the narrative that could be used to discern
sults in more adaptive ratings) was reversed for some specific a defensive reaction from an adaptive reaction?
SCORS–G variables. Card 3BM’s word count was negatively In addition to specific interpretive considerations, these find-
related to ICS and word count was negatively related to SE for ings raise questions pertaining to diagnostic utility. For exam-
Card 13MF. One possible explanation for why a longer narrative ple, prior research with the SCORS–G indicates that narratives
on these cards was associated with more pathological ratings is involving a combination of painful affect and poor affect man-
that the content of the card strongly pulls for themes or char- agement (i.e., low AFF) paired with a sense of inadequacy and
acters that involve diffuse identities (Cards 3BM & 13MF) or poorly defined sense of self (i.e., low ICS) are common in de-
problems with self-esteem (Card 13MF). Thus, the more ver- pressed individuals (Aronow et al., 2001; Bellak & Abrams,
bally productive a participant is, the more these themes are 1997; Holt, 1978). However, if the visual content of Cards 3BM
developed. Said differently, increased verbal productivity might and 13 MF prime content that is “depressing,” resulting in nar-
maximize the pull of these cards. Somewhat surprisingly, word ratives low in AFF and ICS, is this indicative of depression?
count was negatively related to ICS and positively related to In contrast, are narratives low in AFF and ICS told in response
EIR for Card 14. With regard to EIR, there is only one character to more neutral cards (e.g., Card 1) more indicative of depres-
depicted in the picture and one would expect that this would sion? Ultimately these are empirical questions we believe can
relate to lower EIR ratings (the SCORS–G states “where only be examined with future research.
one character is described and no relationship is depicted, code The first line of research suggested should focus on scor-
2”). Perhaps, as verbal productivity increases, the probability of ing and predictive validity. Overall, these results, particularly
another nondepicted person being introduced into the narrative for cards 3BM, 13MF, and 2, might signal the need for norm-
emerges. An area of future research would be to determine if referenced scores at the card level. Said differently, normative
card pull on Cards 3BM (ICS), 13MF (SE and ICS), and 14 or referenced-based data for all SCORS–G ratings at the card
(EIR and ICS) might be best captured in an optimal word count level might be needed to control for difference in card pull
range. for each SCORS–G variable. Most studies tend to average raw
SCORS–G ratings across cards to calculate a participant’s score
for that dimension. This study, however, suggests that the cards
Implications and Future Directions might not be “equivalent items.” Thus, averaging without cor-
The findings from this study primarily serve to bring the issue recting for pull might be problematic. However, if a variety of
of pull back into awareness. As often occurs in studies, these cards are used and pull is balanced, the need to correct for pull
results tend to raise more questions than they answer. In the might be minimized. This is ultimately an empirical question.
following paragraphs, we begin by discussing some key ques- Specifically, research that examines how pull-corrected calcula-
tions raised by the data. We go on to argue that, in concert with tions versus raw average calculations predict a criterion variable
previous research, the questions raised by our findings indicate is needed. An initial first step in this direction, given the current
the need for at least two lines of future research. The first line lack of card-level norms for the TAT, would be to examine how
348 STEIN ET AL.

scores for “high pull” cards predict a third variable in compar- information provides insights into the utility of each card and
ison to scores for “neutral” or “low pull cards.” For example, can aid clinicians in distinguishing whether the card’s stimu-
using a dependent variable like depression, a researcher could lus or a patient’s inner world is primarily driving (pulling for)
examine the predictive utility of relevant SCORS–G scores (e.g., specific narrative themes. Knowing what themes TAT cards pull
ICS, AFF) calculated based on the average across cards that have for might help assessment psychologists recognize when pa-
pull for pathological scores (e.g., Cards 3BM and 13MF), neu- tients omit or deny known stimulus characteristics. In addition,
tral cards (e.g., Cards 1 and 2), and cards that pull for adaptive being aware of the stimulus properties of each card can help
scores (e.g., Card 2). Such studies might help to determine the guard against overpathologizing (enhancing psychopathology)
need for norms and might provide alternative approaches for of common themes. Lastly, SCORS–G data on card pull can
using TAT cards and SCORS–G ratings to assess for specific also help to identify spoiled and pathological responses.
difficulties or challenges.
The second line of research suggested focuses on person- Limitations
ality and card-pull interactions. In examining sources of vari- Being that we used a clinical sample, individual cards were
ability in ratings, many SCORS–G variables exhibited strong not rated as overly positive, which is in contrast to prior re-
Participant × Card interactions. This finding is suggestive of search. To further clarify the distinction between card pull and
pull in and of itself; it also raises the possibility that the re- the patient’s inner world and experience, it would be beneficial
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spondent’s personality might interact with the pull of the card to to replicate this study with a nonclinical population to examine
some degree. Thus, this study also suggests that future research if more positive tones were elicited. If results were similar to this
focusing on the relationship between personality and SCORS–G study, this would further substantiate card pull. If similar results
ratings of TAT narratives might do well to focus on relationships do not emerge, this could still help understand which SCORS–G
between personality and ratings for specific cards (as opposed variables are more and less sensitive to card pull. Either way, it is
to ratings averaged across cards). Lines of research could focus important for future research to clarify this. Another limitation
on understanding counter-pull responses (i.e., responses that is that we had no systematic means for examining how personal-
are in sharp contrast to those typically pulled by the card). For ity might relate to stimulus pull for cards. With the exception of
example, do people who avoid the expression of negative af- AFF, estimated variance components tended to suggest that for
fect produce higher AFF scores in response to Cards 3BM and all other SCORS–G dimensions a considerable amount of vari-
13MF? Similarly, are individuals high in interpersonal domi- ance was produced by the participant–card interaction. Thus, a
nance or aggression more likely to produce low AGG scores in participant’s personality might modulate how the participant re-
response to Card 2? In contrast, cards that pull for a particular sponds to a given card. Future research using a larger sample and
type of response or emotion might be particularly well suited simultaneously collecting personality data using an alternative
at triggering chronic personality features. In other words, al- procedure (e.g., the Rorschach; self-report inventories) would
though most individuals produce lower ICS scores in response allow investigators to compare standardized scores for each card
to Card 3BM relative to themselves, maybe respondents with to other personality features. This could better aid clinicians and
particular struggles in this domain (e.g., patients with borderline researchers alike in understanding patterns associated with both
personality disorder) exhibit the lowest scores. Research could deviations from the “typical” response (e.g., personality factors
also focus on a more “projective” hypothesis or chronic-schema related to narratives containing highly maladaptive object rela-
activation hypothesis (i.e., are responses told to more neutral tions in response to Card 2) and extreme forms of the “typical”
cards more “projective” in nature?). For example, are individu- response (e.g., highly aggressive narratives for Card 13MF).
als high in extroversion more likely to exhibit higher EIR in re-
sponse to Cards 1 and 4, whereas those low in extroversion score
lower? ACKNOWLEDGMENTS
Our data could also inform card selection for TAT research. An earlier version of this article was presented at the annual
For example, researchers might wish to use or select different meeting of the Society for Personality Assessment, Boston, MA,
cards depending on the specific type of object relations or affec- March 2011.
tive dimensions they are interested in. In this way knowing the
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