MACKIE

HOOK-UP
GUIDE

VLZ-PRO
SERIES

OUR [IN]FAMOUS PRODUCT

HOOKUPS IN BYTE-SIZED MORSELS
Copyright © 2002 Mackie Designs Inc. All Rights Reserved.
 PRINTING NOTE: These pages were built 21cm wide (8.26in) by 27.94cm (11in) tall to
accommodate the printers of both our North American users and our users around the
globe. This PDF will print at 100% on both “Letter” sized and “A4” sized paper (with room in
the left margin for hole punching).
Hello and welcome to one of many download-
able web editions of Mackie’s Product Hook-Up
Guide. Since 1992, we’ve been including these
helpful “connection maps” in our In Your Face
product guides, and we’ve been urged to continue
doing so because they’re so gosh-darned help-
ful. Now, we’ve split our hook-ups into product
famlies, and made them available to you over this
new-fangled “Internet” thingy that everyone is
talking about these days.
There will be documents that cover hooking
up our compact VLZ® PRO Series, Analog 8•Bus
Series consoles, CFX Series effects mixers, DFX
Series compact effects mixers, the D8B digital
console, the HDR24/96 hard disk recorder, PPM
Series powered mixers, the FR Series amplifiers,
SR Series front-of-house mixers, and our Active
loudspeakers.
Inside you’ll find lots of useful information
— most likely your questions will be answered
here. We realize that there’s no possible way to
cover every single question or application in so few
pages because new ways to use Mackie products
are invented every day. You may come up with
some ideas on how to do what you want by look-
ing at the various diagrams we’ve included here.
Keep in mind that a good half of the battle in
hooking up our products is having the proper
connections. Check the cables ’n’ plugs that you
already have with the diagrams on the next
page. We know it may look boring, but one of
these drawings could save your life. Well, maybe
not your life, but probably a lot of weeping and
sorrow. And don’t forget to check out the tech
tips/FAQs document also available for download
on the web at www.mackie.com/techsupport
If you don’t find the answers you’re after, then
why not give our mighty Tech Support gang a
call? These folks have tons of experience in the
real world, and they’ve got lots of equipment and
mixers at their beck and call. They’re aching to
share their knowledge with you. (And calling them
would be a very humanitarian thing to do — they’re
located in the dank sub-basement of our building
and they rarely get visitors. Your call just may be
the one that keeps their spirits alive.)
Call Mackie Tech Support toll-free (in the U.S.)
at 800-258-6883 (Monday through Friday, 7 AM
to 5 PM Pacific Time) with any Mackie product-
question you can conjure. Put them through the
wringer! We encourage it.
Incidentally, the Mackie Product Hook-Up Guide
(Web Editions) were put together from within the
confines of the Mackie Digital Mosh Pit — located
on the second floor near the Area Of Refuge — by
the well-meaning, super-preening Mackie Macin-
tosh Department. We used Adobe InDesign®,
Illustrator®, Photoshop®, and Acrobat® on a
number of suped-up big daddy Macs.
Oh yeah: Copyright © 2002 Mackie Designs Inc.
All Rights Reserved.
The following are trademarks or registered trade-
marks of Mackie Designs Inc.: “MACKIE.”, the
“Running Man” figure, VLZ, XDR, D8B, HUI, CFX
Series, FR Series, and HR Series.

A VISUAL COMMON
GUIDE PRO AUDIO PLUGS AND CONNECTORS
TS Plug (mono)
Standard mono/unbalanced phone
plug used for most mixer connections.
TRS Plug (stereo)
Standard stereo/balanced phone plug used for
balanced connections on Mackie mixers.
Insert “Y” Cable
The “Y” Cable is used for connecting serial effects
devices, such as graphic equalizers or compressors, to a
Mackie mixer’s Channel or Bus insert jacks. On one end is
a standard Tip-Ring-Sleeve “stereo” plug. Its tip and ring
are wired to separate mono Tip-Sleeve plugs. Note that
the RING of the TRS plug (A) is actually wired to the TIP of
one of the mono TS plugs (B). If you insert a TS (mono)
1/4" plug only partially (to the first click) into an insert
jack, the plug will not activate the jack switch and will not
break the insert connection in the circuit (thereby allowing
the channel signal to continue on its merry way through
Insert Points
TS Plug (mono)
Direct out with no signal interruption to master.
Insert only to first “click.”
TS Plug (mono)
Direct out with signal interruption to master.
Insert all the way in to the second “click.”
TRS Plug (stereo)
For use as an effects loop. (TIP = SEND to effects
RING = RETURN from effects)
SET IT UP, AND GO!
KNOW YOUR
PLUGS
Balanced XLR
Standard XLR microphone connector to be used
with mic-level.
RCA/Phono Plug
Tape deck connections
on most Mackie mixers.
the mixer). See (C) in “Insert Points” below.
Partial insertion allows you to tap out of the channel or
bus circuit at that point in the circuit without interrupting
normal operation.
If you push the 1/4" TS plug in to the second click, you
will open the jack switch and create a direct out, which does
interrupt the signal in that channel or bus circuit. See (D) in
“Insert Points” above. Note: Do not overload or short-circuit
the signal you are tapping from the mixer. That will affect
the internal signal of the mixer.
Attention !
A
You may notice these effects unit hookups (Figure A)
throughout this applications guide. These hookups utilize
the Insert "Y" Cable (explained on the facing page).
B COMPRESSOR
OUT
MIXER INSERT
IN
Figure B is a closeup of Figure A. The two colors
represent the input and output traveling the length of the
"Y" cable. The dotted line represents the two signals
travelling alongside one another.
 SET IT UP, AND GO!
VLZ PRO 1202/1402 4-TRACK
TRACKING

4 Track Recorder
Guitar Mic

CHANNEL INSERTS
Keyboard Direct Output to Recorder
Insert to first click!

CHANNEL INPUTS

AUX RETURNS
Reverb/Delay

Reverb/Delay
SEND
AUX

Channel Inputs as Tape Returns

Monitoring AFTER
your recorder, not
ALT 3/4

at your inputs
OUT
IN-TAPE-OUT

MAIN
OUT

Stereo Tape Deck

PHONES CNTRL ROOM
OUT

Headphones
MAIN
OUT
OUTPUTS

HR824 or other
Powered Studio Monitors
 SET IT UP, AND GO!
VLZ PRO 1202/1402
VIDEO SET UP

Mic 1 and 2

CHANNEL INSERTS
Compressor

Keyboard

CHANNEL INPUTS
NOTE: AUX Return 2 (L and R)

AUX RETURNS
can be used as an extra
stereo input
Video Decks

Reverb/Delay
AUX
OUT
ALT 3/4
OUT
IN-TAPE-OUT

Cassette Recorder
MAIN
OUT

Multi-Deck Video Switcher

with time code interface
PHONES CNTRL ROOM
OUT

Master Video Deck

Headphones
MAIN
OUT
OUTPUTS

HR824 or other
Powered Studio Monitors
 SET IT UP, AND GO!
VLZ PRO 1202/1402
COMPUTER SET UP

Mic 1 and 2

CHANNEL INSERTS
Compressor

Keyboard

CHANNEL INPUTS

AUX RETURNS
Sound Module

Reverb/Delay

SEND
AUX
Sound Card
LINE
OUT
ALT 3/4
OUT

LINE
IN
IN-TAPE-OUT

MIC
MAIN
OUT

IN
PHONES CNTRL ROOM
OUT

Headphones
MAIN
OUT
OUTPUTS

HR824 or other
Powered Studio Monitors
 SET IT UP, AND GO!
VLZ PRO 1202/1402
DJ SET UP

Mic 1 and 2

CHANNEL INSERTS
Compressor

Turntables RIAA Preamp

CHANNEL INPUTS

AUX RETURNS
Triggered Lights

CD Players AUX
OUT

Delay/Reverb
ALT 3/4
OUT
IN-TAPE-OUT

Active
MAIN
OUT

PA Speaker/
Subwoofer
combination
Stereo Tape Deck (Pole-mounted
PHONES CNTRL ROOM

SRM450s and
OUT

SRS1500 active
Subwoofers
MAIN
OUT

pictured)
OUTPUTS

Headphones
 SET IT UP, AND GO!
VLZ PRO 1202/1402 CONFERENCE
PA SET UP

Podium Mic

CHANNEL INSERTS
Guest panel
Mics

CHANNEL INPUTS

AUX RETURNS
Audience Mic
2nd Stereo Tape Deck
recording conference audio
AUX
OUT

Stereo Tape Deck

SRM450s or other
ALT 3/4
OUT

Active PA Speakers
VCR Audio out
CD Player (intermission music)
IN-TAPE-OUT

MAIN
OUT

Stereo Tape Deck

PHONES CNTRL ROOM

recording conference audio

OUT

MAIN
OUT

Graphic EQs
OUTPUTS

Headphones

To Video Camera line level

inputs to tape conference
 SET IT UP, AND GO!
VLZ PRO 1604 VIDEO
SET UP

Mic 1-2

Keyboard Compressors

CHANNEL INSERTS
Video Decks

CHANNEL INPUTS

CD Player

Sampler Digital Video Workstation

STEREO MONO

DIRECT OUT
BAL/UNBAL
MAIN OUT
BAL/UNBAL

Output Video Deck

INSERT
MAIN

Multi-Deck Video Switcher

AUX SENDS
BAL/UNBAL

with time code interface

TAPE
IN

Delay
TAPE
OUT

Reverb
BAL/UNBAL
C/R OUT

AUX RETURNS

HR824 or
other Powered
SUB OUTS
BAL/UNBAL

Studio Monitors
PHONES
OUT

Headphones
 SET IT UP, AND GO!
VLZ PRO 1604 8-TRACK
TRACKING

Mic 1-2
Guitar

Bass Compressors
Processors

CHANNEL INSERTS
Keyboard

CHANNEL INPUTS
Drum Machine

Multi-track
Digital Recorder
STEREO MONO

Stereo Compressor
DIRECT OUT
BAL/UNBAL
MAIN OUT
BAL/UNBAL

and Stereo EQ
INSERT
MAIN

AUX SENDS
BAL/UNBAL

Cue Mix
Stereo Tape Deck (Headphones
TAPE

and
IN

headphone
TAPE

amps)
OUT

Delay
BAL/UNBAL
C/R OUT

Reverb
AUX RETURNS

HR824s or
other Powered
SUB OUTS
BAL/UNBAL

Studio Monitors
PHONES
OUT

Headphones
 SET IT UP, AND GO!
VLZ PRO 1604 STEREO
PA SET UP

Mic 1-4

Compressors

Guitar
Stereo Processor

CHANNEL INSERTS
CHANNEL INPUTS
Drum Machine
Keyboards
DIRECT OUT
BAL/UNBAL

SRM450s or
STEREO MONO

other Active
MAIN OUT
BAL/UNBAL

PA Speakers
Mono EQs, M•1400i Amps,
and Passive Stage Monitors (C300s)
INSERT
MAIN

AUX SENDS
BAL/UNBAL
TAPE
IN

Delay
Stereo Compressor Cassette Recorder
TAPE
OUT

and Stereo EQ or DAT Reverb

BAL/UNBAL
C/R OUT

AUX RETURNS
SUB OUTS
BAL/UNBAL

4-Track Recorder
PHONES
OUT

Headphones
 SET IT UP, AND GO!
VLZ PRO 1642 TRACKING AND
MIXING SET UP

From Mics,
Keys,
Drum Machines,

CHANNEL INSERTS
Guitars, etc.
Stereo Processor

CHANNEL INPUTS
DIRECT OUT
8 Track Recorder BAL/UNBAL
R

AUX SENDS
BAL/UNBAL

DAT Recorder
L
MAIN OUT
BAL/UNBAL

(mastering)
L R

Reverb/Delay
MONO

Stereo Processor
Reverb/Delay
INSERT
MAIN

AUX RETURNS
TAPE
IN
TAPE
OUT

Stereo Tape Deck

BAL/UNBAL
C/R OUT
SUB OUTS
BAL/UNBAL

From Sub Outs Bal/Unbal

HR824 or other
Powered Studio Monitors
PHONES
OUT

Headphones 1

Headphones 2
 SET IT UP, AND GO!
VLZ PRO 1642 VIDEO
SET UP
Mic 1-2

Keyboard Compressors

CHANNEL INSERTS
CHANNEL INPUTS
Video Decks

Digital Video Workstation

DIRECT OUT
BAL/UNBAL
CD Player
R

AUX SENDS
BAL/UNBAL
L

Output Video Deck

MAIN OUT
BAL/UNBAL
L R

Delay
MONO

Reverb
INSERT
MAIN

AUX RETURNS

Multi-Deck Video Switcher

with time code interface
TAPE
IN
TAPE
OUT BAL/UNBAL
C/R OUT

HR824 or
SUB OUTS

other Powered
BAL/UNBAL

Studio Monitors
PHONES
OUT

Headphones
 SET IT UP, AND GO!
VLZ PRO 1642 CHURCH
SET UP

Mic 1-5

CHANNEL INSERTS
Guitar

CHANNEL INPUTS
Direct Box
Mono EQs,
Drum Machine M•1400i Amps,
and (C300) Passive
CD Player Stage Monitors

DIRECT OUT
BAL/UNBAL
VCR

Keyboards
R

AUX SENDS
BAL/UNBAL
L
MAIN OUT
BAL/UNBAL
L R

Reverb/Delay
MONO

Stereo Processor
SRM450s
INSERT

70 Volt Line Amp

MAIN

AUX RETURNS

or other
active monitors
TAPE
IN
TAPE
OUT

HR824s
or other Cassette Recorder
powered
BAL/UNBAL
C/R OUT

monitors
Assistive Listening
Transmitter
SUB OUTS
BAL/UNBAL

Multitrack Recorder
PHONES
OUT

Headphones 70V xformer tapped

loudspeakers on distributed
system throughout building
 SET IT UP, AND GO!
VLZ PRO 1642 STEREO
PA SET UP

Mic 1-4

Compressors

CHANNEL INSERTS
Bass Guitar

Mono Effects

CHANNEL INPUTS
Keyboard
Guitar Additional
stereo source

Drum

DIRECT OUT
BAL/UNBAL
Machine Stereo Effects
Mono EQs, M•1400i Amps,
and (C300)
Passive Stage Monitors
Turntable
RIAA Preamp
R

AUX SENDS
BAL/UNBAL
L
MAIN OUT
BAL/UNBAL
L R
MONO

Reverb/Delay
INSERT
MAIN

AUX RETURNS

Reverb/Delay
TAPE
IN

Stereo Processor
TAPE
OUT

CD Player
BAL/UNBAL
C/R OUT

Active PA Speaker/Subwoofer
combination (Pole-mounted
SRM450s and SRS1501 active
SUB OUTS
BAL/UNBAL

Subwoofers pictured)
Digital Multitrack
Recorder
PHONES
OUT

Headphones