Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
2. Brown, Kathan. Ink, paper, metal, wood: How to recognize contemporary artists´prints. San
Francisco: Point publications, 1992, 62 p.
3. Byrne, Chris. The original print: Understanding technique in contemporary fine printmaking.
Wisconsin: Guild publishing, 2002, 128 p. (Art Techniques/Mixed Media).
4. Chamberlain, Walter. Aguafuerte y grabado: Manual de. Madrid: Hermann Blume, 1988, 200 p.
5. Castleman, Riva. Prints of the twentieth century: A history. Londres: Thames and Hudson, 1988,
240 p. (World of art)
7. Covantes, Hugo. El grabado mexicano en el siglo XX: 1922 - 1981. México: Hugo Covantes,
1982, 254 p.
8. Esteve Botey, Francisco. Historia del grabado. Madrid: Clan-Librería Editorial, 1997, 356 p. + il.
9. Goldman, Paul. Looking at prints, drawings and watercolours: A guide to technical terms.
Londres/Los Ángeles: British Museum in association with the J. Paul Getty Museum, 1988, 64 p.
10. Griffiths, Antony. Prints and printmaking: An introduction to the history and techniques. Los
Ángeles: University of California press, 1996, 160 p.
11. Ivins, W. M. How prints look. Boston: Beacon Press, 1987, 188 p.
13. Lambert, Susan. Prints: Art and techniques Londres: V&A Publications, 2001, 96 p.
14. Losilla, Edelmira. Breve historia y técnicas del grabado artístico. México: Universidad
veracruzana, 1998, 232 p.
15. Lumsden, E. S. The art of etching. Nueva York: Dover publications, 1962, 376 p.
16. Martínez Moro, Juan. Un ensayo sobre grabado: (A finales del siglo XX). España: Creática
ediciones, 1998, 156 p.
17. Tibol, Raquel. Gráficas y neográficas. México: SEP/UNAM, 1987, 302 p. (Foro 2000)
18. Vives, Rosa. Del cobre al papel: La imagen multiplicada. El conocimiento de las estampas.
Barcelona: Icaria Editorial, 1994, 236 p.
19. Westheim, Paul. El grabado en madera. México: FCE, 1992, 300 p. (Breviarios 95)
Estampa contemporánea
20. Wye, Deborah. Artists & prints: Masterworks from the Museum of Modern Art. Nueva York: The
Museum of Modern Art, 2004, 288 p.
21. Wye, Deborah. Thinking print: Books to billboards, 1980-95. Nueva York: The Museum of
Modern Art / Harry N. Abrams, 1996, 160 p.
22. Tallman, Susan. The contemporary print: From Pre-pop to Postmodern. Nueva York: 1996, 304
p.
23. Brown, Kathan. Ink, paper, metal, wood: Painters and sculptors at Crown Point Press. San
Francisco: Chronicle books, 1996, 288 p.
24. Devon, Marjorie, ed. Tamarind: Forty years. New Mexico: University of New Mexico press
Albuquerque, 2000, 206 p.
Artistas
25 Castleman, Riva. Seven master printmakers: Innovations in the eighties. New York: The Museum
of Modern Art, 1991, 120 p.
26 Castleman, Riva. Jasper Johns: A print retrospective. New York: The Museum of Modern Art,
1986, 148 p.
27 Weitman, Wendy. Kiki Smith: Prints, books &things. New York: The Museum of Modern Art,
2003, 150 p.
28 Favela Fierro, María Teresa. Los 70: La llamada ruptura y gráfica internacional. México: Museo
Dolores Olmedo Patiño / Universidad Autónoma Metropolitana, 2000, 124 p.
29 Schack, Gerhard. Horst Janssen: Radierungen. Stuttgart: Institut für Auslandsbeziehungen, 1990,
120 p.
30 Sultan, Terrie. Chuck Close: Process and collaboration. EEUU: Princeton University Press, 2003,
160 p.
31 Carpenter, Elizabeth. Jim Dine prints: 1985 – 2000. A catalogue raisonné. Minnesota: The
Minneapolis Institute of Arts, 2002, 256 p.
32 Von Berswordt – Wallrabe, Silke. Richard Serra: Druckgrafik / Prints / Estampes. Werkzeichnis /
Catalogue Raisonné / Catalogue raisonné: 1972 -1999. Alemania: Richter Verlag Düsseldorf,
1999, 152 p.
33 Medina, Cuauhtémoc y Stellweg, Carla. Jan Hendrix. México: Consejo Nacional para la Cultura y
las Artes, 1994, 160 p.