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CHRIS DEMARTINO | Technology Editor

The Differences Between


Transmitter Types, Part 2
Though older transmitters were based solely on analog technology, digital technology
now plays a major role in today’s most commonly used transmitters.

T
his two-part series investigates various types of trans- the balanced modulator.
mitters that are found within myriad applications. Subsequently, the signal generated at the output of the bal-
Part 1 provided a general overview before examin- anced modulator enters a sideband filter. This filter allows the
ing classical AM and FM transmitters. In Part 2, we desired sideband to pass while rejecting the unwanted one.
discuss single-sideband transmitters and then examine more After the filter, the signal—which is now an SSB signal—en-
modern transmitter types. ters a mixer, along with a local-oscillator (LO) signal. Next,
at the mixer’s output, a higher-frequency signal is generated;
SINGLE-SIDEBAND TRANSMITTERS then it gets amplified and launched.
With AM modulation, both an upper and a lower side-
band are transmitted. The upper sideband frequency is equal MODERN WIRELESS TRANSMITTERS
to the sum of the carrier signal frequency and the modulat- The modulating signal in AM and FM transmitters is pure-
ing signal frequency, while the lower sideband frequency is ly analog. However, more modern transmitters utilize digital
equal to the carrier signal frequency minus the modulating technology. In essence, today’s transmitters often take advan-
signal frequency. A single-sideband (SSB) transmitter differs tage of digital-signal-processing (DSP) technology to process
from an AM transmitter in that it the information to be transmitted.
only transmits either the upper or
PHASE SHIFT OF OUTPUT SIGNAL
lower sideband—not both. Thus, an WITH RESPECT TO I/Q VALUES I/Q SIGNALS
SSB transmitter uses less bandwidth Before discussing transmitters
than an AM transmitter. I/Q values Phase (degrees) any further, it is helpful to explain
Figure 1 shows one implementa- in-phase/quadrature (I/Q) signals
11 45
tion of a SSB transmitter. An oscil- (also simply known as quadrature
lator generates the carrier signal, 01 135 signals). I/Q signals are at the core of
which is then amplified before en- the complex modulation techniques
tering a balanced modulator. In ad- 00 225 implemented in many transmitters.
dition, the audio signal is amplified Essentially, I/Q signals can be de-
10 315
and processed before also entering fined as a pair of signals that differ in
phase by 90 degrees. The in-phase (I)
Buffer Balanced Driver signal is the reference signal, while the quadra-
amplifier modulator Mixer amplifier ture (Q) signal shifts 90 degrees in phase from
Sideband
filter the I signal.
Carrier
Power A cosine wave and a sine wave differ in phase
oscillator
amplifier by 90 degrees. The cosine wave would be con-
Speech
processing sidered the I signal (phase equal to 0), while the
Audio Audio LO sine wave represents the Q signal. When add-
signal amplifier ing together a cosine wave and a sine wave with
1. This SSB transmitter makes use of a filter to remove the unwanted sideband. equal amplitudes, the result is a sinusoid that

1 MWRF.COM
LPF Mixer
I
I(t) DAC

0º Digital data LO 0º
DSP
RF Output 90º
LPF
90º Power
Q
DAC amplifier
Q(t)
Mixer

2. Shown is a simple representation of QPSK 3. The direct-conversion transmitter is widely used in wireless communication
modulation. systems.

shifts in phase by 45 degrees from the I signal. Combining I signal eventually arrives at a receiver, which demodulates the
and Q signals is an important concept with regard to complex received signal to recover the I/Q signals.
modulation.
Figure 2 is an illustration of quadrature phase-shift-keying SUPERHETERODYNE TRANSMITTER
(QPSK) modulation, including the I/Q signals as well as the Figure 4 shows a block diagram of a superheterodyne trans-
RF carrier signal. The I and Q signals shown are actually digi- mitter, which has greater complexity than the direct-conver-
tal bit streams. The table denotes that the phase shift of the sion transmitter. Its process is similar to that of the direct-con-
output signal is determined by the I and Q values. As can be version transmitter up until the first bandpass filter, shown as
seen, QPSK has a total of four states. Bandpass Filter 1. The signal that reaches this filter is known as
Many other modulation techniques exist, but describing the intermediate-frequency (IF) signal. After passing through
them all would go beyond the scope of this article. However, Bandpass Filter 1, the IF signal is amplified and then upcon-
the concept discussed here demonstrates that a carrier signal verted to the final output frequency by a mixer. After that, the
can be modulated by controlling the amplitude of the I/Q sig- signal is filtered, amplified, and launched.
nals. It is an essential factor in understanding the functionality Referring to Fig. 4, one drawback of the superheterodyne
of many of today’s transmitters. transmitter is the generation of unwanted signals at the output
of Mixer 3. To explain, the frequency of the desired output
DIRECT-CONVERSION TRANSMITTER signal could be equal to the sum of the LO2 and IF frequen-
One often-used transmitter is the direct-conversion trans- cies. However, an unwanted signal with a frequency equal to
mitter, which has the benefit of being simple and cost-effective the difference of the LO2 and IF frequencies will also appear
(Fig. 3). Here, the digital data that contains the information to at the output of Mixer 3.
be transmitted is processed, resulting in baseband I/Q signals. Alternatively, the reverse could be true: The desired output
The I and Q signals are then each fed to respective digital- frequency could be equal to the difference of the LO2 and IF
to-analog converters (DACs). Next, the DAC output signals frequencies; thus, an unwanted signal with a frequency equal
are each applied to respective lowpass filters. After passing to the sum of the LO2 and IF frequencies will appear at the
through these filters, both signals subsequently enter corre- output of Mixer 3. No matter the case, Bandpass Filter 2 is
sponding mixers. employed to remove the unwanted signals.
Meanwhile, an LO generates an RF signal. This signal is then
split into two signals that are 90 degrees out of phase. Each of CONCLUSION
these signals drive the other input port of the aforementioned Transmitters come in various shapes and sizes. While AM
mixers, respectively. At this stage, the output signals from and FM transmitters are still in play, current wireless commu-
both mixers are combined, and the resulting modulated signal nication systems extensively use other types—in particular,
is amplified, fed to an antenna, and launched. The transmitted direct-conversion and superheterodyne implementations .
LPF And let’s not forget that DSP technology is
Mixer 1
I a key enabler of the communications that
DAC Bandpass Bandpass
filter 1 filter 2
prevail today.
Mixer 3
LO1 0º
References
90º 1. Frenzel, Louis E., Principles of Elec-
LPF
Q AGC
Power tronic Communication Systems, Fourth
DAC amplifier
Edition, McGraw Hill, 2016.
Mixer 2 2. Tektronix, What’s Your IQ—About
LO2
4. A superheterodyne transmitter functions similarly to the direct-conversion transmitter Quadrature Signals, April, 2013.
until reaching the first bandpass filter.

2 MWRF.COM

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