Tragic Kingdom

Tragic Kingdom is the third studio album by American rock band No Doubt. It was
Tragic Kingdom
released on October 10, 1995, by Trauma Records and Interscope Records. It was
the final album to feature original keyboardist Eric Stefani, who left the band in
1994. The album was produced by Matthew Wilder and recorded in 11 studios in the
Greater Los Angeles Area between March 1993 and October 1995. Between 1995
and 1998, seven singles were released from it, including "Just a Girl", which charted
on the Billboard Hot 100 and the UK Singles Chart; and "Don't Speak", which
topped the Billboard Hot 100 Airplay and reached the top five of many international
charts.

The album received mostly positive reviews from music critics. At the 39th Annual
Grammy Awards, No Doubt earned nominations for Best New Artist and Best Rock
Album. It has sold over 16 million copies worldwide, and was certified diamond by
the Recording Industry Association of America (RIAA) in the United States and Studio album by No Doubt
Canada, platinum in the United Kingdom, and triple platinum in Australia. Tragic Released October 10, 1995
Kingdom helped to initiate the ska revival of the 1990s, persuading record labels to Recorded March 1993 – October
sign more ska bands and helping them to attract more mainstream attention. The 1995
album was ranked number 441 on Rolling Stone magazine's list of the 500 greatest
Studio Various
albums of all time.
Genre Ska punk · third wave
No Doubt embarked on a tour to promote the album. It was designed by Project X ska
and lasted two and a half years. An early 1997 performance at the Arrowhead Pond
Length 59:38
of Anaheim was filmed and released as Live in the Tragic Kingdom on VHS and
Label Trauma · Interscope
later DVD.
Producer Matthew Wilder
No Doubt chronology

Contents The Tragic Return of

Beacon Kingdom Saturn
Background Street (1995) (2000)
Production Collection
Music and lyrics (1995)
Singles
Singles from Tragic Kingdom
Release and promotion
Critical reception 1. "Just a Girl"
Commercial performance Released: September 21, 1995
Track listing 2. "Spiderwebs"
Personnel Released: November 19, 1995
Charts 3. "Don't Speak"
Weekly charts Released: April 15, 1996
Year-end charts
4. "Excuse Me Mr."
Decade-end charts
Released: August 21, 1996
All-time charts
5. "Sunday Morning"
Certifications
Released: May 27, 1997
See also
Notes
 References 6. "Happy Now?"
Released: September 23, 1997
7. "Hey You!"
Background Released: February 23, 1998
No Doubt released their self-titled debut album in 1992, a year after being signed to
Interscope. The album's pop-oriented sound sharply contrasted with grunge music, a genre which was very popular at the time in the
United States.[1] The album sold 30,000 copies;[2][3] in the words of the program director of KROQ, a Los Angeles radio station on
[3][4] The
which it was one of the band's driving ambitions to be played, "it would take an act of God for this band to get on the radio."
band began work on their second album in 1993,[3] but Interscope rejected most of the material,[5] and paired the band with producer
Matthew Wilder. Keyboardist Eric Stefani did not want to relinquish creative control to someone outside the band and eventually
stopped recording and rehearsing.[6] He encouraged other members of the band to write songs, but sometimes felt threatened when
they did. Eric became increasingly depressed, and in September 1994, he stopped attending rehearsals, though they were usually held
at his house.[7] He soon left the band to pursue an animation career on the animated sitcom The Simpsons.[6] Bassist Tony Kanal then
ended his seven-year relationship withGwen Stefani.[8]

The band decided to produce their next album independently and recorded their second album, The Beacon Street Collection, in a
homemade studio.[3] No Doubt's first two singles were released for The Beacon Street Collection: "Squeal" and "Doghouse", under
their own record label, Beacon Street Records. Despite limited availability, the album sold 100,000 copies in the year of its release.[3]
[5]
Their independence attracted Interscope's attention and ensured that the label would fund a third album.

Production
Tragic Kingdom was recorded in 11 different studios in Los Angeles,[3] starting in
[3]
March 1993 and finally being released two-and-a-half years later in October 1995.
During one of these recording sessions, the band was introduced to Paul Palmer,
who had previously worked with Bush and was interested in working on No Doubt's
new album. After mixing the first single with David J. Holman, "Just a Girl", Palmer
and Holman went on to do the same to the rest of the record. He wanted to release
the album on his own label, Trauma Records, which was already associated with
Interscope, and succeeded in getting the contract.[9]

The album is named after the nickname Dumont's seventh grade teacher had for The title "Tragic Kingdom" is a play
Disneyland, which is in Anaheim, California, where the band members grew up. It is on words for Disneyland's nickname
The Magic Kingdom.
a pun on the popular nickname for Disneyland—"The Magic Kingdom".[10] The
album photography and portraits were taken by photographer fine artist Daniel
Arsenault. Gwen is featured in the foreground while the rest of the band members are standing in an orange grove in the background.
Gwen pushed for Eric to be included on the album cover—a source of tension for the band—reasoning that although he had left the
band, he had still contributed substantially to the album. Eric is seen near the back of the picture, looking away from the camera.[7]
The pictures on the cover and in the liner notes were taken on city streets in their native Orange County (namely Anaheim and City of
Orange) and in orange groves. The red dress Gwen wears on the cover was loaned to the Hard Rock Cafe and was later displayed at
the Fullerton Museum Center in an exhibit titled "The Orange Groove: Orange County's Rock n' Roll History".[11] The dress,
[12]
appraised as high as US$5,000, was stolen from the exhibit in January 2005.

Music and lyrics

Tragic Kingdom uses elements of a variety of musical genres. Third wave ska and ska punk (a fusion of ska and punk rock) are the
genres most prominent on the album.[13][14][15] The album also uses elements of new wave, pop,[16][17] and post-grunge,[13] and
dance rhythms influenced byreggae, ska, flamenco, and Tejano, among others.[18] Apart from No Doubt's instrumentation, the album
uses horn sections on several songs.[16]
Many of the lyrics on Tragic Kingdom were written by lead vocalist Gwen Stefani, and were about her experiences in life. Those
from No Doubt and The Beacon Street Collection were written mainly by Eric Stefani, who left the band after Tragic Kingdom was
finished.[19] Therefore, the style of music changed from what the band had previously produced. Guitarist Tom Dumont explained
the change in sound in an interview for Backstage Online:

“ Well, there is a reason that the sound of our music has changed and it's not
because we've sold out. Easy for me to say. Eric, our keyboard player, used to write
most of our songs. He was the main creative force in the band for many years. And
at a certain point after that first album came out, he had this personal thing, like he
didn't like touring, he didn't like all that stuff. He just liked to sit down and write
songs. That's him. He's the artistic side, the total Mr. Creative.
We have a simpler style. We're not quite genius like him I think. This album was our first attempt. It was
Gwen's first time really writing all the lyrics herself so to me, it went the opposie [sic] from selling out[;]
we have done something that is even more personal. In the past, Eric was writing songs about his life
and having Gwen sing them. Now we have Gwen singing and writing about her own experiences. It
makes it more natural. She's a singer, she should sing about herself or sing what she wants to sing. I
[19]
think that is the main reason why our musical style has changed.
”
Singles
The first single released from Tragic Kingdom was "Just a Girl", which details Gwen Stefani's exasperation with female stereotypes
and her father's concerned reaction to her driving home late from her boyfriend's house. It peaked at number 23 on the Billboard Hot
100 chart and number 10 on the Modern Rock Tracks chart.[20] The song also charted on the UK Singles Chart, where its original
release peaked at number 38 and its reissue at number three.[21] The second single was "Spiderwebs", written about an uninterested
woman who is trying to avoid the constant phone calls of a persistent man. It reached number five on the Billboard Modern Rock
Tracks chart,[20] number 11 on the Billboard Top 40 Mainstream chart,[20] and number 16 on the UK Singles Chart.[21]

The third single was "Don't Speak", a ballad about the breakup of Stefani and Kanal's relationship. It peaked at number one on the
Billboard Hot 100 Airplay, and maintained that position for 16 consecutive weeks, a record at the time, although it was broken in
1998 by the Goo Goo Dolls' "Iris" with 18 weeks.[22] The song was not eligible to chart on the Billboard Hot 100 because no
commercial single was released, which was a requirement at the time.[23] The song also peaked at number two on the Modern Rock
Tracks chart, at number six on the Adult Contemporary chart, at number one on the Adult Top 40 chart, and at number nine on the
Rhythmic Top 40 chart.[20] The song also appeared on several international charts, reaching number one in Australia, Belgium, the
Netherlands, New Zealand, Norway, Sweden, Switzerland, and the United Kingdom, number two in Austria and Germany, and
number four in Finland and France.[21][24]

"Excuse Me Mr." and "Sunday Morning" were released as the album's fourth and fifth singles, respectively. "Excuse Me Mr." reached
number 17 on the Billboard Modern Rock Tracks chart[20] and number 11 in New Zealand.[25] "Sunday Morning" peaked at number
35 on the Billboard Top 40 Mainstream chart,[20] number 21 in Australia, number 42 in New Zealand, and number 55 in Sweden.[26]
Composing the song began when Kanal was having a fight with Stefani, then his girlfriend, through the bathroom door of his parents'
house in Yorba Linda, California. Stefani later changed the lyrics to discuss dealing with her breakup with Kanal.[27] "Happy Now?"
was released as the album's sixth single on September 23, 1997, but failed to chart anywhere.[20][28][29] "Hey You!" was released as
the seventh and final single from Tragic Kingdom; it peaked at number 51 on the Dutch Single Top 100.[30] Despite being a Dutch-
only single, a Sophie Muller-directed music video was filmed to promote the single.

Release and promotion

Tragic Kingdom was first released by Trauma and Interscope on October 10, 1995. To promote the album, Trauma launched a street
campaign that targeted high school students and the skateboarding community. No Doubt performed on the Warped Tour, which was
sponsored by several skateboarding companies, and at several skateboarding festivals. The album remained low on the Billboard 200
and did not enter the top 100 until February 1996, when it jumped 27 positions to number 89. Palmer attributed the jump toChannel
a
One News program that Stefani hosted in January 1996, which was broadcast in 12,000 classrooms, and the band's subsequent
performance at a Blockbuster store in Fresno, California.[31]

In May 1996, the band worked with HMV, MuchMusic, and the Universal Music Group to put on a global in-store promotion. The
band performed and answered questions in MuchMusic's studios in Toronto, Ontario. The session was broadcast live to HMV stores
worldwide and on a webcast so that fans could watch and ask the band questions through MuchMusic's VJs. Sales of Tragic Kingdom
doubled the week after the event. The event's sponsors lobbied Guinness World Records to create a category for the largest virtual in-
store promotion to recognize the event.[32]

No Doubt embarked on the Tragic Kingdom Tour after the release of the album. It chose Project X, headed by Luc Lafortune and
Michael Keeling, to design the stage. No Doubt suggested decorating the stage as a clearing in a forest. Project X created three
anthropomorphic trees with glowing oranges. The show included clear and mylar confetti designed to look like rain. Lighting design
was difficult because there were only four rehearsals, so the show was arranged to be flexible to allow for what Lafortune referred to
as "a very kinetic performance".[33] The band expected to tour for two months, but the tour ended up lasting two and a half years.
[34]

An early 1997 performance at the Arrowhead Pond of Anaheim was filmed[35] and was released as Live in the Tragic Kingdom on
VHS on November 11, 1997.[36] It was re-released on November 25, 2003, on DVD as part of the box set Boom Box,[37] which also
contained The Singles 1992–2003, Everything in Time, and The Videos 1992–2003; and again on June 13, 2006, as a stand-alone
, and an alternative version of "Don't Speak".[38]
DVD, containing bonus material of extra songs, a photo gallery

Critical reception
The album received mostly positive reviews from critics. David Fricke
Professional ratings
of Rolling Stone magazine gave a mostly positive review, describing
Tragic Kingdom as "ear candy with good beats, not just bludgeon-by- Review scores
numbers guitars" and its music as "a spry, white-suburban take on ska
Source Rating
and Blondieesque pop". Fricke however described "Don't Speak" as
AllMusic [13]
"irritating swill" with "high-pitched rippling" from Gwen Stefani.[14] In
Encyclopedia of Popular Music [39]
2003, the album was ranked number 441 on Rolling Stone magazine's
list of the 500 greatest albums of all time.[43] Entertainment Weekly's Entertainment Weekly C+[17]
David Browne attributed the album's sales to Gwen Stefani's "leggy, [40]
Los Angeles Times
bleached-blond calling card" and concluded that "sex still sells".
Browne, however, described the music as "a hefty chunk of new-wave MusicHound Rock 3/5[41]
party bounce and Chili Peppers-style white-boy funk, with dashes of The Rolling Stone Album Guide [42]

reggae, squealing hair-metal guitar, disco, ska-band horns" and the band
The Village Voice C+[15]
as sounding like "savvy, lounge-bred pros". Individual songs were
singled out and commented on: "Just a Girl" was described as "a chirpy, ska-tinged bopper", "Don't Speak" as "an old-fangled power
ballad", "Sixteen" as a "song of solidarity with misunderstood teenage girls", and "Spiderwebs" and "End It on This" as "[Stefani]
[17]
acknowledg[ing] obsessions with losers and tr[ying] to break free."

Calling the album a marked improvement over "the diffuse, rambling songwriting of [No Doubt's] two previous CDs", Mike Boehm
of the Los Angeles Times felt that on the album, "The band is bright, hard-hitting and kinetic, as sharp production captures the core,
four-man instrumental team and adjunct horn section at their best".[40] In a favorable review for The Village Voice, critic Chuck Eddy
felt that although "[the album] turns pretentious ... No Doubt resurrects the exuberance new-wave guys lost when '80s indie labels
and college radio conned them into settling for slam-pit fits and wallflower wallpaper".[18] AllMusic called it "pure fun" and
described the music as something "between '90s punk, third-wave ska, and pop sensibility" and a mix of "new wave melodicism,
post-grunge rock, and West Coast sunshine", indicating the songs "Spiderwebs", "Just a Girl", and "Don't Speak" as "positively
[ruling] the airwaves".[13] Yahoo! Music reviewer Bill Holdship called the album a "phenomenon" containing "hit after hit", and
describing "Spiderwebs" as "a terrific opener".[44] Reviewer Robert Christgau called Stefani "hebephrenic" and the album "hyped
up" and not "as songful as its fun-besotted partisans [claim]".[15] At the 1997 Grammy Awards, No Doubt were nominated for Best
New Artist and Best Rock Album.[45]

Commercial performance
After entering the Billboard 200 at number 175 in January 1996,[46] Tragic Kingdom eventually peaked at number one in December
1996, with 229,000 copies sold,[47] spending nine non-consecutive weeks atop the chart.[46] It was listed second on the 1997
Billboard 200 year-end chart, behind the Spice Girls' Spice.[48] On February 5, 1999, the Recording Industry Association of America
(RIAA) certified the album diamond,[49] and as of July 2012, it had sold 8,167,000 copies in the United States;[50] it sold an
additional 1.32 million copies through BMG Music Club.[51] Tragic Kingdom topped the Canadian Albums Chart in December
1996,[52] and it was certified diamond by the Canadian Recording Industry Association (CRIA) in August 1997.[53] In Europe, the
album topped the chart in Belgium, Finland, and Norway, while reaching the top five in Austria, Germany, the Netherlands, Sweden,
Switzerland, and the United Kingdom, and the top 20 in France.[54] By April 2004, the album had sold 16 million copies
worldwide.[34]

The commercial success of Tragic Kingdom prompted record labels to sign ska bands, and more independent labels released ska
records and compilations. Save Ferris's guitarist and vocalist Brian Mashburn stated that No Doubt helped allow bands like his
receive attention from the mainstream.[55]

Track listing
No. Title Writer(s) Length
1. "Spiderwebs" Gwen Stefani · Tony Kanal 4:28
2. "Excuse Me Mr." G. Stefani · Tom Dumont 3:04
3. "Just a Girl" G. Stefani · Dumont 3:28
4. "Happy Now?" G. Stefani · Dumont · Kanal 3:43
5. "Different People" Eric Stefani · G. Stefani · Kanal 4:34
6. "Hey You!" G. Stefani · Kanal 3:34
7. "The Climb" E. Stefani 6:37
8. "Sixteen" G. Stefani · Kanal 3:21
9. "Sunday Morning" Kanal · G. Stefani · E. Stefani 4:33
10. "Don't Speak" E. Stefani · G. Stefani 4:23
11. "You Can Do It" G. Stefani · E. Stefani · Dumont 4:13
· Kanal
12. "World Go 'Round" Kanal · G. Stefani 4:09
13. "End It on This" G. Stefani · Dumont · Kanal · E. 3:45
Stefani
14. "Tragic Kingdom" E. Stefani 5:31

Personnel
Credits adapted from the liner notes ofTragic Kingdom.[56]

No Doubt Technical

Gwen Stefani – vocals Matthew Wilder – production

Tom Dumont – guitar Phil Kaffel – recording (tracks 3–10, 14)
Tony Kanal – bass George Landress – recording (tracks 3, 6, 7)
Adrian Young – drums, percussion Matt Hyde – recording (tracks 1, 2, 13)
Eric Stefani – piano, keyboards
Additional musicians
Phil Jordan – trumpet
Gabrial McNair – trombone, additional
percussion
Gerard Boisse – saxophone (tracks 5, 7, 14)
Stephen Perkins – steel drum (track 1)
Aloke Dasgupta – sitar (track 6)
Melissa Hasin – cello (tracks 8, 10)
Bill Bergman – saxophone (tracks 11, 12)
Les Lovitt – trumpet (tracks 11, 12)
Greg Smith – baritone saxophone (tracks 11,
12)
Nick Lane – trombone (tracks 11, 12)
Matthew Wilder – additional keyboards (tracks
3, 6)
Albhy Galuten – director of paradigm (track 5)
John "Tokes" Potoker – recording (tracks 11–
13)
Ray Blair – recording (track 5)
David J. Holman – mixing (Cactus Studios,
Hollywood)
Paul Palmer – mixing (Cactus Studios,
Hollywood)
Robert Vosgien – mastering (CMS Digital,
Pasadena)
Artwork
Morbido / Bizarrio – creative direction,
design, digital imaging
Dan Arsenault – photography
Shelly Robertson – photography
Patrick Miller – photography

Charts

Weekly charts Year-end charts

Chart (1996) Position

Canada Top Albums/CDs (RPM)[81] 16

US Billboard 200[82] 19

Chart (1997) Position

Australian Albums (ARIA)[83] 6

Austrian Albums (Ö3 Austria)[84] 12

Belgian Albums (Ultratop Flanders)[85] 24

Belgian Albums (Ultratop Wallonia)[86] 21

Danish Albums (Hitlisten)[87] 4

Dutch Albums (MegaCharts)[88] 6

European Albums (Music & Media)[89] 3

French Albums (SNEP)[90] 42

German Albums (Offizielle Top 100)[91] 5

New Zealand Albums (RMNZ)[92] 13

Swedish Albums (Sverigetopplistan)[93] 23

Swiss Albums (Schweizer Hitparade)[94] 11

UK Albums (OCC)[95] 26

US Billboard 200[48] 2
 Chart (1995–97)
Peak Decade-end charts
position

Australian Albums (ARIA)[57] 3 Chart (1990–99) Position

Austrian Albums (Ö3 Austria)[58] 2 US Billboard 200[96] 22

Belgian Albums (Ultratop Flanders)[54] 1

Belgian Albums (Ultratop Wallonia)[59] 1 All-time charts

Canadian Albums (Billboard)[52] 1
Chart Position
Czech Albums (ČNS IFPI)[60] 5
US Billboard 200[97] 67
Danish Albums (Hitlisten)[61] 1
US Billboard 200 (women)[98] 21
Dutch Albums (Album Top 100)[62] 2

European Albums (Music & Media)[63] 2

Finnish Albums (Suomen virallinen lista)[64] 1

French Albums (SNEP)[65] 14

German Albums (Offizielle Top 100)[66] 2

Greek Albums (IFPI)[67] 2

Hungarian Albums (MAHASZ)[68] 6

Icelandic Albums (Tónlist)[69] 1

Irish Albums (IRMA)[63] 1

Italian Albums (FIMI)[63] 13

Japanese Albums (Oricon)[70] 71

New Zealand Albums (RMNZ)[71] 1

Norwegian Albums (VG-lista)[72] 1

Portuguese Albums (AFP)[67][73] 3

Scottish Albums (OCC)[74] 4

Spanish Albums (AFYVE)[75] 5

Swedish Albums (Sverigetopplistan)[76] 3

Swiss Albums (Schweizer Hitparade)[77] 3

UK Albums (OCC)[78] 3

UK Rock & Metal Albums (OCC)[79] 1

US Billboard 200[80] 1

Certifications
 Region Certification Certified units/Sales

Australia (ARIA)[99] 4× Platinum 280,000^

Austria (IFPI Austria)[100] Gold 25,000*

Belgium (BEA)[101] Platinum 50,000*

Brazil (Pro-Música Brasil)[102] Gold 100,000*

Canada (Music Canada)[53] Diamond 1,000,000^

Finland (Musiikkituottajat)[103] Platinum 55,785[103]

France (SNEP)[104] 2× Gold 200,000*

Germany (BVMI)[105] Gold 360,000[106]

Israel[107] Gold 20,000

Italy (FIMI)[108] Platinum 100,000*

Japan (RIAJ)[109] Gold 100,000^

Netherlands (NVPI)[110] Platinum 100,000^

New Zealand (RMNZ)[111] 5× Platinum 75,000^

Norway (IFPI Norway)[112] Platinum 50,000*

Spain (PROMUSICAE)[113] Platinum 100,000^

Sweden (GLF)[114] 2× Platinum 200,000^

Switzerland (IFPI Switzerland)[115] Platinum 50,000^

United Kingdom (BPI)[116] Platinum 533,172[117]

United States (RIAA)[49] Diamond 9,487,000[a]

Summaries

Europe (IFPI)[118] 2× Platinum 2,000,000*

*sales figures based on certification alone

^shipments figures based on certification alone

See also
List of best-selling albums in the United States
List of Billboard 200 number-one albums of 1996
List of Billboard 200 number-one albums of 1997
List of number-one albums of 1996 (Canada)
List of number-one albums of 1997 (Canada)

Notes
a. As of July 2012, Tragic Kingdom had sold 8,167,000 copies in the United States according toNielsen
SoundScan,[50] which does not count albums sold through clubs like theBMG Music Club, where it sold 1.32 million
copies.[51] Combined, it has sold over 9,487,000 copies in the US.

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