President’s Note:
It gives me great pleasure as the President of CLOC to welcome you to
Direction Team’s Note:
Stephen Schwartz and Winnie Holzman’s collaboration
for Wicked undoubtedly produced an extremely
marketable product. This became abundantly clear
with the unprecedented number of auditionees last
November, all with a thorough knowledge and almost
fanatical love for the show. This early indication
heralded our induction as directors into a passion and
enthusiasm for the piece which seemed boundless and
extraordinary.
While admittedly finding some difficulty with
the convolutions of Maguire’s original story and
Holzman’s interpretation, it undoubtedly had all the
proven elements of entertainment, with generous
doses of good and evil, political corruption, clashing
personalities, romance and unrequited love, not to
mention revenge, violence and witchcraft.
We think its real strength, however, lies in a masterfully
thematic musical score, with powerful and evocative
melodies and orchestrations which describe the power
of supernatural drama absolutely. The strength and
talent of our cast is remarkable and amongst the best
we’ve worked with. We have now become Wicked’s
latest devotees. We think you will see our point.
Chris, Lynette and Danny
“Oz” to experience the magic of Wicked.
The announcement of each new show is the beginning of an exciting and
rewarding journey that reaches a fitting finale in what you see tonight.
While you see 33 people on the stage, what you don’t see are the nearly
250 people off the stage who come together, offering their talents,
time and experience in creating the high level of artistic and technical
excellence of which CLOC is so justifiably proud.
The size of a production such as Wicked can never be underestimated –
from sets, costumes, wigs, lights, sound, special effects, orchestra, and of
course the cast, each department has blended together because of a love
of theatre that keeps them coming back and striving to keep producing
these high quality productions for you – our loyal patrons.
CLOC is always on the look out for dedicated people to join us in
assisting to mount our productions, so if you are interested and want to
experience this magic, please get in contact with us through our website
– we’d love to hear from you.
For a production of this grand scale we are delighted to reunite the team
that did such a magnificent job on our sell-out season of Mary Poppins
last year. Heading the creative team are Chris and Lynette White (Co-
Directors/Choreographer), who together with Danny Forward (Musical
Director) have brought together a stellar cast of talented individuals who
give justice to the vocally demanding score.
We are excited to welcome back Vicky Horne in Costume Design after
her recent Music Theatre Guild Award win for her work on Mary Poppins
and Chris White (again doing double duty) who has outdone himself
with a jaw dropping set design, along with Brad Alcock (Lighting Design)
and Marcello Lo Ricco (Sound Design), who each bring amazing skill and
perfection to this production.
As you prepare to enjoy this very special performance, we invite you back
again in October as we present the rock classic Jesus Christ Superstar.
But for now, sit back, relax and come with us to the Emerald City and
experience the story of what happened before Dorothy came to Oz. 
Cameron Osborne
President
2
 CLOC MUSICAL THEATRE’S PRODUCTION OF

Music and Lyrics by Book by

Stephen Schwartz Winnie Holzman

Based on the novel by

Gregory Maguire
Originally directed on Broadway by Joe Mantello
Produced on Broadway by Marc Platt, Universal Pictures,
The Araca Group, Jon B. Platt and David Stone
Music Arrangements by Orchestrations by Dance Arrangements by
Alex Lacamoire & Stephen Oremus William David Brohn James Lynn Abbott
Electronic Music Design
Andrew Barrett for Lionella Music LLC
Starring
Rosa McCarty, Emily McKenzie, Lee Threadgold, Carolyn Waddell, Robbie Smith, Grace Kingsford, Hamish Anderson, Jon Sebastian, Cameron O’Reilly
Will Atkinson, Jessica Carson, Stephanie Elise, Nathan Fernandez, Matt Hirst, Lauren Holcombe, Everett Joy, Luke McShane,
Emily Mill, Louisa Mitchell, Elise Naismith, Thomas O’Reilly, Taylor Rettke, Claire Robinson, Chris Rogers, Blair Salmon, Felicity Shaw,
Nathan Slevin, Karen Taranto, Kate Trickey, Tailem Tynan, James Watkinson, Vanessa Wicks, Robbie Wilton

Chris White Lynette White Danny Forward

Co-Director/Set Designer Co-Director/Choreographer Musical Director
Victoria Horne Brad Alcock Marcello Lo Ricco David Wisken
Costume Designer Lighting Designer Sound Designer Wig & Make-up Designer
Sandra Davies Grant Alley OAM Debbie Osborne Bernard Hedger
Stage Manager Technical Director Production Manager Stage Director
Assistant to the Director
Melinda Peebles, Victoria Horne Jodie Lawson
Costume Co-ordinators Props Co-ordinator

MAY 6 - 21, 2016

The National Theatre, St. Kilda
By arrangement with Hal Leonard Australia Pty Ltd exclusive agent for Music Theatre International (NY)
 - DIRECTION & DESIGN -

Chris White Danny Forward

Co-Director/Set Designer Lynette White Musical Director
Originally from Brisbane, Danny is now
Chris has been involved in theatre for over Co-Director/Choreographer
40 years, having started out as Publicity a much valued and beloved member of
For over 30 years, Lynette has been a major the Melbourne musical theatre scene.
Designer for J.C. Williamson, Melbourne
force in choreography and direction in the For Beaumaris Theatre, Danny was a
Theatre Company and The Australian
Melbourne music theatre scene, working with committee member for eight years and
Ballet. This led to onstage performances
major theatre companies including Whitehorse musically directed, composed and/or
in musicals, as well as direction and
(My One and Only, Gypsy, Joseph and the Amazing performed music for twelve productions,
design in professional and amateur
Technicolour Dreamcoat, Beauty and the Beast, including their much acclaimed 2010
theatre. He has produced, directed and
Seussical), Catchment (My Fair Lady, Pippin, production of I Love You, You’re Perfect,
designed over 40 musicals in as many
Chicago, Annie, Jesus Christ Superstar, Grease), Now Change, which he also co‑directed and
years. Since retiring from a long‑standing
Babirra (The Desert Song, The Whitehorse Inn), designed. For other companies, Danny has
teaching career, Chris is now a full-time
and Festival (La Cage Aux Folles, Barnum). She worked as Musical Director for MLOC (Cats,
professional artist and designer, having
worked for several years with the Department Beauty and the Beast, Pippin, Camelot), Fab
won over 60 major art awards for his
of Education as the director/choreographer Nobs (Rent, Grease, Avenue Q, It’s a Bird, It’s
work (including the Streeton award
for the Victorian Schools Spectacular, doing a Plane, It’s Superman), MDMS (Guys and
(twice), the McCubbin award (three
shows such as Oklahoma!, The Wiz, Little Shop Dolls) and Babirra (Annie, Crazy for You,
times) and the Heysen Prize). Some of
of Horrors, Chicago, Into the Woods and The The Boy from Oz). As well, he has worked
his noted direction and/or set designs
Pirates of Penzance. She also choreographed with Aspect, Catchment, MOTTS, New Beat,
include Steel Pier (CLOC), Sweeney Todd
and produced the Rock Eisteddfods. With PLOS and Whitehorse, either as Musical
(twice-CLK and Nova), Joseph & The
husband Chris, she has also co-directed Director, audition and rehearsal pianist
Amazing Technicolour Dreamcoat and
and choreographed many shows, including or pit player. In 2010, he was honoured at
Seussical (Whitehorse), Into The Woods
Oklahoma!, Sweeney Todd (twice), Anything the Annual Music Theatre Guild Awards
(Dandenong), and Les Miserables, Anything
Goes, Oliver!, Les Miserables, Into the Woods and when he received the Musicians Award for
Goes and Oklahoma! (all for Catchment).
Pippin. For CLOC, Lynette choreographed our Excellence. In 2008, Danny worked on his
For CLOC, he and Lynette co‑directed (and
1998 production of A Chorus Line, as well as first CLOC production, The Boy from Oz,
Chris designed) Dusty (2010), Fiddler on
our 2009 premiere blockbuster Miss Saigon. In working as rehearsal pianist and as part of
the Roof (2011), Guys and Dolls (2013)
2010, she choreographed and co-directed Dusty the on-stage orchestra. He then worked on
and last year’s spectacular Mary Poppins.
with husband Chris, followed by Fiddler on the nine consecutive CLOC shows, capping off
Chris also painted stunning backdrops for
Roof in 2011, Guys and Dolls in 2013, and last an incredible run by winning Best Musical
our productions of All Shook Up and The
year’s premiere production of Mary Poppins. Director of 2012 for our Production of the
Phantom of the Opera. We welcome Chris
Lynette and Chris make a formidable and Year, All Shook Up. Danny returned to CLOC
back to CLOC, again doing double duties
multi-talented production team, perfect for a last year to work as Musical Director for
as Director and Set Designer.
show of this magnitude and scale. Mary Poppins, and was delighted to do an
encore production with Chris and Lynette.

4

Victoria Horne
Costume Designer
Vicky has been designing and
creating costumes for secondary
school musicals, dance schools
and calisthenics competitions
for over twenty years, before
moving successfully into adult
musical theatre. She received Guild
nominations for the two PLOS shows
she designed – Cabaret (2006) and
Thoroughly Modern Millie (2008).
For CLOC, Vicky started on the
sewing team for Shout!, and then
either designed and/or coordinated
costumes for Hot Shoe Shuffle
(2008-Guild nomination), Miss
Saigon (2009), Dusty (2010-Guild
nomination), Fiddler on the Roof
(2011), All Shook Up (2012-Guild
nomination), Guys and Dolls (2013)
and our 100th production 42nd Street
(2014-Guild nomination). She then
took her sequins and feathers with
her to Babirra, where she won more
plaudits for her superb designs for
Crazy for You (Guild award). Last
year, Vicky designed the costumes for
both our productions, Mary Poppins
and The Drowsy Chaperone, and
won the Guild award for the second
consecutive year, this time with CLOC
for Poppins. We are delighted to
welcome Vicky back for CLOC show
number 11, in which she has found
it easy to keep up her tradition of
ensuring each costume has at least
one sequin on it somewhere.
Brad Alcock
Lighting Designer
Brad has over 20 years
experience as a professional
lighting and projection designer
for theatre, musicals, broadcast,
concerts and other live events. His
designs have featured throughout
Australia, Asia, the Middle East
and Europe, spanning hundreds
of productions. In 2007, he co-
founded his own lighting and
projection production company,
BAAC Light. This has allowed
him to have access to leading
edge technologies for stage that
are owned by the company and
used exclusively for his designs.
Brad biannually creates original
designs for all of Victoria’s
largest non-professional theatre
companies as well as a large
portfolio of school clients, for
which he has won numerous
awards. He is currently the
lighting designer for Tina Arena
and also the television program
RocKwiz. This is Brad’s seventh
production for CLOC, after Fiddler
on the Roof (2011), All Shook Up
(2012), Guys and Dolls (2013),
both of our 2014 shows, 42nd
Street and Legally Blonde, and his
memorable designs for last year’s
Mary Poppins, complete with
revolving letters, flying nannies,
and escaping birds.
5
Marcello Lo Ricco
Sound Designer
Marcello is a Melbourne
based sound designer and has
worked extensively in sound in
Australia and overseas. Marcello
studied Performing Arts at
Monash University and Audio
Engineering at SAE Institute.
Marcello’s most recent theatre
sound designs include the
Australian premiere productions
of NED – A New Australian
Musical (Capital/Groaning Dam),
CrossXroads (Chapel), Ricercar
(Present Tense) and StageArts’
In The Heights and Dreamgirls.
Other recent work includes four
productions of Mary Poppins
(CLOC, Encore, PLOS, Footlight)
and three productions of the The
Addams Family (PLOS, WMTC,
OCPAC), plus Legally Blonde
(PLOS), The 25th Annual Putnam
County Spelling Bee and Loving
Repeating (Vic Theatre), Dogfight
(Doorstep), Saturday Night Fever
(StageArt), Footloose (OCPAC),
Avenue Q (Trifle), and The Music
Theatre Guild of Victoria Awards.
Marcello has received awards
for best sound for The Phantom
Of The Opera, Cats, Miss Saigon,
Into The Woods, Sweeney Todd
and Legally Blonde. Wicked is
Marcello’s seventh consecutive
show with CLOC, after The
Phantom of the Opera, Guys and
Dolls, 42nd Street, Legally Blonde,
Mary Poppins and The Drowsy
Chaperone.
David Wisken
Wig & Make-Up
Designer
David Wisken has been
working as a hair and make-
up artist/designer in all genres
of live performance for over
ten years. His professional
credits include - The Rocky
Horror Picture Show (Dainty
Theatrical), Chicago (GFO),
Jersey Boys Australia (Dainty),
Wicked (GFO), West Side Story
(Ambassador Group), Mary
Poppins Australia (Disney),
Grease (GFO), Rock Of Ages
(Dainty). Designer - The
Producers, Jerry’s Girls and
La Cage Aux Folles (The
Production Company) and
a second production of La
Cage Aux Folles (Quirky
Productions). David joined
CLOC as Wig Designer for
Dusty - The Original Pop Diva
and has since designed hair
and make-up for Man Of
La Mancha, Fiddler On The
Roof, Aspects Of Love, Sunset
Boulevard, All Shook Up,
The Phantom Of The Opera,
Mary Poppins, The Drowsy
Chaperone and could not think
of a better way of celebrating
his tenth production with
CLOC by reimagining the
wonderful world of Wicked.
6
 - THE COMPANY -
Rosa McCarty
Elphaba
A university academic in biomedical science by day,
Rosa transforms into a multi-talented music theatre
performer at night. Originally from Adelaide, Rosa has
built up an enviable and prolific list of music theatre
credentials and accolades since moving to Melbourne
in 2008. Since 2010 alone, she has featured in over
twenty productions and/or concerts, including
three appearances with CLOC (Aldonza in Man of La
Mancha-2010, Rose in Aspects of Love-2011 (Guild
nomination) and the title role in last year’s spectacular
production of Mary Poppins (Guild nomination)). Other
highlights have included the title roles in Kiss of the
Spider Woman (SHooSH) and Dusty (Williamstown-
Guild nomination), Nancy in Oliver! (Babirra-Guild
nomination), Queenie in The Wild Party (Four Letter
Word Theatre), and Florence in Chess (Catchment),
a show she also performed with The Production
Company. In 2012, Rosa won the Guild award for Best
Actress for her stunning portrayal of Diana in Next
to Normal (Williamstown). With Elphaba and Mary
Poppins, Rosa not only gets to bookend two of her most
treasured roles, but also gets to fly again, only this time
with a broom instead of an umbrella!
7
Emily McKenzie
Galinda/Glinda
Emily has made a double name for herself in
Melbourne theatre over the last ten plus years. As Emily
Doran, she played a number of lead roles, including
Lucille Frank (Parade-Monash University), Marta
(Company-Devanesen Productions), Cathy (The Last
Five Years-Devanesen, Guild nomination), and four lead
roles with PLOS - Belle (Beauty and the Beast-Guild
nomination), Liza Minnelli (The Boy from Oz), The Lady
of the Lake (Spamalot) and Maria (The Sound of Music).
In 2008, Emily made an adorable Gertrude McFuzz in
Chris and Lynette White’s stunning and memorable
production of Seussical (Whitehorse Musical Theatre),
which received an incredible eight Guild and four
Lyrebird awards, including nominations for Emily.
Since her 2011 marriage to Heath, she has worked as
Emily McKenzie, playing Heidi in [title of show] with
Williamstown/Fab Nobs, as well as Jo March in Little
Women (Oxagen Productions), for which she received
yet another Guild nomination. Emily’s only previous
CLOC show was as Nellie in Jekyll & Hyde (2005). A
lot has happened in the eleven years since – marriage
to Heath and two adorable children, who have been
Emily’s proudest productions - toddler Ava and baby
Oscar, who unfortunately will be too young to see Mum
descend in a bubble to become Glinda the Good Witch
of the North.
 - THE COMPANY -

Lee Threadgold
The Wizard of Oz
Originally from the UK, Lee has
established a formidable reputation in
the Melbourne musical theatre scene as
an award winning performer of amazing
versatility and range.
CLOC: Hot Mikado (2002-Pooh Bah,
Guild award-Supporting Actor), Pippin
(2003-Leading Player, Guild nomination),
Mack & Mabel (2004-Mack Sennett, Shows: Les Miserables, The Sound of Music
Guild nomination), Jekyll & Hyde
(2005-Dr Henry Jekyll/Edward Hyde
–Guild award, Lead Actor), The Boy
from Oz (2008-Dick Woolnough), CLOC: Sunday in the Park with George (1992-
Mary Poppins (2015-Mr Banks).
Shows: Les Miserables (Jean Valjean-
Guild nomination), The Producers (Roger
de Bris- Guild award), The Witches
of Eastwick (Darryl Van Horne-Guild
nomination), Sweeney Todd (Sweeney
Todd), The Phantom of the Opera
(Auctioneer), Carousel (Jigger-Guild
nomination), Gypsy (Herbie-Guild
nomination).
Other: Works as tour guide and in event
ticketing.
Carolyn Waddell
Madame Morrible
In the 1990s, Carolyn played a number of lead
roles around Melbourne, and was recognized
with several Guild nominations/awards. She
then worked professionally for many years,
firstly with the Victorian State Opera, then a two
year run with Beauty and the Beast and then
eight years touring the country with Menopause
the Musical, in which she played each of the four
roles and then took over as resident director.
Dot/Marie, Guild nomination), Into the Woods
(1994-The Witch, Guild nomination), Barnum
(1995-Charity Barnum), Mary Poppins
(2015- Miss Andrew).
Shows: (a small selection): Les Miserables
(Madame Thenadier-Guild nomination), Reno
Sweeney (Anything Goes-Guild award), Passion
(Fosca’s mother),
The Addams Family (Alice Beinke-Guild
nomination).
Other: Coaches voice and performance, both
privately and at the Elisabeth Murdoch College,
and also sings in a corporate vocal trio called
“About Sunday”.
Robbie Smith
Fiyero
Originally hailing from Gippsland, Robbie
is a five time winner of the Gippsland
Associated Theatre Award.
CLOC: Mary Poppins (2015)–Bert (Guild
nomination).
(Rolf Gruber), Oklahoma! (Will Parker), A
Chorus Line (Mark Anthony), 42nd Street
(Andy Lee), Seussical (The Cat in the
Hat), Singin’ in the Rain (Cosmo Brown),
Jesus Christ Superstar (King Herod- Guild
award), Cats (Rum Tum Tugger-Guild
nomination), The Wizard of Oz (Tin Man),
Gypsy (Tulsa–Guild nomination), The
Producers (Leo Bloom-Guild nomination).
Other: Works in theatre marketing for
AKA Australia –The Lion King, Georgy Girl,
Little Shop of Horrors, The Production
Company.

Grace Kingsford
Nessarose
One of a musically gifted pair of twins (her
sister Genevieve was part of our cast of
The Phantom of the Opera in 2013).
CLOC: First CLOC show.
Shows: Rent (Maureen), Footloose (Ariel),
The Drowsy Chaperone (Kitty), Aida
(Amneris), Carrie the Musical (Sue Snell-
Guild nomination).
Other: Has a Masters degree in marketing
and works as a digital graduate with Coles,
as well as teaching in Sunday School.

8

Cameron O’Reilly
Chistery
Trained in dance at the Victorian College
of the Arts and the Dance Factory.
Spent six years working as a dancer on
international cruise ships (P&O, Princess,
Royal Caribbean).
CLOC: Legally Blonde (Grandmaster Chad/
ensemble-2014).
Shows: Performer – The Pajama Game
(Lyrebird award), The Music Man (Tommy
Djilas), A Chorus Line (Greg Gardner),
The Boy from Oz (Guild Dancers award).
Choreographer – Hello Dolly!, Oliver! (Guild
nomination).
Other: Works as a business team leader.
Hamish Anderson
Boq
Hamish’s professional and personal life
is made up of theatre on both sides of the
footlights.
CLOC: First CLOC show.
Shows: As a performer: Spring Awakening
(Ernst), The 25th Annual Putnam County
Spelling Bee (Leaf Coneybear), Laughter
on the 23rd Floor (Lucas Brickman), MASH
(Radar).
Production: The Normal Heart (director),
Bonnie and Clyde (director), A Little Night
Music (costume designer), The Drowsy
Chaperone (stage manager).
Other: Has directed several school
musicals and plays in his role as a
secondary school performing arts
teacher. Currently completing Masters of
Instructional Leadership at Melbourne
University.
9
Jon Sebastian
Dr Dillamond
Another veteran of the Melbourne music
theatre scene, who is notching up his
43rd show in 28 years (and 11th CLOC
appearance).
CLOC: Singin’ in the Rain (Don
Lockwood-1998), A Chorus Line (Gregory
Gardner-1998), Jekyll & Hyde (2005), The
Scarlet Pimpernel (Farleigh-2006), The Boy
from Oz (Peter Allen-2008), The Phantom
of the Opera (Monsieur Reyer-2013),
Guys and Dolls (Sky Masteron-2013), 42nd
Street (2014), Legally Blonde (Professor
Callahan-2014), Mary Poppins (Park
Keeper-2015).
Shows: (just a small recent selection): Les
Miserables (Enjolras), Crazy for You (Bobby
Child), Beauty and the Beast (Lumiere-Guild
nomination), Tick, Tick, ..BOOM! (Jon-Guild
nomination), The Producers (The German
Tenor), Aida (Zoser), Evita (Juan Peron).
Other: Works as an IT consultant. Is a
member of the CLOC committee, working as
the marketing co‑ordinator and providing IT/
website expertise.
 - THE COMPANY -

Will Atkinson
Frex
Graduate of St Martin’s Youth Theatre
(Senior Performers Ensemble), 16th
Street Actors Studio and Monash
University (Bachelor of Performing
Arts, Drama and Theatre Studies).
CLOC: First CLOC show.
Shows: Musicals - Cats, Aida, Blood
Brothers (Mickey), A Chorus Line (Don),
Hair (Kenny). Drama – Three Days of
Rain, Loose Threads, As You Like It.
Other: Works in Events and Arts
(Melbourne Theatre Company).
Jessica Carson
Bachelor of Arts - Music Theatre
(Ballarat), Bachelor of Education
and currently studying Masters of
Education (Victoria University).
CLOC: First CLOC show.
Shows: Parade, Footloose (Rusty).
Other: Works as a music, dance and
drama teacher. Has also worked as
a professional hair model.
Stephanie Elise
Melena
Bachelor of Music (Classical Voice) - Monash
University. Fulltime ShowFit course
(Centrestage- 2014).
CLOC: Sunset Boulevard (2012), Guys and Dolls
(2013) – both as Stephanie Burt.
Shows: Aspects of Love, The Drowsy Chaperone,
Annie (Boylan sister), The Last Five Years (Cathy).
Other: Works as teacher of voice/piano/
musical theatre, both at schools and privately.
Accomplished pianist.

Nathan Fernandez
Guard
Diploma of Dance (Elite Performance)
- Dance World Studios, (2013-15),
Diploma of Musical Theatre, APO Arts
Academy (2014-15).
CLOC: First CLOC show.
Shows: Dancer/Singer for gala/
corporate dinners for Cystic Fibrosis
Victoria, Juvenile Diabetes Research
Foundation, Father Bob Maguire
Foundation, Mercedes Benz .
Other: Works in retail.
Matt Hirst
Originally from NSW. Bachelor of Arts
(Theatre) and Music (Composition)
from Monash University.
CLOC: Mary Poppins (2015).
Shows: Annie, bare (Alan), Guys and Dolls
(Rusty Charlie), Crazy for You (Junior).
Other: Works as swim instructor at
GESAC and at the State Library of
Victoria as venue assistant. Has worked
professionally as sound designer.
Composer and arranger of music for
original musicals.

Lauren Holcombe
Bachelor of Performing Arts (Theatre and Performance)-
Monash University, AMEB Grade 7 Classical Voice
(Naomi Osborne), dance training from a young age
(SFD); currently studying dance with Jason Lawv.
CLOC: First CLOC show.
Shows: Cats (Jemima), The Pirates of Penzance (The
Production Company-Intern), The Winter’s Tale
(Cleamenes).
Other: Works as swim instructor and personal trainer.
Hoping to work professionally as a performer.

10
Everett Joy
Our youngest cast member.
Studying full time music
theatre at SHOWFIT.
CLOC: First CLOC show.
Shows: Oliver! (Dance
Captain), lead performances at
school (Scotch College), Young
Australian Broadway Chorus
(triple threat performer),
Starbound 10 and 11
(Launchpad Drama).
Other: Works part time as
school maintenance worker
while studying. Awarded
scholarship to the Australian
Boys Dance Academy (2014).
Victorian Champion Drum
Major (2015).
Louisa Mitchell
Straddles both sides of the
footlights as a featured
dancer and an award winning
choreographer.
CLOC: Mary Poppins (2015).
Shows: Performer – Spamalot,
Cabaret, corporate cabaret and
variety shows. Choreographer
– Sweet Charity, Beauty and the
Beast, Avenue Q, The Music Man
(Guild nomination, Lyrebird
award), The Producers, The Boy
from Oz (Lyrebird nomination).
Other: Works as Health
Promotion Officer for Link
Health and Community.

Luke McShane Emily Mill Elise Naismith Thomas O’Reilly

Relatively new to the world of
musical theatre, after studying
singing and dance (jazz/
ballet) for several years.
CLOC: The Drowsy Chaperone
(2015).
Shows: The Mystery of Edwin
Drood (Malvern Theatre
Company/Athenaeum-Lilydale
Theatre Company 2015).
Other: Works as a nurse at
Cabrini Hospital.
The American Musical Theatre
Academy London One Year
Foundation Musical Theatre
Program (2013-14), APO Arts
Academy One Year Associate
Musical Theatre Program (2012).
CLOC: First CLOC show.
Shows: Oklahoma!, White
Christmas, Carrie the Musical
(Helen).
Other: Works in hospitality and
as nanny.
Bachelor of Music (Classical
Voice/Performing Arts) –
Monash University, member of
Monash Singers Choir.
CLOC: The Phantom of the
Opera (2013).
Shows: Batboy The Musical
(Shelley), The Mystery of Edwin
Drood (role of Edwin Drood,
Malvern Theatre Company/
Athenaeum-Lilydale Theatre
Company 2015).
Other: Works in contracts and
administration at 123 Music
Booking Agency
Lover
Originally from Brisbane.
CLOC: Legally Blonde (2014),
Mary Poppins (Valentine/
ensemble-2015).
Shows: Joseph...Dreamcoat (twice),
High School Musical, Grease, The
Wizard of Oz, Hairspray, corporate
performances with Warner
Brothers, Fox 8 Network, Bindi
Irwin’s birthday bash, Channel
9’s Carols in the City, Scooby Doo
Show (Shaggy Rogers).
Other: Works as a stylist and
visual merchandiser.

11
- THE COMPANY -
PRINCIPALS
Rosa McCarty Elphaba
Emily McKenzie Galinda/Glinda
Lee Threadgold The Wizard of Oz
Carolyn Waddell Madame Morrible
Robbie Smith Fiyero
Grace Kingsford Nessarose
Hamish Anderson Boq
Jon Sebastian Dr Dillamond
Cameron O’Reilly Chistery

ENSEMBLE
Citizens of Oz, Students, Tourists, Monkeys,
Princes/Princesses, Witch Hunters
Will Atkinson (Frex) Taylor Rettke (Scientist)
Jessica Carson Claire Robinson
Stephanie Elise (Melena) Chris Rogers
Nathan Fernandez (Guard) Blair Salmon (Guard)
Matt Hirst Jon Sebastian
Lauren Holcombe Felicity Shaw (Shen Shen)
Everett Joy Nathan Slevin (Averic)
Luke McShane Karen Taranto (Midwife)
Emily Mill Kate Trickey
Louisa Mitchell Tailem Tynan (Pfannee)
Elise Naismith James Watkinson (Guard)
Cameron O’Reilly Vanessa Wicks
Thomas O’Reilly (Lover) Robbie Wilton

- ORCHESTRA -
Danny Forward Conductor/MD
Tim Verdon Assistant to MD
Vicki Stanko Reed 1
Andrew Jacobs Reed 2
Glenn Taylor Reed 3
Skye Kiss Horn
Dan Heskett Trumpet 1
Miles Izzo Trumpet 2
Simon Greatwood / Ash Richter Trombone
Sarah Nieuwkerk Violin
Deb McLeod Cello
Adrian Close Bass
Dave Banen Guitar
Bryn Bowen / Danny Boldiston Drums
Lara Wilson / Rob Cossom Percussion
Tim Verdon Keyboard 1
Martine Wengrow Keyboard 2
Stephanie Lewendon-Lowe Keyboard 3
Anthony Cardamone Keyboard 4
Andrew Barrett Synthesizer Programmer
for Lionella Productions Ltd

12
- MUSICAL NUMBERS -
ACT 1
No One Mourns the Wicked Glinda and Citizens of Oz
Dear Old Shiz Students
The Wizard and I Madame Morrible and Elphaba
What is this Feeling? Galinda, Elphaba, and Students
Something Bad Dr Dillamond and Elphaba
Dancing Through Life Fiyero, Galinda, Boq, Nessarose,
Elphaba and Students
Popular Galinda
I’m Not That Girl Elphaba
One Short Day Elphaba, Glinda and Denizens of
Emerald City
A Sentimental Man The Wizard
Defying Gravity Elphaba, Glinda, Guards and
Citizens of Oz

ACT 2
No-one Mourns the Wicked (Reprise) Citizens of Oz
Thank Goodness Glinda, Madame Morrible and
Citizens of Oz
The Wicked Witch of the East Elphaba, Nessarose and Boq
Wonderful The Wizard and Elphaba
I’m not that Girl (Reprise) Glinda
As Long as You’re Mine Elphaba and Fiyero
No Good Deed Elphaba
March of the Witch Hunters Boq and Citizens of Oz
For Good Glinda and Elphaba
Finale: For Good (Reprise) All

13
 - THE COMPANY -
Claire Robinson
Taylor Rettke Originally from Tauranga, New
Zealand. Relocated to Melbourne
Scientist in 2010. Has studied, taught,
Bachelor of Commerce, choreographed and adjudicated
Melbourne University. dance, both here and in New
Trinity Silver Medal for best Zealand.
music examination mark in
CLOC: The Phantom of the Opera
Victoria (Grade 7 piano). (2013), 42nd Street (2014), Mary
CLOC: First CLOC show. Poppins (2015).
Shows: Rent (Mark), Spring Shows (NZ): Cats (Bombalurina),
Awakening (Moritz), Peter Beauty and the Beast, Oliver!,
Pan (Slightly-Head of the Showboat (Ellie), Pirates of
Lost Boys), Metamorphoses Penzance, featured dancer for
(King Ceyz/Philemon). corporate/sports events.
Other: Works as IT product Other: Works as office manager in
designer, designing a legal recruitment company, as
apps and websites. Lead well as a freelance dance and gym
singer of professional instructor, including ten years with
entertainment group the Les Mills program.
“The Club”. Plays multiple
musical instruments.
Nathan Slevin
Averic
ARC Theatre Company committee
Felicity Shaw member 2011-2014, including
year as President 2014. Has
Shen Shen worked as Production Manager,
From Launceston, Tasmania. Assistant Director. Co-director
In Melbourne since March Waterdale’s Gypsy (2014).
2015. First Melbourne show. CLOC: Mary Poppins (2015).
CLOC: First CLOC show.
Shows: Hello Dolly!, Sweet Charity,
Shows (Tasmania): Annie The Pajama Game, The Wedding
(Boylan Sister), Grease (Cha Singer (George), All Shook Up
Cha DiGregorio), cabaret (Dennis-Guild nomination), The
theatre restaurant dancer/ 25th Annual Putnam Spelling
singer. Bee (William Barfee), Seussical
(Mayor of Whoville), Bonnie &
Other: Works in
administration/reception Clyde (Ted Hinton), Honk! (Ugly
for financial services Duckling).
company, as well as fitness Other: Works in customer Voices Hobart, Carols by Candlelight.
instructor (trained with Les service for a large health
Mills program). insurance company.
Chris Rogers
A Melbourne music theatre veteran, who
has appeared in over 50 productions,
both musical and non‑musical, over the
past 30 years. This is his 11th CLOC show.
CLOC: Funny Girl (1993), Barnum (1995),
A Funny Thing...Forum (1995), 42nd Street
(1996), Crazy for You (1999), Shout!
(2007), All Shook Up (2012), Guys and
Dolls (2013), 42nd Street (2014), Mary
Poppins (2015).
Shows: (just a small recent selection):
Footloose, Joseph…Dreamcoat, Jesus Christ
Superstar, Crazy for You (three times!),
The Wizard of Oz, The Wiz, The Mystery
of Edwin Drood, Hello Dolly!, Seven Brides
for Seven Brothers, They’re Playing Our
Song, Mack and Mabel, Hairspray, How
to Succeed in Business…Trying, Fiddler on
the Roof, The Boy from Oz.
Other: Works as a costume/mascot
maker for JC Westend Costume Factory.
Karen Taranto
Midwife
Degrees in Arts (politics major)
and Masters of Public Policy and
Management (Monash University).
Has studied all forms of dance
(classical, Broadway, jazz, tap,
contemporary) –currently at The
Space Dance Studio. Has a particular
interest in gospel and soul singing.
CLOC: First CLOC show.
Shows: Rent (Joanne Jefferson),
choir member/soloist – Melbourne
Singers of Gospel concert, Festival of
Other: Works as advocacy advisor
with Vision Australia.
14
Blair Salmon
Guard
Originally from Auckland,
New Zealand. Has studied
tap dancing for eight years
(with the legendary Isabelle
Ryan and her Academy of
Tap, and The Broadway
Dance Studio in New York),
as well as jazz and vocal
performance. This is Blair’s
fifth consecutive CLOC show.
CLOC: 42nd Street (2014),
Legally Blonde (Kyle-2014),
Mary Poppins (2015), The
Drowsy Chaperone (Robert
Martin-2015).
Shows (Aust): Singin’ in the
Rain (featured dancer-2013).
Other: Works as an IT
consultant.
Kate Trickey
Has trained in dance/
calisthenics for 17 years and
worked as choreographer and
calisthenics coach. Member of
Mater Christi vocal ensemble
for four years.
CLOC: First CLOC show.
Shows: Hot Mikado, Hairspray
(Amber von Tussle), Legally
Blonde (Serena).
Other: Works as sales rep for
communications company.
Tailem Tynan
Pfannee
Has appeared in and/or
choreographed over 30 productions
since 1994. This show marks Tailem’s
14th CLOC appearance.
CLOC: Anything Goes (2000), Chicago
(2001), Mack & Mabel (2004), Steel
Pier (2005), Cats (2006), Shout!
(2007), The Boy from Oz (2008), Hot
Shoe Shuffle (Dance Captain-2008),
Miss Saigon (2009), High Society
(choreographer-2009), 42nd Street
(Annie Reilly-2014), Legally Blonde
(2014), Mary Poppins (2015).
Shows (just a small selection): Singin’
in the Rain, Hello Dolly!, Anything Goes,
West Side Story, Hairspray, Songs for a
New World, The Boy from Oz.
Other: Works as Admissions and
Marketing Co-ordinator at Loreto
Mandeville Hall, Toorak.
James Watkinson
Guard
Our second youngest cast
member, who is one of a
rare breed of being equally
interested in musical theatre
and sport, both as a player
(rugby, soccer and AFL), and
as a supporter (Liverpool and
Richmond Tigers).
CLOC: First CLOC show.
Shows: Pippin (role of Pippin-
Starbound, Launchpad
Drama), Footloose (Chuck
Cranston-OCPAC 2015-Guild
nomination).
Other: Studying Business at
Swinburne University.
15
Vanessa Wicks
Originally from Wodonga.
Relocated to Melbourne in 2011.
Has studied all forms of dance
for over 20 years (ballet, jazz,
tap, contemporary, acrobatics,
musical theatre, hip hop, latin).
CLOC: Guys and Dolls (2013),
Mary Poppins (2015).
Shows: Strange Bedfellows, Grease
(Jan), Spamalot (Laker Girl),
Beauty and the Beast (Silly Girl),
Little Shop of Horrors, Miss Saigon,
Sweeney Todd, My Fair Lady.
Other: Works in project
management and construction.
Robbie Wilton
Graduate of Patrick Studios
full-time professional
development dance course
(2008).
CLOC: Guys and Dolls (2013).
Shows: High School Musical,
Pippin, Little Shop of Horrors
(Orin), Annie (Rooster), Cats,
Hairspray, Hair, The Witches
of Eastwick.
Other: Works in hospitality
as a hotel venue manager.
 - SYNOPSIS -
ACT 1
The citizens of Oz are celebrating the death of Elphaba, the Wicked Witch of
the West. As Glinda the Good appears to reassure the people that goodness has
prevailed over evil, she admits that she and Elphaba were once friends, and
tells the story in flashback of how they met.
Elphaba is the daughter of the governor of Munchkinland, and was born with
green skin. Her father shunned her, and showered his affection on her younger
sister, Nessarose, who is confined to a wheelchair. The two girls go together
to Shiz University, where the pretty and popular Galinda is also in their class.
Elphaba and Galinda take an instant dislike to each other, exacerbated when
they are roomed together and when Elphaba inadvertently shows magical
powers, which causes the headmistress Madame Morrible to fawn on her.
A handsome roguish prince, Fiyero, arrives at Shiz, and Galinda is charmed,
oblivious to the fact that another student, a munchkin Boq, is smitten with
her. At the Stardust Ballroom Dance, Galinda has eyes only for Fiyero, and
persuades Boq to ask Nessarose to dance. Nessarose immediately falls
for Boq and is full of gratitude towards Galinda. Elphaba turns up at the
dance wearing a black hat which Galinda had given her as a joke. As people
laugh at Elphaba, Galinda’s guilt makes her try to help Elphaba and a new
friendship is born.
Elphaba attends history class with Dr Dillamond, the only animal
professor at the university, who is suffering from the effects of a
conspiracy to stop the animals from speaking. When Dr Dillamond
tells the class he is leaving as he is no longer permitted to teach,
Elphaba is outraged and feels she must meet the Wizard to tell him,
so he can fix this.
Elphaba and Galinda prepare to go to the Emerald City to meet the
Wizard. As they leave, to try to impress Fiyero, Galinda changes
her name to Glinda as an outward show of solidarity with Dr
Dillamond. Soon, the two girls are standing before the Wizard and
his new Press Secretary, Madame Morrible. After a confrontation
involving a levitation spell on the Wizard’s monkey servant
Chistery, Elphaba realizes that the Wizard is the one behind the
suppression of the animals and that he has no powers. She runs
away, and in order to prevent the truth from getting out, Madame
Morrible spreads reports that Elphaba is “wicked,” and not to be
trusted. After Glinda refuses to join her, Elphaba performs a spell
on a broom and flies away, leaving Glinda behind.

16
 - SYNOPSIS -
ACT 2
Elphaba is now known as “The Wicked Witch of the West”. “Glinda the Good”
has become the smiling public front of the Wizard’s regime, with Fiyero by
her side as her reluctant fiancé.
Elphaba pays a visit to Nessarose, who is now the governor of
Munchkinland following the death of their father, and is desperately trying
to keep an unwilling Boq by her side. Elphaba tries to help by giving
Nessarose the power to walk, which Boq sees as his means to freedom and
attempts to leave. In desperation, Nessarose tries to cast a spell to make
Boq stay and fall in love with her. However, the spell backfires, shrinking
Boq’s heart, and to save his life, Elphaba works another spell, one which
leaves Boq as a man made of tin without a heart.
Elphaba returns to the Wizard’s palace to free the monkey servants, and
comes across the Wizard himself. Upon seeing Dr. Dillamond who has lost
his power of speech, she vows to fight the Wizard until the end. Fiyero and
the guards enter, followed by Glinda. Fiyero helps Elphaba to escape, and
decides to go with her, leaving Glinda behind and broken hearted, while
Elphaba and Fiyero admit their love for each other.
Glinda and Elphaba meet again at the site where Nessarose has been
crushed during a tornado by a house with a girl named Dorothy inside.
Fueled by the rivalry over Fiyero, the two have a heated argument.
Having been tipped off by Glinda, the guards arrive, followed quickly by
Fiyero, who tries to help Elphaba escape. The guards turn on Fiyero and
tie him up to a pole in the field. Elphaba tries to cast a spell to save his
life and protect him from injury, but only succeeds in turning him into a
scarecrow. In despair, she decides that from this point on, she will live
up to her ‘wicked’ reputation.
The citizens of Oz set out to capture Elphaba. Glinda has realized
Madame Morrible, who can control the weather, is responsible for
Nessarose’s death. Glinda travels to Elphaba’s castle to warn her of the
danger she is in. The two women forgive each other for all grievances
and embrace for the last time before saying goodbye forever. Elphaba
forces Glinda to hide, who then watches from the shadows as Dorothy
throws a bucket of water on Elphaba, who appears to melt away.
Grief-stricken, Glinda returns to the Emerald City and confronts the
Wizard with Elphaba’s bottle of green elixir, which she recognizes as
having seen before while visiting Oz. The Wizard realises that he is
Elphaba’s biological father, and the cause of her green skin. He breaks
down in agony, and Madame Morrible surmises that Elphaba’s
powers were so strong because she was a child of two worlds. Glinda
orders the Wizard to leave Oz and sends Madame Morrible to prison
for murdering Nessarose.
Meanwhile, back at the castle, Fiyero (now a scarecrow) comes to
the spot where Elphaba was melted, and they are reunited; her
melting was a ruse to convince her enemies of her death and to
ensure her future with Fiyero. Before leaving, Elphaba regrets that
she’ll never see Glinda again. Simultaneously, Glinda reports to the
people of Oz that the Wicked Witch of the West has been killed
and promises to properly earn her title as Glinda the Good. As the
people celebrate and while Glinda mourns, Elphaba and Fiyero
leave Oz forever.

17
 - ORIGINAL CREATIVES -

Stephen Schwartz Music and Lyrics

Has contributed music and/or lyrics to Godspell, Bernstein’s Mass, Pippin, The Magic
Show, The Baker’s Wife, Working (which he also adapted and directed), Rags and
Children of Eden. For films, he collaborated with Alan Menken on the scores for Disney’s
Pocahontas, The Hunchback of Notre Dame and Enchanted and wrote the songs for
DreamWorks animated feature The Prince of Egypt. His first opera, Séance on a Wet
Afternoon, was presented by New York City Opera in April, 2011. Defying Gravity, a book
about his professional career, was recently published by Applause Books. Mr. Schwartz
is the artistic director of the ASCAP Musical Theatre Workshops and president of the
Dramatists Guild. Awards include three Academy Awards, four Grammy Awards, a star
on the Hollywood Walk of Fame and a tiny handful of tennis trophies. He was recently
inducted into the Theatre Hall of Fame. www.stephenschwartz.com

Winnie Holzman Book Gregory Maguire Author of the Original Novel

Received a Tony nomination and a Drama Desk Award for
Wicked. She created the memorable television drama “My
So-Called Life” which starred Claire Danes. Holzman got her
start writing for the acclaimed drama “thirtysomething” and
later executive produced (again with Marshall Herskovitz and
Edward Zwick) “Once and Again.” Other theatre work includes
the musical Birds of Paradise (with composer David Evans)
and a ten-minute play called Post-Its: Notes on a Marriage
which she wrote with her husband, actor Paul Dooley. Features
include ‘Til There Was You. Also an actress, Ms. Holzman
appeared in Jerry Maguire and as Larry’s wife’s therapist on
“Curb Your Enthusiasm.” Most recently she teamed with her
daughter, Savannah Dooley, to write and produce the ABC
Family series, “Huge.” She is a graduate of Princeton University,
received an MFA from the NYU Musical Theatre Program and
serves on the board of the Writers Guild Foundation.
Published a dozen novels for children before writing his first
adult novel, Wicked. A devotee of children’s fantasy, Maguire’s
subsequent novels for adults are variations-on-a-theme:
Confessions of an Ugly Stepsister considers Cinderella as a
seventeenth-century maid from Haarlem; Lost evokes the
ghost of Charles Dickens’s Scrooge; and Mirror Mirror features
a High Renaissance Snow White daunted by the wickedest
stepmother, Lucrezia Borgia. Maguire’s novel Son of a Witch,
a sequel to Wicked, is followed by volume III of the Wicked
Years, A Lion Among Men, and concludes with the final novel
in the Wicked Years, Out of Oz. He lives in Massachusetts and
Vermont with his husband, the painter Andy Newman, and
their three children.

William David Brohn Orchestrations Alex Lacamoire Music Arrangements

Received the 1998 Tony Award for Best Orchestrations for
Ragtime. Other credits include Mary Poppins, Curtains, Miss
Saigon, The Secret Garden, Show Boat, Crazy for You, Carousel,
Sweet Smell of Success, Oklahoma! (B’way); Mary Poppins,
Oliver!, The Witches of Eastwick, My Fair Lady and South Pacific
(London). He has provided arrangements for Marilyn Horne,
James Galway, Placido Domingo and Joshua Bell’s recording on
Sony Classical of Bernstein’s West Side Story Suite for Violin and
Orchestra.
Was the music supervisor for In the Heights, which won
him the 2008 Tony Award for Best Orchestrations and a
2008 Grammy Award for producing the cast album. Other
Broadway credits as music director, arranger and/or
orchestrator: Hamilton, 9 to 5, High Fidelity and Legally Blonde.
Other favorite projects: Bat Boy: The Musical (Off-B’way), the
2001 nat’l tour of Godspell, Captain Louie and The Wiz
(City Center Encores!). Love to Mom, Dad, Little Sis
and Ileana.

Stephen Oremus Music Supervisor/Arranger James Lynn Abbott Dance Arrangements

Broadway: Received 2011 Tony and Drama Desk Awards
for Outstanding Orchestrations for The Book of Mormon,
as well as the 2012 Grammy Award as producer of the cast
recording. Worldwide music supervisor/arranger of Wicked;
music supervisor/vocal arranger/orchestrator of Kinky Boots,
The Book of Mormon, Avenue Q, All Shook Up and 9 to 5; co-
producer (w/ Dolly Parton) of the Grammy-nominated 9 to
50 Broadway cast recording. Other: music supervisor/vocal
arranger/orchestrator of tick, tick...BOOM!; music director of
Andrew Lippa’s The Wild Party; music director/conductor for
the Rufus Wainwright Sings Judy Garland concert.
Broadway: Aida, Rent, Footloose, Joseph..., Cats, Sunset
Boulevard, and Miss Saigon. National tours include
Starlight Express, Kiss of the Spiderwoman, The
Who’s Tommy and Jesus Christ Superstar, among
others. He has performed with Aretha Franklin,
Dennis DeYoung of Styx, Shirley Bassey, Bob Hope,
Vanessa Williams and with Elton John in “Greatest
Hits Live” at Madison Square Garden. Clients
include Dr. Pepper, Frito Lay, American Airlines
and General Electric.

18
 - PRODUCTION TEAM -
CO-DIRECTORS LIGHTING CREW THANKS ALSO TO
Chris White, Lynette White Brad Alcock, Patsi Boddison, Michael Bates, Michael Curtis,
CHOREOGRAPHER David Boddison-Gray, Rohan Fotheringham, Jake Kirby,
Lynette White Andrei Chlebnikowski, Matthew Silk Peter Leed, Sam McKinnon,
and Linda Hum of The National Theatre Craig Symons, Peter Thompson,
MUSICAL DIRECTOR Neville West CLOC PATRON
Danny Forward COSTUME DESIGNER
PRODUCTION MANAGER Victoria Horne PRACTICAL PLACEMENTS
Debbie Osborne COSTUME CO-ORDINATORS Cerys Chisholm-Price, Gabrielle Green
TECHNICAL DIRECTOR Melinda Peebles, Victoria Horne
Grant Alley OAM MARKETING MANAGER
COSTUME ASSISTANTS Jon Sebastian
STAGE MANAGER Leis Carson, June Craig, Amy Dawson,
Sandra Davies Rebecca Dodd, Laura Dunnington, MARKETING TEAM
Glennis Eather, Kirsty-Lee Eather, Grant Alley OAM, Sandra Davies, Craig CLOC Musical Theatre
ASSISTANT TO THE DIRECTOR Dixon, Ben Fon, Karen Greenwood, John-Michael
Debbie Osborne Lorna English, Eva Fabian, Mary Fraser, is a member of the
Carol Humphrey, Tamara Keane, Hannah James-Crisp, Bianca Milewski, Music Theatre Guild Howson OAM
ASSISTANT TO THE MUSICAL Scott McLeod, Nancy Matthews, Cameron Osborne, Robbie Smith, of Victoria
DIRECTOR Brian Misson, Rebecca Moss, David Wisken
Tim Verdon Delwyn Poyser, Beth Sayer,
WEBMASTER & FACEBOOK CLOC COMMITTEE
REHEARSAL PIANIST Cheree Sexton, Liz Stoyanova,
Tim Verdon Erika Sudarevic, Isabelle Turnbull Craig Dixon
LIFTS COACH MILLINERY PROGRAM
Wendy Belli Christina Scott Jon Sebastian
ASSISTED BY ASSISTED BY
SET DESIGNER Sally Anderson, Lizzie Barton, Sandra Davies, Karen Greenwood
Chris White Leeanne Bickford, Zoe Thompson PROGRAM GRAPHIC ART/DESIGN
SET PAINTING TAILORING David Clark at The Wizarts
Chris White John & Danielle Carbone PHOTOGRAPHY PRESIDENT ADMINISTRATOR
BASE PAINTING Ben Fon (Fon Photography) Cameron Osborne Sandra Davies
Patsi Boddison, Cameron Osborne WIG & MAKE-UP DESIGNER
TECHNICAL DESIGNER David Wisken OPENING NIGHT FOYER
Grant Alley OAM WIG & MAKE-UP CO-ORDINATOR PHOTOGRAPHY
Natalie Della Grazia Denise Damianos assisted by
SET CONSTRUCTION MANAGER Trudi Sheppard
Grant Alley OAM WIG & MAKE-UP TEAM
Jenny Barratt, Jasmine Forbes, PRINTING
ASSISTED BY BlueStar
Joel Berman, Patsi Boddison, Bek Goldsmith, Edwina Lewinsky
Noel Hall, Tony Hall, Bernard Hedger, ADMIN SUPPORT
David Hobbs, Malcolm Lutchner, STAGE DIRECTOR Janet Cameron, Karen Greenwood, SECRETARY TREASURER
Elizabeth Scott, Craig Symons, Bernard Hedger Debbie Osborne Peter Thompson Grant Alley OAM
Peter Turley, Barry Venning, ASSISTANT STAGE MANAGER
Cian Westall, Glen Westall Gemma Hedger TICKET SALES
Carol Humphrey, Cheryle Osborne
SPECIAL PROPERTIES FLOOR MANAGERS
Chris White Paul Belli, Rosie Curtis FRONT OF HOUSE CO-ORDINATOR
Meryl Withers
TRICK PROPERTIES FLY MANAGER
Peter Turley Tony Hall BOX OFFICE MANAGER
Grant Alley OAM
ASSISTED BY
SOUND DESIGNER Robert Griffin ASSISTED BY
Marcello Lo Ricco (LSS Productions) COMMITTEE COMMITTEE
Carol Humphrey, Cheryle Osborne, Patsi Boddison Janet Cameron
RIGGER Barry Venning
SOUND OPERATOR Dave Crowson (Get Rigged)
Josh Mattielli DUTY MANAGERS
RADIO MICROPHONE TECHNICIAN DRESSERS’ CO-ORDINATOR Geoff Kavanagh, Barry Rickard,
Dana Samuel Melinda Peebles Jan Sheppard, Barry Venning,
Meryl Withers, Peter Witney
ASSISTED BY ASSISTED BY
Natalie Coleman Janet Cameron, Hannah Campbell, CATERING
Rebekah McLaughlin, Brian Misson, Paul Belli, Tony Hall
SFX OPERATOR
Jasmine Tolentino Shelley Scott, Karen Warrington FIRST AID
Ian Simmonds COMMITTEE COMMITTEE
SOUND EQUIPMENT PROPS CO-ORDINATOR
LSS Productions Pty Ltd Carol Humphrey Debbie Osborne
Jodie Lawson ACKNOWLEDGEMENTS:
ASSISTED BY Assistant to the Treasurer
LIGHTING DESIGNER - Mike Strahan
Brad Alcock (BAAC Light) Alannah Brelis, Heidi Crook,
Emily Daniel, Karen Greenwood, All friends of CLOC who work
LIGHTING BOARD PROGRAMMER Karen Warrington Front of House
Daniel Gosling (BAAC Light) The staff of The National Theatre
PROJECTIONS STAGE CREW Frank Simcox for Audio-Visual Services
Andrei Chlebnikowski Joel Berman, Gordon Bull, Craig Dixon, Rose Hudson
ANIMATIONS David Hobbs, Mark Houghton,
Nikki Imberger, Matt McLaughlin, Assistance with properties: COMMITTEE COMMITTEE
Tom Hall Melinda Peebles Jon Sebastian
Jackie Mates, Bianca Milewski, Dan Bolwell for his penny farthing
LIGHTING BOARD OPERATOR Craig Dixon
David Boddison-Gray Ian Simmonds, David Southall,
Erin Williamson Colin Robinson CLOC Musical Theatre
HEAD FOLLOW SPOT Colin Skeates PO Box 3250
Patsi Boddison Mentone East Vic 3194
FOLLOW SPOT OPERATORS Ticket Enquiries: 1300 362 547
Tina Boddison-Gray, Web: www.cloc.org.au
Naomi Boddison-Gray, Misha Lee Email: info@cloc.org.au

19
 Looking for wickedly
good finance?

Whatever your goal, contact me today.

Refinance
Home loans Debt consolidation Car loans

No one mourns the wicked home loan...

Beth Peebles, Finance Broker
M: 0433 014 351
E: beth.peebles@loanmarket.com.au

Australian Credit Licence 390222

20
 Quality printing, on time and within budget
Fineline Printing is a commercial sheet fed print company which
has been in operation for 25 years, establishing a reputation for
the supply of high quality printed products at competitive rates.
Short turnaround times and timely delivery have been
instrumental in the creation, retention and further development
of our business partnerships. Fineline Printing’s success is
directly attributable to the skill and experience of our highly
qualified personnel, state-of-art machinery and our ability to
provide the total package from design to execution and beyond.

– Contact: Customer Service

Ph: 03 8791 4200
Email: sales@finelineprinting.com.au
– Coverage: Australia wide
– Full Contact Information:
Fineline Printing Australia Pty Ltd
130 Browns Road
Noble Park North, Vic 3174
Ph: (03) 8791 4200 Fax: (03) 8791 4277
Email: sales@finelineprinting.com.au
www.finelineprinting.com.au

print �olution� creative print �olution� creative

Dei^dc&"GZeZVieViiZgc

PENNY FARTHING DAN CREATIVE

CREATIVE FRAMERS
FRAMERS Est. 1983
Est. 1983
EBH;^cZa^cZGZeZVieViiZgch[dgiVeZ
Handmade Penny Farthing
Bicycles built to order by
Dan Bolwell
pennyfarthingdan.com.au
0417 565 091
dan1870pf@gmail.com Proudly sponsors CLOC
Proudly sponsors CLOC
115 Highbury Rd., Burwood Ph: 9888 8225
115 Highbury Rd., Burwood Ph: 9888 8225
OPEN MONDAY ~ SATURDAY
9am ~ 5pm
OPEN MONDAY ~ SATURDAY
9am ~ 5pm
PICTURE FRAMERS-RESTORERS-LIMITED
AND
PICTURE OPEN EDITION PRINTS
FRAMERS-RESTORERS-LIMITED
AND OPEN EDITION PRINTS

wicked design • websites • photography • print

wizarts.com.au

21
 Music by ANDREW LLOYD WEBBER
Lyrics by TIM RICE
TM© 1996 The Really Useful Group

October 7 – 22, 2016

THE NATIONAL THEATRE, ST. KILDA

CLOC.ORG.AU | 1300 362 547

Ticket Sales Open July 18
BY ARRANGEMENT WITH ORiGIN THEATRICAL ON BEHALF OF THE REALLY USEFUL GROUP LIMITED