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Ableton Live:
The Ultimate
Beginner’s
Guide
Written by Joe Coburn
This ebook is the intellectual property of MakeUseOf. It must only be published in its original
form. Using parts or republishing altered parts of this ebook is prohibited without permission
from MakeUseOf.com.
By the end of this guide, you’ll know enough about Ableton to be able to quickly and confidently
navigate around a track, solving problems as you go — let’s get started!
• Intro: A fairly basic and stripped down version. Ideal for learning the basics or for simple
requirements.
• Suite: The “maxed out” version. This is overkill for most users, but it contains even more
tools, instruments, and effects.
It’s easy to upgrade to the next version at a later date, and if you’re a student, you can receive a
substantial discount by purchasing the student version. If you purchase an Ableton controller
(something we’ll discuss a bit later), you often get a free copy of the Intro version thrown in for
free — now that’s a good deal!
Once installed, go ahead and open Ableton. You’ll be presented with something that looks like
this:
Now you need to configure a few options. Open the preferences panel. On a Mac, look to the top-
left corner and click Live > Preferences (or Command + ,). On Windows,
it’s Options > Preferences (or Ctrl + ,).
Select the Look Feel tab on the left. Here you can change the language, general colors, and
themes. Underneath the Colors subheading, you can change the skin or theme of Ableton. I
prefer the Discotheme, but the default dark gray is the most common.
If you’re using an external audio interface, this will be listed here (providing your drivers are
installed). Otherwise it will be pre-filled with “Built-in Output.” You can press Input
Config and Output Config to fine-tune these settings, along with setting the number of inputs/
outputs (I/O) available to Ableton.
If this is too high, there may be a large delay between playing a sound and hearing it out of your
speakers. If you set it too low, your computer has to work much harder. A good place to start
is 256 Samples. If you have strange audio glitches, you may need to increase this.
Session view is most often used for remixing songs live. It can also trigger clips or songs in
response to various events. If you want to record music the “traditional” way, Ableton has a
built in Arrangement view that can be accessed with the Tab key. Once in arrangement view,
pressing Tab again will take you back to the session view.
The Interface
Switch back to session view. There are four main components (alongside the controls at the
very top). The leftmost section is for navigating and selecting project files, instruments, and
effects. This is called the Browser, and can be shown or hidden using the small arrow in the
top-left corner.
1. Sounds
2. Drums
3. Instruments
4. Audio Effects
5. MIDI Effects
6. Plug-ins
7. Clips
8. Samples
These Categories are where you can search for the effects and instruments built into Ableton.
Underneath this is Places, where you can search your computer for files.
The right side of the Browser is where you can navigate to specific files or folders within the
category or place you have selected. The top section of the browser contains a search feature,
which allows you to search in the selected folder for a particular sound, instrument, or effect.
At the bottom-left of the Ableton window is an information viewer. Hover over anything in
Ableton, and this will tell you what it does. This is extremely helpful, and can be a lifesaver in
helping you learn.
The bottom pane is the Effect Controls section. This is where you can configure any
instruments or effects you have assigned to a track — something we’ll go into greater detail
about later on.
Finally, the remaining panel on the right is the session or arrangement view. This is where you
will create and manipulate audio.
In session view, by default you’ll see seven vertical panels. These will probably be called
something like “1 Midi”, “2 Audio,” and so on. The final one of these is called “Master”, and is the
overarching master channel.
These default tracks are defined in Ableton’s default project. It’s possible to save your own
default project so whenever you open Ableton you have a basic structure ready to go. But
straight out the box, you get Ableton’s default project.
Before you can make any music, you need to understand the difference between tracks.
MIDI tracks can only accept MIDI instruments, and cannot play samples themselves. MIDI
devices and tracks are covered comprehensively later on, but for now, think of them as a way of
generating a sound, like a keyboard or guitar.
Audio tracks are the opposite of MIDI tracks. These can play and record sounds from other
devices (such as a microphone or other device), but they cannot generate any sounds on their
own.
Finally, there are Return Tracks. These provide a route for processing audio and returning it
back. Don’t worry about these for now.
Each track has the same basic structure. The top of the track is known as the Track Title Bar.
You can right-click here to change the name and color of the track. Underneath this are the Clip
Slots. Each clip slot can contain one clip (a piece of or a whole song/sound).
Underneath the clip slot is a mini control panel for each track. Here you can enable or disable
the track, adjust settings such as pan or gain, and route audio from or to nearly any other place.
The default values are sufficient for now.
Open the Browser from the left hand side — it’s time to find some sounds!
Underneath Categories, select Samples. Use the right side of the browser to search for some
sounds you like — Ableton comes with lots of samples, and each version (Intro, Standard, and
Suite) comes with a different selection.
You can use the cursor or the arrow keys to select a sample, and doing so will play a preview of
it. Most of these will be short sounds of people or instruments. If you want something a bit
more complex, select Clips from the Categories submenu. Clips are usually longer samples, but
most of them won’t preview when you click them. To hear a preview, select Click to
Preview from the bottom of the browser.
Once you’ve found a sample you like, drag it into an empty clip slot by clicking and holding with
the left mouse button. This will now show up as a clip.
Once in the session view, clips have a random color assigned. You can change this by right-
clicking and selecting a new color.
Down in the mixer section, try playing around with the various controls. The Track Activator will
enable or disable the track. When disabled, no sound will come out of the track, but it will keep
playing — think of this like a mute button.
Use the Pan Knob to adjust the pan of the track, or adjust the volume using the Track Volume
Slider to the right of the output levels.
Go ahead and drag some more clips onto the track. Once you have more than one clip, try
playing another one — what do you notice? There are several things that happen once you
trigger a new clip in the same track.
The currently playing clip stops, and the new clip starts. The new clip won’t start immediately
however — it will start after a period of time (usually one bar). This is where a knowledge of basic
music theory will be useful to you.
If you start a clip in the middle of a bar, Ableton will wait until the start of the bar before playing
that clip. This makes music sound better and keeps it in time. You can change this from
the Quantization menu on the top-left settings bar. This menu also lets you change the time
signature and tempo.
Once you have more than one track, you can trigger all of the horizontal clips across multiple
tracks using a Scene. A scene is a single row of clips (whereas a track is a column). Scenes can
be found on the right hand side under the Master track, and can be colored, renamed and
adjusted just like clips.
Double clicking a clip will open it in the effects controls section at the bottom of the screen.
Here you can manipulate the audio sample, as well as fine-tune the sound. You can adjust
where the sample starts or stops, as well as the pitch, timing, volume, and much more.
Underneath the Sample Control, there is a Loop button, which is turned on by default. This
means that once a clip is finished playing, it will start again. It won’t ever stop unless you
press Stop. If you’d like a particular clip to only play once, simply disable looping using the loop
button. Looping can be configured on a per-clip basis, so you can have some clips looping, and
others only playing once.
The Warp button adjusts the timing of a clip to match the current timing of your project. This
can sometimes get confused and muddled up, but there are things you can do to make it more
accurate. Ableton has an in-depth guide to warping if you’d like to know more.
Finally, one of the most useful actions is the Launch Mode. This defines how clips play once
started. If you don’t see the launch panel, you can show it by using the the small “L” button
underneath the clip controls.
Launch modes are where your creativity can really come alive. When used with a MIDI controller
or keyboard shortcuts, you can get some really creative sounds out of Ableton.
Assigning Shortcuts
Now that you know how to use session view, there’s one last trick you need to know. Press
the Key button in the top-right. This will turn on or off the Key Map Mode. This is where you can
assign keyboard keys to almost any function in Ableton — the most important being triggering
clips.
Once in key map mode, simply click an action (such as starting a clip), and then press a key.
Your new key will appear next to the function you pressed. Go ahead and exit key map mode
when you’re finished.
MIDI Tracks
Up until now, you’ve been working with samples — real, “genuine” audio recordings. Now we’ll
move on to MIDI. MIDI stands for Musical Instrument Digital Interface, and is a way to have a
virtual instrument such as a keyboard or drums. MIDI devices play a sound when given a
command.
To get started with MIDI, go ahead and create a new MIDI track by Right Clicking > Insert Midi
Track. Double-click an empty clip slot to create a new clip. You can play this clip, but no sound
will come out — it’s an empty clip.
Double click on your MIDI clip to view the MIDI Note Editor. This is a “virtual” keyboard that you
can play or program. Clicking on the keys won’t produce any sound, however — you’ll need to
press the MIDI Editor Preview button at the top of the virtual keyboard — it looks like a pair of
headphones.
Start by adding some notes — a C major scale consisting of the notes C, D, E, F, G, A, B is about
the simplest you can get. Press the B key to enter draw mode — this will allow you to enter
notes.
If you press the Fold button above the virtual keyboard, Ableton will hide all the keys you have
not used yet.
Now that you have some notes, double-click the Track Title Bar for your MIDI track. Open the
browser and select Instruments underneath the categories heading. Expand
the Simpler category, and choose a suitable instrument — I’m using Grand Piano from
the Piano & Keys section.
This instrument contains various effects and settings. You don’t need to understand them all
right now, but Ableton has made things simple for you by “summing” all the controls into a
simple grand piano control panel — located in the effects controls section at the bottom of your
screen.
Try playing around with settings like Reverb and Bright and see what happens to your sound.
Drum Racks
A Drum Rack is a special kind of MIDI instrument — and it’s not limited just to drums. This
allows you to assign samples to keys on the keyboard, and is a neat self-contained way to
trigger multiple samples.
Inside the Browser’s Instruments section, drag the drum rack onto its own channel. The effects
panel will now show the drum rack controls. This mainly consists of 16 slots (more are available
on separate “pages”). Each slot is triggered by a note from the (musical) keyboard.
MIDI controllers
One particularly nice feature about Ableton is that it can work with a seemingly unending
number of MIDI controllers or keyboards. I previously showed you how to build your own MIDI
controller using an
A MIDI keyboard lets you make music and record clips using a real keyboard, but one that is
routed through your track. Want to change your instrument? No problem: just select a new one
in Ableton.
When using a MIDI keyboard, you need to configure Ableton to “listen” to your external device. In
the control section of your MIDI track, underneath MIDI From, select your MIDI device (once it’s
connected).
Your MIDI track will automatically convert the notes you play into the appropriate sound,
depending on the instrument you choose.
A MIDI controller differs from a MIDI keyboard in that they often have buttons and knobs instead
of keys. Once connected, you can map your controller to Ableton just like the keyboard
shortcuts above.
On the top right of Ableton, press the MIDI Map Mode Switch button. Once in this mode, trigger
a clip or move a parameter, and then press or move the corresponding physical control on your
Many MIDI controllers offer a combination of keyboard keys and buttons, and you can even
configure the keyboard keys to trigger clips instead of playing notes — the possibilities truly are
endless!
Effects
Effects are a great way to liven up your tracks, and they’re easy to use!
There are two types of effects — MIDI Effects and Audio Effects. MIDI effects can only be applied
to MIDI tracks, whereas audio effects can be applied to audio or MIDI tracks.
Once you’ve chosen an effect from the browser, simply drag and drop it onto your channel. Your
effect will then show up in the effect controls section. You can add multiple effects and adjust
their order and placement, along with their settings.
You can use a nearly unlimited number of effects — the only real limit is your processing power.
All you have to do is press the Record button in the top control panel. Once recording, you can
mix and match clips all you like, safe in the knowledge that the perfect combination of clips
will always be available in the recording.
Once you’re finished, press the Stop button in the top control panel. Press Tab to switch to the
arrangement view, and your recording will be there — all separated into multiple tracks ready to
edit or export.
Go to File > Export Audio/Video. From here, you are presented with various options to configure.
You can export each track as a separate file, but for now, leave the settings as they are and then
click Export.
Of course, if you want to know more, the Ableton Live manual is very comprehensive, and goes
into every item in great detail.
If you’re looking for songs to remix, or samples to manipulate, then make sure you checkout
these three places to find royalty free music.
Alternatively, if you’re looking for something a bit simpler, perhaps something just to mix
songs like a DJ, then why not checkout our guide to the best DJ software for every budget.
Did you learn how to use Ableton Live today? Why not share your favorite tips and tricks
with everyone in the comments section?