The

Sound of Silence Composed by Simon and Garfunkel

Adapted from
by Disturbed KERITH WOOLDRIDGE arrangement
of Disturbed cover


by Hunter Kerr

  4        
4     
 = 84

Voice

 
  
Hel lo dark ness my old friend,

 4        


   
 4           
   

  4   
4   
       
Piano 

                  
    
6

Voc.

    
          
I've come to talk with you a gain, be cause a vi sion soft ly creep ing,

              


   

       
        
Pno.



       44      
      42    
10

Voc.

     
      24   
left its seeds while I was sleep ing, and the vi sion that was

      44 
 

        
 
    42 44 
 
Pno.

      
               24   4   
      4 
14

Voc.


 
plant ed in my brain still re mains with in the sound of

  



42  
44
           
      
    2 44
      4  
Pno.

    

           
      
19

Voc.

    
si lence. In rest less dreams I walked a lone, nar row streets of cob ble

 
                           


 
  
   
 
      
Pno. 

               
         
23

Voc.

     
               
stone, 'neath the ha lo of a street lamp  I turned my col lar to the

       
  


   

      
 

   
Pno.

  

2
           
 42    44   
 
27

Voc.

     
cold and damp,  when my eyes were stabbed by the flash of a ne on light,

      24     


4
 

  4            
  
  
   42 44 
Pno. 

      

       24   44     
       
31

Voc.

that split the night, and touched the sound of si lence


42   44


      
      
            
 
   2 4
     4  4  
Pno.  



              
     
    
 
36

Voc.


And in the na ked light I saw ten thou sand peo ple may be more,

   


            
             


    
          


 
Pno.

3
                        42
   
40

Voc.

peo ple talk ing with out speak ing, peo ple hear ing with out listen ing, peo ple

                  


    42
 

              
       
      2
        4
      
Pno.

   
  

  2    4               42
4 4    
44

Voc.

 
 2    4         
wri ting songs that voic es nev er share, and no one dare

    


 4  4          42

  42 44      2
        4
Pno. 

       

  42   4     

   4            
 
49

Voc.

 "Fools" said I, "you do not

 2   
dis turb the sound of si lence. know

4   
  

 4     4                     

  
 
  
  2 44   
4                   
Pno.  

4
           

           
54

Voc.

si lence like a can cer grows, hear my words that I might teach you,

  
           
                 
  
     
           
Pno.

 

            2  4         
 4  4    
58

Voc.

   
         
take my arms that I might reach you." But my words like si lent rain drops fell,

      2   
  
    


      4    44      

    2 44  
     4 
Pno. 

      

    
                    
63

Voc.

 
and ech oed in the wells of si lence. And the peo ple bowed and

      
                
  

              

 
          
                  
Pno.   

   

5
              
           
 
68 Growl

Voc.

 
 and the sign

   
prayed, to the ne on God they made, flashed out it's warn ing,

                         

 

  

      
  
     
  

     
Pno.

   
         

                     

73

Voc.

      
and the words that it was form ing, and the sign said, "The words of the proph ets are

  
     
  

          
  
    
   
Pno.

           
  

           
       
 
      
 = 76

77

Voc.


Rit.

     
   
writ ten on the sub way walls and ten e ment halls," and whis pered in the


         





           
 
      
          
            
Pno. 

      
 
Rit.

6
              

 = 30  = 79  = 84  = 38

81
atempo
Voc.

 
sound of si lence.


 

      

     
  
             
    
 


Pno.