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Kwame Anthony Appiah is one of the first to examine ‘Postcolonialism and Africa’. For
Appiah, the post in postcolonialism certainly is different from that of postmodernism. The post-
colonial is the ‘space clearing gesture’1. This gesture can be discerned in Appiah’s discussion of
the two stages of African writing. The first stage can be encapsulated in novels which were part
of the struggle for independence and were ‘nationalistic’ in orientation. The second stage is the
post-colonial stage, here, the nation is not celebrated but novels are engaged in a process of
Many African empires existed in the pre-colonial era, such as the Ashanti, Ghana and
Edo empires. Nigeria was home to the Hausa, Igbo and Yoruba cultures. Achebe was among the
first to take up this history in the construction of a postcolonial identity as in ‘Things Fall Apart’.
In ‘Things Fall Apart’, basically, postcolonial interpretations can be read to it from two angles,
arguably. However, the two interpretations still come to be encapsulated to the rejection of the
Western imperialism, domination and subjugation brought to the Third-World by the West.
The first interpretation is that of postcolonialism as a critical discourse, and the second;
describes the thematic discussion of historical, political and cultural links between the colonized
and colonizers, (the west and the other) in order to reject domination, subordinations and
On the other hand, the constructive studies of postcolonialism offers new scaffolding to
those who have inherited the legacy of the colonial privilege, and who now seek to responsibly
speak for themselves, in their own voices and so produce a socio-cultural discourse, which
balance the imbalanced ‘us and them’-binary power – relationship between the colonizer and the
colonial subject.
These two perspectives to postcolonial studies can be inferred from Achebe’s works. The
protagonist in ‘Things Fall Apart’, Okonkwo, looks at events as they affect the clan and his
persons. In his words: ‘if Umofia decided on war, all would be well. But if they choose to be
cowards he would go out and avenge himself’’’ Let Egonwan, he continues, ‘’talk about a war
of blame’ tomorrow and I shall show him my back and head’’ 3 In other words, the clan, which
represent the Nigerian people, is rejecting the Western hegemony and domination. Okonkwo is
coming out as a nationalist to totally reject the Western domination; for the clan’s voice could be
From the historical view point, the pacification and disruption of Nigeria was done or
carried out by the Western Christian Missionaries through the introduction of their religion. In
other words, in order to establish their rule, they have disarmed and disunite the people through
the Western religion whose teachings have captured the mind of some. W. B. Yeats in ‘The
Second Coming’ where Achebe has taken the title ‘Things Fall Apart’ and the theme writes:
Although the last two lines seem more relevant to Achebe, however, the whole stanza captured
the theme in Achebe’s Things Fall Apart. The awareness of disunity and of things falling apart
as espoused in the above lines is expressed by Obierika in his accusation of the white man. In his
words, “now he has won our brothers and our clan can no longer act like one. He has put a knife
on the things that hold us together and we have fallen apart.”5 The point here is that the
influence of the colonist on the socio-cultural and socio-political life of the people has affected
their indigenous cultural life such that the explicit domination of the West is pronounced. The
domination has rendered the clan incapacitated. Obierika expresses this view in his answers to
Okonkwo’s question of why the people have become incapacitated and lost the power to fight, he
says, “how do you think we can when our brothers have turned against us? The white man is
very clever. He came quietly and peaceably with his religion. We were amused at his foolishness
and allowed him to stay.”6 By this he means, the inability of the clan to fight the scourge that
creep into their midst is as a result of disunity caused by the Western religion.
A postcolonial study from a critical point of view rejects versions of factors that
necessitate domination and disunity which thus, further the need to retrace the real identity of the
cultures and societies. It is concerned with both how European nations conquered and controlled
"Third World" cultures and how these groups have since responded to and resisted those
encroachments. Postcolonialism, as both a body of theory and a study of political and cultural
change, has gone and continues to go through three broad stages: an initial awareness of the
social, psychological, and cultural inferiority enforced by being in a colonized state; the struggle
for ethnic, cultural, and political autonomy; and, a growing awareness of cultural overlap and
hybridity.
In pursuance of the postcolonial interpretations in Achebe’s work, Achebe in ‘No Longer
at Ease’, uses the fall of one man, a descendent of the hero in Things Fall Apart, to depict the
birth of a whole new age in Nigerian life; a powerful, disillusioning age of corruption. In other
words, Achebe’s No Longer at Ease is a continuation of Things Fall Apart and it intends to show
how we inherit or our inheritance of the relic of the colonialist action. Succinctly Put, No Longer
at Ease as a sequel to Things Fall Apart, deals with the effects of colonization on Africa at large
and Nigeria in particular. It delves into the cultural and the political state of the colonized state
and society after colonization has ended. That is, it deals with the legacy of colonial rule which
form the background or the basis for the contemporary dilemmas of identifying its true self and
of developing a national identity after colonial rule. The above view is expressed and espoused
One of legacies left behind by the colonialist is bribery and corruption. Corruption becomes the
order of the day in the civil service and government they introduced. This denigrated
postcolonial effect concerns Achebe, and hence arguing to show the effect of the Western system
and domination, thus, Achebe as a postcolonial writer, I think he is concerned with the need to
do away with the influence of the colonist by painting the illicit aftermath picture of the colonist
system and ideals that formed the socio-cultural and socio-political standard for the colonized.
In the words of Mr. William Green in ‘No Longer at Ease’, the whole system ‘is corrupt through
and through8. Bribery and corruption has become the general phenomenon in contemporary
Nigeria and Africa at large. Achebe gives credence to this when he asserts that ‘Obi tried to do
what everyone does without finding out how it was done’9. Also in the question asked Obi by the
European and Chairman of the Public Service Commission, ‘why do you want a job in the Civil
Service? So that you can take bribes?10 The point here is that the colonialist approach and
methodology to governance and administration even after colonialism has not only jeopardized
the colonized self-cultural-reality, it initiates them into another social reality which effect is
nothing over and above a system of no progress and development. Thus, Achebe’s postcolonial
thought is a rejection of westernization. For him, westernization brings and breeds corruption.
Obi’s misfortune in at No Longer Ease is a good instance. Further still, James Ikedi after been
exposed to Westernization in Arrow of God was appointed as a Warrant Chief but soiled the
position with impunity. Thus, Captain Winterbottom in considering others for the post was not
ready to repeat the mistake of looking for some westernized ‘smart aleck’. In Arrow of God,
Achebe re-emphasizes and re-establishes, in a way, the disunity the Western religion caused.
This can be seen in some of the converts’ taught action, like Oduche, Josiah, Iweka, which
disunite them and their tradition and incite the converts to act arbitrarily to common good of the
clan. Thus, the strange behavior of Oduche caused anxiety in Ezeulu who was afraid that “the
new religion was like a leper. Allow him a handshake and he wants to embrace.” 11 By this he
means the white man’s religion is an attempt to dispossess the native’s custom and religion. As
such, viewing it as a form that interpolates the ideology of imperialism. It is the Western religion
that incapacitated the strength and mind of the people, that preaches love to one’s neighbour and
non-violence against one’s neighbour, yet it is under the guise of the same religion that violence
laid credence and re-emphasize the point Achebe tries to make in No Longer at Ease. He
showcases and addresses the societal problems orchestrated by the ruling class as inherited from
the colonialist. The ruling class have inherited and maintained ‘the privileged class’ which was
set-up by the colonialist. It was through this that corruption crept in and fostered in the country.
It is however disheartening how those who belong to the privileged class are celebrated in the
society despite looting the treasury lame. It is imperative to quickly note that whatever is
introduced to Africa, Africans take it with utmost madness. The Western religion is taken even
more than the Westerns. ‘The privileged class’ established by the colonialist was as well over-
maintained by the people who enjoy the privileges it offers. The novel encapsulates the
disgraceful situation in contemporary Nigeria. For instance, how people jostle for political office
for its cash price, which is to show that the mainspring of political action is personal gain.
Achebe also shows how quick one can acquire so much pleasant luxuries to dance about and
away with within few months foray into politics. Yet, amidst this, the society admires them for
establishing themselves as a privileged class sitting on the back of the masses. This could be seen
in the common saying that “no sensible man would spit out the juicy morsel that good fortune
placed in his mouth,12and “that a man could only be sure of what he had put away safely in his
gut or, in language ever more suited to the times: ‘you chop, me I chop, palaver finish’13 Suffice
these to mean, as espouse by Achebe, that “people themselves had become even more cynical
than their leaders and were apathetic into bargain.”14 Achebe further explains this in the words
of Odili, the narrator, “let them eat, after all when white men used to do all the eating did we
commit suicide?... The important thing then is to stay alive… Besides, if you survive, who knows?
It may be your turn to eat tomorrow. Your son may bring home your share.”15 By this he means
societal approval and encouragement is given to corruption and embezzlement. Achebe also
showcases how power of the incumbency is used against any opposition and how the incumbent
laid grip to power by all means and never wants to vacate the seat.
foreseen by few Nigerians in consonance with Achebe. Few of these insightful Nigerians include
the Speaker of the National Assembly, Hon. AminuTambuwal and Femi Falana. Falana having
watched with dismay and deepening disillusion the manner in which the privilege microscopic
few soiled the nation with corruption, insensitivity and neglect of the youth, call for a ‘political
and democratic revolution’ by the youth. In his words, “no doubt, the future of the country
depends on the commitment and determination of the patriotic segment of the youths to mobilize
others to channel their talents and energies towards productive ventures. To achieve the
objective the youths have to be organized to appreciate that they have a historic role to play in
creating an egalitarian society out of the decadence of the neo-colonial capitalist socio-
economic system that has turned our prosperity into poverty.”16He continues in his call for
revolution that, “I am not unaware of the popular call for revolution among the youths which is
borne out of total disenchantment with the prodigality and insensitivity of the over pampered
however to note that unlike Achebe, Falana’s revolution is political and democratic in nature,
Some might have argued and alleged that Achebe wrote to soothe the West, especially in
Things Fall Apart which shows the victory of the whites over the clan, and in Arrow of God
which should be interpreted, in a way, to show the impotence of the god to save its people.
However, contrary to this, Achebe writes the sequence of events from colonial era to post-
colonial and contemporary period. This goes to means that Achebe’s works have reflected
different stages and aspects of the country’s realities and vicarious experiences of its people.
inquires about the western domination exploitation and subjugation, and conceive how it can be
overthrown. This means that postcolonialism concerns itself with conceptualizing the complex
condition which attends the aftermath of colonial occupation, this, is what Achebe pre-occupies
and Shohat, Dangerous liasons: Gender, Nation and Postcolonial Perspectives (Minneapolis: Universityof
Publisher, 1958) p. i
5.
Achebe, op. cit. p.124.
6.
Ibid. p. 124.
7.
Eliot, T. S. ‘ The Journey of the Magi’ as quoted by Achebe Chinua in No Longer at Ease(London:
Heinemann Publisher,1960) p. ii
8.
Achebe, Chinua No Longer at Ease (London: Heinemann Publisher, 1960) p. 3.
9.
Ibid. p.5.
10.
Ibid. p.36.
11.
Achebe, Chinua Arrow of God (London: Heinemann Publisher, 1964) p.36.
12.
Achebe, Chinua. A Man of the People (London: Heinemann Publisher, 1966) p.2
13.
Ibid. p. 162
14.
Ibid. p.156.
15.
Ibid. pp. 156-157.
16.
Falana, Femi ‘Achieving a Drug- and Crime- Free Youth Population’ A Speech Delivered at the 11 th
Campus Life Correspondents’ Workshop held on July 6, 2013, in The Nation, July 18, 2013, p.31.
17.
Ibid.
First published in ANA Magazine, November 2013.
By:
Daniel Obasooto: Is a writer and a member of Association of Nigerian Authors, Ondo State chapter. He
Okedare David O.: is presently a Masters’ of Arts Student in Philosophy at the Obafemi Awolowo