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Violin Bowing- A List of Go
Terms
Posted on October 2, 2013 by Amanda
There are a few different basic categories for bowing, and they orchestra karate
involve the length of the bow on the string, the separation of notes test
through use of the bow, and whether the approach and finishing of physics physiology positions
the note by the bow is on or off the string. practice
I. On-the-String Bow reading rhythm scales
starting out strings
tremolo– moving the bow with great rapidity, repeating the same
note with rapid up and down bows stemming from the wrist
hooked bow– two or more notes under a slur, with each note’s
beginning resulting from a stopped bow stroke. The bow continues
in the same direction, but the notes are not part of the same
impulse of bow movement. The sounding of the string may or may
not be completely stopped by this pause of the bow.
piqué– a collé bowing starting from the string (see collé bowing,
under “off-the-string bow strokes”), with fingers providing all of the
movement. This results in a very terse note, with a sharp
beginning and ending. Usually this is utilized when performing
“backwards” articulation, starting with an upbow, in an uneven
rhythm
sautillé– very fast spiccato, done usually with the hand, like a
finger detache, with the hair hardly leaving the string while the
wood bounces. It’s a relatively light and sensitive, slightly bouncing
stroke (Saint-Saens, Rondo Capriccioso, last allegro; Dont- Opus
35; No. 2) (on YouTube, Professor V presents 2 alternative
methods for sautille: Method 2, Method 3)
slap stroke– down or up bow, with a start from extreme off the
string to on the string action, without a resulting bounce. This must
be done either at the frog or the tip, and not anywhere in between.
collé– “pinched” bowing at the frog done with fingers only, starting
from above the string, touching, and then lifting; often assigned by
teachers to help students cultivate finger flexibility while still
balancing the weight of the bow (here’s a great exercise to
practice!)
upbow stacatto– stick down, third finger moving the bow at the
first finger pivot point, resulting in a clockwise motion of the hand
flying spicatto– like regular spiccato in that the bow bounces, but
the bow is drawn along the strings as it’s bounced in the same
direction while playing many fast notes for a virtuostic effect.
Neither the hair nor the stick actually leave the string, but are held
for a series of hard, fast strokes while pressure is maintained to
produce a staccato sound. (also called jeté lént)
– starts on the frog from an up bow, moving with the fingers and
arm, finishing in the air- but on a sustained pitch, without bounce
jeté vité– same as the jete lent in that there is no real bouncing,
but starts from the air and finishes in the air
son file- sustained tone
III. Multiple-String and
Special Effect Bowings
whipped stroke (fouette)– an up bow, forcibly thrown onto the
string as a special effect (Mendelssohn Concerto, Mvt 1 & 3)
saccadé– the sudden and forceful pressing down onto one string
so hard the bow comes into contact with two strings at once
left- hand pizzicato– the action of plucking a string with one of the
fingers of the left hand, usually either the index or 4th finger.
Sources:
Violin Terms: Sheila’s Corner
www.violinlab.com