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“tte BOOK THREE A STRING CLASS METHOD (for Class or Individual Instruction) IN THREE BOOKS By SAMUEL APPLEBAUM a Published for VIOLIN VIOLA CELLO THE BELWIN STRING BUILDER by Samuel Applebaum ‘The Belwin String Builder is 4 string class Method in which the Violin, play together throughout. Each book, however, is a complete unit wor nn for class or individual instruction, This volume includes the second, third are introduced, followed by shift ts with different fingers. Each { developed with interesting melodies Chine Chad. Gettin CELLO Book Three Viola, Cello and Bass ay be used separately and fourth positions. Simple shifts with the same finger Ype of shift is presented and The pupil is taught how to build major and minor sceles and to play them with the basic bowing! K or ior Bs, the détache, the spiccato, ‘The material in this volume is chosen for its music are a number of duets which are to be played by either tet two groups. There also are a number of melodies in wha each instrument playing a different part. A small "p” part for that melody. ‘The material in this book is real » martelé, wrist and finger stroke, and al interest and its technical value. There Pupils or with the class divided into h the class becomes a string ensemble, after the number indicates there is a piano listically graded so that only a minimum of explanatory material is required SCHNICAL PROGRESSION TECHNICAL PROGRESSION ‘The Second Position —Finding The Fin, Finding The Fingers On The G and C Strings From One String To Another In The Second Position. More Melodies That Shift With The Same Finger Melodies In C Major That Include The Second Position. We Go From An Open String ‘To The Second Position ‘Melodies That Shift To ‘The Scale Line Shift. How To Shift When There Is No Slur The Third Position We Shift To and From The Third Position With ‘The Same Finger Melodies That Shift To and From The Third Position Without Slurs How To Build A Minor Scale Melodies In Minor Keys —The Half Position More Melodies In Minor Keys ‘The Wrist and Finger Stroke. Sixteenth Notes ‘The Dotted Eighth and Sixteenth Note More Melodies With Dotted Fighth and Sixteenth Notes Melodies Using the Martelé Bowing —"The Fourth Position. Finding The Notes In The Fourth Posi We Shift To and From ‘The Fourth Position With The Same Finger A New Rhythm —Triplets We Build A Major Scale On The Note A Melodies In Various Rhythms We Build A Major Scale On The Note E Fiat More Harmonics —More Shifting Beautiful Melodies With Harmonics. Melodies That Will Prepare For The Spiccato Stroke. How To Play ‘The Spiccato Stroke Lively Melodies Using The Spiccato Stroke. . ‘A Rig om WEL WIN. MILLS PUB aered by WARN BROS Reserved wetalng Pub Pe anes for Pri, igers On The A and D Strings. and From The Second Position With Different Fingers. SHING CORP (ASCAP) IHICATIONS US. INC : a2 THE SECOND POSITION (11) RoonS ust move withthe Band. ates Band on ty Thumb imo awaye be ander he means a finger 140, the k and opposite the 2nq Finding the Fingers on the A and D Strings Here we slide a whole step to the 2nd position. 1 Dates t 1 7 Here we slide a half-step to the 2nd position. When two whole at position. teps follow the Ist finger, we call {t the extended Ex. eee eraaes ert 124 ry ° Here we slide a whole step to the 2nd position. The 4th finger on D should sound like the open A. 1A 0 0 2 ease The Detaché Above the Middle of the Bow (A.M.) Play smoothly from the middle to the tip, drawing the bow parallel to the bridge. Use the full width of the hatr with the stick turned slightly towards the scroll. Only the forearm is to be used, from the elbow down. AM. = w ove the miédie 2 rae eieaee z = We Take Off! Moderato (Key of ©) (Duet) = = F. WOHLFAHRT t ROTE PROJECT: Finding the first finger in the four position. Memorize the sound of the open A string, Play this note with the at finger in the 4th position on the D string. sings ae

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