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PROGNA}I NOTES

I ¡of¡n Do*land (1563-1626 ): Ayrc

Dowland was an Engüsh cornposer of the time of Quecn Eüzabeth. I¡ was aD agc of fa.mous ¡:, ... of
whom the greatcst was the poet and playwright, William Shakespeare. It also was an age of advl.':'.¡re.
I Sir Francis Drakc sailed around the globe and cxplored tbe shores of California. Sir Waltcr Ralcigh f t'.' ' : -' j
the first English colony in üe New World.
Anayre is a song (air ín modern English). It was accompanied on the lute, a plucked slring instrum...r
I with some resemblance to the guitar.

Marc-Antoine Charpentier ( 1634-1704): Carols lrom Messe De Minuit

I Charperrtier lived during the rcign of Louis XiV (1643-1715).tfhi! Freuch monarch, the mgst p. .:rful
absolutc ruler of his time, was noted for üe magniíiccncc and brilli¿ncc of his gourl, and Íonu:,atcly
also for his parronage of the ara.
t Charpentier wrote more üan :ifteen operas. as well as a dozcn nasses and other sacred works. The
\lidnight Mass for Christuas Eve makes use of a numbcr of Frcnch Christmas carols.

t Diderick Buxtchude ( 1637-1707) : Sarabande

Although the life of Buxtchude almost exactly coincidcd with that of Charpentier, they lived in entirely
I differcnr worlds. Charpentier's surroundings u'ere the gayety and luxury of Paris; Buxtehude confined
himself mosrly ro rhe thurch and the orgán loft. first in his native Denmark. later in the North German
city of Lübeck. Neverthelcss. his influence w3s widesprcad. The great Johann Sebastian Bach. r¡'hen still
a young mtn. rravclied more than two hundrcd miles, rsos¡ of it no doubt on foot. to hear Buxtehude pla¡'
I and to profit by his instruction.

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lst Clarinet
Preparatory Exercise Et
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("Now oh now
1. Ayre
I necds must part" )
I
JOHN DOWLAND
Andante E
(t563-1626)
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Grrhhr @ Lc¡Llll Lt G" lr' lec- t¡l'r Y¡*

-íatatial Co¡a' '*ad
fffg g:#f.:::,; ; i*.l iÍ
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c.ar.r - : -+GÉ E lFr¡'
ail r¡|ri lrr.¡ tri¡'¡r' tÉ
 Exercise

try
l.PlTuratory

2. Carols
t from "Messe de lvfinuit ¡ro_ur
Noel" }víARC-ANTOINE CHARPENTIER

l# Allegretto ( 163+1704)
> > E
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-'fr
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li#
l# il-t-
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lffi
l#ñ -ffi
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lffi
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lffi
I N5o?5 I Fñ?PIELAD I:.i I
I cr' ,yEsr¡ rulEN¡L l¿a^t.:.r¡r¡. c I
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Preparatory

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3. Sarabande
DrErRrcH#rff*" t
Lrarghetto
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, 2nd VIn.

TT
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c.r,r,¡¡ho, j$,?.?;i jfi

6.,#frs¡dt_HAffi:H H:-t:
**:ffi*e-w:H
----r,ú rPcrttF,FF-.
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Arcangclo Corclü ( 1653'1713)" Gavotta
of the greet
coming into-prominence. rt was the timeall' Antonius
lcorc[i was born into an age when the viorin wasrhe cu"in.ri't;;iit, and, mostTheir
famous of
hiotin makers of cremona-rhe nnati'iámily, il"u* h;;;Jili*tlta') violins were graceful
Stradivarius. (The lattcr alone ma-de ti"ii ,iiái of amazing beauty'
.in fcrm and c¿sy to handle. In the t.nOioi i-io"O pl"V.t tft.iit"f¿ ttoOu""'toncs
composer to prove the worth of the vioüc His
slow melodies havc a noble' sustained
É;;;;;;;,qualiry, This is especially e'ident in
sineing and his üvacious ¿"n..'rilou.*rno róunii"¡; ""4-"igorous.
út¡.tt is from one of his violin sonalas'
lffi¿;;r;tro,
-Jean-Philippe Raneau ( 1683-t'764): Air Tendre

t#ril:iiT-lili::,r'llJtff4l''fi tr#:#s*ii:{*i{i{i.JH*:ff,i.ffi
ll|il:,,'#:,.J#ll*y1;:l'.yii:t ',t*i,Ii,T.i.,lT;l.j":n?'iiJl'n.of,l$,il;J:f:ill:,Jl:"ÍJ;
I keyboard instrument that prcceded me p¡a¡o'
opera.Ri¡uldo
lc*rr. Frideric Handel (16g5-175g): March lrom the
t;J;;; **, ,o l-ondon in l?n, üe_popular enrcnainment waq opc-ra. we would describe
it todav

r #1"fi:*-:::l"fi$""'-:'il*Tki'Jl$El1¡Ji.HT!l,l'lj?f;'lülii
:i:i!:ü!ilii^":i
I Hander poured into his opcras ar, .n¿iJrr-fi;";.i music. of;;;tpiid in b".uty of melody and nobilitv of
style. In later y."ri h. *iote oratorioi, iti most famous
which is Messiah'
tn 35 ycars he wrote approximately
I .oropor.d with great spced. Rinaltio was done in founeen.dayl:
other kinds'
f lóH;;,
""r0., i6';;;,;rios,"ano a sreat number of works of manv

,'#:!'::::;
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oEQUES: A ltrVSNtr.¡{E\te^h{.\. A.C.
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sl-> oBQltisTA
6

Preparatory Exercise

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4. .Gavotta
from Violin Sonata, op. 5, no. 9 I
ARCANGELO CORELLI
(¡653.r7r3)
Allegro E

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Cr¡7ri¡hr @ ,.crt¡¡f b7 Crrl Íirlo'. l¡c- Xrw Y¡rl

íalrme ri¡¡rl t¡prri¡Ar L.wd
C¡rrh¡- rr n¡e.gi¡l
r¡eagir rh¡.
{ü¡ tr53{-;6 t6ih.lotbFt
thalo t - F
ÍLr.l Cattti|hl lF.
btrr¡¡ rhr f¡la¡l
t¡.¡.1.!
oaii.iil- i¡lti¡¡r
i¡¡.¿ii ¡rbl¡r ioim.,!r rnlil.
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5. Ah Tendre
I JEAN.PHILLIPPE RAMEAU
( ¡6ü3-17&¡i
Andantino grazioro'
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C.ttr¡hr @ ftCruIlI üy Crrl fi*hÍ. l¡c., Xr yrl

a ar.?nrt;.t Ccpfrbfi, 3oircJ
Cq'úo¡ o..traa.r.iGt rhi. p¡L{rañ ¡ñ rhab r ¡. Fl
tfr. ,-ñl C.rFthl lF.
'rrü.ta ¡c¡¡ai¡f ¡rlL¡
A{ riárr rqana ;.¡{¡rn lJ ,tld. PñOOlED A
ORQUiilA tUV;¡:lL I¡[x¡CAN.r, ¿.r
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PreparatorY Exercise

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=¡

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6- March
from the opera "Rinaldo"
GEORGE FRIDERIC HAN DEL
t
Allegro non troPPo ( ¡685.1759)
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'2nd Vln,
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,1.

ft-eopota Mozart (1719'1787): Harvesr Song

lTo ¡he world in general, Leopold Mozart is merely the father of one of.the greatest Befuu¡e¡ in the history
was widely
óf ,nuii., Wóftg"ñg Á;a¿ius.'to violinisrs he is a téacher who wrote an instruction merhod that
-r.o*ldas authoritative in its time.
lrecoenized
l"u, Mozarr also was a composer. with a considerable output to his credit. whii" not one of the
immcrtats. te neueii¡-r¡ess might be ixrter known today if he were'not so completely overrnadowed by his
lson.
¡
'Joseph Haydn (l'732'1809): Country Round
lTo eenerarions of srudenrs Joseph Haydn has been "Papa Haydn." Justly so. for so much of his music is
and beauty of folk songs.
Fñti;"rt.á and cheerful. and'his milodics have the simplicity
We should not forgcr. hou,evcr. that H¿..,dn was one of the great cornposers of the cig-h.teenth century'. He
works
rplaved a vital rot.'¡n'Uui¡ding the for¡:, of rhe symphony añd the string quartet. and his two ma]or
voices, Tlzl Crearir.,, ¡.nd The Seásons.are masterpieces of the first rank.
fíói'o*f.t.r;;."d
t-udwis Van Beethoven ( l77O-1827 ; iheme from Choral Fantasia, op. 80
occurred uerween 1750 and l8OO. ln France the absolute monarchy-was
|r ,r.",lnd far-reaching changes "Liberty,
r.rliirá-; ih;';;i;Ñ"rd wis Equality, Frate_rniry." [n rhis courtry ihe Declaration of Inde-
uendcnce oroclaimed that "all rnen ari creaied equal." Haydn was content for almost thirty yea_rs to serve
f; f;;;il;rü it;;;h;,,r.r, t.r the nobility know thá¡ he wai no man's inferior. Paintings show Ha1'dtt in a
lpowdered wig and courr dress: Beethoven dressed to suit himself.
The Choral Fantasia (for piano. chorus. and orchestra) was wrirren for a concert of Beethoven's music
lsiven December 22. 1808. lt was a memorable occasion. for it included thef¡rs¡ pertormances of the com-
l[or.r'r Fifth-and Sixth Symphonies, tu'o ci his greatcst masterD¡eces.
The texr of rhe Fantasia is a tribute rl art, that unites men in Peace and brothcrhood..The Thcme re'.'eals
platnest
lsevcrai characterisriciof geeti¡oven'E :;iyle-¿ simple melody tha¡ Dloves up and down the scale, the
lXinO of harmonization, and a strong' insistent rhythm.

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7 . Harvest Song
LEOPOLD MOZART
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Aüegretto I
tf ,'fit'.1

poco a poco úesc -

C¡¡rhhl @ LcruIlr uv Cr¿ t¡¡¡¡¡" lx' ltr trrl

*td
-ttontal
Gt'ri{'m;nrul^F*g;;:
r!-r- ¡rl-úrl
Co¡l¡ich'

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I 8. Country Round
JOSEPI{ IIAYDN
I Allegretto i I ?32-¡ 8oe )

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Cc¡yri¡hr 1) mC¡'tiftf b. C¡d fir<tlr' hc., Nrr Yrrk
hta;rarüe: a .ctritñf 5rcrnd
Cntin v rr¡r¿r¡;¡f rñ.! rb¡...ti.i ii rlllt J t tdl
r-¡tlar ñ. t$- -tl Cafttithl Lt.
l'nuo* Alr.rltr. FFrll ñl-r+ É4 Xdw It Sla'i.
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Preparatory Exercise
I
tJ
f ,tl
9" Theme from Choral Fantasia
' ' "-'irñoi¡izi-
LUDWIG VAN BEETHOVEN, oP. 80 I
Allegretto ma non troppo(quui Atúo¡úe con moto) t
>>

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@ rc¡rlrtr tr c¡r{ li¡dror, hc- x¡ trrt
a.r.r{tionl CqTt;lll *al
{rre.it i¡ :l¡h I ie ¡¡á
t
!r.¡ ¡x¡ro
l-r- -¡.h a. loJcl Cryrirtr Le.
<r¡d'zLlaO
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,1.

Aria lrom the Orator.io L'enfance Du

Christ
Hector Berüoz ( 1803-1869 ) : to marry an
are numerous-his great shock of hair, his determination
The stories about Hector Berlioz
actresshehadnrn.'iiti'(ñtoi¿marryúti)'rti'cnormous"#;tt;;"n?iit"itniasticne*soundshemade
Perhaps
and rilled with tender reeling'
ffl#:H,.,,,.r.n, rrom what ol-':i:'::'i::t.fl:t::il:.gentle
real B.,li;;:;;á'tiit
rhis is the !us't his "public image'"
"iñti
rhe opera Die Meistersinger l/on Niirnberg
Hymnand Banner Trteme rrom
Richarcl wagner
( lgI3-1g33 \:
composer in th9 nineteenth
of music more strongry than any -other
I wasner infruenced the development
Mosr of his operas ur: !T* la;"d]ff'bi;''Miiit"'i'ng"
";'ó;;;;i;
is an original comedv
"eoíury. were dirrerent
I :Til:;:: *ffiI'r:"iliiliiu,."
*u, no,-it.ir
up during Middre As-r.-Th? Mastersingers
-rhe
,n.ti'r'-üüffii"i sái'rt'ili'g¿"r"to),
trad-e_bur
Master'
rhe most-t-arnous of the
in thár music ái*¡u"d himself in this rhvme:
singers, is thc cenrrliii'e,irJ^r]"-üv-"i;;;ü;;'ir.
"I af,o Hans Sachs, a shoc' -
Makct, and a Poct, too'"
gg0) : wailrz rrttm the operera La Grande-Duchess
Da Gérorstein
'ro.our,
ñffeauact¡ ( 1g 19-l populariry in Paris was built
for the br'iianr opera, Th,e Tares oÍ Hoilman,but his
offenbach is best known
more than one hundrcd'
on his operc¡Bs' of *t'ittt he wrote ., --Á ri'p,{ wirh
with mrnelodious
rs like a. Broadway musicar show-righ.r-heancd, w_irry, and fille'J
An offenbach operctta of the stvle'
tunes and colorful dance. The
waru i#L""ó-r:ilÁ;-'i;"rhr;ii;';g"rd'example

I f,:I:#:*:":u:l*u*tT?ltii,f ffi,ü?,Ht.TilklT.?:"::[ü:f,':[31'.,*ll""T3H:'i
rank in that caregory-for instance, iiil;TiJ;il,ñft iliili;o*i ii.rn, George Gershwin' and-
Richard Rodgers'
t
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0Pl.:.-D¿L'b
tU'"Eil:L MLt1CAl¡A' AC
 oreu¡sr¡. )uv¿¡:tr u¡n: tc ¡H¡. .. ._i
I c\ar't.iio I

t
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10. Aria from the oratorio
I
"L'enfance du
HECTOR BERLIOZ, oP'
( 1801-1869)
25 t
Allegretto grazioso
t
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GcTriht @ fACrft.IlI bv G¡rl fi*br, l¡c', l{¡ Y.rt

l.rorÉr;.¡3, CoPYrigh trcmd . 3 x

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€úú- a EFaas¡tr?
lc ..->ñ red
lhia ¡rbLadú ¿' t¡o¡
;i¡r¡ tti ,.d.n¡ C..vriah ¡.?. -
ial*r¡ ta.r dr#.
tt[
lG Jtdtl'

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 OPTEDA
lsl OIQUBS?A rUvENlL UExtcAN^.'A.(. l5

11. Hymn and Banner Theme

I from the opera "Dié Meistersinger von Nürnberg"
RICHARD WAGNER
(¡813-1s83)
Moderato E
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ri@

p-f noito cresc.

eresc-.e rall.

Ccpyri¡hr @ ¡tC,tt¡l¡ bv Ccrl fi¡eh¡r. l¡c.' Ner Yrrl

]¡.rñrf,ul CrcTrigñl Srcmd .
ca'.,, ú ffi¡il*r"f H:.=it::Jff
All ñahl¡ m;.tl¡ lF¡|" rmffi
iy.-F ::
lor¡r'
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Preparatory Exercise I
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12. Waltz from the operetta,
"La Grande-Duchesse de Gérolstein"
t
Allegro moderato
JACQUES OFFENBACH
(1819-1880) I
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C.rF¡hr @ rcr l¡U lry C¡'l fi*l.¡, lx- ttcr l¡rl

l-f,a.,rytt C¡er¡;¡hl I*nJ
t':*¿ e e¡Jeri¡.¡ ÉJr tt¿ladie¡ a. ttr.¡. - a. F.l
llsf ' ¡ fIÉ cñ
*. fo¡ü.I {¡crrigh: ld,
'-¡.bt cSrta ñ t rE la í'r'