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Walter Burkert
The splendid culture of the ancient Greeks has often been described as emerging like a miracle
from a genius of its own, owing practically nothing to its neighbors. Walter Burkert offers a
decisive argument against that distorted view, pointing toward a balanced picture of the archaic
period "in which, under the influence of the Semitic East--from writers, craftsmen, merchants,
healers--Greek culture began its unique flowering, soon to assume cultural hegemony in the
Mediterranean.
Contents;
Preface
Introduction
Historical Background
Hepatoscopy
Foundation Deposits
Purification
Substitute Sacrifice
Ecstatic Divination
Fables
Conclusion
Abbreviations
Bibliography
Notes
General Index
Preview;
http://books.google.com/books?id=cIiUL7dWqNIC&source=gbs_navlinks_s
Walter Burkert (born 2 February 1931) is a German scholar of Greek mythology and cult. An
emeritus professor of classics at the University of Zurich, Switzerland, he also has taught in the
United Kingdom and the United States. He has influenced generations of students of religion
since the 1960s, combining in the modern way the findings of archaeology and epigraphy with
the work of poets, historians, and philosophers. He has published books on the balance
between lore and science among the followers of Pythagoras, and more extensively on ritual
and archaic cult survival, on the ritual killing at the heart of religion, on mystery religions, and on
the reception in the Hellenic world of Near Eastern and Persian culture, which sets Greek
religion in its wider Aegean and Near Eastern context.
● (1972) Lore and Science in Ancient Pythagoreanism, Translated by Edwin L. Minar, Jr.,
Harvard University Press, ISBN 0-674-53918-4.
● (in German) Homo necans: Interpretationen Altgriechischer Opferriten und Mythen.
Berlin: De Gruyter. 1972. ISBN 3-11-003875-7.
○ (in Italian) Homo necans: Antropologia del Sacrificio Cruento nella Grecia Antica.
trans. Francesco Bertolini. Turin: Boringhieri. 1981. ISBN 88-339-5114-6.
○ Homo necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth.
trans. Peter Bing. Berkeley: University of California Press. 1983. ISBN 0-520-
03650-6.
● Structure and History in Greek Mythology and Ritual. Berkeley: University of California
Press. 1979. ISBN 0-520-03771-5. http://books.google.com/books?
id=APcX1KKHF9wC&printsec=frontcover.
● (1985) Greek Religion, Harvard University Press, ISBN 0-674-36280-2. Originally
published in 1977 in German, and translated into English by John Raffan, this has been
widely accepted as a standard work in the field.
● (1987) Ancient Mystery Cults, Harvard University Press, ISBN 0-674-03386-8, Based on
his Jackson Lectures at Harvard, 1982.
● The Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early
Archaic Age. trans. Margaret E. Pinder. Cambridge, Mass.: Harvard University Press.
1992. ISBN 0-674-64363-1.
● (1996) Creation of the Sacred: Tracks of Biology in Early Religions, Harvard University
Press, ISBN 0-674-17569-7.
● (1998) The Orientalizing Revolution: Near Eastern Influence on Greek Culture in the
Early Archaic Age, Translated by Margaret Pinder, Harvard University Press, ISBN 0-
674-64363-1.
● Savage Energies: Lessons of Myth and Ritual in Ancient Greece. trans. Peter Bing.
Chicago: University of Chicago Press. 2001. ISBN 0-226-08085-4.
● (2004) Babylon, Memphis, Persepolis: Eastern Contexts of Greek Culture, Harvard
University Press, ISBN 0-674-01489-8.
http://en.wikipedia.org/wiki/Walter_Burkert
Orientalizing Period
In the history of Ancient Greece the Orientalizing Period is the cultural and art historical period
informed by the art of Anatolia, Syria, Assyria, Phoenicia and Egypt, which started during the
later part of the 8th century BCE. dubious discuss It encompasses a new, Orientalizing style,
spurred by a period of increased cultural interchange in the Aegean world. The period is
characterized by a shift from the prevailing Geometric Style to a style with different sensibilities,
which were inspired by the East. The intensity of the cultural interchange during this period is
sometimes compared to that of the Late Bronze Age.
During this period, the Assyrians advanced along the Mediterranean coast, accompanied by
Greek mercenaries, who were also active in the armies of Psammeticus in Egypt. The new
groups started to compete with established Greek merchants. In other parts of the Aegean
world similar population moves occurred. Phoenicians settled in Cyprus and in western regions
of Greece, while Greeks established trading colonies at Al Mina, Syria, and in Ischia Pithecusae
off the Tyrrhenian coast of Italy. These interchanges led to a period of intensive borrowing in
which the Greeks adapted cultural features from the Semitic East into their art. Burkert 1992
128 et passim.
Massive imports of raw materials, including metals, and a new mobility among foreign craftsmen
caused new craft skills to be introduced in Greece. In The Orientalizing Revolution Near Eastern
Influence on Greek Culture in the Early Archaic Age, Walter Burkert described the new
movement in Greek art as a revolution "With bronze reliefs, textiles, seals, and other products, a
whole world of eastern images was opened up which the Greeks were only too eager to adopt
and adapt in the course of an "orientalizing revolution" Burkert 1992 128 . Many Greek myths
originated in attempts to interpret and integrate foreign icons in terms of Greek cult and practice.
Some Greek myths reflect Mesopotamian literary classics. Burkert 1992, 41-88, has argued that
it was migrating seers and healers who transmitted their skills in divination and purification ritual
along with elements of their mythological wisdom. He has suggested direct literary Eastern
influence in the Homeric literature. The intense encounter during the orientalizing period also
accompanied the invention of the Greek alphabet, based on the earlier phonetic but
unpronounceable Phoenician writing, which caused a spectacular leap in literacy and literary
production, as the oral traditions of the epic began to be transcribed onto imported Egyptian
papyrus and occasionally leather.
In Attic pottery, the distinctive Orientalizing style known as "proto-Attic" was marked by floral
and animal motifs it was the first time discernibly Greek religious and mythological themes were
represented in vase painting. The bodies of men and animals were depicted in silhouette,
though their heads were drawn in outline women were drawn completely in outline. At the other
important center of this period, Corinth, the orientalizing influence started earlier, though the
tendency there was to produce smaller, highly detailed vases in the "proto-Corinthian" style that
prefigured the black-figure technique.
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