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QUARTER 2 DRAMA
Module 1
In this part of the module, you will discover the interconnection among the distinct
features, elements, sources, bases and structure of Philippine drama. You will also
answer a diagnostic test to find out if you are familiar with any concepts related to
Philippine drama and to check your readiness and competence on the prerequisite skills
to the tasks at hand.
At the end of this module, you are expected to perform an original extended dialog
for a drama presentation which will be graded based on criteria presented at the latter part
of the module.
As you do the following tasks, you will be guided by the essential question “How
does drama mirror real – life?”
I can sense the excitement in you, but first let us examine if you
have prior knowledge on the topics contained in this module. Are you
ready for the test? You are indeed!
Below are questions you have to answer. Each question represent a concept or idea
which is about to be discussed in this module. Don‟t leave any unanswered item!
1
NEW YORKER IN TONDO
By Marcelino Agana Jr.
Scene 1:
Mrs. M: Visitors, always visitors, nothing but visitors all day long. I’m beginning to feel like a
society matron.
Mrs. M: Tony! I thought you were on the province.
Tony: Is that you aling Atang?
Mrs. M: of course. It’s I, foolish boy. Why?
Tony: You don' look like Aling Atang.
Mrs. M: I had a hair cut. Think it's horrible?
Tony: Oh, no, no.. You look just wonderful. Aling Atang for a moment, I thought you were Kikay.
Mrs. M: Oh, you are so “palikero” as ever, Tony. But come in. Here, sit down. How is your
mother?
Tony: Poor mother. She is homesick for Tondo. She wants to come back here at once.
Mrs. M: How long have you been away?
Tony: Only 3 months..
Mrs. M: Only 3 months!!! It's too long for a Tondo native to be away from Tondo. My poor
“kumara”. She must be bored out there.
Tony: Well, you know, we engineers are always on call. But as soon as I finish the bridge in
Bulacan, we’ll be going here in Tondo.
1. Tony and Mrs. M. are two of the people performing roles in the drama presentation
“New Yorker in Tondo” written by Marcelino Agana Jr. They are known as the play‟s
__________.
A. Character s B. Directors C. Plot D. Setting
2. The underlined statements are uttered by the cast of the play. How are these
statements called?
A. Commands B. Dialogue C. Genre D. Lines
3. The story happened in Tondo Manila where Kikay was born. Tondo Manila is the
play‟s____________.
A. Conversions B. Design C. Setting D. Stagecraft
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7. The following sentences are declarative sentences except one. Which statement is
it?
A. She must be bored out there.
B. She wants to come back here at once
C. I had a haircut.
D. How long have you been away?
Flor: Er, no, Matilde, not that barrio exactly-but another barrio nearby where my husband
goes hunting.
Flor: I have a large living room or perhaps we could gather near the swimming pool.
8. Call me Flory is a satire that pokes on social climbing and social climbers. This
actually is the play‟s ____________.
A. convention B. conversions C. plot D. theme
Processing points:
This test will not be recorded. Your score in this test will be compared with the test
that you are to take at the end of this module.
In this way, we can be assured that you have learned something from this module.
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Activity 2: The Difference is in the Ink!
Can you identify the difference among pencils, pens and stones? Writings in pencil
can be erased. Those in pens are permanent only without being spilled with water. Stone-
etched writings can last a lifetime!
Processing points:
What have you discovered about yourself while filling out the chart above?
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It‟s time to activate your prior knowledge. Scan the pictures below. Are you familiar
with these pictures? What is your impression on these pictures?
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Processing points:
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What do these dramas have in common and what does this imply?
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Which of the following is the most important question? Assign the following dramatic
“commands” based on the importance of the questions below. Write your answer in the call
outs before each item.
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What is your most Who is the Father of
favorite drama of all Philippine Drama?
time?
Where was the first
drama held?
Is drama different
from a role play?
How is drama played
in the province?
Processing points:
What are your bases in arranging the questions from the most important to the least?
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Start evaluating your chosen question here:
Characteristics of essential question Expressed Not
Expressed
1. It has no simple „right” answer.
2. It could be argued.
3. It provokes critical thinking.
4. It raises other important questions.
5. It is related to life.
Processing points:
Are all the characteristics expressed in your chosen question? If so, then your
question is an essential question!
If not, try selecting another question and repeat the process enumerated in this
activity.
The correct answer is “How does drama mirror real life?”! Do we have the same
answer? Very good!
Let‟s explore further and answer this question in the activity that follows:
Now it‟s time to examine what comes in your mind if the question is posted for you to
answer. Answer the question below using the diagram.
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How does
drama
mirror real
life?
Processing Points:
Good! All your answers are accepted!
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However, we will try to validate your answers to be true or not as we discuss the
succeeding lessons.
What are your expectations in this topic? Are you curious to know what output is
expected of you to accomplish at the end of this topic?
Remember that in this quarter, the genre from which all our discussions are focused
is DRAMA. Which of the following performances do you think fits the genre?
Connect the dot of the expected output to the supermarket trolley.
a colorful poster
an insightful slogan
an expressive poem
an original extended dialog
a comprehensive diagram
a creative portfolio
Processing points:
Good! The performance you are expected to carry out is an extended dialog and you
will be graded using the following criteria:
Good luck!
This part of the module will enable you to illustrate or crystallize your knowledge of
the features, elements, sources, bases, topic structures of Philippine drama, and the
significance of various kinds of sentences, and the use of conjunctions in the production of
an extended dialog for a play presentation.
You may have all these things contained in the varied activities you are to
accomplish. You will be engaged in meaningful and challenging activities that will enrich
what you have learned.
Did you know that the word drama was coined from the Greek
word “dran” which literally means “to do” or “to act”? It was first
performed by imitating the sounds and movements of nature which
eventually become an art.
Zarzuela is a well preserved They have also included tableaus in their liturgy and
Philippine classical drama during holy week which later evolved into plays now known as
performed in Ilocos province.
panunuluyan and cenaculo. Eventually plays such as comedia,
zarzuela, duplo and karagatan were introduced.
Another common term in drama for character is “protagonist” which means the literally
means “first contestant”. The second best character is known as “euteragonist’. The
“antagonist” is the protagonist‟s principal rival in the conflict set forth in the play.
Theme: The theme of a drama refers to the central idea of the play. It can either be
clearly stated through dialogue or action or can be inferred after watching the entire
performance.
Plot: The order of events occurring in a play is referred to as the plot of the drama. It is
the basic storyline that is narrated through a play. The entertainment one derives from a
play depends largely on the sequence of events that occur in the story. The logical
connection between the events and the characters, which enact the story form an
integral part of the plot of drama.
Audience: A person who hears or sees the play. They are spectators who come as
mere guests, other artists, critics or anyone who can express opinion about the dramatic
performance.
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Design is technically a plan that covers all materials, equipment and other details of
the dramatic performance. Under this element, the following are considered:
Lighting Design: illuminates the stage and the performers thus creating
mood and controlling the focus of the spectators. Stage lighting may be from
a direct source such as the sun or a lamp, or it may be indirect, employing
reflected light or general illumination.
Sound and Sound Effects: Are most often used for realistic
effect but they can also assist in the creation of mood or rhythm.
Although many sounds can be recorded from actual sources,
certain sounds do not record well and seem false when played through
electronic equipment on a stage.
How are these elements and feature evident in Philippine drama today?
Come with me, let us find out together.
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Activity 8: The World is an Apple?
World Apple
Processing points:
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How could a world be an apple? This is basically a metaphor which implies the
comparison of the two. Let us find out how an apple became the world to Mario, the
lead character of “The World is an Apple” by Alberto Florentino.
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The World is an Apple
By Alberto S. Florentino
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3. Why did Mario lied to Gloria about him losing his job? Do you think it‟s
reasonable? Why or why not?
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5. How did Pablo try to encourage Mario to return to his old job?
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How did the characters deal with their struggles in life as seen in the text?
Complete the chart below:
Questions Characters
Gloria Mario Pablo
Setting: Where and at what point in
the drama does the character
become significant?
Problem: What is the character‟s
problem?
Goal: What is the character‟s goal?
What does the character want?
Attempt: What does the character
do to solve the problem or attain the
goal?
Outcome: What happens as a result
of the attempt?
Reaction: How does the character
feel about the outcome?
Theme: What general truth in life
does the playwright want to
emphasize?
Processing points:
What can you say about the characters after using the chart? Can you determine
the kind of character, each of them is classified?
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Refer back to the text and complete the dialog between the couple in the story.
Now try to deliver the lines facing a mirror. Make sure to make a shift of voice‟s
texture and tone every time you change a character.
Processing points:
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Activity 12: What if………..
Draw the setting at the beginning of the story, and write two lines taken from the
selection which relate well to the story.
Line 1: ___________________________________________________
Line 2: ___________________________________________________
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What if the story happens in another setting, what changes in the characters‟
personality and dialogs would possibly occur?
Line 1: ___________________________________________________
Line 2: ___________________________________________________
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Processing points:
How does it feel to have the power to change a part of the story?
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Choose any catchy line or startling dialogs from the text. Write a paragraph
reflective of the chosen dialog. The paragraph should contain essential discussion to
prove how you are moved by the said line or dialog.
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Processing points:
What makes a line catchy? What impact does it create among the audience?
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Dialog:________________________________________________________________
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Reflection:____________________________________________________________
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Exposition
Rising Action
Conflict
Climax
Denouement
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Processing points:
How are these elements similar to those of narratives? What insight can you
draw out of it?
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1. Declarative sentences state an idea. They end with a period. For example:
3. Interrogative sentences ask a question. As you would expect, they end with a
question mark. For instance:
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a. ask questions (______________________)
1. ______________________________________________________________
2. ______________________________________________________________
1. ______________________________________________________________
2. ______________________________________________________________
1. ______________________________________________________________
2. ______________________________________________________________
1. ______________________________________________________________
2. ______________________________________________________________
Now try labeling each descriptors with the kind of sentences according to
function.
Processing points:
A. You were Mario. Ask your wife two questions about the health status of your
daughter, Tita.
Question
1:____________________________________________________________________
Question
2:____________________________________________________________________
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B. You were Gloria. Order Mario to take your sick daughter to the hospital.
Command:
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Command:
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C. Request Mario to produce the possible amount needed to cover the hospital
expenses.
Plea:__________________________________________________________________
Plea:__________________________________________________________________
D. You were Pablo. Express your surprise when Gloria informs you of their
impoverished condition.
Exclamation
1:____________________________________________________________________
Exclamation
2:____________________________________________________________________
E.You were Tita. Share your message with your mother and father who are taking care
of you.
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Processing points:
Imagine talking to someone whom you can never tell if he‟s asking a question,
giving a command or just sharing a thought. How could you ever understand
each other?
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Processing points:
Conjunctions are words that connect or join words, phrases, and clauses together.
And joins similar ideas to include something in the same line of thought to
what has been mentioned. In lieu of and, we may also use the following: “
but also”, “moreover”, “furthermore”,” in addition to”, “both ___ and ___.”
But is used to join contrasting ideas. Aside from but, we may also use
“nevertheless”, “yet” and “however” and “otherwise”.
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Or connotes a choice or alternative. We may use “either___or” and
“neither__nor” in place of or.
1. She wanted me to buy one for her, but I did not have seventy centavos.
2. Then she cried, so…when I saw this apple rollout of the broken crate, I thought Tita
would love to have it.
3. I‟ll pray tonight and ask Him to let you have the job.
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5. Why do you need money? To buy me a pretty dress or to let me watch a movie?
Underline the conjunctions in the given sentences. On the space provided before
each number, write a check ( / ) if it is a coordinate conjunction and (x) if not. Then
construct meaningful sentences using the appropriate conjunction in each number.
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Your own sentence using the conjunction:
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Processing points:
What UNDERSTANDING can you draw out of the activities you have
accomplished, the learning you have gained and the realities about life
represented by drama you have read?
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That‟s fantastic!
by presenting
27 Drama clearly portrays
man‟s significant experiences
the real world
in a grand,
Write the Essential Understanding here:
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That‟s impressive! You have completed the FIRM UP phase! I‟m sure the next
phase will be a lot more fun and exciting!
In this phase, you are provided with thought-provoking questions that will make
you reflect, revisit, rethink, and revise your earlier assumptions about Philippine drama.
You are also expected to deal with authentic situations to highlight the grammar
structure of the dramatic texts discussed herein. The differentiated instruction will
address your uniqueness, strengths and weaknesses and will reinforce what you have
learned.
At the end of the phase, you will be engaged in meaningful self –evaluation of
learning through a short summative test.
Are you ready to deepen your understanding further? What are you waiting for?
Start at once!
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ACTIVITY 21 : Knock, Knock, What is It?
Label the titles of contemporary dramas. Just write TS (for teleserye),TL (for
telenovela), or FS (for Fantaserye).
_____1. Esperanza
_____2. Marina
_____3.Pangako Sa‟yo
_____4.Marimar
_____5. Kay Tagal Kang Hinintay
_____6. Encantadia
_____7.Bakekang
_____8. Mulawin
_____9. Mara Clara
_____10. Captain Barbell
Comparison
Contrast
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Choose any character from the play “The World is An Apple”. Then write a
letter addressed to Alberto S. Florentino describing how they feel about the character
they have chosen.
Date: _____________
Sir:
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Processing points:
Have you been reflecting, revisiting, rethinking and revising your earlier
assumption about Philippine drama? What changes have you noted so far?
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Modify the ending of the play ”The World Is an Apple”. Let them present the
ending they have decided on. Give comments and suggestions.
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Original ending:
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Modified ending:
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How will you relate the essence of the quotation to your own experience or
another story you have read in the past? Accomplish the chart below:
Experience
Related readings
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Activity 27: An Extra Challenge
Interview street children or poor families in the slum or very poor areas. Write a
report about their life. Photos for documentation are optional.
Processing points:
What similarities between your life and theirs have you discovered? How did you
feel about it?
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What realities about life have you realized from the interview?
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Do you see any connection between their lives and how drama is depicted and
acted in the Philippines? Then how does drama mirror real life?
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Congratulations for completing the DEEPEN phase! But to ensure your
understanding, please try answering the test below:
SUMMATIVE TEST
Sioning: Ah…you are not a cockfighter, but you just bet in cockfights. Are you trying to
kid me Celing?
Celing: No, I‟ll explain it to you. But promise don‟t tell anyone! Please!
Celing: You see, Sioning, I bet in the cockfights in order not to lose.
Sioning: Oh, you bet in a cockfight in order not to lose. Celing, you are making fun of
me.
Celing: Well, if Kulas‟ cock loses, I win, and if I lose Kulas wins. So, whatever
happens, we don‟t lose any money
Sionig: Oh, I see. Why, yes of course! Celing, you are clever.
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5. Which statement expresses a request?
A. Ah…you are not a cockfighter, but you just bet in cockfights
B. No, I‟ll explain it to you
C. But promise, don‟t tell anyone! Please!
D. I bet in the cockfights in order not to lose
(1) Pilarica: Please stop quarrelling. If you don‟t I‟ll call Tia Pura.
(2)Paz: We thought you‟d be back at six. Cornelio is meeting you at the station after
his dismissal from work.
(3)Mrs. Reyes: The Mayor saw me at the city bus station waiting for a ride home. He
invited me to ride in his car. So here I am.
Pilarica: Whenever she hears the Mayor‟s name, Mother, she always thinks of
(5)
Teddy boy.
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8. In the line, “The Mayor saw me at the city bus station waiting for a ride home. He
invited me to ride in his car. So here I am”, what is the coordinating conjunction
used by Dumalual?
A. saw B. for C. to D. so
9. In the line, “Please stop quarrelling. If you don‟t, I‟ll call Tia Pura.”, which of the
following pattern of sentence according to function is observed?
A. exclamatory, interrogative C. interrogative, declarative
B. declarative, imperative D. imperative, declarative
Processing points:
This part of the module will allow you to make independent applications of the
various processes (scene extension, script modification, simulation activities) you have
learned. This will enable you to do independent performance or project using varied
and complex assessment procedures and most importantly, see the connections
between tasks in this module and the real world.
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Play extension is a phrase that refers to adding scenes to a drama previously
written. This post modern practice makes a student playwright go beyond the restricting
practice of text confinement.
2. Take account of the additional incident through the words spoken by characters. Do
not write descriptions and explanations.
3. Write lines for the actors to establish their characters. The previous dialogs will help
learners figure this out.
4. Always include some actions like a mock fight, a chase or even a heated argument.
5. Make sure that the extended dialogs relate well with the previous scene taken from
the original script.
Inside the circle, draw the symbol that represents the union of Dramulit.
Acknowledgement:
1. Dr. Nilda Sunga for the indicators used to evaluate an essential question which
appeared in activity 5 of explore phase.
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