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Tughlaq Architecture
BY AMIT G UHA
Contrary to popular perception, Tughlaq architecture is not restricted to Delhi. Their unique style was
copied and spread across the Indian sub-continent by Tughlaq-era governors and many fine examples
may be seen even today.
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The Tughlaks ruled northern India from Delhi for about a hundred years, from the early 14th to the early
15th centuries. The first three sultans of this dynasty were exceptionally energetic and capable (though
sometimes controversial) individuals. In addition to their military and political accomplishments, these
rulers also left behind a unique architectural legacy. They built forts, palaces, and tombs throughout
their capital Delhi while their governors replicated the easily-identifiable style in religious and military
buildings across the country.
During my travels in the subcontinent, I have come across Tughlak buildings in some unexpected places
very far from Delhi.
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was later given by his son, Muhammad, to the followers of Shah Rukn-e-Alam, a
renowned Sufi saint of Multan, and grandson and successor of Shaikh Baha-Al-
Din Zakariya.
Built on a mound, this magnificent structure and its huge dome can be seen for miles around, from
whichever side the city is approached. The mausoleum, built entirely of red brick, has the trademark
thick, sloping walls that characterise Tughlak architecture. The lower walls here form a high octagon
whose corners are marked by round and tapering buttresses. Above this, on the second story is a
smaller octagonal structure, leaving a narrow, uncovered walkway on the second level. Surmounting this
structure is a massive, hemispherical dome.
The whole of the exterior is elaborately ornamented with glazed tile panels, string-courses and
battlements. Colors used are dark blue, azure, and white, contrasted with the deep red of the finely
polished bricks. In the 1970s the mausoleum was thoroughly repaired and renovated. The entire
glittering glazed interior is the result of new tiles and brickwork done by the Kashigars of Multan.
The buildings are now in ruins and all that remains well-preserved today is his own tomb, a magnificent
structure, standing within a separate fortified compound. The tomb itself looks like a fortress with its
thick, sloping walls surmounted by crenellations. The compound it is placed within has arcaded walls
with fortress-like parapets.
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Jahanpanah, Delhi (India)
The major contribution of Muhammad Tughlak, the son and successor of Ghiyas-ud-Din, was the fourth
city of Delhi, fortified walls named Jahanpanah or the 'Refuge of the World'. Within this city he built a
double storied bridge of seven spans named Sath Pul, and a victory pavilion, the Bijai Mandal. In 1340,
the city was deserted when Muhammad moved his capital to Daulatabad in the Deccan, a move which
would come to deeply impact the politics and architecture of the region.
The Shaith Gombuz mosque is the earliest building here, a massive structure standing in a large
enclosure defined by a low wall. and entered through an large eastern gateway embellished by
terracotta decoration. The mosque itself is heavy, almost fort-like in construction with the thick sloping
walls and bastion-like tapering corner towers that clearly derive from Tughlak style. The slightly curved
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roof has rows of simple, hemispherical domes, except the domes on the central aisle which are
unexpectedly, in the Bengali charchala style.
The walls of this mosque are severe compared to later Khan Jahani buildings in the area. The parapet
has only a single moulding with a line of rotated squares and the walls are left completely unadorned.
Only the entrance arches have terracotta roundels and rows of ornamentation above the enclosing
rectangular frame. The main east entrance arches are distinguished by additional roundels placed
outside the rectangular frame.
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fortress itself are Islamic, the ruins
within the fort are mostly remnants of
Kakatiya temples and palaces, including
the famous Kakatiya portals near the
Swayambhu temple area.
The one exception is the Khush Mahal, a rectangular hall said to be built over the site of a Kakatiya
palace. It may have been used as an audience hall by Shitab Khan, the 16th century Qutb Shahi governor
of Warangal but was probably built during the 14th century Tughlak occupation of the fort. Its sharply
sloping walls are easily identifiable as Tughlak. The long east and west walls of the building have a
projecting parapet and six high arches framed by narrow rectangles.
These high arched windows admit light to the interior. A wide entrance arch on the north wall leads to a
single spacious schamber inside with small storage rooms on each side. Transverse arches span the high
ceiling. Broken fragments from the Svayambhu enclosure and Jain temples are placed inside the hall and
near the north entrance.