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The Motion Picture Production Code, known informally as the "Hays Code," imposed strict regulations on films with the intent to preserve moral standards of the time. This example from 1956 was issued the same year as classic releases like "The Bad Seed," "The Ten Commandments," and "The Man Who Knew Too Much."
The Motion Picture Production Code, known informally as the "Hays Code," imposed strict regulations on films with the intent to preserve moral standards of the time. This example from 1956 was issued the same year as classic releases like "The Bad Seed," "The Ten Commandments," and "The Man Who Knew Too Much."
The Motion Picture Production Code, known informally as the "Hays Code," imposed strict regulations on films with the intent to preserve moral standards of the time. This example from 1956 was issued the same year as classic releases like "The Bad Seed," "The Ten Commandments," and "The Man Who Knew Too Much."
MOTION PICTURE
PRODUCTION
CODE
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‘Motion Picture Association of America, Inc.
December, 1956FOREWORD
Motion picture producers recognize the high trust and confidence
which have been placed in them by the people of the world and
which have made motion pictures a universal form of entertainment,
‘They recognize their responsibility to the public because of this
trust and because entertainment and art are important influences in
the life of a nation.
Hence, though regarding motion pictures primarily as entertain-
‘ment without any explicit purpose of teaching or propaganda, they
know that the motion picture within its own ficld of entertainment
‘may be directly responsible for spiritual or moral progress, for higher
types of social life, and for much correct thinking
On their part, they ask from the public and from public leaders
4 sympathetic understanding of the problems inherent in motion
Picture production and a spirit of cooperationsthat will allow the
‘opportunity necessary to bring the motion picture to a still higher
level of wholesome entertainment for all concerned.The Production Code
GENERAL PRINCIPLES:
1. No picture shall be produced which will lower the moral
standards of those who see it. Hence the sympathy of the audience
shall never be thrown to the side of crime, wrong-doing, evil or sin.
2, Correct standards of life, subject only to the requirements of
drama and entertainment, shall be presented.
3, Law—divine, natural or human—shall not be ridiculed, nor
shall sympathy be created for its violation,
PARTICULAR APPLICATIONS:
1. CRIME:
1. Crime shall never be presented in such a way as to throw
sympathy with the crime as against law and justice, or
to inspire others with a desire for imitation,
2 Methods of crime shall not be explicitly presented or
detailed in a manner calculated to glamorize erime or
inspire imitation.
8. Action showing the taking of human life is to be held to
the minimum. Its frequent presentation tends to lessen
regard for the sacredness of life.
4, Suicide, as a solution of problems occurring in the devel-
ment of screen drama, is to be discouraged unless
absolutely necessary for the development of the plot, and
shall never be justified, or glorified, or used specifically
to defeat the ends of justice.
5, Excessive flaunting of weapons by criminals shall not be
permitted.
6. There shall be no scenes of law-enforcing officers dying
at the hands of criminals, unless such scenes are abso-
Tutely necessary to the plot.
7. Pictures dealing with criminal activities in which minors
participate, or to which minors are related, shall not be
approved if they tend to incite demoralizing imitation
‘on the part of youth.
8. Murder:
(a) The technique of murder must not be presented
in a way that will inspire imitation,
(2)
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(b) Brutal kilings are not to be presented in detail
(€) Revenge in modern times shall not be justifed
(4) Merey killing shall never be made to seem right
or permissible
8. Drug addiction or theillict trafic in addiction producing
drugs shall not be shown ifthe portrayal:
(a) ‘Tends in any manner to encourage, stimulte or
justify the use of such drugg:ee
(b) Stresses, visually or by dialogve their temporarily
attractive effector
(c) Suggests that the Gag habit may be quickly or
easily broken; of = oe
(2) Shows details of drug procurement or of the
taking of drugs in any manner, oF
(e) Emphasizes the profits of the drug tafe; oF
() Involves children who are shown knowingly to
use or trallic in drugs val
10. Stories on the kidnapping or illegal abduction of children
are acceptable under the Code only (1) when the sue
ject is handled with restraint and discretion and avoids
details, gruesomeness and undue horror, and (2) the
child is returned unharmed.
1. BRUTALITY:
Excessive ad inhumane acts of cruelty and brutality shall not be
presented. This includes all detailed and protracted presentation of
Physical violence, torture and abuse.
IM, SEX:
‘The sanctity of the institution of marriage and thie home shall be
upheld. No film shall infer that casual or promiscuous sex relation.
ships are the accepted or common thing,
1, Adultery and illicit sex, sometimes necessary plot ma-
terial, shall not be explicitly treated, nor shall they be
justified or made to seem right and permissible,
2. Scenes of passion:
(a) These should not be introduced except where they
are definitely essential to the plot.
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