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HOK
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Published by ORO Editions
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PREFACE

“Achieving great design with technical Achieving great design with technical excellence

excellence means setting bold design means setting bold aspirations that are achieved
by independent thinking, building science and
aspirations ...”
sound judgment—all supported by a collaborative
team and advanced digital technology. We
Great design is realized at the intersection of
provide the best service to both our contractual
art, craft and science. Technical excellence is
and extended clients by realizing great designs
critical to that realization and it is important
that are enjoyed by those who experience them,
that everyone understands the difference
and whose elegant expression is informed by
between technical competence and technical
intelligence, efficiency and craft.
excellence, as well as the importance of each
to our aspirations for our constantly developing
The 2017 Design Annual illustrates a diverse
practice.
range of building typologies and scales, from
concepts to completed works that exemplify the
Technical competence is essential to the delivery
integration of design ambition with technical
of good projects and forms the foundation
excellence. The places and spaces we create
of our professional responsibilities: code
combine imagination and knowledge to make the
compliance, interdisciplinary coordination, good
world a better place. Ours is a constant endeavor
specifications, clear documents and effective
to evolve and improve, informed by optimism and
construction phase services.
the thrill of creative effort.

Technical excellence requires all of these


Speaking for everyone in HOK, I hope you enjoy
competencies and much more. It demands a
seeing our work from the past year as much as
creative process that melds the craft of building
we have enjoyed creating it.
with the science of buildings. It is an exciting and
joyous process by which a deep understanding of
Carl Galioto, FAIA
the nature of materials—how they are composed,
President
fabricated and installed—can coax from those
materials the communication of a building’s
underlying design concept.
TABLE OF CONTENTS

AVIATION + TRANSPORTATION LaGuardia Airport Central Terminal B New York, New York, USA 12
New LaGuardia Airport Master Plan New York, New York, USA 38

COMMERCIAL 1101 16th Street NW Washington, D.C., USA 54


The Allen Mixed-Use Development Houston, Texas, USA 64
Ghirardelli Square Plaza San Francisco, California, USA 78
Mixed-Use Development Design Competition Riyadh, Saudi Arabia 88
Our Urban Midwest Chicago, Illinois, USA 100
Tower Design Competition Sydney, Australia 114

CORPORATE Bentall Kennedy Office Toronto, Ontario, Canada 128


Corporate Amenities Building for Confidential Client Texas, USA 136
Dairy Farmers of America Headquarters Kansas City, Kansas, USA 146
Dentsu Aegis Network Office Los Angeles, California, USA 160
Polsinelli Offices Dallas, Texas, USA / Denver, Colorado, USA 168
White & Case Office New York, New York, USA 184

CULTURAL Al Fozan Mosque Al-Khobar, Saudi Arabia 196


Nile Valley Aquaponics Facility Kansas City, Missouri, USA 206

GOVERNMENT Central Bank of Kuwait Headquarters Kuwait City, Kuwait 212


HEALTHCARE Center for Academic Medicine for Confidential Client California, USA 220
Ng Teng Fong General and Jurong Community Hospitals Jurong, Singapore 236

HOSPITALITY Fogo de Chao Brazilian Steakhouse San Francisco, California, USA 248
Jacob K. Javits Convention Center Design Competition New York, New York, USA 256

JUSTICE Davidson County Criminal Justice Center Nashville, Tennessee, USA 274

PRODUCT DESIGN Scientific Lab Furniture System 288

RESIDENTIAL 633 S. LaSalle Street Tower Chicago, Illinois, USA 296


Sutton Place Design Competition New York, New York, USA 304

SCIENCE + TECHNOLOGY Education Building for Confidential Client California, USA 316
The Francis Crick Institute London, UK 326
Medical Research Building for Confidential Client California, USA 348
University of South Florida Morsani School of Medicine Tampa, Florida, USA 358

SPORTS + RECREATION + Major League Soccer Stadium St. Louis, Missouri, USA 368
ENTERTAINMENT Miami Dolphins Hard Rock Stadium Miami, Florida, USA 376
PROJECT LOCATIONS
HOK 2017 Design Annual Projects
HOK Office

Bentall Kennedy Office

1101 16th Street NW

Jacob K. Javits Convention


Center Design Competition

633 S. LaSalle Street Tower LaGuardia Airport


Central Terminal B
Our Urban Midwest
New LaGuardia Airport
Major League
Master Plan
Soccer Stadium

Nile Valley Sutton Place


Aquaponics Facility Design Competition

Dairy Farmers of White & Case Office


America Headquarters

Polsinelli Office
Fogo de Chao
Brazilian Steakhouse
Davidson County
Ghirardelli Criminal Justice Center
Square Plaza
Center for Academic Miami Dolphins
Medicine for Hard Rock Stadium
Confidential Client
University of South Florida
Medical Research Morsani School of Medicine
Building for
Confidential Client The Allen Mixed-Use
Dentsu Aegis Development
Network Office Corporate Amenities Building
Education Building for for Confidential Client
Confidential Client
Polsinelli Office
The Francis Crick Institute

Central Bank of Kuwait


Headquarters

Al Fozan Mosque
Mixed-Use Development
Design Competition

Ng Teng Fong General and


Jurong Community Hospitals

Tower Design
Competition
departures hall concept
AVIATION +
TRANSPORTATION
13
LAGUARDIA
AIRPORT
CENTRAL TERMINAL B
New York, New York, USA

The design of LaGuardia Airport’s Central Terminal


B will provide a state-of-the-art passenger terminal
and modern New York travel experience. The
35-gate terminal will replace the existing 1964
Central Terminal Building and optimize use of the
airport’s limited airside and landside real estate.

The design for the new terminal will transform


LaGuardia Airport into a single, unified hub with
expanded transportation access and best-in-class
passenger amenities. A phased construction
approach allows it to be built on the constrained
site with minimal impact to existing operations.

To optimize airfield performance and efficiencies,


the team devised an island-concourse gate
configuration. A pair of pedestrian bridges
connects the headhouse to the island concourses.
The bridges traverse over active taxilanes and
offer sweeping views of the airfield and
Manhattan skyline.

The interior will feature intuitive wayfinding,


ensuring the efficient movement of passengers
through the terminal. Other enhancements will
include an abundance of natural light at all levels,
short curb-to-gate walking distances, regional
cuisine and concession offerings, and spacious
waiting areas with ample seating capacity.

By moving the terminal closer to Grand Central


Parkway, the project will expand the airport
taxiways by more than two miles and reduce
airport ground delays.

Under a 35-year lease agreement with the Port


Authority of New York and New Jersey, LaGuardia
Gateway Partners (LGP) will design, build, manage
and maintain LaGuardia’s Terminal B. LGP includes
Vantage Airport Group, Skanska and Meridiam
for development and equity investment; Skanska-
Walsh as the design-build joint venture; HOK
and WSP for architecture and engineering; and
Vantage Airport Group for airport operations and
management.
Half of the gates in the new Terminal B will open
14
INFORMATION to the public in 2019. The main terminal area will
open in early 2020, and a second set of gates will
open in two phases—one later in 2020 and the
CLIENT LaGuardia Gateway Partners final phase in 2021.

The project is expected to achieve LEED Silver


certification for sustainable design.
DESIGN PRINCIPAL Peter Ruggiero, AIA
HOK is also providing master planning advisory
services for LaGuardia in collaboration with the
1.3 million sq. ft. / 120,700 sq. m.
Port Authority and Delta Air Lines, which operates
Terminal C and D on the airport’s east end.

CONCEPT

1. terminal layout
15
2. roof plan

3. headhouse study model

2.

3.
view from departures road
“The design is intended as a commentary on the contemporary expectation of air travel—a celebration of

movement utilizing an architecture of transparency and fluidity. The terminal is a civic building serving as a noble

welcome to New York. In the spirit of the city’s great high-rises like the Woolworth and Chrysler buildings, which in

their time were considered cathedrals of commerce, we see the new terminal as a cathedral of mobility.”

- Peter Ruggiero, AIA, Design Principal


18
1. construction timeline 2. arrivals floor

1.

2.
19
20
SECTION

1. north-south section

2. east-west section

1.

2.
21
1. feature wall study model
2. arrivals level
24
1. pedestrian bridges + airfield 2. concessions + bridge floor

2.

1.
25
pedestrian bridge
28
1. pedestrian bridge + headhouse connection
29
2. departures hall
30
1. pedestrian bridge structural model
31
2. concourse entry
headhouse view of airfield
34
1. departures hall 2. departures floor

2.

1.
35
aerial view of central terminal b
conceptual aerial view looking east
AVIATION +
TRANSPORTATION
39
NEW
LAGUARDIA
AIRPORT
MASTER PLAN
New York, New York, USA

HOK’s comprehensive master plan and design


guidelines for the new LaGuardia Airport will
ensure visual continuity as the projects and phases
of development proceed beyond construction of
Central Terminal B, designed by the LaGuardia
Gateway Partners joint venture of HOK/WSP.

The guiding principle for the plan is to create a


single unified airport of multiple terminals across
a varied landscape of constraints and existing
conditions. The master plan team developed
design guidelines for the long-term redevelopment
of all airport facilities to ensure design consistency
and to improve the passenger experience—from
the moment of arrival to the time of departure. A
key element of the plan is to phase and implement
various stages of programming while the airport
continues to operate.

The master plan concept focuses on the exterior


expression as viewed from the Grand Central
Parkway—a view that will project LaGuardia’s new
brand to the community and world.

Folded roof plates define the roofscape and form


of the new Central Terminal B, giving LaGuardia a
distinctive shape. Terminal C and the new AirTrain
stations will reinforce this architectural language.

The prominent roof shape introduces a unifying


canopy and defines a continuous edge that
integrates the new structures with the existing
garage and adjacent support facilities.

The flanking terminals will use similar headhouse


massing and architectural details to create visual
connectivity. The architectural expression of two
AirTrain stations will unify Terminal B with the new
Terminal C.

Located in the heart of the new airport, the Central


Hall will provide a grand entry point for arriving
passengers by car or AirTrain while also linking
Terminals B and C. A proposed airport hotel will
anchor the Central Hall.
The master plan guidelines unite over 2,000 continuous linear
40
INFORMATION feet of frontage along the parkway and further unify the airport
by defining a comprehensive approach to roadways, parking and
public transit with the AirTrain link to Willets Point Station.
CLIENT The Port Authority of New York + New Jersey
Extensive airfield improvements such as dual and loop taxilanes
will help the new LaGuardia Airport function efficiently into its
next century of service.
DESIGN PRINCIPAL Greg Cranford, AIA

2.8 million sq. ft. / 260,100 sq. m.

CONCEPT

1. early concept sketch


41
2. conceptual view of central hall + airtrain lga station
diagrammatic plan of core terminal area + connectors

A. concourse a
B. concourse b
C. west parking garage
D. terminal b
E. central hall
F. grand central parkway
G. concourse d
H. concourse e
I. concourse f
J. concourse g
K. concourse connector
L. east parking garage
M. terminal c
A B

D E


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44
SITE STRATEGY

1. gate area redevelopment plan

1.
45
2. redefined airside/landside boundary

3. increased circulation capacity of taxilanes

4. increased gate flexibility


3.2 CORE TERMINAL AREA

3.2.1 CORE
3.2 GATE AREA REDEVELOPMENT
TERMINAL AREA Tab
3.2 CORE
TERMINAL B TERMINAL AREA
The Redevelopment
3.2.1 GATE AREA of Terminals
REDEVELOPMENT B and C involves moving the terminals closer to
Tab
Grand Central Parkway to provide increased airside operational areas; the basic
3.2.1
TERMINAL
premise of this
GATE AREA REDEVELOPMENT
B approach being a recognized need to improve the flow of aircraft Tab
Nu
TERMINAL
traffic
The on the B
Redevelopment airfieldof and apron parking
Terminals B and C areas.
involves moving the terminals closer to
Grand
The Central Parkway
Redevelopment to provideBincreased
of Terminals and C involvesairside operational
moving areas; the
the terminals basic
closer to
An
premise
Grand island-gate
Central concept
of thisParkway
approachto for Terminal
being
provide B of 35 gates
a recognized
increased need to
airsidewill providethe
improve
operational increased
flow of
areas; aircraft
the basic Nu
Nu
maneuverability
traffic
premise onofthethis and flexibility
airfield
approach beingfor
and apron aircraft
aparking
recognized movements
areas. around the
need to improve the flow
terminal for the
of aircraft
multiple Nu
traffic onairlines and numerous
the airfield and apronaircraftparkingtypesareas.operating at LaGuardia Airport. With the
elimination
An island-gate of dead-end
concept for alleyways,
Terminalaircraft
B of 35operation
gates willatprovide
Terminal B will have flow-
increased De
Nu
through
maneuverability
An island-gate capability andwith
concept provide
flexibility for
for Terminal a more
aircraft
B ofefficient
movements
35 gatesoperation
will around andthe
provide reduced
terminal
increased ground delays.
for the
Nu
multiple
maneuverabilityairlines and and numerous
flexibility for aircraft
aircrafttypes operatingaround
movements at LaGuardia
the terminal Airport.
forWith
the the
The 35 gates
elimination at and
Terminal
of dead-end B are aircraft
alleyways, made uptypes
aircraftof operation
17operating
gates on the
at at west B
Terminal most concourse
willAirport.
have flow- RO
De
multiple airlines numerous LaGuardia With the
A,
through and 18
elimination gates
capability onwith
of dead-end the adjacent
provide
alleyways, aconcourse
more B. Each
efficient
aircraft ofatthese
operation
operation andconcourses
Terminal reduced canflow-
ground
B will have delays. De
accommodate
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IV aircraft within
a more an otherwise
efficient operation ADG andIIIreduced
fleet. Anground
alternatedelays.
layout
The 35has gatesalsoatbeen developed
Terminal B are madesuch thatup ofall17gates
gates atonTerminal
the west B would accommodate
most concourse RO
as
A, a 35
anddesign
18 aircraft
gates ADG
on the III,
adjacentandmadeno ADG
concourse IV 17
gates.
B. Each In of
this case, and as illustrated in the Figure 3.2: Masterplan, Redefined Airside/Landside Boundary
The gates at Terminal B are up of gates onthese
the concourses
west most can
concourse RO
adjacent
A, and 18Figure
accommodate gates 3.6:
twoonADG New
the IVLaGuardia
aircraft
adjacent Airport
within
concourse anB. Gate Area
otherwise
Each Redevelopment
ADG
of these III fleet. An Plan,
concourses can a total of
alternate
38
layout gates
accommodate hascanalsobe twoaccommodated,
been developed
ADG IV aircraft 19
such gates
that
within allatotherwise
an eachat
gates ofTerminal
the
ADG twoIIIconcourses.
Bfleet.
would Anaccommodate
alternate
as a design aircraft Figure 3.2: Masterplan, Redefined Airside/Landside Boundary
layout has also beenADG III, andsuch
developed no ADG thatIVallgates.
gatesInatthis case, B
Terminal andwouldas illustrated
accommodate in the2.
adjacent Figure
as a design
TERMINAL C 3.6:ADG
aircraft NewIII, LaGuardia
and no ADG Airport Gate Area
IV gates. In thisRedevelopment
case, and as illustratedPlan, a total
in theof Figure 3.2: Masterplan, Redefined Airside/Landside Boundary
38
adjacent gatesFigure
can be3.6: accommodated,
New LaGuardia 19 Airport
gates atGate eachArea
of the two concourses.
Redevelopment Plan, a total of
Terminal C adopts a modified pier layout incorporating dual taxilanes between the
38 gates can be accommodated, 19 gates at each of the two concourses.
concourses, versus the single taxilane operation today. This layout represents the
TERMINAL
most efficientClayout as there is insufficient space to use the island concourse
TERMINAL
concept.
Terminal C Dual Ctaxi alanes
adopts between
modified pier the
layoutconcourses provide
incorporating dual increased
taxilanestaxiing between capacity
the
and
Terminal bypass
concourses, capability
versusathe
C adopts for aircraft
single
modified in
taxilane
pier theoperation
layout terminal area,
today.allowing
incorporating Thistaxilanes
dual layoutfor reduced
represents
betweentaxi-in
the and
the
taxi-out
most
concourses, times
efficient and
layout
versus reduced
as single
the there gate
is delays.operation
insufficient
taxilane Thespace
introduction
to use
today. of
thedual
This island
layout and flow-through
concourse
represents the
taxilanes
concept.
most efficient moretaxi
Dual thanlanes
layout doubles
between
as there the airside areaspace
the concourses
is insufficient for aircraft,
to usegreatly
provide increased
the island increasing
taxiing gate
concourse use
capacity
flexibility.
and
concept. bypass Incapability
Dual addition,
taxi lanes the new taxilane
forbetween
aircraft in
the the configuration
terminal area,
concourses allows
provideallowingfor for
increasedmore flexibility
reduced
taxiing during
taxi-in
capacity and
irregular
taxi-out
and bypassevents
times andlikereduced
capability adverse weather
gate
for aircraft delays.
in the or terminal
ground holds.
The introduction of dualfor
area, allowing and flow-through
reduced taxi-in and
taxilanes
taxi-out times moreand thanreduced
doublesgate the delays.
airside area for aircraft, greatly
The introduction of dual increasing
and flow-throughgate use
Additionally,
flexibility.
taxilanes more each
In addition,
than new gate
the
doubles new will be
taxilane
the ableconfiguration
airside to
areaaccommodate allows
for aircraft, any for
greatlyaircraft
more up to ADG
flexibility
increasing gate III,
during
use
and
irregular someevents
flexibility. willaddition,
In accommodate
like adverse
the new ADG
weather IV, assuring
taxilane groundthat
orconfiguration there
holds. allowsis always
for more a gate available
flexibility during for
the aircraft
irregular types
events that
like are arriving
adverse weather at the terminal.
or ground holds.
Additionally, each new gate will be able to accommodate any aircraft up to ADG III,
In
and summary,
some willthe
Additionally, each main
newbenefits
accommodate gate willADGofbethis
IV, approach
assuring
able to gate
that
to accommodate there area
is
any improvements
always
aircraft a gate will be:
up toavailable
ADG III, for Figure 3.3: Masterplan, Increased Circulation Capacity of Taxilanes
•the An increase
and aircraft
some types
will ofthat
approximately
accommodate ADG 2
are arriving atmiles
IV, the in taxilane
terminal.
assuring length
that there available
is always for ground
a gate available for
maneuvering;
the aircraft types that are arriving at the terminal. 3.
•In summary,
Decongestion the main of maneuvering
benefits of this aircraft on and
approach to off
gate stand
areaby implementing
improvements dual
will be:or Figure 3.3: Masterplan, Increased Circulation Capacity of Taxilanes
loop
•In summary, taxilanes;
An increase of approximately
the main benefits of this 2 miles in taxilane
approach to gatelength
areaavailable
improvements for ground
will be: Figure 3.3: Masterplan, Increased Circulation Capacity of Taxilanes
•• Ability of every
maneuvering;
An increase gate to be able2to
of approximately accommodate
miles minimum
in taxilane length ADG IIIfor
available aircraft,
ground
• whereas
Decongestion
maneuvering; currently
of a number
maneuvering of gates
aircraft are
on restricted
and off to
stand regional
by jets
implementing only; dual or
•• Availability
loop taxilanes;
Decongestion of some dedicated aircraft
of maneuvering deicing positions
on and offthat standwillbyallow aircraft todual
implementing move oroff
• stand
Ability
loop sooner
of every
taxilanes; making
gate to forbemore
ableefficient use of gates.
to accommodate minimum ADG III aircraft,
• whereas
Ability of currently
every gate a number
to be able of togates are restricted
accommodate to regional
minimum ADGjets only;
III aircraft,
By
• providing
Availability
whereas more areaaon
of some
currently the airside
dedicated
number to improve
ofdeicing
gates aircraft
positions
are thatto
restricted operational
will allow aircraft
regional areas,
jets the
to
only; move off
footprint
• stand area
sooner
Availability available
somefor
of making forboth
more
dedicated passenger
efficient processing
use of gates.
deicing positions thatfacilities
will allow andaircraft
supporting
to move off
roadway,
standtransportation
sooner makinginfrastructure
for more efficient and car
useparking
of gates. has naturally been modified
as
By well. The requirements
providing more area onfor thethis program
airside has not
to improve been reduced,
aircraft operational butareas,
a combined
the
solution
footprint of
By providing redistribution
area available
more area on ofthe
for some
both functions,
passenger
airside car parking
processing
to improve aircraft for example,
facilities
operational and greater
and supporting
areas, the
vertical
footprintdevelopment
roadway, transportation
area available is being
for proposed.
infrastructure
both passenger and processing
car parking facilities
has naturally been modified
and supporting
as well. The
roadway, requirementsinfrastructure
transportation for this program andhascar not beenhas
parking reduced,
naturally butbeen
a combined
modified
Further
solution details
as well. The of how each
of redistribution
requirements offorofthis
these
some projects
functions,
program function
car
has parking
not been andfor work
example,
reduced, together
but and as one
greater
a combined
airport
solutionwill
vertical follow.
development
of redistribution is being
of someproposed.
functions, car parking for example, and greater
vertical development is being proposed.
Further details of how each of these projects function and work together as one
airport will follow. 4.
Further details of how each of these projects function and work together as one Figure 3.4: Masterplan, Increased Gate Flexability
airport will follow.

Chapter 3 - Recommendations Figure 3.4:THE NEW LAGUARDIA


Masterplan, PLAN
Increased Gate AND DESIGN GUIDELINES I SEPTEMBER 30, 2016
Flexability
1. conceptual long-term development plan aerial

2. conceptual long-term development elevation along the grand central parkway

1.

2.
conceptual view of central hall airtrain lga station from the grand central parkway
conceptual view of the east airtrain lga station and landside connector from the grand central parkway
“The vision for a single, unified airport presented design and implementation challenges. By condensing the primary elements of the

new Central Terminal B into three key components―a ‘big roof,’ a continuous brow and a continuous enclosure language―we were

able to establish parameters for a single language across all the varied aspects of the Grand Central Parkway frontage. This also

reinforced linking Terminal B to Central Hall, existing and new parking structures, AirTrain stations and the new Terminal C.

We worked extensively with the Port Authority, airport stakeholders and Governor Cuomo’s Airport Advisory Panel to ensure the

guidelines illustrated great design for the airport of tomorrow, consistency and achievable programs for all parties.”

- Greg Cranford, AIA, Design Principal


conceptual aerial view looking west
building lobby
COMMERCIAL
55
1101
16th STREET NW
Washington, D.C., USA

The design rejuvenates and links two adjacent


1970s buildings into one freestanding,
trophy-class office building along 16th Street,
framing vistas to the White House in downtown
Washington, D.C. The concept pays respect to
this historic corridor while introducing modern
elements including an all-glass curtain
wall system.

As with many formal buildings within the district,


the design team chose limestone as the primary
exterior material. This is accentuated by glass
curtain wall systems with evergreen vines
supported along vertical tension cables. The
irregular structural bays of each building are
cloaked by new west and south facades. This new
unified facade design expression required careful
structural reinforcement at the existing edge of
slab conditions.

Evergreen vines positioned at the glass curtain


wall of alternating floors are sustained by a
hydroponic system that continuously circulates
tempered and nutrient-rich water to ensure growth
throughout the year.

The front plaza, which lies beyond the property


line, was conceived as a public park. Though
green space is not common along the 16th Street
corridor, this addition was fully supported by the
district’s Historic Preservation Review Board.

Spanning the full 16-foot floor-to-ceiling height of


the main lobby is a three-dimensional sculptural
wall that connects to the secondary lobby at the
north and spreads down into the subterranean
lobby. The solid basswood feature wall is
fabricated with Computer Numerical Control
technology optimized for efficient material use
and installation.

A monumental stair floating within a new two-story


atrium complements the fluid, dynamic sculptural
wall while seamlessly connecting the previously
separate building lobbies. This connective tissue
is mirrored in the public park, which features an
aluminum-perforated element that carves through
the landscape and links the main and secondary
building entrances.
The team took advantage of this unique repositioning
56
INFORMATION opportunity along the 16th Street corridor to create
an additional level of tenant space that replaces two
mechanical penthouses on top of the existing structure.
Adhering to zoning restrictions, this new penthouse level
CLIENT Akridge
is set back from the main facade. This creates public and
private rooftop terraces with views of the White House a
few blocks to the south.
DESIGN PRINCIPAL Bill Hellmuth, FAIA
The design team is targeting LEED Platinum and WELL
certification.
100,000 sq. ft. / 9,290 sq. m.

109 ft. / 33 m. tall


8 floors

annual EUI: 30 kBtu/sf/yr


32.6% below ASHRAE 2007

PLAN

1. existing ground floor

2. lobby concept sketch


16th street, n.w.

1. l street, n.w. 2.
57
3. ground floor

A. building lobby
B. landscape plaza
C. tenant lobby
D. tenant space

C
16th street, n.w.

B A D

l street, n.w.
58
1. existing condition
59
2. new exterior view
60
FACADE

1. west elevation
61
2. stainless steel cable trellis 4. section view of curtain wall with trellis

3. trellis with hydroponics vegetation 5. plan view of curtain wall with trellis

2.

4.

3. 5.
view of penthouse lounge + terrace
“The building sits within the historic context of 16th Street, which frames the vista to the White House. It combines

contextual massing with contemporary details and provides a complete surprise in the lobby.”

- Bill Hellmuth, FAIA, Design Principal


1. view to public green
COMMERCIAL
65
2. study models THE ALLEN
MIXED-USE
DEVELOPMENT
Houston, Texas, USA

Located west of downtown Houston along the


Buffalo Bayou, this luxury mixed-use development
on Allen Parkway will feature a 42-story hotel and
condominium tower, a 22-story office building
and a retail pavilion. Green space connects all the
architectural elements.

The orientation and design of the buildings


provide clear, open sight lines. A consistent design
concept focused on form, light, materiality
and transparency ties together the three
distinct components.

The hotel and condominium high-rise will be an


iconic addition to Houston’s skyline. The tower
is made up of three uniform volumes stacked
horizontally, with a dramatic shift in the middle.
Residents will enjoy expansive views of the park
and city.

Luxury condominiums on the upper levels feature


individual balconies with luxurious “plunge pools.”
Amenities include a pool and terraced gardens.

Thompson Hotels, a New York-based luxury hotel


chain, will operate the 180-key hotel. The design
creates a locally inspired Texas experience that
incorporates Thompson’s brand DNA.

The adjacent office building with approximately


340,000 square feet of Class A office space will
share the tower’s sleek, glazed look. The office
tower will feature an interior park and a lively
retail base.

With an organic form and smooth curves, the retail


pavilion welcomes the public into the complex. The
ground-level structure will house retail outlets as
well as a high-end fitness facility overlooking the
outdoor public areas.

Landscaped pathways, water features, outdoor


seating and a civic art program encourage public
activity on the site. A pedestrian overpass across
Allen Parkway links the development to Buffalo
Bayou Park.
66
INFORMATION 3. landscape sketch - pavillion

CLIENT DC Partners and Tianqing R.E.D. 4. landscape sketch - walkway

DESIGN PRINCIPAL Roger Soto, AIA 5. landscape sketch - walkway

1.3 million sq. ft. / 120,700 sq. m.

CONCEPT

1. massing sketch

2. site plan studies

1. 2.
67

3. 5.

4.
68 “We sought to connect and expand Buffalo Bayou Park into the project
SITE STRATEGY
and organize the mixed uses around the creation of activated outdoor
1. location map spaces on multiple levels. The project’s signature elements—the mixed-

2. site plan
use hotel and residential tower and the retail pavilion—engage the city

at the skyline and at the ground level to provide both a landmark and a

live-work-play experience that will be unique to Houston.”

- Roger Soto, AIA, Design Principal

1. 2.
69
3. building location studies 4. elevated park studies 5. landscape studies

3. 4. 5.
70
SITE PLAN

1. site

ODES
A. retail pavilion

ODES B. hotel + condominium


A C. office
FARMER’S MARKET
ODES D. multifamily residential
E. medical office building
FARMER’S MARKET

FARMER’S MARKET

OUTDOOR CULTURAL EVENTS public park - market setting

OUTDOOR CULTURAL EVENTS


C
OUTDOOR CULTURAL EVENTS

public park - private event setting


OUTDOOR PERFORMANCE

OUTDOOR PERFORMANCE

OUTDOOR PERFORMANCE
E

ALLEN PARKWAY MIXED USE _ HOUST


public park - concert setting

ALLEN PARKWAY MIXED USE _ HOUST


PRECEDENTS - STREETSCAPE + PARK
71
2. concept landscape 3. landscape activity diagram

PRECEDENTS - STREETSCAPE + PARK

PRECEDENTS - PROGRAM
ENTS - STREETSCAPE + PARK PRECEDENTS - STREETSCAPE + PARK

CEDENTS - STREETSCAPE + PARK PRECEDENTS - STREETSCAPE + PARK

Farmer’s market Outdoor movie

PRECEDENTS - STREETSCAPE + PARK

EETSCAPE + PARK

Shaded Walkway Informal seating


DECEMBER 01, 2016

DECEMBER 01, 2016

DECEMBER 01, 2016 DECEMBER 01, 2016 ALLEN PARKWAY MIXED USE _ HOUSTON, TX
3.

DECEMBER 01, 2016 DECEMBER 01, 2016 ALLEN PARKWAY MIXED USE _ HOUSTON,
2.

Outdoor exercise Cultural events


72

1.
73
FACADE
HOTEL/CONDO OPTION COMPARISON
1. view from buffalo bayou park

2. facade studies

HOTEL/CONDOOPTION
HOTEL/CONDO OPTIONCOMPARISON
COMPARISON

HOTEL/CONDO OPTION COMPARISON

N2 OPTION 3

OPTION A OPTION B OPTION C


N5 2. OPTION 6 OPTION A
74
1. view from allen parkway
75
2. view into park 4. view from condominium

3. view into retail center

2.

3. 4.
aerial view
1. central plaza transformation
COMMERCIAL
79
2. view from the water GHIRARDELLI
SQUARE
PLAZA
San Francisco, California, USA

From housing the historic Ghirardelli Chocolate


Company’s headquarters to becoming our nation’s
first major adaptive reuse project, the 160-year-
old Ghirardelli Square is one of the United States’
most enduring icons.

In 1962, Lawrence Halprin and William Wurster


repurposed the historic factory buildings into
a tourism destination organized around a large
public plaza. Recognizing their cultural value for
future generations, the Woolen and Ghirardelli
buildings were listed on the National Register of
Historic Places in 1982.

Since the 1980s, a series of exterior alterations


departed from Halprin’s 1960s vision. These
changes introduced challenges including
inaccessibility, poor visual connections, excessive
clutter, blocked Bay views, incompatible materials
and circulation pinch points. All of this combined
to hinder use of the plaza and contributed to the
Square’s decline.

The team led the vision and master plan, design


guidelines and design projects to revitalize the
Square and guide future improvements.

Today, the new Square has become a vital


community space for San Francisco’s iconic
waterfront, social fabric and urban landscape,
providing settings for outdoor dining, art
exhibitions, music festivals and more.
80
INFORMATION

CLIENT Jamestown, L.P.

DESIGN PRINCIPAL Brian Jencek, ASLA

3 acres / 1.2 hectares

HISTORY

1. Woolen Mill Era: 1858-1889 2. Chocolate Factory Era: 1892–1962 3. Mixed-Use Development Era: 1962-1967
Pioneer Woolen Mills circa 1862-1899 at the Ghirardelli complex circa 1911. The Pioneer Ghirardelli Square 1965. The property was
original shoreline. Woolen Mills were originally built in 1862. designed for adaptive reuse and rebranded
Between 1893 and 1919, the D. Ghirardelli Ghirardelli Square by Lawrence Halprin and
company developed the site with several new architects Wurster, Bernardi and Emmons.
buildings.
81
SITE PLAN A

4. neighborhood context

A. aquatic park pier


B. aquatic cove
C. hyde street pier
D. sf maritime national historic park
E. maritime museum C
F. ghirardelli square
G. aquatic park
H. powell-hyde cable car B
I. galileo academy
J. fort mason

G H

E
J beach street
van ness avenue

P
larkin street

hyde street
polk street

north point street

I
The city-approved vision plan identified 14 ongoing projects focused on improving public access; day, night
82
1. site plan and year-round uses; transportation connections; regional plantings; and thoughtful choreography of historic
and modern material and furnishing palettes.
A. upper plaza
B. fountain plaza The vision plan, master plan, design guidelines and implementation projects reconnect the Square to its
C. larkin street context, transportation lines and extraordinary views. New gateway design elements such as monolithic,
D. west plaza reclaimed redwood timber seating, pedestal paving and regional plantings enable fresh uses and functions
E. larkin street + beach street stairs while complementing the historic factory material palette.

beach street

larkin street
B
polk street

D
C
A

north point street


High-performance design elements include the introduction of stormwater treatment gardens to reduce runoff and improve water
83
2. sustainability quality returning to the Bay. Reclaimed redwood timbers are used for sculptural seating, tables and other amenities that link the Square
to the Bay Area. Low-voltage, high-efficiency LED fixtures replace the historic incandescent masts, maintaining their character while
improving energy performance. Heat island reduction is achieved through new, high-reflectivity precast concrete pavers that decrease
the Square’s overall cooling and energy demands. Regionally native and adaptive vegetation replace the previous English garden
plantings to reduce water demand and increase regional biodiversity.

Because sustainability and accessibility go hand-in-hand, the design introduces universally accessible routes and systems that ensure
access to these new amenities and sustainable features across the Square.

UNIVERSALLY LOW-VOLTAGE,
ACCESSIBLE LED HIGH
ROUTES AND EFFICIENCY
SYSTEMS FIXTURES

REUSED,
RECLAIMED
REDWOOD
TIMBER
BENCHES

STORMWATER
TREATMENT
GARDENS

HEAT ISLAND
REDUCTION REGIONALLY
THROUGH HIGH NATIVE AND
REFLECTIVITY ADAPTIVE
HARDSCAPE VEGETATION

icons from the noun project


84
1. ground systems

2. pre-renovation

3. post-renovation

A. cast-in-place concrete
B. brick inlay
C. corrugated steel
D. i-beam
E. remnant foundation wall
F. i-beam pedestal
G. cast-in-place concrete 1
H. cast-in-place concrete 2
I. deteriorated waterproofing
J. garage structural slab
K. drainage pipe
L. 6” x 12” concrete modular pavers
M. 12” x 48” concrete modular pavers
N. paving pedestal
O. new waterproofing
P. concrete structural slab
Q. reuse existing drainage
R. additional drainage

1.

The addition of suspended


A
paving systems creates voids L

beneath the terrace and B M

plaza for concealed electrical, C


D
water and audiovisual
infrastructure connections E
F N
that support plaza programs,
G
events, festivals and films H
I O
while maintaining the sense
J P
of openness and order that is
central to the historic factory
context. Q
K
R

2. 3.
85
4. materiality

A. reclaimed redwood timber seating


B. timeless materials
C. new paving retraces historic grid patterns + textures
D. board-formed concrete wall detail

A C

B D
86
1. upper plaza looking east toward heritage olive tree

“The revitalized Square serves multiple roles at multiple scales at the intersection of land, water, city and nature.”

- Brian Jencek, ASLA, Design Principal


87
2. upper plaza looking north toward golden gate bridge
view from north
COMMERCIAL
89
MIXED-USE
DEVELOPMENT
DESIGN COMPETITION
Riyadh, Saudi Arabia

The design creates a dynamic, multi-use


development anchored by an existing luxury
shopping mall. The two complementary, high-
performance towers reflect the grandeur and
upscale sophistication of the mall and its clientele.

Similarities in the design language allow the


towers—a 32-story office building and 35-story
hotel and serviced apartment building—to function
as a cohesive unit. The material and texture varies
between the two towers, giving each distinct
character. The office tower uses the contrast
between two alternating glass types to create a
texture varying from complete smoothness to deep
patterns with vertical shading fins. The slightly
taller hotel and serviced apartment tower features
a faceted stone facade with deep-set windows and
bronze accents that create a richness of color and
texture reminiscent of obsidian, onyx or gold ore.

Both buildings spring from their base with subtly


curving forms to frame the vehicular entry to the
development and a new ground-level mall entry.
As they rise, the towers reinforce this welcoming
gesture by twisting gently away from each other,
creating a simple yet elegant composition that
emphasizes the ground connections.

Featuring nearly identical floor plans at the top and


base of each tower, every floor plate has the same
area. This provides a high degree of flexibility for
commercial office layouts and room arrangements
for the hotel and apartments.

The hotel tower’s curved form maximizes the


number of rooms facing the north side, which
features desirable views over the main mall entry
court as well as commanding views of the plateau
beyond. Upper floors of both buildings offer
dramatic glimpses of Riyadh’s city center and the
King Abdullah Financial District to the south.

To improve energy performance, the design team


configured each tower to minimize the amount of
eastern and western facade exposure to the harsh
sun and positioned the buildings’ masses to shade
each other in the morning and evening.
90 “A hotel and an office are functional opposites in many respects. While
INFORMATION
an office boasts openness and transparency, a hotel luxuriates in
CLIENT Shomoul Holdings privacy and caters to the individual spirit. The two towers are harmonic

DESIGN PRINCIPAL Roger Soto, AIA


opposites: complementary, not contradictory.”

- Roger Soto, AIA, Design Principal


hotel 748,090 sq. ft. / 69,500 sq. m.
office 710,420 sq. ft. / 66,000 sq. m.

hotel 35 floors
office 32 floors

CONCEPT

1. precedent
91
2. site plan

A. hotel tower
B. office tower

A
92
DESIGN

1. model photo - view from north

2. diagram - dna of an icon

1.

FIT FORM PROFILE SKIN


2.
93
3. model photo - view from south
2
Wh/m T O W E R C O M P E T I T I O N • T H E A V E N U E S R I Y A

1750
94
ENERGY
PROPOSED SCHEME:
1. insulationDAILY
ANNUAL AVERAGE + wind INSOLATION VALUES
875

Wh/m2
1750
0

Riyadh, Saudi Arabia


8:00 AM - 6:00 PM
Average Daily875

Riyadh, Saudi Arabia


8:00 AM - 6:00 PM
Average Daily

69
T O W E R C O M P E T I T I O N • T H E A V E N U E S R I Y A D H

95
2. tower form - self-shading
FORM - MORPHOLOGY
3. facade systems

4. facade systems - annual solar insulation

STRAIGHT EXTRUSION GENTLE TWIST RATIONALIZATION PRECISION TUNING

EFFICIENCY
I.2. extrusion twist
II. stepping
III. self-shading
IV.

Each tower SYSTEM


OFFICE springs from
1 its base with As they rise,
OFFICE the towers
SYSTEM 2 reinforce this HOTELThe torqued
SYSTEM 1 mass of each building HOTELThe language
2 of stepped forms is
EFFICIENCY
SYSTEM OFFICE SYSTEM
subtly curving forms to frame the welcoming gesture by twisting gently is simplified into a series of vertical expanded upon to create a series
pedestrian and vehicular entry to the away from each other, creating a “stacks,” establishing a unique scale for of inward-sloping folds on the north
development. striking composition and emphasizing each tower and directly expressing the and south sides of each building,
OFFICE SYSTEM 1 the importance
OFFICE SYSTEMof the
2 moment of the HOTELtwisting
SYSTEM tometry
1 at the east and west HOTELdramatically
SYSTEM 2 increasing capacity for OFFICE SYSTEM
towers’ connection at the ground. ends of the buildings. self-shading.
This effect turns the towers away
from each other at the inside pocket,
maximizing the sense of privacy and
availability of expansive views for both
the office and hotel.

3. hotel: north and south hotel: east and west office: east and west office: north and south

19

FACADE DESIGN

g strategy, FACADE
PRINCIPLESDESIGN The character of the building’s STUDY After settling upon a final massing strategy,
of this 4. envelope is one of the most impactful aspects of the the same tools that informed the selection of this
e effects building aesthetic, perhaps only second to the building massing have also been used to examine the effects
h building. form. However, it is also a critical component of the of the facade and shading systems for each building.
dgto analyze
strategy, building design impacting
PRINCIPLES a wide range
The character of theof building
building’s Going forward,
STUDY these tools
After settling will
upon afi also be used to
nal massing analyze
strategy,
eof
schematic
this performance
envelope metrics,
is one of the including: daylight
most impactful availability;
aspects of the and same
the optimize subsequent
tools studies
that informed during theofschematic
the selection this
96
1. view from west 2. aerial view of the development

1. 2.
97
drop-off + entry
regional growth of chicago

1850 1870 1880 (Fire) 1890

1910 1930 1950


COMMERCIAL
101
OUR
URBAN
MIDWEST
Chicago, Illinois, USA

This research study identifies and analyzes major


population and lifestyle trends that impact urban
development in the Midwest region of the U.S.
The study reveals three macro trends within
the region: a shifting population, challenges of
deindustrialization and an increase in connectivity.
While migration to the nation’s urban city centers
remains a defining micro trend, the center of the
nation continues to lose population as people
relocate to the South and both coasts.

As the Midwest continues experiencing the


effects of de-industrialization, the region is also
undergoing a small, but significant shift toward
aligning its economies with new methods of
production. Though the Midwest ranks fourth
in the nation in the number of graduates with
technology-focused degrees, a large percentage of
these individuals leave the region after graduation.

With a robust highway and train network, the


Midwest is one of the most connected regions
in the U.S. Leveraging this connectivity requires
looking beyond the political borders of cities and
states to view the region as an interconnected
urban and economic unit.

The research is helping the team evaluate


the impact of its current project work within
the broader context of the region’s future
opportunities and challenges. Research insights
are also guiding the studio’s expansion strategies.

An exhibit within the HOK office highlights the


practice’s regional impact to clients, prospects
and other visitors. An accompanying booklet and
presentation will be used for community outreach,
educational activities and marketing opportunities.

1990
102
INFORMATION

CLIENT HOK

DESIGN PRINCIPAL Domenic Salpietra, AIA

“To be as effective as possible in shaping our Midwestern cities through

our practice, we must understand the context in which we work and live

and the important challenges and opportunities shaping our region.

Working within this context helps us identify and prioritize projects that

will have a positive impact on reinvestment in our region.”

- Domenic Salpietra, AIA, Design Principal

SHIFTING POPULATIONS

high growth (>1.25%)


normal growth (<1.25%)
decline
103
104
SHIFTING POPULATIONS

1. population growth/decline of major midwestern cities

2. national gdp position + growth/decline

3
CHICAGO INDIANAPOLIS COLUMBUS DETROIT MILWAUKEE CHICAG
2,719,000 852,000 822,000 688,000 599,000 610,55
2,896,000 792,000 715,000 945,000 597,000 476,446

28

KANSAS CITY MINNEAPOLIS CLEVELAND ST LOUIS CINCINNATI KANSAS


468,000 400,000 392,000 318,000 299,000 121,63
442,000 382,000 476,000 347,000 296,000 107,41

Population 2013
1. Population 2000 (Decline / Growth)

3 26 30 13 36

MILWAUKEE CHICAGO INDIANAPOLIS COLUMBUS DETROIT MILWAUKEE


599,000 610,552M 125,864M 117,824M 236,500M 97,307M
597,000 476,446M 110,943M 96,482M 197,789M 86,779M

28 14 27 21 29

CINCINNATI KANSAS CITY MINNEAPOLIS CLEVELAND ST LOUIS CINCINNATI


299,000 121,638M 235,733M 124,609M 149,951M 121,407M
296,000 107,411M 200,768M 109,190M 134,290M 104,120M

GDP Growth Rate Below National Average (Number is National Total GDP Ranking)
2. GDP Growth Rate Above National Average (Number is National Total GDP Ranking)
105
3. population trends of major midwestern cities

1950 (3,620,962) *923,662 fewer 1950


people today
3,500,000

CHICAGO INDIANAPOLIS COLUMBUS DETROIT MILWAUKE


2,719,000 852,000 822,000 688,000 599,000
2,896,000 792,000 715,000 945,000 597,000
DETROIT
3,000,000

CLEVELAND
CH
(≈19
Pote

COLUMBUS
CHICAGO
2010 (2,697,300)

KANSAS CITY OMAHA MINNEAPOLIS CLEVELAND ST LOUIS


2,500,000

468,000 434,000 400,000 392,000 318,000


442,000 410,000 382,000 476,000 347,000

1950

2,000,000

1950

SOUTH
MIDWEST
21.7%
NE 1,500,000

1950
WEST
1950
IND
1960 CO
DE
1,000,000
1950 MI
19501950 1970
1950 KA
Midwest INDIANAPOLIS
Populatio 1970 CL
29% n Percent 1960 COLUMBUS MI
1960 21% DETROIT
OMAHA TOLEDO
ST
CIN
2015 1960
MILWAUKEE DE
1950 1950 1970
KANSAS CITY 500,000

1970 MINNEAPOLIS
CLEVELAND
1810 1820 1830 1840 1850 1860 1870 1880 1890 1900 1910 1920 1930 1940 1950 1960 1970 1980 1990 2000 2010
ST LOUIS
TOLEDO CINCINNATI
1960
DES MOINES

1810 1820 1830 1840 1850 1860 1870 1880 1890 1900 1910 1920 1930 1940 1950 1960 1970 1980 1990 2000 2010
106
INDUSTRY CONCENTRATION

industry concentration comparison per city per sector

Transportation
ties
CHICAGO
CHICAGO DETROIT
DETROIT
Mining, Logging Mining, Logging
MINNEAPOLIS and Construction and Construction
ST LOUIS 2.5 2.5
Government Manufacturing Government MANUFACTURING
KANSAS CITY
2.0 2.0
ORMATION CINCINNATI
COLUMBUS 1.5 1.5

CLEVELAND Trade, Transportation Trade, Transportation


Other Services 1.0 Other Services 1.0
& Utilities & Utilities
INDIANAPOLIS
0.5 0.5
NEW YORK
LOS ANGELES
SAN FRANCISCO
Leisure and Information Leisure and Information
Hospitality Hospitality

Education and FINANCIAL Education and Financial


Health Services Health Services Activities
ACTIVITIES

PROFESSIONAL & PROFESSIONAL &


BUSINESS SERVICES BUSINESS SERVICES

ST. LOUIS KANSAS CITY


Mining, Logging Mining, Logging
and Construction and Construction
2.5 2.5
Government Manufacturing Government Manufacturing
2.0 2.0

1.5 1.5

Trade, Transportation Trade, Transportation


Other Services 1.0 Other Services 1.0
& Utilities & Utilities

0.5 0.5

LEISURE & Information Leisure and Information


HOSPITALITY Hospitality

Education and Financial Education and FINANCIAL


Health Services Activities Health Services
ACTIVITIES

PROFESSIONAL & PROFESSIONAL &


BUSINESS SERVICES BUSINESS SERVICES

COLUMBUS CLEVELAND
Mining, Logging Mining, Logging
and Construction and Construction
2.5 2.5
Government Manufacturing Government MANUFACTURING
2.0 2.0

1.5 1.5

Trade, Transportation Trade, Transportation


Other Services 1.0 Other Services 1.0
& Utilities & Utilities

0.5 0.5

Leisure and Information Leisure and Information


Hospitality Hospitality

Education and FINANCIAL EDUCATION Financial


Health Services
ACTIVITIES HEALTH SERVICES Activities

PROFESSIONAL & Professional &


Business Service
BUSINESS SERVICES
107

MINNEAPOLIS NEW YORK


Mining, Logging Mining, Logging
and Construction and Construction
2.5 2.5
Government MANUFACTURING Government Manufacturing
2.0 2.0

1.5 1.5

Trade, Transportation Trade, Transportation


Other Services 1.0 Other Services 1.0
& Utilities & Utilities

0.5 0.5

Leisure and Information Leisure and INFORMATION


Hospitality Hospitality

Education and FINANCIAL Education and FINANCIAL


Health Services Health Services
ACTIVITIES ACTIVITIES

PROFESSIONAL & Professional &


Business Service
BUSINESS SERVICES

CINCINNATI LOS ANGELES


Mining, Logging Mining, Logging
and Construction and Construction
2.5 2.5
Government Government Manufacturing
MANUFACTURING
2.0 2.0

1.5 1.5

Trade, Transportation Trade, Transportation


Other Services 1.0 Other Services 1.0
& Utilities & Utilities

0.5 0.5

LEISURE & Information LEISURE & INFORMATION


HOSPITALITY HOSPITALITY

Education and FINANCIAL Education and Financial


Health Services Health Services Activities
ACTIVITIES
Professional &
Professional & Business Service
Business Service

INDIANAPOLIS SAN FRANCISCO


Mining, Logging Mining, Logging
and Construction and Construction
2.5 2.5
Government Manufacturing Government Manufacturing
2.0 2.0

1.5 1.5

TRADE, TRANS Trade, Transportation CHICAGO


Other Services 1.0 Other Services 1.0
& UTILITIES & Utilities DETROIT
0.5 0.5 MINNEAPOLIS
ST LOUIS
KANSAS CITY
Leisure and Information Leisure and INFORMATION CINCINNATI
Hospitality Hospitality
COLUMBUS
CLEVELAND
INDIANAPOLIS
Education and Financial Education and Financial
NEW YORK
Health Services Activities Health Services Activities
LOS ANGELES

PROFESSIONAL & PROFESSIONAL & SAN FRANCISCO


BUSINESS SERVICES BUSINESS SERVICES
108
FROM RUST BELT TO BRAIN BELT

In Chicago, 34.9% growth in tech jobs from 2010-2015.

5TH in the country after SF BAY AREA, D.C.,


Ranked

NEW YORK and DALLAS.

4TH in TECH DEGREE COMPLETIONS, with


10,454 graduates in 2014.

However, we are experiencing a NET LOSS of tech jobs relative to graduates.


WHERE are they headed? How do we ATTRACT AND RETAIN them?
+89,600 San Francisco Bay Area

+6,700 Kansas City, Missouri


+13,500 Washington, D.C.

BRAIN GAIN
+25,500 Dallas/Ft.Worth

+3,300 Columbus, Ohio


+14,800 Austin, Texas

+9,500 Minneapolis
+20,900 Houston

+1,400 New York


+1,000 St. Louis
+24,700 Seattle

+2,300 Detroit
+2,100 Denver
20
0
20 6 Ja
06 nu
20 Feb ary
0 r
20 6 Mauary
0 r
20 6 Ap ch
0 r
20 6 Ma il
BRAIN DRAIN 0 y
20 6 Jun
20 06 Ju e
20 06 A ly
06 ug
20 Sep st u
0
20 6 Octemb
0 t e
20 6 No ober r
06 v
20 Decembe
0
20 7 Ja ember
07 nu r
20 Feb ary
0 r
20 7 Mauary
0 r
20 7 Ap ch
0 r
20 7 Ma il
0 y
20 7 Jun
20 07 Ju e
20 0 7 ly
07 Aug
20 Sep ust
0
20 7 Octemb
0 t e
20 7 No ober r
07 v
20 Decembe
0
20 8 Ja ember
08 nu r
20 Feb ary
0 r
20 8 Mauary
-700 Indianapolis 0 r
20 8 Ap ch
0 r
20 8 Ma il
0 y
20 8 Jun
20 08 Ju e
0
20 8 A ly
- 1,300 Chicago 08 ug
20 Sep ust
0
20 8 Octemb
0 t e
20 8 No ober r
08 v
20 Decembe
0
20 9 Ja ember
- 1,600 Madison, Wisconsin 09 nu r
F
20 eb ary
0 r
20 9 Mauary
0 r
20 9 Ap ch
0 r
number of jobs in major u.s. cities 2012-2016

20 9 Ma il
0 y
20 9 Jun
20 09 Ju e
20 09 A ly
09 ug
20 Sep ust
0
20 9 Octemb
0 t e
20 9 No ober r
09 v
20 Decembe
1
20 0 Janember
10 u r
20 Feb ary
10 ru
20 Mar ary
10 c
20 Apr h
1
20 0 Ma il
10 y
- 4,400 Philadelphia 20 Jun
20 10 Ju e
20 10 Au ly
10 g
20 Sep ust
1
20 0 Octemb
- 5,100 Miami 1 t e
20 0 Nov ober r
10 e
20 Dec mbe
1 e r
20 1 Jan mbe
11 u r
20 Febr ary
11 u
20 Mar ary
11 c
20 Apr h
1 il
20 1 May
11
20 Jun
20 11 Ju e
20 11 Au ly
11 g
20 Sept ust
1
20 1 Octemb
1 e
20 1 Nov ober r
11 e
20 Dec mbe
1 e r
20 2 Jan mbe
12 u r
20 Feb ary
12 ru
20 Mar ary
12 c
20 Apr h
1
20 2 Ma il
12 y
20 Jun
- 10,000 Pittsburgh 20 12 Ju e
20 12 Au ly
12 g
20 Sep ust
1
20 2 Octemb
1 t e
20 2 Nov ober r
- 11,200 Los Angeles 12 e
20 Dec mbe
1 e r
20 3 Jan mbe
13 u r
20 Feb ary
13 ru
20 Mar ary
13 c
20 Apr h
13 il
20 Ma
13 y
20 Jun
20 13 Ju e
20 13 Au ly
13 g
20 Sep ust
1
20 3 Octemb
1 t e
20 3 Nov ober r
13 e
20 Dec mbe
1 r
20 4 Ja embe
14 nu r
20 Feb ary
14 ru
20 Ma ary
14 rch
20 Ap
1 r
20 4 Ma il
14 y
20 Jun
20 14 Ju e
1
20 4 A ly
14 ug
20 Sep ust
1
20 4 Octemb
1 t e
20 4 No ober r
14 ve
20 Dec mbe
1 e r
20 5 Jan mbe
1 r
20 5 January
1
20 5 Feb uary
15 r
20 Feb uary
15 rua
20 Ma ry
15 r
20 March
1
20 5 Ap ch
15 r
20 April
1 il
20 5 Ma
1 y
20 5 Ma
1 y
20 5 Jun
15 e
20 Jun
1 e
20 5 Jul
20 15 Ju y
1 l
20 5 Au y
20 1 5 g u
1 Au st
20 5 Sep gust
15 t
- 17,200 Boston 20 Sep embe
1 t
20 5 Octember
1
20 5 Oc ober r
1 t
20 5 Nov ober
1
20 5 Novembe
1 r
20 5 Decembe
15 e r
20 Dec mbe
1 e r
20 6 Jan mbe
16 u r
20 Feb ary
16 ru
20 Mar ary
16 c
20 Apr h
1
20 6 Ma il
16 y
20 Jun
LOS ANGELES

16 e
NEW YORK

CHICAGO

INDIANAPOLIS
SAN FRANCISCO

Jul
y
D.C.

0
Miami
Dallas
4000k

DETROIT 2000k
6000k
8000k

Boston

ST. LOUIS Kansas


Atlanta

MINNEAPOLIS Seattle
Phoenix
10000k

Houston

CLEVELAND Columbus
Cincinnati
109

City
Philadelphia
110
CONNECTIVITY WITHOUT BORDERS

1. regional highway + interstate network

Chicago Ranked 7TH in U.S. global trade flows

$33.7 BILLION per year primarily with Canada, Mexico, Germany

chemicals, computer + electronic products, machinery


111
2. top airports for real estate investment 4. leverage our airports

3. high-speed railway possibilities 5. capitalize on our regional rail

160
AIR CARGO REAL ESTATE
SCORE SCORE

140

76.5

120

62.7

100
55.3
MSP
48.4 62.7
38.4
66.9
50.4

DTW
80

ORD
MDW
23.0
53.2 29.2

60
42.3 43.8
CLE

MCI IND CMH


STL
40

CVG
20

68.1 58.2 61.9 64.2 49.5 62.1 25.5 41.1 53.2 46.9 28.6 26.3

ORD MIA LAX MEM DFW SDF EWR IND ANC JFK OAK ATL
2.
0-5K
5K - 10K
10K - 50K
50K - 80K
80K - 100K
100K - 150K
150K - 200K
200K - 250K
250K - 300K
4. 300K - 415K

433K
741K

1,538K
792K
1,343K
1,460K 206K 223K
206K
570K 288K 102K
12,207K
1,163K 363K

2,393K

313K Amtrak Routes Passengers


Amtrak stations

Amtrak other services (bus)


3. 5.
MINNEAPOLIS
OUR IMPACT

regional HOK’s impact 2016-2017

MADISON
re-invest in our civic assets

re-connect our region

re-position our economy DES MOINES

OMAHA
re-inhabit our city

KANSAS CITY
TOPEKA

ST LOUIS

WICHITA

OKLAHOMA CITY
MILWAUKEE
GRAND RAPIDS

KALAMAZOO DETROIT

CHICAGO
TOLEDO
CLEVELAND

FORT WAYNE

COLUMBUS

INDIANAPOLIS DAYTON

BLOOMINGTON
CINCINNATI

LOUISVILLE
tower view from sydney harbor
COMMERCIAL
115
TOWER
DESIGN
COMPETITION
Sydney, Australia

The design creates a tower structure that


addresses multiple scales, from silhouette to
surface, similar to the nearby Sydney Opera
House.

At the macro scale, the team designed the


814-foot-high tower to be the tallest building
in Sydney, with a distinct profile on the skyline.
At the micro scale, the tower is situated within
an active pedestrian zone in the city center. It
complements and promotes the busy pedestrian
laneway network while touching the ground as
lightly as possible, despite the building’s size.
Both scales help create a new city landmark and
welcoming destination for residents and visitors to
work, eat, shop and pass through.

To maximize space on the ground plane, the


design pushes the tower bulk to the ceiling of the
buildable envelope, lifting the first full floor plate
80 feet above the lobby. This gesture creates
a porous, multilevel ground plane and lobby,
accommodating grade changes on site. More
importantly, it encourages pedestrian movement
through the site and draws natural light into
otherwise cavernous laneway spaces.

To create a flexible office plan, the design creates


an offset core to the south of the building,
preserving coveted harbor and Sydney Opera
House views to the north.

An external structural shell supports office


flexibility through a 39-foot, column-free band
on the north side of the floor plan. The exterior
structural grid also protects the north facade from
direct solar exposure. The design team, which
included HOK’s in-house structural engineers,
developed a highly efficient, hybrid structural
precast column system with tensioned steel
diagonals.
Splitting the tower plan into two slender lobes and
116
INFORMATION expressing the 13-foot slot in the building silhouette
creates zones for both catching daylight and providing
natural ventilation.
CLIENT Confidential
The project brief requested that all teams work with
artists on their proposals. HOK elected to collaborate
with James Carpenter Design Associates to integrate art
DESIGN PRINCIPAL Peter Ruggiero, AIA
within the architecture. The design designates plazas as
public event spaces rather than just places for sculpture.

719,600 sq. ft. / 66,850 sq. m.

814 ft. / 248 m. tall


55 floors

DIAGRAM

1. elevated tower mass + expressed vertical seam


117
2. view east from essex street
118
1. site alignment + views
119
2. view south from rugby place
120
1. lobby view from bulletin place 2. eye-level view at pitt street and rugby lane

1. 2.
121
PLAN
A
3. pedestrian marketplace B

4. office lobby floor


C
D
A. laneway
C C
B. plaza
C. retail
A A C
D. bike storage
E. lobby
F. elevated laneway
C

3.

4.
122
FACADE

1. sketch of precast facade elements

2. detail of 1:500 model

1. 2.
123
3. north elevation 4. east elevation 5. south elevation 6. west elevation

3. 4. 5. 6.
124
1. multilevel office space
125
PLAN

2. typical high-rise office floor

3. roof terrace

A. open office
A
B. atrium space
C. roof terrace B

2.

3.
view north toward the sydney opera house

“The icons of Sydney—the Harbour Bridge and Opera House—are defined by their

strong silhouette on the skyline, each with a distinct structural expression.”

- Peter Ruggiero, AIA, Design Principal


1. phone rooms
CORPORATE
129
2. private office BENTALL
KENNEDY
3. lake view corridor
OFFICE
Toronto, Ontario, Canada

Two ideas framed the design of Bentall Kennedy’s


Toronto office.

First, this leading commercial real estate firm


expressed a strong interest in creating an active
hub for employees and clients—the kind of
place where one would linger for focused work,
collaboration or social engagement.

To create a less formal and more welcoming


environment, cues from residential architecture
informed the layout, furniture and finishes.
Collectively, the hub, a large café and smaller
decentralized coffee stations facilitate
spontaneous interaction and foster community.

Secondly, inspiration for the material and furniture


palette comes from traditional men’s suit tailoring,
in which the understated quality of a garment is
juxtaposed against the occasional flourish from a
lining or pocket square. The domestically sourced
material palette of steel, oak and glass that
pervades Bentall Kennedy’s space is contrasted
against vibrantly striped phone rooms and
signature furniture pieces.

The team designed the office to meet WELL and


LEED standards. With 30 percent fewer enclosed
offices than in the firm’s previous space, the open
floor plan democratizes access to light and air,
2.
lines the building’s window walls with accessible
corridors and gives prominence to a large, central
stairwell that connects its two floors. All of these
elements help enhance health and wellness.

3.
130 “We wanted to pay homage to traditional business practice while
INFORMATION
acknowledging the changes taking place in a modern workforce. A rich material
CLIENT Bentall Kennedy Group palette creates a formal base to support a newly agile work environment.

Accents of color, a warm residential influence and heavy metallic accessories


DESIGN PRINCIPAL Caitlin Turner, NCIDQ

help balance and define the relationship of traditional to modern.”


45,000 sq. ft. / 4,180 sq. m.
- Caitlin Turner, NCIDQ, Design Principal

.7 w/sf LPD / 30% LPD reduction

PLAN

1. level 11

2. level 12

A. reception C D
B. interconnecting stair
C. conference area B
D. upper floor café A
E. lunchroom

1. 2.
131
3. interconnecting stair
132
1. café 3. interconnecting stair + conference area

2. stair detail

1.

2. 3.
133
interconnecting stair + reception
view through breezeway
CORPORATE
137
CORPORATE
AMENITIES BUILDING
FOR CONFIDENTIAL
CLIENT
Texas, USA

This amenities building is designed to fit


seamlessly into an existing corporate campus
serving more than 2,000 employees. The new
facility adds to the design vocabulary while clearly
expressing the company’s culture, which has
evolved substantially since the campus was built.

Early in the process, the client and design team


collaborated to define the project drivers that
would guide the design process. Themes included
cohesiveness, modernization, redefinition,
outdoor experience, wayfinding and value.

The new building creates a gateway to welcome


visitors and employees. Located in the middle of
campus, the organic form blends into its natural
environment, helping to unify the surrounding
structures.

At the heart of the complex is a two-story


breezeway that acts as the “town center” and links
three program wings.

The exterior engages with the existing mature


plantings and a new landscaped environment. A
waterfront dining terrace overlooks an adjacent
lake, while outdoor seating areas connect to
nearby fields and gardens. The masonry facade
reinforces a bond to the earth while signifying
craftsmanship.

The interior is connected to the site with a


transparent ground floor that draws in natural light
and blends with the landscape. The second-story
mass accentuates this connection and creates a
datum that links the three functional components.

Surrounding amenities include a soccer field,


tennis court and an outdoor wellness terrace.
“The amenities building celebrates the employees located on this
138
INFORMATION campus. Our goal is to improve the workplace, social interaction

CLIENT Confidential and functionality while creating an inspiring visitor experience

showcasing the innovative work produced here.”


DESIGN PRINCIPAL Roger Soto, AIA
- Roger Soto, AIA, Design Principal
200,000 sq. ft. / 18,580 sq. m.

CONCEPT

1. massing diagram

building entrance
campus core
139
PLAN

2. level 0

A. visitor drop-off
B. dining + conference center
C. auditorium
D. fitness area

A
140
FACADE

1. entry bridge
141
2. brick texture studies

3. brick texture signage

BRICK STUDIES | SUMMARY BRICK STUDIES | SUMMARY


BRICK STUDIES
BRICK STUDIES
| SUMMARY
| SUMMARYBRICK STUDIES | SUMMARY SCHEME 1

SCHEME 1 SCHEME 2 SCHEME 1 SCHEME 3 SCHEME


SCHEME 2 5 SCHEME 4
SCHEMESCHEME
1 1 SCHEME 1 SCHEMESCHEME
2 2 SCHEME 2 SCHEMESCHEME
3 3

2.
SCHEME 5 SCHEME 6 SCHEME 5 SCHEME 7 SCHEME
SCHEME 6 9 SCHEME 8
SCHEMESCHEME
5 5 SCHEME 5 SCHEMESCHEME
6 6 SCHEME 6 SCHEMESCHEME
7 7
CONRAD I EXTERIOR MATERIALITY

SCHEME 9 SCHEME 9
SCHEMESCHEME
9 9 SCHEME 9
CONRAD I EXTERIOR MATERIALITY CONRAD I EXTERIOR MATERIALITY HO
CONRADCONRAD
I EXTERIOR
I EXTERIOR
MATERIALITYCONRAD I EXTERIOR MATERIALITY
MATERIALITY

3.
142
1. fitness center from north campus
143
2. dining room 4. fitness center

3. lobby

2.

3. 4.
dining deck
1. conference room + adjoining breakout spaces
CORPORATE
147
2. milk bar DAIRY
FARMERS
OF AMERICA
HEADQUARTERS
Kansas City, Kansas, USA

The planning process for the new headquarters of


the Dairy Farmers of America (DFA), the country’s
largest milk marketing cooperative, drew input
from more than 75 percent of the organization’s
staff. The result is a modern, healthy, amenity-rich
workplace designed to attract and retain the best
and brightest people.

The design of the three-story building pays tribute


to the dairy farmers that the organization serves
while reflecting the cooperative’s global reach.
The space juxtaposes organic materials, including
concrete, raw steel and reclaimed wood, with
sleek applications of white, subtly reflecting the
milk and dairy products produced.

Located in the emerging Village West growth


corridor of Wyandotte County in Kansas, the
space is a highly flexible workplace that houses
400 employees. The open-plan environment,
which includes informal seating, encourages
employee collaboration and communication.
Meeting rooms and workstations are easily
changed or moved to support future growth,
while sit-stand desks and ergonomic seating
promote wellness.

An efficient steel structural system supports the


flexible open floor plates. Easy access to floor and
underfloor HVAC gives DFA’s staff control over
the environment. The plan orients the building
on the site to enable DFA to easily add a wing or
construct a new building in the future if desired.

Unique employee amenities include outdoor


conference rooms, a full-service café, a visitor
business center and a multipurpose room
that opens to a courtyard and can expand to
accommodate all of DFA’s employees. Fitness and
recreation facilities include basketball and bocce
ball courts, a walking trail and a fire pit.
148
INFORMATION

CLIENT Dairy Farmers of America

DESIGN PRINCIPAL Peter Sloan, AIA

110,000 sq. ft. / 10,220 sq. m.

annual EUI: 67.33


62.6% below ASHRAE 2007

CONCEPT

1. building form diagrams

A. standard suburban office building


B. bent form to create private courtyard
C. form pulled apart to focus views + create entry lobby
D. agrarian base references farmers
E. glass upper floors reference global reach
F. core carved out to create public space

A. B. C.

D. E. F.
149
2. exterior view

“The inspiration of the project was driven by the desire to celebrate the story of milk from farm to table. Clean, modern elements are

juxtaposed alongside reclaimed materials to reflect and communicate DFA’s global reach while honoring the local dairy farmer.”

- Peter Sloan, AIA, Design Principal


150
1. exterior courtyard
151
2. movable wall system connecting work café to building courtyard
152
PLAN

1. level 0

A. building reception
B. central three-story stair
C. milk bar
D. serving area + kitchen
E. work café
F. multipurpose rooms
G. fitness center
H. outdoor courtyard
I. bocce ball court
D
J. outdoor meeting rooms
K. interview rooms C
L. open workspace

B F
A E

H
L
K

J
I
153
2. level 1 4. ground floor concept diagram

3. level 2 5. typical floor concept diagram

4.
2.

5.

3.
boardroom in open configuration, maximizing space flexibility to host events
156
1. second-floor living room overlooking main lobby
157
2. open, family-style meeting room is located at each floor’s stair landing 3. open workspace includes demountable private offices

4. open workspace

3.

4.
2.
central stair + adjoining work café
double-height workspace
CORPORATE
161
DENTSU
AEGIS
NETWORK
OFFICE
Los Angeles, California, USA

Dentsu Aegis Network’s new West Coast office


is designed with flexibility to accommodate the
expansion and contraction of the global media
group’s operating companies.

The design and construction team collaborated to


address the challenges, including ceiling height
limitations and the HVAC system, of converting a
parking garage into a modern workplace.

The office features a classic, mid-century modern


design aesthetic. A beaded curtain acts as a space
and visual divider between the reception area and
café/work zone. Composed of natural walnut and
painted beads of varying sizes, the curtain is strung
on a tension cable extending from floor to ceiling in
the double-story space. This curtain motif continues
throughout the space—from the light fixtures to the
accent wallcoverings.

Drawing inspiration from nature, the neutral


material palette is complemented by wood ceiling
baffles, accent walls, pantry millwork and furniture.

The lower floor houses an unassigned work area


with café-style seating including benches, powered
picnic tables and adjacent conference rooms.

The upper floor features traditional workstations,


with breakout furniture accommodating impromptu
meetings. The main pantry opens to a terrace to
host staff meetings and client events. A drop-down
projector screen and audiovisual equipment are
integrated into the space.
162 “The beaded curtain and communicating stair emphasize
INFORMATION
connectivity between the two floors and create a sense of

CLIENT Dentsu Aegis Network energy flowing through the space.”

DESIGN PRINCIPAL Kristi Zoref, NCIDQ


- Kristi Zoref, NCIDQ, Design Principal

18,300 sq. ft. / 1,670 sq. m.

.88 w/sf LPD / 12% LPD reduction

CONCEPT

1. stair design sketches


163
2. proposed stair sketch
164
1. feature stair 2. reception

1. 2.
165
3. ground-floor pantry

3.
166
1. main pantry
167
2. lounge looking toward pantry
DALLAS OFFICE

main lobby + hospitality lounge


CORPORATE
169
POLSINELLI
OFFICES
Dallas, Texas, USA
Denver, Colorado, USA

Polsinelli has partnered with HOK on 24 office


projects in 18 cities over the past six years. These
projects have played an integral role in establishing
the law firm’s workplace design standards and
creating a consistent brand experience across its
U.S. offices. By visually communicating the firm’s
brand and culture, these offices serve as recruiting,
marketing and community engagement tools.

Dallas Office

The design of Polsinelli’s Dallas office fosters


a progressive culture through the creation of a
relaxed, collaborative and hospitality-focused
workplace.

A grand staircase at the center of the lobby offers


views of the city’s skyline and seamlessly connects
the two-level conferencing center. Conference
rooms are pulled back from the windows, creating
a gallery hall that offers more dramatic views of
the city and serves as an event space connected
to a rooftop terrace. A hospitality lounge provides
casual client breakout space with sofas, lounge
chairs, serving bars, a coffee bar and an open café.

Each floor is arranged to maximize efficiency while


offering special features. Designers coordinated
overhead equipment to maximize ceiling heights
and open areas. Vertical wood elements increase
the volumetric feeling of the space, which is
enhanced by natural light flowing through the
expansive glass, high ceilings and office sidelights.

A refined palette of neutral whites and grays


offsets the firm’s collection of colorful artwork, with
yellow used as an accent color to symbolize the
warm Texas sun.

Denver Office

Located on the top four floors of a new downtown


office tower, the design of Polsinelli’s Denver
office features a modern mountain aesthetic that
capitalizes on panoramic views of the Rockies.
As clients and visitors navigate the office, they follow a path
170
INFORMATION inspired by a mountain hike. The dark walls of the elevator lobby
lead to the reception area, which features a motif of warm wood
and rock. Visitors must break through the fog, mimicked in the
etched glass accent wall, to reach the open mountain vistas
CLIENT Polsinelli PC
beyond.

Dark and light woods echo the forest, with charcoal-stained oak
DESIGN PRINCIPAL Peter Sloan, AIA symbolizing the deeper tones of the forest floor. The use of color
reinforces the contrast between darkness and light, creating a
dynamic found in nature. Various shades of green, yellow and
Dallas: 63,000 sq. ft. / 5,850 sq. m. blue simulate the colors found in evergreens, aspen leaves and
Denver: 86,600 sq. ft. / 7,990 sq. m. the sky.

Generous corridors feature social spaces, work islands, coffee


bars and conversation niches to increase collaboration and
Dallas: .58 w/sf LPD / 42.34% LPD reduction spontaneous connections among attorneys. Designed as a series
Denver: .6 w/sf LPD / 40% LPD reduction of window boxes, conference rooms are strategically named to
correspond to the mountain peaks they frame.

A dynamic sculptural stair links all four floors, creating visual,


physical and social connections. Glass partitions and doors
around the stair create a line of security between public
and office spaces during an event while preserving visual
connections and openness.

The project team collaborated with the shell building architect to


create a 1,250-square-foot rooftop terrace and lounge used as
an indoor/outdoor event space.

DALLAS PLAN

1. level 21

D
A. reception
B. central stair
C. hospitality lounge E
D. conference center
E. rooftop terrace
F. attorney workspace F

A B
171
2. multistory volume at central stair + view of casual caucus room
conference rooms were pulled inboard to connect hospitality spaces
to an outside terrace + views of dallas’s skyline
174
1. central stair + reception lobby 2. work café

3. central stair with adjoining caucus rooms

2.

1. 3.
175
4. client hospitality area with views of downtown dallas
DENVER OFFICE

main lobby + adjoining conference rooms


178
1. main lobby + view of roof terrace

“Our design approach builds on Polsinelli’s national brand to create spaces that are both uniquely modern and

hospitality-centered to encourage social engagement with clients and communities.”

- Peter Sloan, AIA, Design Principal


179
2. central four-story stair DENVER PLAN

3. level 22

A. reception desk
B. central stair
C. main lobby
D. feature wall
E. roof terrace
F. hospitality lounge
G. attorney workspace

D
C

3.

2.
180
1. lobby outside multipurpose rooms
181
2. central stair section 3. central stair

3.
182
1. client hospitality lounge
183
2. main reception 4. custom feature wall in collaboration with amy ellingson

3. boardroom

2. 4.

3.
1. reception with connecting stair + coffee / wine bar
CORPORATE
185
2. smoked metal + glass stair with leather wrapped panel wall WHITE &
CASE
OFFICE
New York, New York, USA

The design of leading international law firm


White & Case’s new office encourages
collaboration, mentoring and networking
among attorneys and legal professionals in a
sophisticated, modern workplace.

After interviewing more than 80 White & Case


partners and associates about their workplace
needs, the design team created a highly efficient
plan and contemporary design to communicate
the firm’s culture.

To maximize flexibility and streamline the


workflow, the team created a modular plan and
kit-of-parts design. Two office sizes accommodate
partners and associates, and every workspace
has a sit-to-stand option. Open and closed
collaboration spaces offer scenic Manhattan
views and abundant natural light. A knowledge
center and genius bar supports research, shared
work and education.

Design of the amenity space draws on White


& Case’s brand to enhance the experience for
visitors and employees. A warm, balanced and
natural palette conveys a sophisticated interior
ambience punctuated by dramatic light and
textured materials. The two-story reception space
brings in light and welcomes guests with stone-
and leather-wrapped acoustic walls.

Linking the reception area to a coffee bar is a


dramatic glass and smoked steel stairway. The
“first-class” conference center was designed
with hospitality in mind. Generous multipurpose
and breakout spaces can be transformed for
entertaining and town hall meetings.

The workplace integrates emerging technologies


that support the increasing need for mobility,
group workspaces and virtual collaboration.
Restaurant-style dining, a full-service fitness
facility and a wellness center promote work-life
balance. A robust art program includes pieces
from renowned international artists on display at
key locations throughout the office.

HOK led the design of the amenity floors and


HYL Architecture designed the office practice
floors. Pentagram collaborated on the creation of
environmental graphics.
186
INFORMATION

CLIENT White & Case

DESIGN PRINCIPAL Tom Polucci, AIA, IIDA

440,500 sq. ft. / 40,925 sq. m.

.9 w/sf LPD / 10% LPD reduction

PLAN

1. level 50
B C
A
A. multipurpose rooms
B. reception below
C. knowledge center
I
D. fitness center
E. wellness center
F. lounge / wine bar
H
G. casual dining
E
H. servery F D
I. display kitchen G
187
2. reception looking east to the concierge desk + to
the knowledge center
conference breakout space + historic artifacts display
190
1. typical practice floor office pantry
191
2. typical practice floor open collaboration
192
1. knowledge center looking into the reading room

2. south gathering lounge

1.
“As a leading international law firm, White & Case wanted a first-class executive conference center that fosters social and 193

professional networking. Building on that idea, we enhanced the visitor and staff experience by connecting the top two

floors and creating a dramatic reception. We also developed a diverse amenity program. The space is a beautiful balance

of natural textures and polish, reflecting light throughout the day and night.”

- Tom Polucci, AIA, IIDA, Design Principal

2.
194
1. lounge + wine bar doubles as small event space 2. casual dining with end grain wood flooring +
large oak pivot doors open to the lounge
195
1. view from southeast at dusk
CULTURAL
197
2. aerial view AL
FOZAN
3. inner courtyard + daily prayer hall
MOSQUE
Al-Khobar, Saudi Arabia

The design of the Al Fozan Mosque creates a


memorable, striking form that supports the needs
of worshippers while celebrating the culture of
Saudi Arabia’s Eastern Province.

With its patterned and dynamic facade, the


appearance of the building’s sculptural form
changes depending on time of day and the season.

A graceful curve unifies the program elements,


which include worship spaces, offices for
the Abdullatif Al Fozan Award for Mosque
Architecture program, and apartments for the
mosque’s imam and muezzin.

The curvilinear form creates a sheltered inner


courtyard. Accessed via bridges that cross over
the reflecting pools and portals under the building,
this space integrates the landscape with the
architecture. The entry sequence into the central
plaza allows worshippers to symbolically cross
from the profane to the sacred realm, where they
can access the prayer areas.

Just off the central plaza is the polished,


monolithic form of the daily prayer hall. The main
prayer hall accommodates 1,500 worshippers,
with room for 1,200 men on the ground level and
2. 300 women in the mezzanine above.

Highly controlled use of light is fundamental in


creating a sacred space. The interior of this tall yet
intimate prayer hall receives dappled light from
the building’s base, with reflections of sunlight
emanating from the surrounding reflecting
pools. Natural light enters the space through the
patterned fenestration, creating an interplay of
light and shadow.

As the terminus to the entry road of a planned


residential community, the mosque will become
a new city landmark. Visible from all directions,
it will provide a clear reference point for the new
neighborhood.

3.
198
INFORMATION

CLIENT Abdullatif & Mohammed Al Fozan Co.

DESIGN PRINCIPAL Roger Schwabacher, AIA

60,710 sq. ft. / 5,640 sq. m.

CONCEPT

1. early massing model

2. design inspiration

1.

2.
199
3. site plan
200
DRAWING

1. level 0

2. section through daily prayer

A. main worship hall


B. entry hall
C. daily prayer
D. ablution
E. imam’s residence
F. office lobby

E C

F D

1.

2.
201
3. level 1

4. section through main worship hall

G. women’s worship
H. ablution
I. mep
J. al fozan offices
K. imam’s residence

I
J

3.

4.
202
1. the patterned facade glows at night, creating a beacon in the landscape

“The nautilus form pays homage to the site’s adjacency to the sea. It is referential to

forms found in nature, with a spiraling geometry that indicates a center point from

which all movement radiates out. The form also references the crescent moon of

Islam, connecting the architecture to the function and culture.”

- Roger Schwabacher, AIA, Design Principal


203
2. an iconic landmark in a residential neighborhood 4. detail of the facade concept

3. shafts of light penetrate the interior of the main worship hall,


creating ever-changing patterns throughout the day

2. 4.

3.
aerial view at night
front entry approach looking south from 29th street
CULTURAL
207
NILE
VALLEY
AQUAPONICS
FACILITY
Kansas City, Missouri, USA

This new development will help remedy a Kansas


City food desert and promote urban farming and
sustainable living on the city’s impoverished East
Side.

The project will expand the food production


capacity of Nile Valley Aquaponics, a community
center that offers year-round access to locally
grown vegetables and mercury-free fish. The
organization also provides low-income youth with
opportunities to learn about aquaponics through
lessons, field trips and mentoring.

Aquaponics is a gardening technique in which


fish and plants grow and thrive together. Modeled
after the natural ecosystem, this symbiotic
technique uses 90 percent less water than
traditional methods of growing food crops in
soil. Waste from the fish feeds the plants while
nutrients from the plants filter into the water and
return to the fish tank. This closed-loop system
produces healthy, organic food by avoiding the use
of any chemical fertilizers, pesticides or mercury.

Adding two new greenhouses on the existing


site will double the annual harvest to 50,000
pounds of fish and 70,000 pounds of vegetables.
Designed as a modern kit of parts, the new
greenhouses will be constructed with economical,
sustainable and easily procurable materials to
promote the use of this model in other cities.
The new facility also incorporates a marketplace,
a chicken coop, beehives, rainwater collection
cisterns, a wind turbine and raised garden beds.
Community gathering spaces, including an event
area, harvest tables and a shaded protected
terrace provide neighbors and visitors with
opportunities to relax and learn.

To increase the visibility of Nile Valley Aquaponics


in the community, the design incorporates
high-impact graphics that showcase the
organization’s mission and educate visitors on the
value of creating a community around healthy,
environmentally friendly food. The facility will also
serve as a sustainable economic development
model for similar sites nationwide.
208
INFORMATION

CLIENT Nile Valley Aquaponics

DESIGN PRINCIPAL Chris DeVolder, AIA

0.7 acres / 0.28 hectares

CONCEPT

1. sketch massing axon

2. sketch diagrams

1. 2.
209
3. view inside harvest house of tilapia pond and orchard
210
1. community plaza 3. aerial view

2. multipurpose space + market

1.

2. 3.
211
4. community raised beds + approach

5. bird’s eye looking southwest

“The design embodies the mission

of Nile Valley Aquaponics: to build

community around food. Through

open spaces and a visitor-friendly

experience, the facility supports

healthy lifestyles, celebrates and

educates the community, and gives

them the tools they need to share in

the harvest.”

- Chris DeVolder, AIA, Design Principal

4.

5.
“Viewed from the city, the stone facades block
1. view from the gulf
the intense desert sun and reflect the solidity and

permanence of the Central Bank. In contrast, the

transparent north elevation looks out across the Gulf,

expressing Kuwait’s historic openness to commerce and

trade with the Gulf region and the world.”

-Larry Malcic, AIA, Design Principal


GOVERNMENT
213
2. detail of southeast facade CENTRAL BANK OF
KUWAIT
HEADQUARTERS
Kuwait City, Kuwait

The Central Bank of Kuwait’s new headquarters


building is a symbol of the country’s significant
economic power in the 21st century. Located in
the Sharq commercial and financial district, it is a
new landmark on Kuwait City’s skyline.

The office building is formed by a triangular,


truncated pyramid tower intersected by a
podium that houses reception and banking halls,
conference facilities, dining and banquet rooms,
and a museum.

The building’s geometric forms echo the geometry


and order of Kuwaiti architecture. The two walls
facing the sun are predominantly stone, while the
northern elevation is glass. The stone elevations
face the city, communicating the bank’s solidity
and security. This stone absorbs the heat of the
sun, harnessing it to ward off the chill of desert
nights. Horizontal slots with recessed window
openings minimize solar gain. At night, the all-
glass viewing platform at the top of the building
glows like a lighthouse.

The transparent north-facing wall offers


occupants panoramic views of the Gulf, serving as
a constant reminder of the sea’s important role in
the region’s commerce and trading history.

Visitors enter the building through an expansive


lobby. The wall opposite the reception desk and
adjacent to the escalators features full-height,
backlit onyx pleated panels.

A retail bank branch on the ground floor provides


banking services to staff and the community. On
the second level, a 240-400-seat conference
facility accommodates corporate events and can
be subdivided for smaller gatherings. Overlooking
the Gulf, a 330-person auditorium is cantilevered
beyond the line of the angled eastern elevation.
A two-story juice bar at the opposite end offers
views west toward the city.

The design creates a modern, comfortable work


environment for bank staff.
214
INFORMATION

CLIENT Central Bank of Kuwait

DESIGN PRINCIPAL Larry Malcic, AIA

807,300 sq. ft. / 75,000 sq. m.

728 ft. / 222 m. tall


41 floors

1. northeast elevation
215
2. main entrance
216
1. north elevation 2. southeast elevation
217
3. banking hall entrance
218
1. main entrance reception
219
2. reception waiting area 3. auditorium

2. 3.
1. southeast view
HEALTHCARE
221
2. historic university campus CENTER FOR
ACADEMIC MEDICINE
3. massing concept sketch
FOR CONFIDENTIAL
CLIENT
California, USA

This center for academic medicine represents an


ambitious effort to provide disparate research
disciplines with a common, collaborative
environment. HOK’s integrated design services
included architecture, landscape architecture,
sustainability consulting, interior design, strategic
planning, structural engineering and MEP
engineering.

The location's mild Mediterranean climate and


an adjacent nature preserve inspired the team to
develop a master plan for the three buildings to act
as an extension of the arboretum experience by
featuring connected outdoor spaces.

The narrow wings envelop a courtyard providing


diverse settings for collaboration near the woods
and in plazas, balconies, walkways, porches and
terraces.

Internally, the workplace promotes interaction


between medical specialists and the outdoor
environment.

2. 3.
222
INFORMATION

CLIENT Confidential

DESIGN PRINCIPAL Paul Woolford, AIA

600,000 sq. ft. / 55,740 sq. m.

annual EUI: 45 kBtu/sf/yr


57% below ASHRAE 2007

1.
223
1. concept models

2. site context map

Pro
je
Sit ct
e

Arboretum

2.
224
LANDSCAPE

site plan
A
A. eucalyptus grove
B. oak woodland B
C. entry plaza
D. porch
E. multiuse lawn
F. courtyard
G. terrace C
H. arboretum overlook
I. bay tree grove
J. trx
K. stormwater
L. service court
M. café patio
N. ramp to garage
F D

G
I

L M
K

B
J N
Oak Woodlands - Trees
225
FLORA auercus agrifolia - coast live oak

(not shown)
quercus lobata - valley oak
quercus doublasii - blue oak
quercus wislizenii - interior live oak
pinus torreyana - torrey pine
aesculus californica - california buckey
Ericameria linearifolia Arctostaphylos
arbutus unedo glauca
- strawberry tree
woodland trees Interior Goldenbush Big Berry Manzanita

Quercus agrifolia Quercus douglasii


rhamnus californica - mound san bruno coffeeberry
Quercus lobata
Coast Live Oak Blue Oak Valley Oak
(not shown)

Courtyard - Planting Palette heteromeles arbutifolia - toyon


ericameria linearifolia - interior goldenbush
arctostaphylos glauca - big berry manzanita
mimulus aurantiacus - sticky monkey fower
eschzcholzia californica - california poppy

woodland understories

urantiacus Rhamnus californica 'Mound San Bruno‘ Eschscholzia californica


key Fower Coffeeberry California Poppy
arctostaphylos - dr. hurd manzanita

(not shown)
native grass + wildflowers
graxinus uhdei - orange county evergreen ash
Pinus torreyana Cercis occidentalis quercus agrifolia - coast
Bloom in spring Aesculus californica
live oak
Torrey Pine Western Redbud muhlenbergia dubia - pine muhly California buckeye
Native Grasses w/ Wildflowers carex divulsa - berkeley sedge
salvia spathacea - hummingbird sage
urban garden

cercis occidentalis - western redbud

(not shown)
lavandula - goodwin creek lavender
erigeron karvinskianus - santa barbara daisy
carex divulsa - berkeley sedge
calamintha nepeta - lesser calamint
lupinus albifrons - silver bush lupine
penstemon margarita bop - foothill penstemon
achillea filipendulina - yarrow
courtyard

Cercis occidentalis Fraxin


Western Redbud Evergr
226
1. janus gate

Like the Gates of Janus in ancient Rome, the center for academic medicine The entrance lobby creates a gateway in four directions: north-south and
acts as a gate with multiple functions: from past to future, from historical east-west. A south-facing balcony overlooks the main campus and frames
campus to new medical school campus, and from university grounds to the the grand entry porch. These elements will become aspirational icons and
arboretum. landmarks for the expanding medical school campus.

The courtyard allows the arboretum to flow through the buildings toward The building’s access and collaborative zones occur at the corners and ends
the medical school hospitals. The narrow architectural forms grant efficient of the wings. The main entrance lobby and principal collaborative spaces
access to daylight and natural ventilation, serving as a connection to nature. are stacked along the southwest corner closest to the historic campus.
Conceived as a large hall overlooking the campus, this space will function as
A pinwheel rotation introduced to the wings embraces the dynamic site a central collaborative destination for the medical faculty.
conditions. This provides directionality, hierarchy and opportunities for
diverse outdoor spaces. Small gaps and extensions to the wings produce
and project the pinwheel effect along the vertical organization. The implicit
ground-level rotation is slightly different than the rotation at upper levels,
increasing the sense of movement.
227
2. model view of northeast elevation

3. model view of west elevation

2.

3.
228
SUSTAINABILITY

1. design for workplace

2. passive ventilation

tertiary primary internal

external

1. low med high

2.
229
3. response to climate

4. building performance diagrams

solar + daylight wind + ventilation view + open space

3.

4.
230
1. southwest view of courtyard

Built above a parking structure, the courtyard is accessed from under the great The courtyard, which can be accessed from both the west and south, is
hovering west volume—a porch-like space that will host a range of functions and surrounded by activity. Faculty, students and staff from the more public north
frame a generous opening to the courtyard and arboretum. The courtyard features wing will be drawn to the space and its restaurant, auditorium and gymnasium.
a large ovoid lawn bound by a meandering path to the arboretum. Flanked by The walkways overlook the courtyard and allow for outdoor access while bridges
trees and shrubs of local species, this path extends the arboretum plants into the traverse its edges. Completely open to the arboretum, the courtyard is a visual
courtyard. and experiential vestibule to nature.
231
2. east view of courtyard looking toward arboretum
232
1. view from west

An enveloping strategy allays the horizontal proportions, directionality and proportioned cutouts that expose an inner layer of glass. The west bar
implicit rotation of the building’s volumes. Long sequences of repetitive articulates an expanded version of the layered facades. An additional layer
vertical elements are carefully adapted to the facade’s specific condition. of aluminum blades provides shading. A longer overhang recalls the pattern
The subtle, rotating architecture hovers above ground—except at the of articulated rooftops on the existing campus.
northwest corner, where it is rooted in the earth in a wide, terra-cotta plinth.
The diaphanous facades along the courtyard are more detailed and take
The long, hovering limestone volumes open to the landscape as balconies advantage of the climate and outdoor amenities. On the south facade, a
and terraces. The stone volumes are expressed as planes with vertical landscaped walkway provides solar shading.
233
2. facade from main road
breakout space

“The design is inspired by

the ancient, multi-sided

Janus Gate in Rome. Like

the gate, the center is the

portal between the past

and future. It looks toward

the historic arboretum on

one side and the future of

medicine on the other.”

- Paul Woolford, AIA,

Design Principal
1. community hospital multi-bed tower
HEALTHCARE
237
2. acute care hospital NG TENG FONG
GENERAL AND JURONG
COMMUNITY HOSPITALS
Jurong, Singapore

Ng Teng Fong General Hospital (NTFGH) is


Singapore’s first medical campus with an
outpatient clinic, community hospital and acute
care general hospital. The team designed the
campus as a prototype for the Singapore Ministry
of Health’s effort to provide high-quality, affordable
care to all.

Sustainable design strategies create a facility that


functions like a vertical healing garden and oasis in
the dense city of Singapore.

The sawtooth-inspired plan revolutionizes the


traditional healthcare model by providing every
patient with a window. The team designed the
patient bed towers to optimize access to natural
light to enhance the patient experience. The fluid,
dynamic design directly responds to the position of
the sun and prevailing breezes.

Seventy percent of the facility and 82 percent of


patient beds are primarily passively cooled and
naturally ventilated; only 30 percent of the facility
is air conditioned. Thermal mass, ceiling fans,
cross ventilation and exterior shading ensure that
the temperature remains comfortable throughout
the day, with typical ventilation rates that are
higher than in a standard U.S. patient room.

Operating suites, imaging, isolation rooms and


other critical areas are mechanically ventilated.
Dense vegetation covering low roofs and much of
the site form healing gardens, staff respite areas
and community park space. Vegetation also grows
vertically up the building, both in planter boxes and
along wires linking floors.

Rated Platinum under Singapore’s Green Mark


program, the project also includes solar thermal
hot water heating and a large photovoltaic array.

The team used detailed computational fluid


dynamics models, shading analysis, climate
analysis, daylight modeling and energy modeling to
develop the design to optimize energy efficiency
and the patient experience.
The AIA Committee on the Environment (COTE) honored
238
INFORMATION Ng Teng Fong General Hospital with a 2017 Top Ten
Green Project award as one of the year’s best examples
of sustainable design excellence. “This project is an
extraordinary model for hospitals to behave as healing
CLIENT Singapore Ministry of Health
environments, not seen in the United States,” stated the
AIA COTE jury. “The passive strategies demonstrated
here are a model for hospitals around the world.”
DESIGN PRINCIPAL Henry Chao, AIA
The facility, which includes Jurong Community Hospital,
provides seamless integration of care on a single site.
1.84 million sq. ft. / 171,300 sq. m. Close management ensures integration at the hospital’s
infrastructure, administrative and clinical levels. The
campus is designed to share service facilities including
annual EUI: 70 kBtu/sf/yr digital imaging, pharmacy, catering, medical records,
38% below ASHRAE 2007 storage and training areas.

As the design and medical planning consultant, HOK


collaborated with the Singapore Ministry of Health and a
team that included CPG Corporation (prime architect and
architect of record) and Studio 505 (design collaborator
focusing on building facade development).

CONCEPT

1. standard hospital patient ward

2. ng teng fong patient ward

1. 2.
239
3. patient ward
integrated sustainable strategies
242
hospital greening strategy

H C
B
G
F D E A

A. vertical planting

B. staff respite C. connector bridge


243

F. sky gardens

D. patient wards

G. therapeutic garden

E. link garden H. respite garden


244
1. inner courtyard 2. bed tower care
245
246
hospital campus
“The team’s approach included strategic placement of clinical programs and correlated building massing so that the main 247

patient tower forms one of the focal points on Jurong’s townscape. We also developed an urban design strategy using the

hospital campus as part of a new greenway connecting two existing green corridors and weaving hospital in access to the

transportation networks.”

- Henry Chao, AIA, Design Principal


1. entry
HOSPITALITY
249
2. entry concept sketch FOGO DE CHAO
BRAZILIAN
STEAKHOUSE
San Francisco, California, USA

Fogo de Chão’s new San Francisco location is a


tenant improvement to an existing ground floor
space of an office tower. The site is located across
from the W Hotel, Moscone Center and the newly
expanded Museum of Modern Art.

The design recreates the Brazilian churrascaria


experience in the heart of San Francisco, where
Fogo de Chão’s service and hospitality stand out
in a busy city center. The design includes indoor
dining, kitchen space (with a section for open-
display cooking) and outdoor dining.

The character of the interior recalls the owner’s


first restaurant in the Brazilian countryside and
fuses rural materials and cooking techniques with
local design inspiration. The entry experience
highlights a statue of O Laçador, a Fogo de Chão
tradition, along with a three-sided fireplace to
create an immediate warm, relaxing ambience that
draws parallels to the culinary experience.

The simple material palette reinforces this


atmosphere with a focus on wood, bronze and
stone. The dining room features a 25-foot rope
wall designed and executed by local artist Windy
Chien. Four private dining areas include working
wine display walls accommodating 1,000 bottles.
A large market table and a view into the churrasco
grill is inspired by the layout of the popular
restaurant’s original location.

An outdoor area is set apart from an active


pedestrian arcade by a 12-foot-high custom metal
screen crafted by a local decorative metal worker
to mimic the hills of San Francisco.

The resulting space invites visitors to experience


the churrasco grilling tradition in a modern,
sophisticated environment.
250
INFORMATION

CLIENT Fogo de Chao Brazilian Steakhouse

DESIGN PRINCIPAL Daniel Herriott, IIDA

1.
CONCEPT

1. dining patio concept sketch

2. floor plan concept sketch

2.
251
3. large private dining room
252
1. dining room 2. rope wall

1. 2.
253
3. bar
churrascaria + dining + bar

“The interior character pays homage to the owner’s first restaurant experience in the Brazilian countryside and fuses rural

Brazilian materials and cooking techniques with local design inspiration.”

- Daniel Herriott, IIDA, Design Principal


event terrace
HOSPITALITY
257

JACOB K. JAVITS
CONVENTION CENTER
DESIGN COMPETITION
New York, New York, USA

The expansion of the Jacob K. Javits Center


celebrates the design of the original “Crystal
Palace” completed in 1986 while creating a
modern New York City convention and exposition
center experience. This design competition plan
includes a 90,000-square-foot expansion to the
exposition floor with new entry, lobby, atrium
and prefunction spaces. It also adds more than
100,000 square feet of ballroom and meeting
spaces.

Crystalized cube forms along the building’s south


side establish a relationship with the original
Crystal Palace at Javits Center. The facets and
angles of these new, multistory glass cubes
shimmer in the sunlight, creating dynamic shadow
patterns along the facade that change at different
times of the day and year. At night, the crystalized
cubes glow like paper lanterns, inviting visitors to
explore the renovated convention center.

To enhance the user experience and the


operational efficiency of the center, the design
team paid careful attention to transparency and
the volumes of the spaces enclosing the meeting
rooms, ballrooms and back-of-house facilities.
As guests enter the addition and move through
the atrium, they experience breathtaking views
of New York City to the east and south and the
Hudson River to the west. Breakout spaces on
stairway landings offer more opportunities to
experience the dramatic city skyline. At the
highest level of the ballroom, an open-air terrace
provides visitors with city vistas from an entirely
different perspective, under a structural cube.

From the south, the building’s uniform textured


cladding and simplified geometry create an
elegant backdrop to the crystal cubes. On the
north side, the truck-marshalling building is
clad in glass fiber reinforced concrete panels.
Varied openings in these panels enhance natural
ventilation and create a texture that mimics the
glazing and metal panels on the existing structure.
Directly above the truck marshalling structure and
adjacent to the ballroom is a garden terrace that
accommodates special events and that provides
spectacular views of the Hudson River to the west
and Manhattan’s skyline to the east.

HOK and Skanska USA partnered as a design-


build team for this competition.
258
INFORMATION

CLIENT Empire State Development /


New York Convention Center Development Corporation

DESIGN PRINCIPAL Kenneth Drucker, FAIA

1.1 million sq. ft. / 102,195 sq. m.

annual EUI: 70.5 kBtu/sf/yr


13.5% below ASHRAE 2007

1. section with flow diagram

A. ballroom
B. meeting rooms
C. exposition hall

e
av
h
12t

existing javits center


e
av
h
11t
259
2. exposition hall
260
CONCEPT

1. view corridors from green roof

OOF - INDICATIVE DESIGN


261
2. section through massing concept one

3. massing concepts

expo space
prefunction
existing building
marshalling
back of house
pavilion

BOH
GREEN ROOF

MARSHALLING

2.

EXISTING NEW

BOH

MARSHALLING

3.

INDICATIVE
INDICATIVE
DESIGN
DESIGN ALT.
ALT.1 1 ALT.
ALT.22
262
CONCEPT 3. shifted for program + views

1. context model of 11th ave elevation

2. original massing reinterpreted

1.

2. 3.
263
4. massing elements 5. massing elements

A. entry plaza D. prefunction space


B. event terrace E. ballroom
C. illuminated graphic display cube F. illuminated graphic display cube

A B C D E F

4. 5.
264
FACADE

1. crystal facade concept


S
S
S
SE VIEW- INCIDENT SOLAR RADIATION- WINTER (DEC - MAR)

SE VIEW - INCIDENT SOLAR RADIATION- SUMMER (JUN - SEP)

SE VIEW - INCIDENT SOLAR RADIATION- SPRING (MAR - JUN)


265
2. southeast solar radiation studies 3. southwest solar radiation studies

T SOLAR
T SOLAR ANALYSIS
ANALYSIS
T SOLAR
T SOLAR ANALYSIS
ANALYSIS
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2. fall 3. fall
266
1. aerial view of 11th ave facade

“The design of the massing and facades for the proposed expansion of the Javits Center was derived from an adaption of the

original Javits curtain wall design. The original Pei Cobb Freed convention center celebrated the latest in glass curtain wall

technology available in 1986―similar to London’s Crystal Palace of 1850. Our proposal adapts the current massing and

facades from the original 1986 structure―three decades later―while reimagining a glass building

using today’s glass technologies. This creates a new dynamic entry and integrates the expansion

with the adjacent Hudson Yards development.”

- Kenneth Drucker, FAIA, Design Principal


267
2. hudson river elevation

3. view from from hudson river

2.

3.
aerial view
270
1. green roof + new marshalling garage
271
2. ballroom 4. view of circulation from meeting rooms

3. circulation in lobby atrium

2. 4.

3.
view of new entrance from 11th ave
1. main entry through the civic plaza
JUSTICE
275
2. early concept model expressing facade articulation DAVIDSON COUNTY
CRIMINAL
3. massing study of building
JUSTICE
CENTER
Nashville, Tennessee, USA

The new Davidson County Metro Criminal Justice


Center in the heart of downtown Nashville
completes a civic campus that includes the city’s
historic City Hall and Courthouse.

Visitors enter the Justice Center through a glass


lobby that emphasizes the open relationship
between the county government and the
community it serves. The building will house
Davidson County Sheriff’s Office staff and up to
1,000 inmates, with a 64-bed mental health wing
to address the emotional and psychological needs
of prisoners.

Because zoning requirements limited the height


of the new Justice Center to five stories, the
design team made the massing longer and
wider to accommodate space requirements. The
form and width align with the taller neighboring
2. buildings, giving it a comparable volume. Similar
colors and building materials on the exterior blend
harmoniously within the historic campus while
providing the new Justice Center a thoroughly
modern composition.

The extended civic plaza outside the building and


a new public garden featuring trees and fountains
emphasize Nashville’s commitment to community
and downtown development. The plaza links the
historic courthouse and City Hall and becomes a
new gathering place for public activities.

Design strategies such as green roofs, stormwater


mitigation and photovoltaic systems demonstrate
the city’s dedication to sustainability. The facility
replaces the existing Justice Center constructed
in 1982.

3.
276
INFORMATION

CLIENT Metropolitan Government of Nashville and Davidson County

DESIGN PRINCIPAL Peter Ruggiero, AIA

405,000 sq. ft. / 37,625 sq. m.

annual EUI: 698.3 kBtu/sf/yr


59% below ASHRAE 2007

ELEVATION

1. north elevation of main entry + public plaza


277
2. southeast aerial
view into civic plaza from james robertson parkway
280
PLAN 2. open visitor lobby looking out to civic plaza

1. civic plaza - level 2 3. typical housing unit promotes rehabilitation

A. plaza
B. entry lobby
C. visitation
D. work-release
E. lockers + gym
F. dayrooms
G. outdoor recreation yard

F
G
C
C

A B

F
UP

E G
D
281

2.

3.
282
DRAWING

1. west elevation

2. north-south section

1.

2.
283
284
1. west facade articulation from 3rd avenue
285
2. view into public rain gardens
civic plaza engages the community

“The success of the design for the Davidson Justice Center lies in the resolution of contemporary

attitudes of detention with the demands and expectations of significant civic urban buildings.”

- Peter Ruggiero, AIA, Design Principal


The aesthetically discreet and functionally
integrated lab furniture system features
cantilevered work surfaces, open storage, task
lighting and integrated services.
PRODUCT
DESIGN
289
SCIENTIFIC
LAB
FURNITURE
SYSTEM

HOK Product Design approached Kewaunee


Scientific Corporation, a global leader in
laboratory, healthcare and technical furniture
products, with a concept for improving the
workplace in research labs.

Conceived as a series of enhancements to


improve service management, lighting and
collaboration in the lab, the project evolved into
the creation of a cohesive architectural furniture
system.

The system features an oval structural extrusion


that supplies gas, power and network connectivity
throughout labs while isolating wet and dry
services. Work surfaces can be configured in
conjunction with glass shelving and suspended
cabinets. To reduce the number of table legs, the
monolithic extrusion can span two workstation
modules. Each frame can feature a cantilevered
end table for collaboration. The resulting large
technical harvest table, or research pod, optimizes
multidisciplinary research, interaction and
movement around the perimeter.

The product line also includes sit-to-stand heavy


instrument tables, lightweight and reconfigurable
write-up desks, mobile cabinets and a flexible
panel system. LED task lighting is integrated
into shelving supports, and upper beams can be
configured with linear LED modules that provide
indirect adaptive lighting. Services exiting the
ceiling lay directly into the upper beams for
efficient configuration and expansion.

Kewaunee Scientific will introduce the new


product line in 2018 with support from HOK
Product Design. Additional components are in
development.
290
INFORMATION

CLIENT Kewaunee Scientific Corporation

DESIGN PRINCIPAL Matthew Hern

CONCEPT

The original “Enhance” concept won the 2015 HOK


Product Design Competition, and was submitted by
Gordon Stratford, Ami Shah and Virginia Byers. The
design concept explored improving user experiences
and enriching collaboration in research environments.
The design offered new, more efficient ways of
managing overhead services and helping groups
share results and improve team culture.
291
1. top view: Based on 5-foot modules, islands are made up of four shared
workstations and teaming tables for collaboration.

2. perspective: The design intent is to reduce intrusions, seams and boundaries—


allowing for openness between stations and promoting interaction among
researchers.

1.

2.
“The clean aesthetics and scale of the architectural structure foster interaction and

innovation to create open, engaging lab environments.”

- Matthew Hern, Design Principal


The lower aluminum casting
adds characteristically
expressive form and stability,
supporting the vertical
columns and cantilevered
work surfaces. Services run
horizontally and vertically
throughout the system, and
both task and indirect lighting
are provided. End tables
accommodate project updates,
personalization and teamwork.
southwest aerial view
RESIDENTIAL
297
633
S. LASALLE
STREET
TOWER
Chicago, Illinois, USA

This design concept for a mixed-use residential


tower introduces a contemporary co-living concept
to the growing Printer’s Row neighborhood south
of downtown Chicago.

Advancing urban living and coworking trends,


the 25-story tower pairs minimal living units with
generous shared amenities to draw residents into
the building’s common spaces. Compact en-suite
bedrooms provide private living space, while
common areas offer a sense of community rarely
found in traditional residential tower models.

The tower’s efficient design is influenced by


the constrained site, parking requirements and
adjacency to elevated train tracks.

A sky lobby embedded within the parking podium


acts as a gateway to the building. It provides a
central public space above the sightline of the
train tracks. By inserting amenities into the garage
podium, common gathering spaces for tenants and
guests can be maximized.

Flexible spaces surrounding the street entrance


can be used for events, pop-up retail stores, street
fairs or food vendors. These activities enhance
the urban experience and attract foot traffic,
maximizing revenue for the building owner.
298
INFORMATION

CLIENT Confidential

DESIGN PRINCIPAL Peter Ruggiero, AIA

225,000 sq. ft. / 20,905 sq. m.

285 ft. / 87 m. tall


25 floors

SECTION

1. elevated amenity space

A. entrance
B. parking
C. amenity
D. residential

A
299
2. garage + amenity space
300
CONCEPT

1. northwest view of elevated amenity space


301
2. southwest view of elevated amenity space

“The design investigates a new paradigm for urban housing and a redefined utility of the urban elevated garage

typically found in the podium of residential towers.”

- Peter Ruggiero, AIA, Design Principal


302
PLAN

1. typical residential floor on levels 8-24

A. 4-bedroom unit
B. 2-bedroom unit
C. 3-bedroom unit
D. studio unit

C
303
2. level 0 3. level 4 4. level 25 roof

E. main entrance I. coworking space N. 4-bedroom unit


F. bike room J. bar O. 2-bedroom unit
G. parking garage entrance K. outdoor lounge P. 3-bedroom unit
H. lobby L. flex + event space Q. water feature
M. parking R. terrace

R
G
J

N
Q
L

E H I M O

F K
N
P

2. 3. 4.
aerial view
RESIDENTIAL

SUTTON PLACE 305

DESIGN
COMPETITION
New York, New York, USA

Sutton Place is a quiet enclave in Manhattan


located south of the Ed Koch Queensboro Bridge
and north of the Midtown East neighborhood. The
highly visible East River site creates a significant
opportunity for 430 East 58th Street to become
an urban expression of Sutton Place on the
Manhattan skyline.

The new development visually anchors the


neighborhood with an elegant tower featuring a
terra-cotta frame, punched openings and a taut
curtain wall. The top of the high-rise culminates
with an oculus facing south to honor the United
Nations Headquarters.

Terra-cotta reinforces the neighborhood palette,


while the four-story frame openings relate to
the scale of adjacent townhouses. As the tower
rises, staggered fenestrations convey a sense of
movement and form a streamlined statement that
creates a dialogue with surrounding buildings.

Crafted as a contextual “townhouse,” the building’s


base includes the resident entrance and amenity
floors. Vertical terra-cotta elements are linked with
bronze channels and limestone to create a double-
height cantilevered entry canopy with a welcoming
street presence. A private rear garden reinforces
Sutton Place’s small park environment.

The conceptual design provides floor plan options


for both a central core and a north side core
without altering the exterior design. The central
core option provides 360-degree views and more
daylight penetration on all four sides. The north
side core offers a more efficient option that allows
for improved layouts and better views to the south.

Representing a new generation of Sutton Place


residents, the timeless design celebrates the
unique scale, charming character and breathtaking
views that draw people to the neighborhood.
306
INFORMATION

CLIENT Lehrer, LLC

DESIGN PRINCIPAL Kenneth Drucker, FAIA

305,000 sq. ft. / 28,335 sq. m.

750 ft. / 228.6 m. tall


60 floors

CONCEPT

1. podium elevation study


307
2. model photo
308
elevation studies

“The new development visually anchors the neighborhood with an elegant tower

featuring a terra-cotta frame, punched openings and a taut curtain wall.”

- Kenneth Drucker, FAIA, Design Principal


309
310
1. model photo PLAN

2. typical floor with center core

A. entry hall of full floor unit


B. master suite
C. living room
D. dining room
E. eat-in kitchen

2.

1.
3. typical floor with side core

4. rendered facade study

F. entry hall of full floor unit


G. eat-in kitchen
H. dining room
I. living room
J. master suite

H I

3.

4.
312
1. west elevation 2. street view

1. 2.
313
3. view from east river looking north
view from east river looking south
1. gateway to the campus

2. building geometry as a response to site

1.
SCIENCE +
TECHNOLOGY
317
EDUCATION
BUILDING
FOR CONFIDENTIAL
CLIENT
California, USA

This addition to an existing university building


mediates between past and future, work and
play, and building and site. The iconic structure
completes the overall campus master plan.

The building brings together the arts, science


and rapid prototyping of various scales. The team
conceived the design based on balanced concepts
of gateway, heart and pathways.

Situated along a natural canyon and next to a


future light-rail stop, the center engages the
landscape and connects to the light-rail line,
forming a new eastern gateway to the campus.

Envisioned as a circular hub of activity anchored


in the landscape, the heart of the project sits
opposite a high-bay workspace fronting the street
and future light-rail edge.

Passengers arriving at the station will exit


onto a ramp that proceeds down between the
two anchor points and under the cantilevered
mass. This reinforces the gateway concept and
provides visibility for the different activities taking
place inside. It also begins a series of pathways
connecting to the building and existing campus.

Two levels of the addition float above this space


and act as a wrapper that extends from the
existing building and sweeps around to create a
dramatic overhang at the canyon’s edge.

2.
318 “The design team set out to demonstrate our process and ability to harness cross-
INFORMATION
disciplinary thinking. Our process adapted the university’s research philosophy
CLIENT Confidential of thinking, observing, making and testing. The proposal embodies dualities of

DESIGN PRINCIPAL Ernest Cirangle, FAIA


seriousness and play, connectivity and placemaking.”

- Ernest Cirangle, FAIA, Design Principal


70,000 sq. ft. / 6,500 sq. m.

CONCEPT

1. The central spiral activates the interior space and


connects the building heart to the exterior landscape plaza.
319
PLAN

2. level 3 + level 4

A. existing research labs


B. existing office
C. exterior gathering space
D. meeting rooms
E. new research studio
F. collaboration work space
G. office
H. vertical + visual connectivy zone

A C

D
H
G

F
E
320
SITE STRATEGY 2. building concepts

1. site concepts

1. 2.
321
3. gateway + heart 4. pathways

3. 4.
322
MODEL 2. view across canyon

1. design model 3. view from the light rail

4. heart of the campus

2.

3.

1.

4.
323
5. a new campus heart
324
1. interior activity hub
325
2. typical studio work space

3. building section through heart

2.

3.
1. view of main entrance from midland road
SCIENCE +
TECHNOLOGY
327
2. main east-west atrium THE
FRANCIS
CRICK
INSTITUTE
London, UK

The Francis Crick Institute was founded by seven


major leading institutions focused on biomedical
research in the United Kingdom. The partnership
included the Medical Research Council and its
National Institute for Medical Research, Cancer
Research UK, University College London, Imperial
College London, King’s College London and the
Wellcome Trust, a major philanthropic institution
funding medical research. Initially seen as a way
to provide much-needed new research space for
these institutions, it soon became apparent that
the building also would provide an opportunity to
create an innovative model for research.

The Crick departs from traditional research


models. The focus is on attracting the best talent
and then letting these researchers follow their
instincts. There are no departments or specific
research directions and almost no idea is off limits.
There also is no tenure, with researchers allowed
to stay at the Crick for a maximum of 12 years. The
intent is to keep the thinking fresh while providing
a source of talent for other UK institutions and
creating opportunities for collaboration among
institutions. There is only limited protection of
intellectual property. Discoveries are shared
openly with the rest of the world and partnerships
with industry are encouraged.

To promote this innovative approach, the design is


highly flexible and adaptable to meet the ever-
changing needs of existing and new researchers.
It was especially important for every aspect
of the design to encourage the interactions
and collaborations that generate so many
breakthrough ideas. Concepts of visibility and
spontaneous encounters are central to the design.

The building is composed of four blocks separated


by a main east-west atrium and a smaller north-
south transverse atrium. The intersection is an
informal meeting, break and support area. An
adjacent central stair connects all floors. The linear
arrangement of lab neighborhoods optimizes visual
permeability, offering views across the atrium into
the write-up areas and through the primary labs.
The building site is in the heart of central London’s
328
INFORMATION growing scientific community. This location provides easy
rail links to Cambridge, Oxford and the rest of the EU for
connections with other researchers. Its proximity to many
London hospitals offers opportunities for the type of
CLIENT The Francis Crick Institute interactions between researchers and clinicians that fuel
collaboration and innovation.

DESIGN PRINCIPAL Larry Malcic, AIA The significant technical challenges of building on this
DESIGN TEAM LEADER David King, RIBA urban site required design measures that prevented
vibration and electromagnetic interference from local rail,
SCIENCE LEADER Bill Odell, AIA subway and truck traffic.

HOK served as architect and lead designer responsible


980,000 sq. ft. / 91,000 sq. m. for the project’s overall design concept, interior
design, lab planning and landscape architecture.
PLP collaborated with HOK in shaping the building’s
distinctive form and striking architectural roof
annual EUI: 382 kBtu/sf/yr expression.
31% below ASHRAE 2007
The building was certified BREEAM Excellent for
environmental sustainability.

CONCEPT

1. design evolution
329
2. proximity + visibility are critical: between write-up + lab, lab + lab,
wings of the building + floors
330
SITE

context map

A. the francis crick institute


B. british library
C. st pancras station
D. eurostar station
E. king’s cross station
F. euston station
G. ucl campus
H. future turing institute
I. king’s cross development

F
I

G
332
CONCEPT

1. massing strategy

A. maximum volume by zoning + right to light


B. center atrium opened for light, views + internal visibility
C. cross atrium opened for light, views + to create a center
D. internal circulation along atriums for visibility
E. four lab neighborhoods with central support, break + informal meeting areas

A. B.
C.

D. E.
333
2. study model in site context
aerial view of the crick
©Laing O’Rourke
336
PLAN

1. level 0
B
F
A. public entrance
B. employee entrance
A
C. service entrance
E
D. lecture theater
E. exhibition space
F. teaching lab for children
H
G. informal meeting
H. seminar suite D
I. dining area
J. kitchen
K. servery
L. coffee bar + pub
M. community facility G
N. garden
L
O. public walkway

I K O

B
N M
337
2. level 1

P. wet lab
Q
Q. informatics
R. administration support
S. informal meeting
T. write-up areas
U. central stairs
V. cell lab
T
W. histopathology
T P P
X. flow cytometry
Y. high throughput screening

X
Y

P T
P
T

Q Q

W
V
view from lab write-ups toward central collaboration space
340
SECTION

1. longitudinal section through atrium

A. labs
B. mechanical
C. atrium
D. entrance
E. auditorium
F. loading bay

C C

E F D
D
B
A
B
A
341
2. glazing to transverse atrium 3. ground floor central collaboration space

4. cross-atrium bridges provide opportunities for informal meetings

3.

2. 4.
342
ATRIUM

1. open stair connecting the central collaboration space at each level


343
2. main reception + auditorium entrance 4. elevator bank + call station

3. central stair from above

2.

3. 4.
344
LABORATORY

1. primary lab with shared support + write-up beyond


345
2. perimeter circulation route with offices + write-ups 3. openable white walls create collaboration pods that encourage
spontaneous discussions + interaction

4. view from a write-up area with primary lab, shared support + mirrored
layout beyond

3.

2. 4.
ground floor view of auditorium + atrium

“Science is constantly evolving and therefore requires a highly collaborative environment to facilitate scientific

breakthroughs. We are delighted that our holistic design solutions will aid in these new discoveries and keep London at

the forefront of innovative medical research.”

- Larry Malcic, AIA, Design Principal


1. main entry
SCIENCE +
TECHNOLOGY
349
2. concept sketch MEDICAL RESEARCH
BUILDING
3. exterior detail
FOR CONFIDENTIAL
CLIENT
California, USA

The design transformed a 1960s-era office building


into a modern, light-filled research workplace to
advance medical science at one of the world’s
premier universities.

The facility houses high-performance biomedical


research laboratories that accommodate a wide
variety of collaborative research teams. Specialized
spaces include core facilities, shared workspaces
and related infrastructure to support each team.

Skylights welcome daylight deep into two-story


gathering and circulation spaces. Glass walls with
simple, origami-like folds replaced outdated glass
window walls at the north and south ends of the
2. existing building. This floor-to-ceiling glass floats
above a wide-planked boardwalk along the edge
of the outdoor gardens, blurring the lines between
interior and exterior environments.

The design team collaborated with the client


to identify the specific needs of each type of
researcher. This informed the size and configuration
of open and closed labs, infrastructure, support
facilities and collaboration areas.

Parametric design tools enabled the team to


test the long-term flexibility and viability of three
different concepts to find the best solution. The
analysis revealed that approximately 20 percent
of the research space needed to be flexible to
adapt to changing research programs and future
technologies.

This project has enabled the university to


implement, test and refine new standards for
planning interdisciplinary research space.

3.
350 “Engaging the building plan and section into a synchronous design of simple
INFORMATION
folding planes of glass and vibrant colors, we reimagined how a 1960s
CLIENT Confidential
office building made up of opaque, cast concrete and stone panels could be

DESIGN PRINCIPAL Paul Woolford, AIA


transformed into a contemporary, light-filled research environment. All interior

spaces have views out to the natural world.”


75,000 sq. ft. / 6,970 sq. m.
- Paul Woolford, AIA, Design Principal

annual EUI: 298.7 kBtu/sf/yr


20% below ASHRAE 2007

CONCEPT

1. building performance diagrams

2. health + wellness diagrams

1. retrofit flexible programs water reuse


dry

wet

support

views daylight biophilia


dry

wet
circulation

2.
351
PLAN

3. level 0

A. labs
B. specialty lab rooms
C. work stations
D. offices
E. collaboration spaces
F. administration
C E
G. kitchen
H. wellness room
I. open collaboration space
D
A
G I F

B B
E

D
H
I G
A

E C
352
1. phenotype models

2. faculty phenotypes

INDIVIDUAL UNIVERSITY INDIVIDUAL UNIVERSITY

1.

The team incorporated three of the school’s five faculty phenotype models into the research building. Investigating a wide variety of planning
scenarios enabled the team to create the optimal quantity and mix of wet and dry benches and desks.

2.

USED PHENOTYPES UNUSED PHENOTYPES


353
3. lab
354
1. north collaboration area
355
2. south collaboration area
356
1. south facade garden terrace
357
2. north building entry at boardwalk
1. view from channelside + meridian
SCIENCE +
TECHNOLOGY
359
2. site plan UNIVERSITY OF
SOUTH FLORIDA
3. site context MORSANI SCHOOL
OF MEDICINE
Tampa, Florida, USA

The Morsani School of Medicine will create a new


downtown Tampa campus for the University of
South Florida and establish the school’s presence
on the city’s skyline. The building will serve as an
anchor for a new 53-acre multiuse development
to create a more walkable and sustainable
environment for downtown residents, workers,
students and visitors.

To attract top-tier students and cardiovascular


researchers, the university challenged the design
team to create a signature, urban facility for its
new medical school and heart institute.

A rigorous design process resulted in the creation


of a prismatic element both in form and effect.
Much like a prism refracts light, the building
form refracts from the ground to the sky to
accommodate and express a diverse mixture of
programmatic elements.

Subtle, faceted gestures make up the facade and


reveal specific moments of public gathering space
such as the main lobby, cafeteria, library and
prefunction areas.

Large, multistory atria were created to internally


weave together the different programs. These
spaces give volumetric relief along the western
and southern edges while enhancing internal
connectivity and providing direct, unobstructed
views to the plaza and surrounding Tampa Bay.

HOK is collaborating with Skanska on the design-


build project.

2. 3.
360
INFORMATION

CLIENT University of South Florida

DESIGN PRINCIPAL Roger Soto, AIA

340,000 sq. ft. / 31,590 sq. m.

265 ft. / 80 m. tall


15 floors

CONCEPT

1. concept sketches
361
2. early conceptual building section
362
PLAN 2. diagram illustrating internal atria connectivity

1. diagram illustrating programmatic stacking

*medical college of medicine (mcom)

mechanical

vivarium

shell

shell

office

labs

mcom*

mcom*

2.
mcom*

public space
363
3. level 0 4. level 1 5. level 2

A. main lobby F. cafeteria I. student commons


B. retail space G. prefunction J. learning community
C. elevator lobby H. auditorium K. classrooms
D. back of house L. experimental learning lab
E. loading dock

D F

4.

C L

A B J
I

3. 5.
364
1. main lobby
365
2. cafeteria 4. west atrium

3. library

2.

3. 4.
366
1. view from channelside

“The design provides the university with a setting for a new way of

learning and for engaging with the city of Tampa.”

- Roger Soto, AIA, Design Principal


367
2. main lobby + plaza
1. northeast aerial perspective

2. initial concept diagram


SPORTS +
RECREATION +
ENTERTAINMENT
369
MAJOR
LEAGUE
SOCCER
STADIUM
St. Louis, Missouri, USA

The design for this proposed Major League Soccer


(MLS) stadium provides the region with a top-tier
venue for sporting, music and cultural events.

The 20,000-seat stadium offers spectacular


views of downtown St. Louis while creating a new
landmark for visitors approaching from the west.
Its open design to the north and east creates
a strong visual connection to the surrounding
district and downtown core while an elegant raised
canopy along the west protects spectators from
the setting sun.

Both the canopy and the tightly enclosed stadium


bowl structure are designed to maximize noise and
excitement during games and events. Upper-level
seating is flexible to accommodate an expansion
to a stadium capacity of 28,500 seats.

The site is adjacent to St. Louis Union Station, a
National Historic Landmark currently undergoing
a renovation, and within one mile of the Gateway
Arch, Busch Stadium, St. Louis Ballpark Village,
Scottrade Center and Peabody Opera House.
The design connects the stadium to this walkable
sports, culture and entertainment corridor, which
is accessible via three MetroLink light-rail stations.
More than 1,400 new stadium parking spaces are
planned to complement existing parking options.

Entry points at all four corners provide visitors


with easy access to the stadium from the
surrounding site. A linear green space to the east
creates a pedestrian area linking the stadium to
the urban landscape and the adjacent Memorial
Plaza. This park was envisioned to encourage
year-round activity on the site and create a venue
to host a variety of festivals and events.

2.
370
INFORMATION 2. site plan

CLIENT MLS2STL A. 27,000-seat stadium


B. game-day parking
DESIGN PRINCIPAL Eli Hoisington, AIA C. training + facilities
D. entry plaza
E. game-day plaza
450,000 sq. ft. / 41,800 sq. m.
F. st. louis union station
G. union station improvements

CONCEPT

1. concept diagram
371

B
B

B
G
372
1. aerial perspective looking east
373
2. seating views looking downtown

3. street-level approach

2.

3.
field level view of home team stands

“This project hearkened back to the original sports venues and how they were sited by using the natural topography and folding

the stadium’s natural bowl shape into an existing landscape. Unlike the ancients, however, who found hills and natural forms to

work with, our team discovered that repurposing the site of a highway interchange created the opportunity for a natural bowl.

By fitting the stadium into the local context and removing acres of barriers in the old highway network, we were able to connect

the fabric of the city with this new development. The final move is a gentle tilt to the east, shading the bowl and honoring views

to the Gateway Arch.”

- Eli Hoisington, AIA, Design Principal


northeast exterior view
SPORTS +
RECREATION +
ENTERTAINMENT
377
MIAMI
DOLPHINS
HARD ROCK
STADIUM
Miami, Florida, USA

The modernization of Hard Rock Stadium offers


Miami Dolphins fans a world-class experience that
is authentic to South Florida and provides the city
with a venue for marquee events.

HOK collaborated with the NFL’s Miami Dolphins


to develop a comprehensive design solution for
the $500-million modernization of the team’s
existing stadium. To ensure that the Dolphins
would not miss any home games, the extensive
renovations were completed in three phases.

In 2015 every seat in the facility was replaced


and innovative seating products were introduced.
Seating options at a variety of price points now
accommodate all fans, from corporate clients to
families and millennials. Updates to the 100 and
300 level concourses included contemporary food
service offerings and amenities. The renovations
added a Field Club, North Sideline Club and
corner terraces.

Creative new living-room boxes meld the home


viewing and game-day experiences. Each of the
32 boxes include four individual recliners, up to
four programmable high-definition TVs and access
to the 72 Club, a unique indoor lounge.

The design reinforces Miami’s culture and


heritage by incorporating murals by local artists,
comprehensive wayfinding and branding, local
materials and experiential design components.
Each club, suite, social gathering and dining space
provides fans with a splash of South Florida.
In 2016 a new open-air canopy became the
378
INFORMATION stadium’s signature architectural element. The
elegant canopy provides weather protection and
sun shading while still allowing ample sunlight
CLIENT Miami Dolphins to reach the natural grass field. This canopy also
captures and amplifies crowd noise, enhancing
the game-day experience. Other improvements
included 22,400 square feet of new high-
DESIGN PRINCIPAL George Heinlein, AIA
definition video boards, a new audio system and
fiber-optic Wi-Fi.

1.2 million sq. ft. / 111,480 sq. m. Renovations for 2017 included comprehensive
updates to all existing premium spaces on the
200 Club and 200 Mezzanine Suite levels and
annual EUI: 28.5 kBtu/sf/yr distinct new designs for the sideline and end zone
45% below ASHRAE 2007 suites. Club interiors, designed in collaboration
with Rockwell Group, were refreshed to support
the Dolphins’ approach to the fan experience.

PLAN

1. 300 level + upper concourse


D C

A. support column
B. mast
C. circulation ramps A
D. open concourse
E. escalators

E
379
2. seating bowl
380
1. north club
381
2. public art in concourse 4. north club food + beverage

3. nines premium club

2.

3. 4.
382
1. structural drawing of mast
A

A. upper node
B. tension support cable
C. the mast
D. etfe membrane
E. roof steel
F. lower node
G. tension bracing
H. concrete support column
I. upper concourse

F
I
383
2. mast
SECTION

transverse section - 50-yard line


south exterior view

“The original stadium lacked identity and an architectural presence. We addressed this by

creating an expansive and iconic shade structure. This elegant open-air canopy, which was

erected in just seven months, includes more than 17,000 tons of steel and covers more than

600,000 square feet of space.”

- George Heinlein, AIA, Design Principal


DESIGN TEAMS

AVIATION + TRANSPORTATION LaGuardia Airport Central Terminal B New York, New York, USA 12
Peter Ruggiero (Design Principal) Gerard DeZern
Marie Achalabun Kholisile Dhliwayo
Amir Aghajani Saad Dimachkieh
Roosevelt Alexandre Gregory DiRienzo
Zahra Ali Koriey Dixon
Marcus Allen George Dolidze
Abdulaziz Almobarak Julie Donovan
Robert Asselin Madeleine French
Paul Auguste Carl Galioto
Cindy Bang Yu Gao
Tom Bayer Cid Garcia
Stephen Beacham Hyeongmo Goo
Matthew Breidenthal Apoorv Goyal
Jose Briones Raul Guerrero
Ashlee Broadus Pawel Gurdak
John Brocato Meredith Hall
Bart Butler Nancy Hamilton
Yuhong Cao Lawson Hanna
Jeremy Charmchizadeh Mark Hendel
Dany Chehade Brian Henkel
Robert Chicas Adriana Hernandez
Ilya Chistiakov Julia Heutel
James Christerson Eli Hoisington
Mario Claussnitzer Alyssa Horn
Leesa Coller Kyle Ingber
Peter Costanzo Julie Janeo
Ashley Craig Nathan Janicek
Steven Danielpour Justin Jennings
Benjamin Denker Naomi Katlowitz
Devki Desai Hiroyuki Kawakami
Eunil Kim Juyoung Park
Joo Young Kim Jack Parker
Varun Kohli Amy Patel
Komal Kotwal Nishiel Patel
Aman Krishan George Pavlovski
Gary Kuzma Jennifer Pittenger
OChong Kwon Mark Pritchard
Joanna Lam Courtney Robinson
Lamar Lane Alejandro Rodriguez
Julian Lawson Rene Ruiz
Edward Ledoux Roberto Saldarriaga
Kanoknart (Noon) Leelardchareon Adriana Sangeorzan
Zifan Liu John Santoro
Christopher Lodge Meiko Sato
Eugene Lund Gregory Schleusner
Shawn Lutz Darko Sefic
Al Lyons Jeannette Segal
H. (Anu) Mahendra Mohammed Shuaib
Donald Marmen Simon Shim
Marissa Martorana Satomi Shimamura
Glenn McCann Francisco Silva
Charles McGrail Michael Smith
Katherine McPhillips Julie Somarriba
Francesca Meola Erica Srolovitz
Michael Miller Jacquelyn Suozzi
Oritsegbegbemi Nanna Amer Taghlebi
Alexander Nash Jiasi Tan
Sergio Navarro Giacomo Tinari
John Neary Enrico Tomassoli
Edgar Nunnelly Diana Ton
Anastasios Papadopoulos Abbeylane Torres
DESIGN TEAMS (CONT.)

AVIATION + TRANSPORTATION LaGuardia Airport Central Terminal B (cont.)


(CONT.) John Tran Zhenhuan Xu
Aaron Ricardo Vazquez Junko Yamakawa
Hengfeng Wang Scott Yocom
Stephen Weinryb Deborah Young
Elizabeth Weintraub Vincent Yu
Marion White Bashir Zivari
Elizabeth Wu Christopher Zoog

New LaGuardia Airport Master Plan New York, New York, USA 38
Gregory Cranford (Design Principal) James Mallory
Matt Breidenthal Francesca Meola
Javier Buscaglia-Pesquera Daniel Ng
Kenneth Drucker Aneirin Owens
Anne Fletcher Isaac Plumb
Ely Fretz Casey Renner
Carl Galioto Maria Salazar
Lucy Gross Simon Shim
Marc Gross Jiasi Tan
William Jenkinson Patrick Vokaty
Kooho Jung Justin Warner
Nicolas Libeyre Zhaoyan Zheng

COMMERCIAL 1101 16th Street NW Washington, DC, USA 54
Bill Hellmuth (Design Principal) Emillio Stokes
Mateusz Gawad Esther Wang
Chloe Hiyu Joe Winters
The Allen Mixed-Use Development Houston, Texas, USA 64
Roger Soto (Design Principal) Raul Guerrero
Kathrin Brunner Jenny Qualls
Zach Christeson Joseph Wilfong
Jarrett Ewing

Ghirardelli Square Plaza San Francisco, California, USA 78
Brian Jencek (Design Principal) Xue Ling
Minyoung Choi Arthur Morrissey
Kathy Doi Beau Pesa
Joon Kim Robin Roderick
Ben Kuchinsky Joseph Schneider

Mixed-Use Development Design Competition Riyadh, Saudi Arabia 88


Roger Soto (Design Principal) Chris Oliver
Kathrin Brunner Seonghyeak Won

Our Urban Midwest Chicago, Illinois, USA 100


Domenic Salpietra (Design Principal) Jiasi Tan
Baixin Ren

Tower Design Competition Sydney, Australia 114


Peter Ruggiero (Design Principal) Farid Pour
Matt Breidenthal Sean Quinn
Allison Burrell Casey Renner
Mark Hendel Domenic Salpietra
Kyle Ingber Jiasi Tan
Amit Khanna Giacomo Tinari

CORPORATE Bentall Kennedy Office Toronto, Ontario, Canada 128


Caitlin Turner (Design Principal) Sally Shi
Pia Concepcion Sharon Turner
DESIGN TEAMS (CONT.)

CORPORATE (CONT.) Corporate Amenities Building for Confidential Client Texas, USA 136
Roger Soto (Design Principal) Noon Leelardcharoen
Cindy Bang Wendy Niziol
Kathrin Brunner Joseph Wilfong

Dairy Farmers of America Headquarters Kansas City, Kansas, USA 146
Peter Sloan (Design Principal) Mark O’Hara
Jake Baker Zachary O’Keefe
Lynn Carlton Sandy Price
Adam Guzman Molly Smith
Eric Linebarger Tracy Stewart
JJ Nicolas Bridget Sturr

Dentsu Aegis Network Office Los Angeles, California, USA 160


Kristi Zoref (Design Principal) Erika Reuter
Kallie Ingersoll Meiko Sato
Justin Ping Anthony Spagnolo

Polsinelli Office Dallas, Texas, USA 168


Peter Sloan (Design Principal) David Roberts
Eric Linebarger Shawn Sanem
Emily Payne Tracy Stewart
Steven Roark
Polsinelli Office Denver, Colorado, USA
Peter Sloan (Design Principal) Shannon Moore
Erin Adcock Emily Payne
Ashley Carter Steven Roark
Claire Dooley Danny Shervington
Aaron Godfrey Tracy Stewart
Eric Linebarger
White & Case Office New York, New York, USA 184
Tom Polucci (Design Principal) Rene Ruiz
Gregory Bassiely Andrea Tambay
Elizabeth Marr Christine Vandover
Yelena Mokritsky

CULTURAL Al Fozan Mosque Dhahran, Saudi Arabia 196
Roger Schwabacher (Design Principal) Mateusz Gawad
Olivia Calalo Leon Ge
Andrea Feniak Oliver Vranesh

Nile Valley Aquaponics Facility Kansas City, Missouri, USA 206


Chris DeVolder (Design Principal) Tony McGrail
Jake Baker JJ Nicolas

GOVERNMENT Central Bank of Kuwait Headquarters Kuwait City, Kuwait 212


Larry Malcic (Design Principal) Simon Lawrence
Christopher Colosimo Tom Leung
Chris Fannin Mark O’Brien
Ian Fleetwood Andy Warner Lacey
Daniel Hajjar

HEALTHCARE Center for Academic Medicine for Confidential Client California, USA 220
Paul Woolford (Design Principal) So Young Lee
Julia Cooper Ali Nasiri
Tom Fortier Ryan Nearman
Emily Fowlkes Chris Patneau
Daniel Herriott Kyle Prenzlow
Michele Hutchinson Philip Ra
Brian Jencek Ali Sedaqat
Tom Kaczkowski Rotimi Seriki
Randy Kray David Vogel
Ben Kuchinsky LiYan Yang
Minji Lee
DESIGN TEAMS (CONT.)

HEALTHCARE (CONT.) Ng Teng Fong General and Jurong Community Hospitals Jurong, Singapore 236
Henry Chao (Design Principal) Shiva Mendez
Mara Baum William Roger
Michael Gould Paul Woolford
Brian Jencek

HOSPITALITY Fogo de Chao Brazilian Steakhouse San Francisco, California, USA 248
Daniel Herriott (Design Principal) Anne Pradenas
Dimitri Avdienko Tambra Thorson
Casey Hagen

Jacob K. Javits Convention Center Design Competition New York, New York, USA 256
Kenneth Drucker (Design Principal) Nathan Hoofnagle
Claudia Conde Varun Kohli
Shayna Cooper Marina Mazin
Carl Galioto Marie-Paule Petitjean
Apoorv Goyal Maria Salazar
Greg Green Harsha Sharma
Marc Gross

JUSTICE Davidson County Criminal Justice Center Nashville, Tennessee, USA 274
Peter Ruggiero (Design Principal) Sue Kim
Julie (Hyun Jung) Cho Nareg Kurtjian
Gregory Cook Jourdon Miller
Jeff Davis Cory Murner
Fred Goebel Lou Oswald
Jeff Goodale George Pavlovski
Gerry Guerrero Casey Renner
Dan Hartmann Bob Schwartz
Larry Hlavacek Patrick Vokaty
Yongbeom Ji
PRODUCT DESIGN Scientific Lab Furniture System 288
Matthew Hern (Design Principal) Ami Shah
Virginia Byers Gordon Stratford
Susan Grossinger

RESIDENTIAL 633 S. LaSalle Street Tower Chicago, Illinois, USA 296
Peter Ruggiero (Design Principal) Gaute Grindheim
Allison Burrell Lou Oswald
Javier Buscaglia-Pesquera Domenic Salpietra
Ashley Craig Dan Sullivan

Sutton Place Design Competition New York, New York, USA 304
Kenneth Drucker (Design Principal) John MacCallum
Anne Fletcher James Mallory
Kooho Jung Elizabeth Weintraub

SCIENCE + TECHNOLOGY Education Building for Confidential Client California, USA 316
Ernest Cirangle (Design Principal) Brian Jencek
Ashley Craig Randy Kray
Robert Cull Ken Sumner
Jessica Ginther LiYan Yang

DESIGN TEAMS (CONT.)

SCIENCE + TECHNOLOGY The Francis Crick Institute London, UK 326


(CONT.) Larry Malcic (Design Principal) Gethin Hemmings
David King (Design Team Leader) Angus Kennedy
Bill Odell (S+T Leader) Yuan Liang
Mujib Ahsan Tom Leung
Adrienne Bohan Liam Mannion
Joyce Chan Amy McGarry
Andrew Childs Beate Mellwig
Claire Cohen Mark O’Brien
Christopher Colosimo Femi Oresanya
Francesco Cortese Nilesh Patel
David Cutmore Adam Rigby
Mark Drew Shem Sacewicz
Paul Duggleby Judith Sayers
James Eggleton Jeff Strohmeyer
Jeongsu Eun Robert Studd
Ian Fleetwood Sarah Scarisbrick
Queralt Goni Jamie Taylor
Robert Gordon Alejandra Anguil Vanier
Mark Kennedy Andy Warner Lacey

Medical Research Building for Confidential Client California, USA


348
Paul Woolford (Design Principal) Ben Kuchinsky
Tom Fortier Joseph Lewis
Emily Fowlkes Ryan Nearman
Daniel Herriott Kyle Prenzlow
Michele Hutchinson Susan Seastone
Brian Jencek Rotimi Seriki
Randy Kray
University of South Florida Morsani School of Medicine Tampa, Florida, USA 358
Roger Soto (Design Principal) Christopher Patterson
Melissa Collazo Adriana Rojas
Amelia Cubbage April Sun
Jamie Inskeep Tom Thomas
Eddie Pabon Jonathan West

SPORTS + RECREATION + Major League Soccer Stadium St. Louis, Missouri, USA 368
ENTERTAINMENT Eli Hoisington (Design Principal) Arno Sandoval
Chris DeVolder Andrew Zell

Miami Dolphins Hard Rock Stadium Miami, Florida, USA 376


George Heinlein (Design Principal) Chris King
Scott Bond Halie McCarter
Tyler Clark Kent McLaughlin
Jeremy Crabb Erica Muhlenbruch
Jeff Davis Joe Nehama
Micheal Day Mark O’Hara
Ewa Glebocka Zachary O’Keefe
Jeff Goode Michael Patterson
Hannah Grammon Emily Scaduto
Greg Green Jeff Sittner
Sarah Hunter Lynn Shenk
Ed Hurtig Danny Shervington
Erik Jertson Tracy Stearns
John Jesik Megan Weber
Dean Jordon Kyle Wedel
Kloe Katubig
IMAGE CREDITS

AVIATION + TRANSPORTATION LaGuardia Airport Central Terminal B Mir, HOK 12


New LaGuardia Airport Master Plan Arqui300, HOK 38

COMMERCIAL 1101 16th Street NW Neoscape, HOK 54


The Allen Mixed-Use Development ATCHAIN 64
Ghirardelli Square Plaza Jamestown, Marion Brenner 78
Mixed-Use Development Design Competition +imgs 88
Our Urban Midwest HOK 100
Tower Design Competition Doug and Wolf 114

CORPORATE Bentall Kennedy Office Tom Arban 128


Corporate Amenities Building for Confidential Client A-TRACE Digital Technology 136
Dairy Farmers of America Headquarters Michael Robinson 146
Dentsu Aegis Network Office Benny Chan©Fotoworks 160
Polsinelli Offices Michael Robinson 168
White & Case Office Eric Laignel 184

CULTURAL Al Fozan Mosque HOK 196


Nile Valley Aquaponics Facility HOK 206

GOVERNMENT Central Bank of Kuwait Headquarters Nick Merrick©Hedrich Blessing 212


HEALTHCARE Center for Academic Medicine for Confidential Client Foreground Visuals 220
Ng Teng Fong General and Jurong Community Hospitals Rory Daniel 236

HOSPITALITY Fogo de Chao Brazilian Steakhouse Emily Hagopian 248


Javits Convention Center Design Competition Shanghai Icon Digital Technology 256

JUSTICE Davidson County Criminal Justice Center ATCHAIN 274

PRODUCT DESIGN Scientific Lab Furniture System Kewaunee 288

RESIDENTIAL 633 S. LaSalle Street Tower HOK 296


Sutton Place Design Competition HOK 304

SCIENCE + TECHNOLOGY Education Building for Confidential Client Steve Parker 316
The Francis Crick Institute Chris Ansell, Paul Grundy 326
Medical Research Building for Confidential Client Bruce Damonte 348
University of South Florida Morsani School of Medicine ATCHAIN 358

SPORTS + RECREATION + Major League Soccer Stadium Pictury 368


ENTERTAINMENT Miami Dolphins Hard Rock Stadium Christy Radecic 376

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