3rd Clarinet in Bb

Overture: The Barber of Seville Rossini

arranged by George Pollen

  Andante maestoso (q=46)    

              
    
              ff    
ff
pp pp
        
5

                     

         

8

                        
         

 
11 A
                       
    p                  
ff          
               
14

        
           

16

                
               

18 B
 
                        
 pp
 pp  pp
f f

 
      
22

           
        ff

                    
26 CAllegro con brio (h=90)
        
p staccato

              
31

                     
 
Copyright © 2012 Pollen
2
Barber of Seville
3rd Clarinet in Bb

              
37

     
    
p  staccato

                      
42

                         


       
48 D
                
3 3

    
ff
   3
  
54
 3 
     
              
  
3

      
 

3
60
 
                
3
 
3

         
   

           
65

E
   
                    


69
          
       

       
     
         

       
73

          
          
        


77
 
                      
                        
    
81


            
 p    mf
 mf  p       
pp staccato
 3
Barber of Seville
3rd Clarinet in Bb


93 F

                       


99

  
                    


105 G
 
                       


111


                   


116 H
    
     
 
           
p p


122

    
                 
               
pp 


127


                               
       cresc. poco a poco            

131


                               
                  molto cresc.    V.S.
4
Barber of Seville
3rd Clarinet in Bb


135 I
                        
                   
      ff

                
Più mosso
  
139 J

                      



  
143

                      
                    

                           
147
  
                                
sf sf sf

                 K               

151

                       

                              

155

           

L    
        
159

 
 
   
 
 
 
   


    

162
 
   

 

 
