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tl x ><J
place of the mud shark in your my - thol - 0 - gy. Here it __

Rhy.Fig.2
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I\~-It~ J J J J J J

tl .. '---3----' '----3---' '---- 3-----'

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1 112
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16
 GIr. 5 tacet
D#m7 89
r- 3 ---. .--3--.

-- --
L
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.;
I can't ___ see.

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n r =/'=
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D#m7 89 Dtm7
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Gtr, 2: wi Rhy. Fig. 1 (4 times, simile)
Gtr, 7 lacel
89 D#m7

--
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r-- 3 ----. r--- 3 ----., ....-3---,
IUoll:~ . i I I'"

.;
2. He took a dog
- -
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doo
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sno
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cone.

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20
 To-My Friends at
JoeysGuitarTabs.net

JoeysGuitarTabs.net
 Verse
Double-time feel
Gtrs. 2 & 5 tacet
C F c F
loco
* I~ ,

oJ I
Sung: 4. I wrapped a news - pa - per 'round my head __ so I'd look like was deep,_
Gtr. I
A

'" Doubled one octave higher.

c F c F
3
,

then, _
<:»
I said some _ Mum - bo Jum-bos told him he was go - in' to sleep. _

"'l)"'"

c F C F
A f.

oJ I
~
robbed his rings _ an' pock-et watch _ an' ev - 'ry-thing else L, found. _

C F C F
A
~3~ ~3~ ~3~
I ,- ~ =
oJ
L......J
I had that
L. I
suck-er
-I
hyp - no-tized. He could not e _ yen
-
make , a
<:»
sound. _ I pro-

oJ .'!:.::!"'

46
 .-
I

-- -.

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oJ """""I
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=- ~3~
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rake -I rake-I grad. bend

1_

A.

OJ >
-
.--
I 112

62
 >

2 2

v- - -I

II]
N.C.
.. p.l!:: a

64
 Dm7 G7 Bbm

)
A

•
2. Just keep yer nose ,

~.

Verse
Gtr. I: wi Rhy. Fig. I, simile
Dm Dm/C GIB GmIB, Am7 Gm7 Dm

~
to the grind - stone, they _ say. Will that re - deem us, __ Un - de

(Ah.
~
Ab,

Gm7
B' F B'ID F B,IC

~
~

fro __
Re mus?_ I can't wait till my is full - grown._ I'll just

~
ah. _ Ah.

Dm7 G7 Bbm FIC B,IC FIC

......." ""- <s

throw 'way my dOD _ rag_ at home. _ I'll take a drive to Bev-er -ly Hills c;

Ah, _

A+5/C# Dm

~ '-=
just be - fore dawn, _ an' knock the lit - tIe jock eys off the

ah, _ ah,

74
 I
r-; r-...
81B:;;~ril
8 19 12 19 8 8 8
19
11
19
100: 19....

on
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n

Verse
Gtr. 4 tacet
C7
2 r-------2- ~

4 ,..--3----.

Spoken: 5. Well, then Fi do got up off the floor an' he rolled over, an' he

~-~--2-------.
i Gus. 1&2

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2 ,
112
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.., -* -*""\ Int'x ""'-' fl-* -* """\
looked me straight in the eye, an' you know what he said? "Once up-on a time,
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some-bod-y say to me," this is a dog talk-in' now, "What is your con - cep - tu - al
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112 112
+ +
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89
loJ .. *, :;t ~ ~
con - ti - nu - i - ty?" "Well, I told him right then," Pi - do said,

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112 112
+ +

oJ ee ..
"it should be eas -
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the "'"'
bis - cuit
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IS
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the A -

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112 112
+ +

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pas - tro-phe." Well, you know, the man that was talk-in' to the dog looked at the dog, and he said,
,..---2~

~3~

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1~ ~2

"q:;t. * * :;t.. "'"' @

sort of star-ing in dis - be ~ lief, "You can't say that!" He said,
,..---2~
.-- 3 --, .--- 3 ---.

OJ .. I I
,

112
•

90
NATURAL HARMONIC: Strikethenotewhile Thenoteisfretted
PINCHHARMONiC: HARPHARMONIC: Thenoteisfrettednormajy PICKSCRAPE: Theedgeofthepickis
thefret-handlightlytouchesthestring normallyandaharmonicis produced by andaharmonic is producedbygentlyrestingthe rubbeddown(orup)thestring,producing
directlyoverthefretindicated. addingtheedgeofthethumborthetip of pickhand'sindexfingerdirectlyabovethe ascratchysound.
theindexfingerof thepickhandto the indicated
fret(inparentheses)whilethepick
normalpickattack. hand'sthumbor pickassistsbypluckingthe
appropriate
string.
8,"

Harm. P.H. H.H. r.s.

MUFFLEDSTRINGS: A percussive
soundis Thenoteis partiallymuted
PALMMUTING: Dragthepickacrossthestrings
RAKE: TREMOLO Thenoteis pickedas
PICKING:
produced
by layingthefrethandacrossthe bythepickhandlightlytouchingthe indicated
withasinglemotion. rapidlyandcontinuously
aspossible.
string{s)withoutdepressing,
andstriking string(s)justbeforethebridge.
themwiththepickhand.

.~ ~ ~ ~ , rake----I
P.M.-- -~ - -- --- -- ---I

Playthenotesofthechord
ARPEGGIATE: VIBRATO
BARDIVEANORETURN:
The VIBRATO Depress
BARSCOOP: thebarjust BARDIP:Strikethenoteandthen
VIBRATO
indicated
byQuicklyrollingthemfrom pitchofthenoteorchordis droppeda beforestrikingthenote,thenQuickly immediatelydropaspecifiednumberof
bottomto top. specifiednumberof steps(in rhythm)then release
thebar. steps,thenrelease
backto theoriginal
returnedto theoriginalpitch. pitcn.
-1/2 -112 -112
A .... V V V

----
-------
wI bar
wfbar--- ., wI bar- - -- - ~- - - - - --.,
-1/2
V
-112
V
-112
V

-1

Additional Musical Definitions

(accent) Accentuate
note(playit louder) Rhy_Fig. Labelusedto recalla recurring
accompaniment pattern(usuallychordal).

(accent) • Accentuate
notewith greatintensity Riff Labelusedto recallcomposed,melodic
lines(usuallysinglenotes)whichrecur.

(staccato) • Playthe noteshort Fill Labelusedto identifya briefmelodic

figurewhichis to beinsertedintothe
arrangement.

• Downstroke Rhy_Fill A chordalversionof a Fill.

v • Upstroke tacet • Instrumentis silent(dropsout).

D.S.al Coda Gobackto the sign( ~ ), thenplayuntil

~
• Repeatmeasuresbetweensigns.
the measuremarked"To COda,"thenskip
to the sectionlabelled"Coda."
D.C. al Fine Gobackto the beginningof the songand Whena repeatedsectionhasdifferent
playuntilthe measuremarked"Fine" (end).
rilrz.- endings,playthefirst endingonlythe first

~
timeandthe secondendingonlythe
- . secondtime.

NOTE: Tablaturenumbersin parentheses mean:

1. Thenoteis beingsustainedovera system(notein standardnotationis tied),or
2. Thenoteis sustained,but a newarticulation(suchasa hammer-on,pull-off,slideor vibratobegins),or
3. Thenoteis a barelyaudible"ghost"note(notein standardnotationis alsoin parentheses).

96